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Color name
HEX #406280

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406280 it is the complementary color #BF9D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406280 shade: #45627B, #56748E, #6786A1, #7898B4 and #89AAC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406280 shade: #406280, #2F506D, #1E3E5A, #0D2C47 and #001A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406280 shade: #406280, #405180, #414080, #524080 and #634080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406280 shade: #406280, #405180 and #404080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406280 shade matches the following richer shades: #406280, #316390, #2164A0, #1165AF and #0266BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406280 shade: #406280, #506171, #606061, #6F5F51 and #7F5E42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406280 shade: #40807C, #407480, #406380, #405180 and #404080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406280 shade: #25384A, #334D65, #406280, #4E779C and #638CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406280 shade: #406280, #6B4080 and #7C8040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406280 shade: #406280, #804063 and #638040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406280 shade: #406280, #6B4080, #805E40 and #568040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406280 shade: #406280, #7E4080, #805E40 and #438040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

Complementary color

CMYK 0 / 18 / 34 / 25

HEX #BF9D7F

RGB 191 157 127

HSL 28.13, 0.33%, 0.62%

LAB 67.07, 8.25, 20.43

 

CMYK 44 / 20 / 0 / 52

HEX #45627B

RGB 69 98 123

HSL 207.78, 0.28%, 0.38%

LAB 40.3, -3.53, -17.37

 

CMYK 39 / 18 / 0 / 44

HEX #56748E

RGB 86 116 142

HSL 207.86, 0.25%, 0.45%

LAB 47.52, -3.81, -17.62

 

CMYK 36 / 17 / 0 / 37

HEX #6786A1

RGB 103 134 161

HSL 207.93, 0.24%, 0.52%

LAB 54.56, -4.04, -17.88

 

CMYK 33 / 16 / 0 / 29

HEX #7898B4

RGB 120 152 180

HSL 208, 0.29%, 0.59%

LAB 61.43, -4.22, -18.16

 

CMYK 31 / 15 / 0 / 22

HEX #89AAC7

RGB 137 170 199

HSL 208.06, 0.36%, 0.66%

LAB 68.16, -4.38, -18.46

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 57 / 27 / 0 / 57

HEX #2F506D

RGB 47 80 109

HSL 208.06, 0.4%, 0.31%

LAB 32.8, -2.77, -20.39

 

CMYK 67 / 31 / 0 / 65

HEX #1E3E5A

RGB 30 62 90

HSL 208, 0.5%, 0.24%

LAB 25.14, -1.9, -20.26

 

CMYK 82 / 38 / 0 / 72

HEX #0D2C47

RGB 13 44 71

HSL 207.93, 0.69%, 0.16%

LAB 17.19, -0.47, -20.12

 

CMYK 100 / 50 / 0 / 80

HEX #001A34

RGB 0 26 52

HSL 210, 1%, 0.1%

LAB 8.88, 1.92, -20

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 50 / 37 / 0 / 50

HEX #405180

RGB 64 81 128

HSL 224.06, 0.33%, 0.38%

LAB 35.07, 7.37, -28.59

 

CMYK 49 / 50 / 0 / 50

HEX #414080

RGB 65 64 128

HSL 240.94, 0.33%, 0.38%

LAB 30.28, 18.83, -36.19

 

CMYK 36 / 50 / 0 / 50

HEX #524080

RGB 82 64 128

HSL 256.88, 0.33%, 0.38%

LAB 31.85, 23.4, -33.58

 

CMYK 23 / 50 / 0 / 50

HEX #634080

RGB 99 64 128

HSL 272.81, 0.33%, 0.38%

LAB 33.73, 28.4, -30.49

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 50 / 37 / 0 / 50

HEX #405180

RGB 64 81 128

HSL 224.06, 0.33%, 0.38%

LAB 35.07, 7.37, -28.59

 

CMYK 50 / 50 / 0 / 50

HEX #404080

RGB 64 64 128

HSL 240, 0.33%, 0.38%

LAB 30.19, 18.58, -36.32

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 66 / 31 / 0 / 44

HEX #316390

RGB 49 99 144

HSL 208.42, 0.49%, 0.38%

LAB 40.56, -1.89, -29.75

 

CMYK 79 / 38 / 0 / 37

HEX #2164A0

RGB 33 100 160

HSL 208.35, 0.66%, 0.38%

LAB 41.18, 1.06, -38.37

 

CMYK 90 / 42 / 0 / 31

HEX #1165AF

RGB 17 101 175

HSL 208.1, 0.82%, 0.38%

LAB 42.03, 4.95, -45.89

 

CMYK 99 / 47 / 0 / 25

HEX #0266BF

RGB 2 102 191

HSL 208.25, 0.98%, 0.38%

LAB 43.18, 10.11, -53.4

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 29 / 14 / 0 / 56

HEX #506171

RGB 80 97 113

HSL 209.09, 0.17%, 0.38%

LAB 40.32, -2.38, -11.16

 

CMYK 1 / 1 / 0 / 62

HEX #606061

RGB 96 96 97

HSL 240, 0.01%, 0.38%

LAB 40.76, 0.21, -0.57

 

CMYK 0 / 14 / 27 / 56

HEX #6F5F51

RGB 111 95 81

HSL 28, 0.16%, 0.38%

LAB 41.47, 4.06, 10.4

 

CMYK 0 / 26 / 48 / 50

HEX #7F5E42

RGB 127 94 66

HSL 27.54, 0.32%, 0.38%

LAB 42.63, 9.69, 21.26

 

CMYK 50 / 0 / 3 / 50

HEX #40807C

RGB 64 128 124

HSL 176.25, 0.33%, 0.38%

LAB 49.48, -21.53, -4.17

 

CMYK 50 / 9 / 0 / 50

HEX #407480

RGB 64 116 128

HSL 191.25, 0.33%, 0.38%

LAB 45.82, -13.88, -11.99

 

CMYK 50 / 23 / 0 / 50

HEX #406380

RGB 64 99 128

HSL 207.19, 0.33%, 0.38%

LAB 40.53, -3.95, -20.08

 

CMYK 50 / 37 / 0 / 50

HEX #405180

RGB 64 81 128

HSL 224.06, 0.33%, 0.38%

LAB 35.07, 7.37, -28.59

 

CMYK 50 / 50 / 0 / 50

HEX #404080

RGB 64 64 128

HSL 240, 0.33%, 0.38%

LAB 30.19, 18.58, -36.32

 

CMYK 50 / 24 / 0 / 71

HEX #25384A

RGB 37 56 74

HSL 209.19, 0.33%, 0.22%

LAB 22.71, -1.89, -13.44

 

CMYK 50 / 24 / 0 / 60

HEX #334D65

RGB 51 77 101

HSL 208.8, 0.33%, 0.3%

LAB 31.7, -2.51, -17.05

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 50 / 24 / 0 / 39

HEX #4E779C

RGB 78 119 156

HSL 208.46, 0.33%, 0.46%

LAB 48.53, -3.57, -24.36

 

CMYK 44 / 20 / 0 / 31

HEX #638CB0

RGB 99 140 176

HSL 208.05, 0.33%, 0.54%

LAB 56.63, -4.39, -23.35

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 16 / 50 / 0 / 50

HEX #6B4080

RGB 107 64 128

HSL 280.31, 0.33%, 0.38%

LAB 34.7, 30.83, -28.88

 

CMYK 3 / 0 / 50 / 50

HEX #7C8040

RGB 124 128 64

HSL 63.75, 0.33%, 0.38%

LAB 51.94, -11.38, 33.95

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 0 / 50 / 23 / 50

HEX #804063

RGB 128 64 99

HSL 327.19, 0.33%, 0.38%

LAB 36.28, 32.17, -8.05

 

CMYK 23 / 0 / 50 / 50

HEX #638040

RGB 99 128 64

HSL 87.19, 0.33%, 0.38%

LAB 50.05, -21.97, 31.22

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 16 / 50 / 0 / 50

HEX #6B4080

RGB 107 64 128

HSL 280.31, 0.33%, 0.38%

LAB 34.7, 30.83, -28.88

 

CMYK 0 / 27 / 50 / 50

HEX #805E40

RGB 128 94 64

HSL 28.13, 0.33%, 0.38%

LAB 42.71, 9.93, 22.56

 

CMYK 33 / 0 / 50 / 50

HEX #568040

RGB 86 128 64

HSL 99.38, 0.33%, 0.38%

LAB 49.24, -27.04, 30.04

 

CMYK 50 / 23 / 0 / 50

HEX #406280

RGB 64 98 128

HSL 208.13, 0.33%, 0.38%

LAB 40.22, -3.34, -20.56

 

CMYK 2 / 50 / 0 / 50

HEX #7E4080

RGB 126 64 128

HSL 298.13, 0.33%, 0.38%

LAB 37.23, 36.71, -24.75

 

CMYK 0 / 27 / 50 / 50

HEX #805E40

RGB 128 94 64

HSL 28.13, 0.33%, 0.38%

LAB 42.71, 9.93, 22.56

 

CMYK 48 / 0 / 50 / 50

HEX #438040

RGB 67 128 64

HSL 117.19, 0.33%, 0.38%

LAB 48.26, -33.63, 28.61

 

Description

Color code: HEX #406280 | qconv.com Color code: HEX #406280 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 98 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 98 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 23 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 23% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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