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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406E98 it is the complementary color #BF9167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406E98 shade: #456E93, #5680A6, #6792B9, #78A4CC and #89B6DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406E98 shade: #406E98, #2F5C85, #1E4A72, #0D385F and #00264C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406E98 shade: #3F6D97, #3F5597, #403F97, #583F97 and #703F97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406E98 shade: #3F6D97, #3F5597 and #3F3F97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406E98 shade matches the following richer shades: #3F6D97, #2D6DA8, #1C6EB9 and #0B6FCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406E98 shade: #3F6D97, #506C85, #616B74, #736A63 and #846951

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406E98 shade: #3F9791, #3F8597, #3F6E97, #3F5697 and #3F3F97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406E98 shade: #26435C, #335879, #3F6D97, #4B82B3 and #6896C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406E98 shade: #406E98, #793F97 and #91973F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406E98 shade: #406E98, #973F6E and #6E973F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406E98 shade: #406E98, #793F97, #97683F and #5C973F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406E98 shade: #406E98, #943F97, #97683F and #42973F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 28 / 0 / 40

HEX #406E98

RGB 64 110 152

HSL 208.64, 0.41%, 0.42%

LAB 44.95, -2.78, -27.6

 

Complementary color

CMYK 0 / 24 / 46 / 25

HEX #BF9167

RGB 191 145 103

HSL 28.64, 0.41%, 0.58%

LAB 63.6, 12.06, 28.97

 

CMYK 53 / 25 / 0 / 42

HEX #456E93

RGB 69 110 147

HSL 208.46, 0.36%, 0.42%

LAB 44.97, -3.26, -24.59

 

CMYK 48 / 23 / 0 / 35

HEX #5680A6

RGB 86 128 166

HSL 208.5, 0.32%, 0.49%

LAB 52.03, -3.78, -24.74

 

CMYK 44 / 21 / 0 / 27

HEX #6792B9

RGB 103 146 185

HSL 208.54, 0.37%, 0.56%

LAB 58.92, -4.17, -24.92

 

CMYK 41 / 20 / 0 / 20

HEX #78A4CC

RGB 120 164 204

HSL 208.57, 0.45%, 0.64%

LAB 65.67, -4.49, -25.12

 

CMYK 39 / 18 / 0 / 13

HEX #89B6DF

RGB 137 182 223

HSL 208.6, 0.57%, 0.71%

LAB 72.3, -4.76, -25.33

 

CMYK 58 / 28 / 0 / 40

HEX #406E98

RGB 64 110 152

HSL 208.64, 0.41%, 0.42%

LAB 44.95, -2.78, -27.6

 

CMYK 65 / 31 / 0 / 48

HEX #2F5C85

RGB 47 92 133

HSL 208.6, 0.48%, 0.35%

LAB 37.76, -1.86, -27.5

 

CMYK 74 / 35 / 0 / 55

HEX #1E4A72

RGB 30 74 114

HSL 208.57, 0.58%, 0.28%

LAB 30.37, -0.56, -27.39

 

CMYK 86 / 41 / 0 / 63

HEX #0D385F

RGB 13 56 95

HSL 208.54, 0.76%, 0.21%

LAB 22.79, 1.41, -27.26

 

CMYK 100 / 50 / 0 / 70

HEX #00264C

RGB 0 38 76

HSL 210, 1%, 0.15%

LAB 15, 4.38, -27.06

 

CMYK 58 / 28 / 0 / 41

HEX #3F6D97

RGB 63 109 151

HSL 208.64, 0.41%, 0.42%

LAB 44.56, -2.73, -27.63

 

CMYK 58 / 44 / 0 / 41

HEX #3F5597

RGB 63 85 151

HSL 225, 0.41%, 0.42%

LAB 37.46, 12.38, -38.82

 

CMYK 58 / 58 / 0 / 41

HEX #403F97

RGB 64 63 151

HSL 240.68, 0.41%, 0.42%

LAB 31.53, 26.99, -48.35

 

CMYK 42 / 58 / 0 / 41

HEX #583F97

RGB 88 63 151

HSL 257.05, 0.41%, 0.42%

LAB 33.7, 32.28, -44.74

 

CMYK 26 / 58 / 0 / 41

HEX #703F97

RGB 112 63 151

HSL 273.41, 0.41%, 0.42%

LAB 36.43, 38.35, -40.2

 

CMYK 58 / 28 / 0 / 41

HEX #3F6D97

RGB 63 109 151

HSL 208.64, 0.41%, 0.42%

LAB 44.56, -2.73, -27.63

 

CMYK 58 / 44 / 0 / 41

HEX #3F5597

RGB 63 85 151

HSL 225, 0.41%, 0.42%

LAB 37.46, 12.38, -38.82

 

CMYK 58 / 58 / 0 / 41

HEX #3F3F97

RGB 63 63 151

HSL 240, 0.41%, 0.42%

LAB 31.45, 26.79, -48.47

 

CMYK 58 / 28 / 0 / 41

HEX #3F6D97

RGB 63 109 151

HSL 208.64, 0.41%, 0.42%

LAB 44.56, -2.73, -27.63

 

CMYK 73 / 35 / 0 / 34

HEX #2D6DA8

RGB 45 109 168

HSL 208.78, 0.58%, 0.42%

LAB 44.69, 0.04, -37.51

 

CMYK 85 / 41 / 0 / 27

HEX #1C6EB9

RGB 28 110 185

HSL 208.66, 0.74%, 0.42%

LAB 45.5, 3.98, -46.18

 

CMYK 95 / 45 / 0 / 21

HEX #0B6FCA

RGB 11 111 202

HSL 208.59, 0.9%, 0.42%

LAB 46.58, 9.07, -54.26

 

CMYK 58 / 28 / 0 / 41

HEX #3F6D97

RGB 63 109 151

HSL 208.64, 0.41%, 0.42%

LAB 44.56, -2.73, -27.63

 

CMYK 40 / 19 / 0 / 48

HEX #506C85

RGB 80 108 133

HSL 208.3, 0.25%, 0.42%

LAB 44.41, -3.41, -17.05

 

CMYK 16 / 8 / 0 / 55

HEX #616B74

RGB 97 107 116

HSL 208.42, 0.09%, 0.42%

LAB 44.69, -1.73, -6.31

 

CMYK 0 / 8 / 14 / 55

HEX #736A63

RGB 115 106 99

HSL 26.25, 0.07%, 0.42%

LAB 45.43, 2.22, 5.19

 

CMYK 0 / 20 / 39 / 48

HEX #846951

RGB 132 105 81

HSL 28.24, 0.24%, 0.42%

LAB 46.45, 7.2, 17.59

 

CMYK 58 / 0 / 4 / 41

HEX #3F9791

RGB 63 151 145

HSL 175.91, 0.41%, 0.42%

LAB 57.3, -27.63, -4.76

 

CMYK 58 / 12 / 0 / 41

HEX #3F8597

RGB 63 133 151

HSL 192.27, 0.41%, 0.42%

LAB 51.91, -16.51, -16.31

 

CMYK 58 / 27 / 0 / 41

HEX #3F6E97

RGB 63 110 151

HSL 207.95, 0.41%, 0.42%

LAB 44.86, -3.33, -27.16

 

CMYK 58 / 43 / 0 / 41

HEX #3F5697

RGB 63 86 151

HSL 224.32, 0.41%, 0.42%

LAB 37.75, 11.73, -38.37

 

CMYK 58 / 58 / 0 / 41

HEX #3F3F97

RGB 63 63 151

HSL 240, 0.41%, 0.42%

LAB 31.45, 26.79, -48.47

 

CMYK 59 / 27 / 0 / 64

HEX #26435C

RGB 38 67 92

HSL 207.78, 0.42%, 0.25%

LAB 27.29, -2.6, -18.16

 

CMYK 58 / 27 / 0 / 53

HEX #335879

RGB 51 88 121

HSL 208.29, 0.41%, 0.34%

LAB 36.11, -2.71, -22.7

 

CMYK 58 / 28 / 0 / 41

HEX #3F6D97

RGB 63 109 151

HSL 208.64, 0.41%, 0.42%

LAB 44.56, -2.73, -27.63

 

CMYK 58 / 27 / 0 / 30

HEX #4B82B3

RGB 75 130 179

HSL 208.27, 0.41%, 0.5%

LAB 52.64, -3.39, -31.34

 

CMYK 46 / 22 / 0 / 25

HEX #6896C0

RGB 104 150 192

HSL 208.64, 0.41%, 0.58%

LAB 60.39, -4.17, -26.6

 

CMYK 58 / 28 / 0 / 40

HEX #406E98

RGB 64 110 152

HSL 208.64, 0.41%, 0.42%

LAB 44.95, -2.78, -27.6

 

CMYK 20 / 58 / 0 / 41

HEX #793F97

RGB 121 63 151

HSL 279.55, 0.41%, 0.42%

LAB 37.58, 40.74, -38.31

 

CMYK 4 / 0 / 58 / 41

HEX #91973F

RGB 145 151 63

HSL 64.09, 0.41%, 0.42%

LAB 60.35, -14.64, 44.64

 

CMYK 58 / 28 / 0 / 40

HEX #406E98

RGB 64 110 152

HSL 208.64, 0.41%, 0.42%

LAB 44.95, -2.78, -27.6

 

CMYK 0 / 58 / 27 / 41

HEX #973F6E

RGB 151 63 110

HSL 327.95, 0.41%, 0.42%

LAB 40.02, 42.21, -8.99

 

CMYK 27 / 0 / 58 / 41

HEX #6E973F

RGB 110 151 63

HSL 87.95, 0.41%, 0.42%

LAB 57.85, -29.12, 41.14

 

CMYK 58 / 28 / 0 / 40

HEX #406E98

RGB 64 110 152

HSL 208.64, 0.41%, 0.42%

LAB 44.95, -2.78, -27.6

 

CMYK 20 / 58 / 0 / 41

HEX #793F97

RGB 121 63 151

HSL 279.55, 0.41%, 0.42%

LAB 37.58, 40.74, -38.31

 

CMYK 0 / 31 / 58 / 41

HEX #97683F

RGB 151 104 63

HSL 27.95, 0.41%, 0.42%

LAB 48.06, 14.23, 30.43

 

CMYK 39 / 0 / 58 / 41

HEX #5C973F

RGB 92 151 63

HSL 100.23, 0.41%, 0.42%

LAB 56.85, -35.77, 39.72

 

CMYK 58 / 28 / 0 / 40

HEX #406E98

RGB 64 110 152

HSL 208.64, 0.41%, 0.42%

LAB 44.95, -2.78, -27.6

 

CMYK 2 / 58 / 0 / 41

HEX #943F97

RGB 148 63 151

HSL 297.95, 0.41%, 0.42%

LAB 41.35, 48.08, -32.09

 

CMYK 0 / 31 / 58 / 41

HEX #97683F

RGB 151 104 63

HSL 27.95, 0.41%, 0.42%

LAB 48.06, 14.23, 30.43

 

CMYK 56 / 0 / 58 / 41

HEX #42973F

RGB 66 151 63

HSL 117.95, 0.41%, 0.42%

LAB 55.74, -43.83, 38.14

 

Description

Color code: HEX #406E98 | qconv.com Color code: HEX #406E98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 110 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 110 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 28 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 28% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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