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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40709E it is the complementary color #BF8F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40709E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40709E shade: #457099, #5682AC, #6794BF, #78A6D2 and #89B8E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40709E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40709E shade: #40709E, #2F5E8B, #1E4C78, #0D3A65 and #002852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40709E shade: #41719F, #41579F, #43419F, #5D419F and #76419F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40709E shade: #41719F, #41579F and #41419F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40709E shade matches the following richer shades: #41719F, #2E71B1, #1C71C3 and #0A72D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40709E shade: #41719F, #53708D, #65707B, #777068 and #896F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40709E shade: #419F9A, #418A9F, #41719F, #41589F and #42419F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40709E shade: #294764, #355C82, #41719F, #5185B8 and #6E9AC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40709E shade: #40709E, #81419F and #979F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40709E shade: #40709E, #9F4171 and #719F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40709E shade: #40709E, #81419F, #9F6E41 and #5E9F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40709E shade: #40709E, #9D419F, #9F6E41 and #429F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

Complementary color

CMYK 0 / 25 / 49 / 25

HEX #BF8F61

RGB 191 143 97

HSL 29.36, 0.42%, 0.56%

LAB 63, 12.56, 31.46

 

CMYK 55 / 27 / 0 / 40

HEX #457099

RGB 69 112 153

HSL 209.29, 0.38%, 0.44%

LAB 45.84, -2.52, -26.79

 

CMYK 50 / 24 / 0 / 33

HEX #5682AC

RGB 86 130 172

HSL 209.3, 0.34%, 0.51%

LAB 52.86, -3.11, -26.92

 

CMYK 46 / 23 / 0 / 25

HEX #6794BF

RGB 103 148 191

HSL 209.32, 0.41%, 0.58%

LAB 59.73, -3.57, -27.07

 

CMYK 43 / 21 / 0 / 18

HEX #78A6D2

RGB 120 166 210

HSL 209.33, 0.5%, 0.65%

LAB 66.46, -3.95, -27.23

 

CMYK 40 / 20 / 0 / 10

HEX #89B8E5

RGB 137 184 229

HSL 209.35, 0.64%, 0.72%

LAB 73.06, -4.26, -27.42

 

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

CMYK 66 / 32 / 0 / 45

HEX #2F5E8B

RGB 47 94 139

HSL 209.35, 0.49%, 0.36%

LAB 38.68, -0.95, -29.69

 

CMYK 75 / 37 / 0 / 53

HEX #1E4C78

RGB 30 76 120

HSL 209.33, 0.6%, 0.29%

LAB 31.35, 0.48, -29.61

 

CMYK 87 / 43 / 0 / 60

HEX #0D3A65

RGB 13 58 101

HSL 209.32, 0.77%, 0.22%

LAB 23.84, 2.6, -29.49

 

CMYK 100 / 51 / 0 / 68

HEX #002852

RGB 0 40 82

HSL 210.73, 1%, 0.16%

LAB 16.14, 5.71, -29.3

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 59 / 45 / 0 / 38

HEX #41579F

RGB 65 87 159

HSL 225.96, 0.42%, 0.44%

LAB 38.63, 14.3, -41.76

 

CMYK 58 / 59 / 0 / 38

HEX #43419F

RGB 67 65 159

HSL 241.28, 0.42%, 0.44%

LAB 32.87, 28.99, -51.02

 

CMYK 42 / 59 / 0 / 38

HEX #5D419F

RGB 93 65 159

HSL 257.87, 0.42%, 0.44%

LAB 35.22, 34.57, -47.1

 

CMYK 26 / 59 / 0 / 38

HEX #76419F

RGB 118 65 159

HSL 273.83, 0.42%, 0.44%

LAB 38.08, 40.75, -42.35

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 59 / 45 / 0 / 38

HEX #41579F

RGB 65 87 159

HSL 225.96, 0.42%, 0.44%

LAB 38.63, 14.3, -41.76

 

CMYK 59 / 59 / 0 / 38

HEX #41419F

RGB 65 65 159

HSL 240, 0.42%, 0.44%

LAB 32.72, 28.61, -51.27

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 74 / 36 / 0 / 31

HEX #2E71B1

RGB 46 113 177

HSL 209.31, 0.59%, 0.44%

LAB 46.4, 1.05, -40.07

 

CMYK 86 / 42 / 0 / 24

HEX #1C71C3

RGB 28 113 195

HSL 209.46, 0.75%, 0.44%

LAB 46.97, 5.99, -49.6

 

CMYK 95 / 46 / 0 / 16

HEX #0A72D5

RGB 10 114 213

HSL 209.26, 0.91%, 0.44%

LAB 48.14, 11.49, -58.04

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 41 / 21 / 0 / 45

HEX #53708D

RGB 83 112 141

HSL 210, 0.26%, 0.44%

LAB 46.11, -2.6, -19.2

 

CMYK 18 / 9 / 0 / 52

HEX #65707B

RGB 101 112 123

HSL 210, 0.1%, 0.44%

LAB 46.69, -1.61, -7.48

 

CMYK 0 / 6 / 13 / 53

HEX #777068

RGB 119 112 104

HSL 32, 0.07%, 0.44%

LAB 47.64, 1.21, 5.41

 

CMYK 0 / 19 / 37 / 46

HEX #896F56

RGB 137 111 86

HSL 29.41, 0.23%, 0.44%

LAB 48.71, 6.5, 17.79

 

CMYK 59 / 0 / 3 / 38

HEX #419F9A

RGB 65 159 154

HSL 176.81, 0.42%, 0.44%

LAB 60.12, -28.67, -5.7

 

CMYK 59 / 13 / 0 / 38

HEX #418A9F

RGB 65 138 159

HSL 193.4, 0.42%, 0.44%

LAB 53.82, -16.35, -18.03

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 59 / 45 / 0 / 38

HEX #41589F

RGB 65 88 159

HSL 225.32, 0.42%, 0.44%

LAB 38.91, 13.65, -41.31

 

CMYK 58 / 59 / 0 / 38

HEX #42419F

RGB 66 65 159

HSL 240.64, 0.42%, 0.44%

LAB 32.79, 28.8, -51.15

 

CMYK 59 / 29 / 0 / 61

HEX #294764

RGB 41 71 100

HSL 209.49, 0.42%, 0.28%

LAB 29.15, -1.61, -20.4

 

CMYK 59 / 29 / 0 / 49

HEX #355C82

RGB 53 92 130

HSL 209.61, 0.42%, 0.36%

LAB 37.88, -1.65, -25.45

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 56 / 28 / 0 / 28

HEX #5185B8

RGB 81 133 184

HSL 209.71, 0.42%, 0.52%

LAB 54.01, -2.25, -32.05

 

CMYK 44 / 21 / 0 / 23

HEX #6E9AC4

RGB 110 154 196

HSL 209.3, 0.42%, 0.6%

LAB 62.01, -3.75, -26.33

 

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

CMYK 19 / 59 / 0 / 38

HEX #81419F

RGB 129 65 159

HSL 280.85, 0.42%, 0.44%

LAB 39.5, 43.61, -40.01

 

CMYK 5 / 0 / 59 / 38

HEX #979F41

RGB 151 159 65

HSL 65.11, 0.42%, 0.44%

LAB 63.14, -16.08, 46.96

 

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

CMYK 0 / 59 / 29 / 38

HEX #9F4171

RGB 159 65 113

HSL 329.36, 0.42%, 0.44%

LAB 41.76, 44.26, -8.1

 

CMYK 29 / 0 / 59 / 38

HEX #719F41

RGB 113 159 65

HSL 89.36, 0.42%, 0.44%

LAB 60.51, -31.57, 43.28

 

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

CMYK 19 / 59 / 0 / 38

HEX #81419F

RGB 129 65 159

HSL 280.85, 0.42%, 0.44%

LAB 39.5, 43.61, -40.01

 

CMYK 0 / 31 / 59 / 38

HEX #9F6E41

RGB 159 110 65

HSL 28.72, 0.42%, 0.44%

LAB 50.58, 14.48, 32.61

 

CMYK 41 / 0 / 59 / 38

HEX #5E9F41

RGB 94 159 65

HSL 101.49, 0.42%, 0.44%

LAB 59.49, -38.41, 41.84

 

CMYK 59 / 29 / 0 / 38

HEX #40709E

RGB 64 112 158

HSL 209.36, 0.42%, 0.44%

LAB 45.83, -1.97, -29.78

 

CMYK 1 / 59 / 0 / 38

HEX #9D419F

RGB 157 65 159

HSL 298.72, 0.42%, 0.44%

LAB 43.44, 51.05, -33.52

 

CMYK 0 / 31 / 59 / 38

HEX #9F6E41

RGB 159 110 65

HSL 28.72, 0.42%, 0.44%

LAB 50.58, 14.48, 32.61

 

CMYK 58 / 0 / 59 / 38

HEX #429F41

RGB 66 159 65

HSL 119.36, 0.42%, 0.44%

LAB 58.35, -46.74, 40.24

 

Description

Color code: HEX #40709E | qconv.com Color code: HEX #40709E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 112 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 112 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 29 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 29% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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