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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4070A0 it is the complementary color #BF8F5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4070A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4070A0 shade: #45709B, #5682AE, #6794C1, #78A6D4 and #89B8E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4070A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4070A0 shade: #4070A0, #2F5E8D, #1E4C7A, #0D3A67 and #002854

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4070A0 shade: #3F70A0, #3F56A0, #433FA0, #5D3FA0 and #773FA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4070A0 shade: #3F70A0, #3F56A0 and #3F3FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4070A0 shade matches the following richer shades: #3F70A0, #2D70B2, #1B70C4 and #0970D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4070A0 shade: #3F70A0, #52708E, #64707C, #767069 and #887057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4070A0 shade: #3FA09D, #3F89A0, #3F70A0, #3F56A0 and #433FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4070A0 shade: #284665, #345B82, #3F70A0, #5084B9 and #6D99C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4070A0 shade: #4070A0, #833FA0 and #96A03F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4070A0 shade: #4070A0, #A03F70 and #70A03F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4070A0 shade: #4070A0, #833FA0, #A0703F and #5CA03F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4070A0 shade: #4070A0, #A03FA0, #A0703F and #3FA03F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 30 / 0 / 37

HEX #4070A0

RGB 64 112 160

HSL 210, 0.43%, 0.44%

LAB 45.93, -1.29, -30.81

 

Complementary color

CMYK 0 / 25 / 50 / 25

HEX #BF8F5F

RGB 191 143 95

HSL 30, 0.43%, 0.56%

LAB 62.97, 12.37, 32.5

 

CMYK 55 / 28 / 0 / 39

HEX #45709B

RGB 69 112 155

HSL 210, 0.38%, 0.44%

LAB 45.93, -1.87, -27.83

 

CMYK 51 / 25 / 0 / 32

HEX #5682AE

RGB 86 130 174

HSL 210, 0.35%, 0.51%

LAB 52.95, -2.5, -27.94

 

CMYK 47 / 23 / 0 / 24

HEX #6794C1

RGB 103 148 193

HSL 210, 0.42%, 0.58%

LAB 59.81, -2.99, -28.07

 

CMYK 43 / 22 / 0 / 17

HEX #78A6D4

RGB 120 166 212

HSL 210, 0.52%, 0.65%

LAB 66.53, -3.39, -28.22

 

CMYK 41 / 20 / 0 / 9

HEX #89B8E7

RGB 137 184 231

HSL 210, 0.66%, 0.72%

LAB 73.13, -3.72, -28.39

 

CMYK 60 / 30 / 0 / 37

HEX #4070A0

RGB 64 112 160

HSL 210, 0.43%, 0.44%

LAB 45.93, -1.29, -30.81

 

CMYK 67 / 33 / 0 / 45

HEX #2F5E8D

RGB 47 94 141

HSL 210, 0.5%, 0.37%

LAB 38.78, -0.22, -30.74

 

CMYK 75 / 38 / 0 / 52

HEX #1E4C7A

RGB 30 76 122

HSL 210, 0.61%, 0.3%

LAB 31.46, 1.27, -30.68

 

CMYK 87 / 44 / 0 / 60

HEX #0D3A67

RGB 13 58 103

HSL 210, 0.78%, 0.23%

LAB 23.97, 3.46, -30.58

 

CMYK 100 / 52 / 0 / 67

HEX #002854

RGB 0 40 84

HSL 211.43, 1%, 0.16%

LAB 16.29, 6.65, -30.4

 

CMYK 61 / 30 / 0 / 37

HEX #3F70A0

RGB 63 112 160

HSL 209.69, 0.43%, 0.44%

LAB 45.88, -1.5, -30.88

 

CMYK 61 / 46 / 0 / 37

HEX #3F56A0

RGB 63 86 160

HSL 225.77, 0.43%, 0.44%

LAB 38.29, 14.89, -42.9

 

CMYK 58 / 61 / 0 / 37

HEX #433FA0

RGB 67 63 160

HSL 242.47, 0.43%, 0.44%

LAB 32.45, 30.6, -52.3

 

CMYK 42 / 61 / 0 / 37

HEX #5D3FA0

RGB 93 63 160

HSL 258.56, 0.43%, 0.44%

LAB 34.84, 36.04, -48.31

 

CMYK 26 / 61 / 0 / 37

HEX #773FA0

RGB 119 63 160

HSL 274.64, 0.43%, 0.44%

LAB 37.87, 42.32, -43.29

 

CMYK 61 / 30 / 0 / 37

HEX #3F70A0

RGB 63 112 160

HSL 209.69, 0.43%, 0.44%

LAB 45.88, -1.5, -30.88

 

CMYK 61 / 46 / 0 / 37

HEX #3F56A0

RGB 63 86 160

HSL 225.77, 0.43%, 0.44%

LAB 38.29, 14.89, -42.9

 

CMYK 61 / 61 / 0 / 37

HEX #3F3FA0

RGB 63 63 160

HSL 240, 0.43%, 0.44%

LAB 32.15, 29.87, -52.81

 

CMYK 61 / 30 / 0 / 37

HEX #3F70A0

RGB 63 112 160

HSL 209.69, 0.43%, 0.44%

LAB 45.88, -1.5, -30.88

 

CMYK 75 / 37 / 0 / 30

HEX #2D70B2

RGB 45 112 178

HSL 209.77, 0.6%, 0.44%

LAB 46.12, 1.9, -41.09

 

CMYK 86 / 43 / 0 / 23

HEX #1B70C4

RGB 27 112 196

HSL 209.82, 0.76%, 0.44%

LAB 46.72, 6.93, -50.58

 

CMYK 96 / 48 / 0 / 16

HEX #0970D6

RGB 9 112 214

HSL 209.85, 0.92%, 0.44%

LAB 47.63, 13.12, -59.44

 

CMYK 61 / 30 / 0 / 37

HEX #3F70A0

RGB 63 112 160

HSL 209.69, 0.43%, 0.44%

LAB 45.88, -1.5, -30.88

 

CMYK 42 / 21 / 0 / 44

HEX #52708E

RGB 82 112 142

HSL 210, 0.27%, 0.44%

LAB 46.09, -2.59, -19.84

 

CMYK 19 / 10 / 0 / 51

HEX #64707C

RGB 100 112 124

HSL 210, 0.11%, 0.44%

LAB 46.65, -1.72, -8.15

 

CMYK 0 / 5 / 11 / 54

HEX #767069

RGB 118 112 105

HSL 32.31, 0.06%, 0.44%

LAB 47.57, 0.99, 4.71

 

CMYK 0 / 18 / 36 / 47

HEX #887057

RGB 136 112 87

HSL 30.61, 0.22%, 0.44%

LAB 48.9, 5.63, 17.45

 

CMYK 61 / 0 / 2 / 37

HEX #3FA09D

RGB 63 160 157

HSL 178.14, 0.43%, 0.44%

LAB 60.46, -28.7, -6.9

 

CMYK 61 / 14 / 0 / 37

HEX #3F89A0

RGB 63 137 160

HSL 194.23, 0.43%, 0.44%

LAB 53.48, -15.89, -19.13

 

CMYK 61 / 30 / 0 / 37

HEX #3F70A0

RGB 63 112 160

HSL 209.69, 0.43%, 0.44%

LAB 45.88, -1.5, -30.88

 

CMYK 61 / 46 / 0 / 37

HEX #3F56A0

RGB 63 86 160

HSL 225.77, 0.43%, 0.44%

LAB 38.29, 14.89, -42.9

 

CMYK 58 / 61 / 0 / 37

HEX #433FA0

RGB 67 63 160

HSL 242.47, 0.43%, 0.44%

LAB 32.45, 30.6, -52.3

 

CMYK 60 / 31 / 0 / 60

HEX #284665

RGB 40 70 101

HSL 210.49, 0.43%, 0.28%

LAB 28.83, -0.84, -21.55

 

CMYK 60 / 30 / 0 / 49

HEX #345B82

RGB 52 91 130

HSL 210, 0.43%, 0.36%

LAB 37.52, -1.25, -26.01

 

CMYK 61 / 30 / 0 / 37

HEX #3F70A0

RGB 63 112 160

HSL 209.69, 0.43%, 0.44%

LAB 45.88, -1.5, -30.88

 

CMYK 57 / 29 / 0 / 27

HEX #5084B9

RGB 80 132 185

HSL 210.29, 0.43%, 0.52%

LAB 53.72, -1.56, -33.08

 

CMYK 45 / 22 / 0 / 23

HEX #6D99C5

RGB 109 153 197

HSL 210, 0.43%, 0.6%

LAB 61.71, -3.15, -27.36

 

CMYK 60 / 30 / 0 / 37

HEX #4070A0

RGB 64 112 160

HSL 210, 0.43%, 0.44%

LAB 45.93, -1.29, -30.81

 

CMYK 18 / 61 / 0 / 37

HEX #833FA0

RGB 131 63 160

HSL 282.06, 0.43%, 0.44%

LAB 39.44, 45.38, -40.68

 

CMYK 6 / 0 / 61 / 37

HEX #96A03F

RGB 150 160 63

HSL 66.19, 0.43%, 0.44%

LAB 63.33, -17.18, 48.06

 

CMYK 60 / 30 / 0 / 37

HEX #4070A0

RGB 64 112 160

HSL 210, 0.43%, 0.44%

LAB 45.93, -1.29, -30.81

 

CMYK 0 / 61 / 30 / 37

HEX #A03F70

RGB 160 63 112

HSL 329.69, 0.43%, 0.44%

LAB 41.53, 45.4, -7.81

 

CMYK 30 / 0 / 61 / 37

HEX #70A03F

RGB 112 160 63

HSL 89.69, 0.43%, 0.44%

LAB 60.73, -32.61, 44.45

 

CMYK 60 / 30 / 0 / 37

HEX #4070A0

RGB 64 112 160

HSL 210, 0.43%, 0.44%

LAB 45.93, -1.29, -30.81

 

CMYK 18 / 61 / 0 / 37

HEX #833FA0

RGB 131 63 160

HSL 282.06, 0.43%, 0.44%

LAB 39.44, 45.38, -40.68

 

CMYK 0 / 30 / 61 / 37

HEX #A0703F

RGB 160 112 63

HSL 30.31, 0.43%, 0.44%

LAB 51.18, 13.62, 34.44

 

CMYK 43 / 0 / 61 / 37

HEX #5CA03F

RGB 92 160 63

HSL 102.06, 0.43%, 0.44%

LAB 59.69, -39.73, 42.98

 

CMYK 60 / 30 / 0 / 37

HEX #4070A0

RGB 64 112 160

HSL 210, 0.43%, 0.44%

LAB 45.93, -1.29, -30.81

 

CMYK 0 / 61 / 0 / 37

HEX #A03FA0

RGB 160 63 160

HSL 300, 0.43%, 0.44%

LAB 43.6, 52.93, -33.82

 

CMYK 0 / 30 / 61 / 37

HEX #A0703F

RGB 160 112 63

HSL 30.31, 0.43%, 0.44%

LAB 51.18, 13.62, 34.44

 

CMYK 61 / 0 / 61 / 37

HEX #3FA03F

RGB 63 160 63

HSL 120, 0.43%, 0.44%

LAB 58.56, -48.11, 41.4

 

Description

Color code: HEX #4070A0 | qconv.com Color code: HEX #4070A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 112 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 112 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 30 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 30% 0% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

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Link: http://algo13.net

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