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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #407FA5 it is the complementary color #BF805A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #407FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #407FA5 shade: #457FA0, #5691B3, #67A3C6, #78B5D9 and #89C7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #407FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #407FA5 shade: #407FA5, #2F6D92, #1E5B7F, #0D496C and #003759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #407FA5 shade: #407FA5, #4064A5, #4048A5, #5240A5 and #6E40A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #407FA5 shade: #407FA5, #4064A5, #4048A5 and #4040A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #407FA5 shade matches the following richer shades: #407FA5, #2D83B7, #1B88CA and #088DDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #407FA5 shade: #407FA5, #527A92, #657680, #77716D and #8A6C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #407FA5 shade: #40A594, #409BA5, #4080A5, #4065A5 and #404AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #407FA5 shade: #295169, #346887, #407FA5, #5294BC and #70A6C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #407FA5 shade: #407FA5, #7940A5 and #A5A140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #407FA5 shade: #407FA5, #A54080 and #80A540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #407FA5 shade: #407FA5, #7940A5, #A56540 and #6CA540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #407FA5 shade: #407FA5, #9740A5, #A56540 and #4DA540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

Complementary color

CMYK 0 / 33 / 53 / 25

HEX #BF805A

RGB 191 128 90

HSL 22.57, 0.44%, 0.55%

LAB 59.21, 20.19, 30.44

 

CMYK 57 / 21 / 0 / 37

HEX #457FA0

RGB 69 127 160

HSL 201.76, 0.4%, 0.45%

LAB 50.67, -9.06, -23.43

 

CMYK 52 / 19 / 0 / 30

HEX #5691B3

RGB 86 145 179

HSL 201.94, 0.38%, 0.52%

LAB 57.54, -9.54, -23.71

 

CMYK 48 / 18 / 0 / 22

HEX #67A3C6

RGB 103 163 198

HSL 202.11, 0.45%, 0.59%

LAB 64.29, -9.91, -23.98

 

CMYK 45 / 17 / 0 / 15

HEX #78B5D9

RGB 120 181 217

HSL 202.27, 0.56%, 0.66%

LAB 70.91, -10.19, -24.26

 

CMYK 42 / 16 / 0 / 7

HEX #89C7EC

RGB 137 199 236

HSL 202.42, 0.72%, 0.73%

LAB 77.41, -10.42, -24.54

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 68 / 25 / 0 / 43

HEX #2F6D92

RGB 47 109 146

HSL 202.42, 0.51%, 0.38%

LAB 43.68, -7.6, -26.08

 

CMYK 76 / 28 / 0 / 50

HEX #1E5B7F

RGB 30 91 127

HSL 202.27, 0.62%, 0.31%

LAB 36.54, -6.36, -25.78

 

CMYK 88 / 32 / 0 / 58

HEX #0D496C

RGB 13 73 108

HSL 202.11, 0.79%, 0.24%

LAB 29.24, -4.53, -25.41

 

CMYK 100 / 38 / 0 / 65

HEX #003759

RGB 0 55 89

HSL 202.92, 1%, 0.17%

LAB 21.78, -1.89, -24.96

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 61 / 39 / 0 / 35

HEX #4064A5

RGB 64 100 165

HSL 218.61, 0.44%, 0.45%

LAB 42.64, 7.86, -38.93

 

CMYK 61 / 56 / 0 / 35

HEX #4048A5

RGB 64 72 165

HSL 235.25, 0.44%, 0.45%

LAB 34.89, 25.97, -51.37

 

CMYK 50 / 61 / 0 / 35

HEX #5240A5

RGB 82 64 165

HSL 250.69, 0.44%, 0.45%

LAB 34.35, 34.54, -52.17

 

CMYK 33 / 61 / 0 / 35

HEX #6E40A5

RGB 110 64 165

HSL 267.33, 0.44%, 0.45%

LAB 37.3, 40.81, -47.27

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 61 / 39 / 0 / 35

HEX #4064A5

RGB 64 100 165

HSL 218.61, 0.44%, 0.45%

LAB 42.64, 7.86, -38.93

 

CMYK 61 / 56 / 0 / 35

HEX #4048A5

RGB 64 72 165

HSL 235.25, 0.44%, 0.45%

LAB 34.89, 25.97, -51.37

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 75 / 28 / 0 / 28

HEX #2D83B7

RGB 45 131 183

HSL 202.61, 0.61%, 0.45%

LAB 52.07, -7.65, -34.6

 

CMYK 87 / 33 / 0 / 21

HEX #1B88CA

RGB 27 136 202

HSL 202.63, 0.76%, 0.45%

LAB 54.14, -5.34, -42.21

 

CMYK 96 / 36 / 0 / 14

HEX #088DDC

RGB 8 141 220

HSL 202.36, 0.93%, 0.45%

LAB 56.36, -2.38, -48.85

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 44 / 16 / 0 / 43

HEX #527A92

RGB 82 122 146

HSL 202.5, 0.28%, 0.45%

LAB 49.24, -7.28, -17.38

 

CMYK 21 / 8 / 0 / 50

HEX #657680

RGB 101 118 128

HSL 202.22, 0.12%, 0.45%

LAB 48.61, -3.92, -7.58

 

CMYK 0 / 5 / 8 / 53

HEX #77716D

RGB 119 113 109

HSL 24, 0.04%, 0.45%

LAB 48.05, 1.55, 3.04

 

CMYK 0 / 22 / 35 / 46

HEX #8A6C5A

RGB 138 108 90

HSL 22.5, 0.21%, 0.45%

LAB 48.09, 9.21, 14.62

 

CMYK 61 / 0 / 10 / 35

HEX #40A594

RGB 64 165 148

HSL 169.9, 0.44%, 0.45%

LAB 61.77, -33.37, 0.11

 

CMYK 61 / 6 / 0 / 35

HEX #409BA5

RGB 64 155 165

HSL 185.94, 0.44%, 0.45%

LAB 59.2, -23.68, -13.3

 

CMYK 61 / 22 / 0 / 35

HEX #4080A5

RGB 64 128 165

HSL 201.98, 0.44%, 0.45%

LAB 50.97, -9.05, -25.88

 

CMYK 61 / 39 / 0 / 35

HEX #4065A5

RGB 64 101 165

HSL 218.02, 0.44%, 0.45%

LAB 42.93, 7.23, -38.47

 

CMYK 61 / 55 / 0 / 35

HEX #404AA5

RGB 64 74 165

HSL 234.06, 0.44%, 0.45%

LAB 35.41, 24.67, -50.53

 

CMYK 61 / 23 / 0 / 59

HEX #295169

RGB 41 81 105

HSL 202.5, 0.44%, 0.29%

LAB 32.65, -6.21, -18.14

 

CMYK 61 / 23 / 0 / 47

HEX #346887

RGB 52 104 135

HSL 202.41, 0.44%, 0.37%

LAB 41.81, -7.47, -22.37

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 56 / 21 / 0 / 26

HEX #5294BC

RGB 82 148 188

HSL 202.64, 0.44%, 0.53%

LAB 58.61, -9.34, -27.19

 

CMYK 44 / 17 / 0 / 22

HEX #70A6C7

RGB 112 166 199

HSL 202.76, 0.44%, 0.61%

LAB 65.62, -9.04, -22.45

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 27 / 61 / 0 / 35

HEX #7940A5

RGB 121 64 165

HSL 273.86, 0.44%, 0.45%

LAB 38.64, 43.48, -45.04

 

CMYK 0 / 2 / 61 / 35

HEX #A5A140

RGB 165 161 64

HSL 57.62, 0.44%, 0.45%

LAB 64.85, -11.16, 49.62

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 0 / 61 / 22 / 35

HEX #A54080

RGB 165 64 128

HSL 321.98, 0.44%, 0.45%

LAB 43.1, 48.71, -15.2

 

CMYK 22 / 0 / 61 / 35

HEX #80A540

RGB 128 165 64

HSL 81.98, 0.44%, 0.45%

LAB 63.23, -28.68, 47.06

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 27 / 61 / 0 / 35

HEX #7940A5

RGB 121 64 165

HSL 273.86, 0.44%, 0.45%

LAB 38.64, 43.48, -45.04

 

CMYK 0 / 39 / 61 / 35

HEX #A56540

RGB 165 101 64

HSL 21.98, 0.44%, 0.45%

LAB 49.1, 22.12, 31.55

 

CMYK 35 / 0 / 61 / 35

HEX #6CA540

RGB 108 165 64

HSL 93.86, 0.44%, 0.45%

LAB 62.06, -36.28, 45.42

 

CMYK 61 / 23 / 0 / 35

HEX #407FA5

RGB 64 127 165

HSL 202.57, 0.44%, 0.45%

LAB 50.67, -8.47, -26.35

 

CMYK 8 / 61 / 0 / 35

HEX #9740A5

RGB 151 64 165

HSL 291.68, 0.44%, 0.45%

LAB 42.71, 51.07, -38.31

 

CMYK 0 / 39 / 61 / 35

HEX #A56540

RGB 165 101 64

HSL 21.98, 0.44%, 0.45%

LAB 49.1, 22.12, 31.55

 

CMYK 53 / 0 / 61 / 35

HEX #4DA540

RGB 77 165 64

HSL 112.28, 0.44%, 0.45%

LAB 60.66, -46.29, 43.46

 

Description

Color code: HEX #407FA5 | qconv.com Color code: HEX #407FA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 127 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 127 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 23 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 23% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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