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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4085D1 it is the complementary color #BF7A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4085D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4085D1 shade: #4585CC, #5697DF, #67A9F2, #78BBFF and #89CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4085D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4085D1 shade: #4085D1, #2F73BE, #1E61AB, #0D4F98 and #003D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4085D1 shade: #4286D1, #425FD1, #4B42D1, #7142D1 and #9842D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4085D1 shade: #4286D1, #425FD1 and #4242D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4085D1 shade matches the following richer shades: #4286D1, #2F85E4 and #1C84F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4085D1 shade: #4286D1, #5587BE, #6888AB, #7B8898 and #8E8985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4085D1 shade: #42D1CE, #42ADD1, #4287D1, #4261D1 and #4942D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4085D1 shade: #255D9B, #2D71BC, #4286D1, #639BD9 and #84B0E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4085D1 shade: #4085D1, #A842D1 and #C0D142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4085D1 shade: #4085D1, #D14287 and #87D142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4085D1 shade: #4085D1, #A842D1, #D18C42 and #6AD142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4085D1 shade: #4085D1, #D142CE, #D18C42 and #42D144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 36 / 0 / 18

HEX #4085D1

RGB 64 133 209

HSL 211.45, 0.61%, 0.54%

LAB 54.52, 3.08, -45.51

 

Complementary color

CMYK 0 / 36 / 76 / 25

HEX #BF7A2E

RGB 191 122 46

HSL 31.45, 0.61%, 0.46%

LAB 57.26, 20.58, 50.54

 

CMYK 66 / 35 / 0 / 20

HEX #4585CC

RGB 69 133 204

HSL 211.56, 0.57%, 0.54%

LAB 54.45, 2.13, -42.78

 

CMYK 61 / 32 / 0 / 13

HEX #5697DF

RGB 86 151 223

HSL 211.53, 0.68%, 0.61%

LAB 61.17, 0.96, -42.8

 

CMYK 57 / 30 / 0 / 5

HEX #67A9F2

RGB 103 169 242

HSL 211.51, 0.84%, 0.68%

LAB 67.78, 0.01, -42.83

 

CMYK 53 / 27 / 0 / 0

HEX #78BBFF

RGB 120 187 255

HSL 210.22, 1%, 0.74%

LAB 74.03, -2.55, -40.04

 

CMYK 46 / 20 / 0 / 0

HEX #89CDFF

RGB 137 205 255

HSL 205.42, 1%, 0.77%

LAB 79.73, -8.46, -31.16

 

CMYK 69 / 36 / 0 / 18

HEX #4085D1

RGB 64 133 209

HSL 211.45, 0.61%, 0.54%

LAB 54.52, 3.08, -45.51

 

CMYK 75 / 39 / 0 / 25

HEX #2F73BE

RGB 47 115 190

HSL 211.47, 0.6%, 0.46%

LAB 47.73, 4.77, -45.48

 

CMYK 82 / 43 / 0 / 33

HEX #1E61AB

RGB 30 97 171

HSL 211.49, 0.7%, 0.39%

LAB 40.84, 6.94, -45.43

 

CMYK 91 / 48 / 0 / 40

HEX #0D4F98

RGB 13 79 152

HSL 211.51, 0.84%, 0.32%

LAB 33.87, 9.78, -45.29

 

CMYK 100 / 54 / 0 / 48

HEX #003D85

RGB 0 61 133

HSL 212.48, 1%, 0.26%

LAB 26.82, 13.42, -45.02

 

CMYK 68 / 36 / 0 / 18

HEX #4286D1

RGB 66 134 209

HSL 211.47, 0.61%, 0.54%

LAB 54.88, 2.79, -44.94

 

CMYK 68 / 55 / 0 / 18

HEX #425FD1

RGB 66 95 209

HSL 227.83, 0.61%, 0.54%

LAB 44.16, 27.03, -62.12

 

CMYK 64 / 68 / 0 / 18

HEX #4B42D1

RGB 75 66 209

HSL 243.78, 0.61%, 0.54%

LAB 37.83, 46.08, -72.41

 

CMYK 46 / 68 / 0 / 18

HEX #7142D1

RGB 113 66 209

HSL 259.72, 0.61%, 0.54%

LAB 41.23, 52.02, -66.71

 

CMYK 27 / 68 / 0 / 18

HEX #9842D1

RGB 152 66 209

HSL 276.08, 0.61%, 0.54%

LAB 45.87, 59.56, -58.97

 

CMYK 68 / 36 / 0 / 18

HEX #4286D1

RGB 66 134 209

HSL 211.47, 0.61%, 0.54%

LAB 54.88, 2.79, -44.94

 

CMYK 68 / 55 / 0 / 18

HEX #425FD1

RGB 66 95 209

HSL 227.83, 0.61%, 0.54%

LAB 44.16, 27.03, -62.12

 

CMYK 68 / 68 / 0 / 18

HEX #4242D1

RGB 66 66 209

HSL 240, 0.61%, 0.54%

LAB 37.22, 44.96, -73.43

 

CMYK 68 / 36 / 0 / 18

HEX #4286D1

RGB 66 134 209

HSL 211.47, 0.61%, 0.54%

LAB 54.88, 2.79, -44.94

 

CMYK 79 / 42 / 0 / 11

HEX #2F85E4

RGB 47 133 228

HSL 211.49, 0.77%, 0.54%

LAB 55.05, 7.84, -55.37

 

CMYK 89 / 47 / 0 / 3

HEX #1C84F7

RGB 28 132 247

HSL 211.51, 0.93%, 0.54%

LAB 55.55, 14.16, -65.16

 

CMYK 68 / 36 / 0 / 18

HEX #4286D1

RGB 66 134 209

HSL 211.47, 0.61%, 0.54%

LAB 54.88, 2.79, -44.94

 

CMYK 55 / 29 / 0 / 25

HEX #5587BE

RGB 85 135 190

HSL 211.43, 0.45%, 0.54%

LAB 55.05, -0.63, -33.84

 

CMYK 39 / 20 / 0 / 33

HEX #6888AB

RGB 104 136 171

HSL 211.34, 0.29%, 0.54%

LAB 55.58, -2.15, -22.08

 

CMYK 19 / 11 / 0 / 40

HEX #7B8898

RGB 123 136 152

HSL 213.1, 0.12%, 0.54%

LAB 56.17, -1.15, -10.12

 

CMYK 0 / 4 / 6 / 44

HEX #8E8985

RGB 142 137 133

HSL 26.67, 0.04%, 0.54%

LAB 57.4, 1.11, 2.8

 

CMYK 68 / 0 / 1 / 18

HEX #42D1CE

RGB 66 209 206

HSL 178.74, 0.61%, 0.54%

LAB 76.81, -37.65, -9.56

 

CMYK 68 / 17 / 0 / 18

HEX #42ADD1

RGB 66 173 209

HSL 195.1, 0.61%, 0.54%

LAB 66.25, -19.09, -27.18

 

CMYK 68 / 35 / 0 / 18

HEX #4287D1

RGB 66 135 209

HSL 211.05, 0.61%, 0.54%

LAB 55.16, 2.19, -44.48

 

CMYK 68 / 54 / 0 / 18

HEX #4261D1

RGB 66 97 209

HSL 226.99, 0.61%, 0.54%

LAB 44.68, 25.76, -61.28

 

CMYK 65 / 68 / 0 / 18

HEX #4942D1

RGB 73 66 209

HSL 242.94, 0.61%, 0.54%

LAB 37.69, 45.82, -72.65

 

CMYK 76 / 40 / 0 / 39

HEX #255D9B

RGB 37 93 155

HSL 211.53, 0.61%, 0.38%

LAB 38.88, 4.08, -39.04

 

CMYK 76 / 40 / 0 / 26

HEX #2D71BC

RGB 45 113 188

HSL 211.47, 0.61%, 0.46%

LAB 46.97, 5.01, -45.54

 

CMYK 68 / 36 / 0 / 18

HEX #4286D1

RGB 66 134 209

HSL 211.47, 0.61%, 0.54%

LAB 54.88, 2.79, -44.94

 

CMYK 54 / 29 / 0 / 15

HEX #639BD9

RGB 99 155 217

HSL 211.53, 0.61%, 0.62%

LAB 62.6, -0.66, -37.19

 

CMYK 41 / 22 / 0 / 12

HEX #84B0E1

RGB 132 176 225

HSL 211.61, 0.61%, 0.7%

LAB 70.45, -2.26, -29.28

 

CMYK 69 / 36 / 0 / 18

HEX #4085D1

RGB 64 133 209

HSL 211.45, 0.61%, 0.54%

LAB 54.52, 3.08, -45.51

 

CMYK 20 / 68 / 0 / 18

HEX #A842D1

RGB 168 66 209

HSL 282.8, 0.61%, 0.54%

LAB 48.04, 62.91, -55.37

 

CMYK 8 / 0 / 68 / 18

HEX #C0D142

RGB 192 209 66

HSL 67.13, 0.61%, 0.54%

LAB 80.29, -23.85, 65.57

 

CMYK 69 / 36 / 0 / 18

HEX #4085D1

RGB 64 133 209

HSL 211.45, 0.61%, 0.54%

LAB 54.52, 3.08, -45.51

 

CMYK 0 / 68 / 35 / 18

HEX #D14287

RGB 209 66 135

HSL 331.05, 0.61%, 0.54%

LAB 50.92, 61.6, -6.94

 

CMYK 35 / 0 / 68 / 18

HEX #87D142

RGB 135 209 66

HSL 91.05, 0.61%, 0.54%

LAB 76.77, -45.7, 60.84

 

CMYK 69 / 36 / 0 / 18

HEX #4085D1

RGB 64 133 209

HSL 211.45, 0.61%, 0.54%

LAB 54.52, 3.08, -45.51

 

CMYK 20 / 68 / 0 / 18

HEX #A842D1

RGB 168 66 209

HSL 282.8, 0.61%, 0.54%

LAB 48.04, 62.91, -55.37

 

CMYK 0 / 33 / 68 / 18

HEX #D18C42

RGB 209 140 66

HSL 31.05, 0.61%, 0.54%

LAB 63.92, 19.46, 48.98

 

CMYK 49 / 0 / 68 / 18

HEX #6AD142

RGB 106 209 66

HSL 103.22, 0.61%, 0.54%

LAB 75.49, -54.94, 59.11

 

CMYK 69 / 36 / 0 / 18

HEX #4085D1

RGB 64 133 209

HSL 211.45, 0.61%, 0.54%

LAB 54.52, 3.08, -45.51

 

CMYK 0 / 68 / 1 / 18

HEX #D142CE

RGB 209 66 206

HSL 301.26, 0.61%, 0.54%

LAB 53.93, 71.34, -43.9

 

CMYK 0 / 33 / 68 / 18

HEX #D18C42

RGB 209 140 66

HSL 31.05, 0.61%, 0.54%

LAB 63.92, 19.46, 48.98

 

CMYK 68 / 0 / 67 / 18

HEX #42D144

RGB 66 209 68

HSL 120.84, 0.61%, 0.54%

LAB 74.3, -64.28, 56.71

 

Description

Color code: HEX #4085D1 | qconv.com Color code: HEX #4085D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 133 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 133 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 36 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 36% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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