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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #408B5B it is the complementary color #BF74A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #408B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #408B5B shade: #458B56, #569D69, #67AF7C, #78C18F and #89D3A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #408B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #408B5B shade: #408B5B, #2F7948, #1E6735, #0D5522 and #00430F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #408B5B shade: #408B5B, #408B47, #4D8B40, #628B40 and #768B40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #408B5B shade: #408B5B, #408B6F, #408B84, #407E8B and #406A8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #408B5B shade matches the following richer shades: #408B5B, #2F9C56, #1FAC52 and #0EBD4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #408B5B shade: #408B5B, #507B60, #616A64, #715A69 and #82496D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #408B5B shade: #4E8B40, #408B46, #408B5A, #408B6E and #408B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #408B5B shade: #265336, #336F48, #408B5B, #4DA86D and #65B883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #408B5B shade: #408B5B, #40628B and #8B4044

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #408B5B shade: #408B5B, #5A408B and #8B5A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #408B5B shade: #408B5B, #40628B, #8B4071 and #8B6940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #408B5B shade: #408B5B, #404B8B, #8B4071 and #8B8040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

Complementary color

CMYK 0 / 39 / 14 / 25

HEX #BF74A4

RGB 191 116 164

HSL 321.6, 0.37%, 0.6%

LAB 58.27, 36.3, -13.22

 

CMYK 50 / 0 / 38 / 45

HEX #458B56

RGB 69 139 86

HSL 134.57, 0.34%, 0.41%

LAB 52.29, -34.34, 21.75

 

CMYK 45 / 0 / 33 / 38

HEX #569D69

RGB 86 157 105

HSL 136.06, 0.29%, 0.48%

LAB 59.08, -34.14, 20.45

 

CMYK 41 / 0 / 29 / 31

HEX #67AF7C

RGB 103 175 124

HSL 137.5, 0.31%, 0.55%

LAB 65.75, -33.89, 19.25

 

CMYK 38 / 0 / 26 / 24

HEX #78C18F

RGB 120 193 143

HSL 138.9, 0.37%, 0.61%

LAB 72.31, -33.62, 18.14

 

CMYK 35 / 0 / 23 / 17

HEX #89D3A2

RGB 137 211 162

HSL 140.27, 0.46%, 0.68%

LAB 78.76, -33.35, 17.12

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 61 / 0 / 40 / 53

HEX #2F7948

RGB 47 121 72

HSL 140.27, 0.44%, 0.33%

LAB 45.29, -34.76, 20.21

 

CMYK 71 / 0 / 49 / 60

HEX #1E6735

RGB 30 103 53

HSL 138.9, 0.55%, 0.26%

LAB 38.26, -34.47, 21.81

 

CMYK 85 / 0 / 60 / 67

HEX #0D5522

RGB 13 85 34

HSL 137.5, 0.73%, 0.19%

LAB 31.11, -33.55, 23.55

 

CMYK 100 / 0 / 78 / 74

HEX #00430F

RGB 0 67 15

HSL 133.43, 1%, 0.13%

LAB 23.83, -31.54, 25.14

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 54 / 0 / 49 / 45

HEX #408B47

RGB 64 139 71

HSL 125.6, 0.37%, 0.4%

LAB 51.85, -38.29, 29.33

 

CMYK 45 / 0 / 54 / 45

HEX #4D8B40

RGB 77 139 64

HSL 109.6, 0.37%, 0.4%

LAB 52.3, -35.35, 33.67

 

CMYK 29 / 0 / 54 / 45

HEX #628B40

RGB 98 139 64

HSL 92.8, 0.37%, 0.4%

LAB 53.42, -27.85, 35.28

 

CMYK 15 / 0 / 54 / 45

HEX #768B40

RGB 118 139 64

HSL 76.8, 0.37%, 0.4%

LAB 54.75, -19.8, 37.18

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 54 / 0 / 20 / 45

HEX #408B6F

RGB 64 139 111

HSL 157.6, 0.37%, 0.4%

LAB 52.62, -30.38, 7.97

 

CMYK 54 / 0 / 5 / 45

HEX #408B84

RGB 64 139 132

HSL 174.4, 0.37%, 0.4%

LAB 53.19, -25, -3.35

 

CMYK 54 / 9 / 0 / 45

HEX #407E8B

RGB 64 126 139

HSL 190.4, 0.37%, 0.4%

LAB 49.35, -16.13, -13.18

 

CMYK 54 / 24 / 0 / 45

HEX #406A8B

RGB 64 106 139

HSL 206.4, 0.37%, 0.4%

LAB 43.16, -4.65, -22.65

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 70 / 0 / 45 / 39

HEX #2F9C56

RGB 47 156 86

HSL 141.47, 0.54%, 0.4%

LAB 57.13, -46.57, 27.95

 

CMYK 82 / 0 / 52 / 33

HEX #1FAC52

RGB 31 172 82

HSL 141.7, 0.69%, 0.4%

LAB 62, -55.39, 36.1

 

CMYK 93 / 0 / 59 / 26

HEX #0EBD4D

RGB 14 189 77

HSL 141.6, 0.86%, 0.4%

LAB 67.3, -63.04, 44.81

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 35 / 0 / 22 / 52

HEX #507B60

RGB 80 123 96

HSL 142.33, 0.21%, 0.4%

LAB 47.9, -21.14, 10.12

 

CMYK 8 / 0 / 6 / 58

HEX #616A64

RGB 97 106 100

HSL 140, 0.04%, 0.4%

LAB 43.9, -4.71, 2.18

 

CMYK 0 / 20 / 7 / 56

HEX #715A69

RGB 113 90 105

HSL 320.87, 0.11%, 0.4%

LAB 40.97, 12.18, -5

 

CMYK 0 / 44 / 16 / 49

HEX #82496D

RGB 130 73 109

HSL 322.11, 0.28%, 0.4%

LAB 38.92, 29.49, -10.31

 

CMYK 44 / 0 / 54 / 45

HEX #4E8B40

RGB 78 139 64

HSL 108.8, 0.37%, 0.4%

LAB 52.35, -35.02, 33.73

 

CMYK 54 / 0 / 50 / 45

HEX #408B46

RGB 64 139 70

HSL 124.8, 0.37%, 0.4%

LAB 51.83, -38.44, 29.84

 

CMYK 54 / 0 / 35 / 45

HEX #408B5A

RGB 64 139 90

HSL 140.8, 0.37%, 0.4%

LAB 52.17, -34.94, 19.31

 

CMYK 54 / 0 / 21 / 45

HEX #408B6E

RGB 64 139 110

HSL 156.8, 0.37%, 0.4%

LAB 52.6, -30.61, 8.51

 

CMYK 54 / 0 / 6 / 45

HEX #408B82

RGB 64 139 130

HSL 172.8, 0.37%, 0.4%

LAB 53.13, -25.54, -2.28

 

CMYK 54 / 0 / 35 / 67

HEX #265336

RGB 38 83 54

HSL 141.33, 0.37%, 0.24%

LAB 31.5, -23.07, 12.36

 

CMYK 54 / 0 / 35 / 56

HEX #336F48

RGB 51 111 72

HSL 141, 0.37%, 0.32%

LAB 42.06, -29.16, 15.93

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 54 / 0 / 35 / 34

HEX #4DA86D

RGB 77 168 109

HSL 141.1, 0.37%, 0.48%

LAB 62.24, -40.74, 22.46

 

CMYK 45 / 0 / 29 / 28

HEX #65B883

RGB 101 184 131

HSL 141.69, 0.37%, 0.56%

LAB 68.52, -37.26, 19.25

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 54 / 29 / 0 / 45

HEX #40628B

RGB 64 98 139

HSL 212.8, 0.37%, 0.4%

LAB 40.72, 0.23, -26.44

 

CMYK 0 / 54 / 51 / 45

HEX #8B4044

RGB 139 64 68

HSL 356.8, 0.37%, 0.4%

LAB 37.07, 32.3, 12.91

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 35 / 54 / 0 / 45

HEX #5A408B

RGB 90 64 139

HSL 260.8, 0.37%, 0.4%

LAB 33.36, 28.74, -37.93

 

CMYK 0 / 35 / 54 / 45

HEX #8B5A40

RGB 139 90 64

HSL 20.8, 0.37%, 0.4%

LAB 43.02, 17.17, 23.23

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 54 / 29 / 0 / 45

HEX #40628B

RGB 64 98 139

HSL 212.8, 0.37%, 0.4%

LAB 40.72, 0.23, -26.44

 

CMYK 0 / 54 / 19 / 45

HEX #8B4071

RGB 139 64 113

HSL 320.8, 0.37%, 0.4%

LAB 38.46, 38.2, -13.39

 

CMYK 0 / 24 / 54 / 45

HEX #8B6940

RGB 139 105 64

HSL 32.8, 0.37%, 0.4%

LAB 46.92, 8.39, 28.16

 

CMYK 54 / 0 / 35 / 45

HEX #408B5B

RGB 64 139 91

HSL 141.6, 0.37%, 0.4%

LAB 52.19, -34.75, 18.78

 

CMYK 54 / 46 / 0 / 45

HEX #404B8B

RGB 64 75 139

HSL 231.2, 0.37%, 0.4%

LAB 33.95, 15, -37.12

 

CMYK 0 / 54 / 19 / 45

HEX #8B4071

RGB 139 64 113

HSL 320.8, 0.37%, 0.4%

LAB 38.46, 38.2, -13.39

 

CMYK 0 / 8 / 54 / 45

HEX #8B8040

RGB 139 128 64

HSL 51.2, 0.37%, 0.4%

LAB 53.27, -4.75, 35.86

 

Description

Color code: HEX #408B5B | qconv.com Color code: HEX #408B5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 139 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 139 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 35 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 35% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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