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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #408DAA it is the complementary color #BF7255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #408DAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #408DAA shade: #458DA5, #569FB8, #67B1CB, #78C3DE and #89D5F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #408DAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #408DAA shade: #408DAA, #2F7B97, #1E6984, #0D5771 and #00455E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #408DAA shade: #408DAA, #4070AA, #4054AA, #4940AA and #6540AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #408DAA shade: #408DAA, #4070AA, #4054AA and #4040AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #408DAA shade matches the following richer shades: #408DAA, #2D95BD, #1A9ED0 and #07A6E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #408DAA shade: #408DAA, #538497, #667C84, #797371 and #8C6A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #408DAA shade: #40AA8D, #40AAAA, #408DAA, #4071AA and #4055AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #408DAA shade: #295B6E, #35748C, #408DAA, #55A1BE and #73B2C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #408DAA shade: #408DAA, #7140AA and #AA9C40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #408DAA shade: #408DAA, #AA408D and #8DAA40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #408DAA shade: #408DAA, #7140AA, #AA5C40 and #78AA40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #408DAA shade: #408DAA, #9140AA, #AA5C40 and #59AA40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

Complementary color

CMYK 0 / 40 / 55 / 25

HEX #BF7255

RGB 191 114 85

HSL 16.42, 0.45%, 0.54%

LAB 55.85, 27.45, 28.95

 

CMYK 58 / 15 / 0 / 35

HEX #458DA5

RGB 69 141 165

HSL 195, 0.41%, 0.46%

LAB 55.1, -15.31, -19.51

 

CMYK 53 / 14 / 0 / 28

HEX #569FB8

RGB 86 159 184

HSL 195.31, 0.41%, 0.53%

LAB 61.86, -15.71, -19.93

 

CMYK 49 / 13 / 0 / 20

HEX #67B1CB

RGB 103 177 203

HSL 195.6, 0.49%, 0.6%

LAB 68.49, -16, -20.34

 

CMYK 46 / 12 / 0 / 13

HEX #78C3DE

RGB 120 195 222

HSL 195.88, 0.61%, 0.67%

LAB 75.01, -16.21, -20.73

 

CMYK 43 / 12 / 0 / 5

HEX #89D5F1

RGB 137 213 241

HSL 196.15, 0.79%, 0.74%

LAB 81.43, -16.38, -21.1

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 69 / 19 / 0 / 41

HEX #2F7B97

RGB 47 123 151

HSL 196.15, 0.53%, 0.39%

LAB 48.27, -13.95, -21.93

 

CMYK 77 / 20 / 0 / 48

HEX #1E6984

RGB 30 105 132

HSL 195.88, 0.63%, 0.32%

LAB 41.29, -12.86, -21.44

 

CMYK 88 / 23 / 0 / 56

HEX #0D5771

RGB 13 87 113

HSL 195.6, 0.79%, 0.25%

LAB 34.18, -11.24, -20.84

 

CMYK 100 / 27 / 0 / 63

HEX #00455E

RGB 0 69 94

HSL 195.96, 1%, 0.18%

LAB 26.92, -8.95, -20.13

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 62 / 34 / 0 / 33

HEX #4070AA

RGB 64 112 170

HSL 212.83, 0.45%, 0.46%

LAB 46.42, 2.13, -35.9

 

CMYK 62 / 51 / 0 / 33

HEX #4054AA

RGB 64 84 170

HSL 228.68, 0.45%, 0.46%

LAB 38.43, 19.92, -48.63

 

CMYK 57 / 62 / 0 / 33

HEX #4940AA

RGB 73 64 170

HSL 245.09, 0.45%, 0.46%

LAB 33.95, 34.38, -55.85

 

CMYK 41 / 62 / 0 / 33

HEX #6540AA

RGB 101 64 170

HSL 260.94, 0.45%, 0.46%

LAB 36.62, 40.07, -51.39

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 62 / 34 / 0 / 33

HEX #4070AA

RGB 64 112 170

HSL 212.83, 0.45%, 0.46%

LAB 46.42, 2.13, -35.9

 

CMYK 62 / 51 / 0 / 33

HEX #4054AA

RGB 64 84 170

HSL 228.68, 0.45%, 0.46%

LAB 38.43, 19.92, -48.63

 

CMYK 62 / 62 / 0 / 33

HEX #4040AA

RGB 64 64 170

HSL 240, 0.45%, 0.46%

LAB 33.26, 32.82, -57

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 76 / 21 / 0 / 26

HEX #2D95BD

RGB 45 149 189

HSL 196.67, 0.62%, 0.46%

LAB 57.78, -15.66, -29.13

 

CMYK 88 / 24 / 0 / 18

HEX #1A9ED0

RGB 26 158 208

HSL 196.48, 0.78%, 0.46%

LAB 60.98, -15.62, -34.85

 

CMYK 97 / 27 / 0 / 11

HEX #07A6E3

RGB 7 166 227

HSL 196.64, 0.94%, 0.46%

LAB 64.05, -13.99, -40.6

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 45 / 13 / 0 / 41

HEX #538497

RGB 83 132 151

HSL 196.76, 0.29%, 0.46%

LAB 52.48, -11.25, -15.36

 

CMYK 23 / 6 / 0 / 48

HEX #667C84

RGB 102 124 132

HSL 196, 0.13%, 0.46%

LAB 50.58, -6.08, -7.01

 

CMYK 0 / 5 / 7 / 53

HEX #797371

RGB 121 115 113

HSL 15, 0.03%, 0.46%

LAB 48.91, 1.92, 1.92

 

CMYK 0 / 24 / 33 / 45

HEX #8C6A5E

RGB 140 106 94

HSL 15.65, 0.2%, 0.46%

LAB 47.87, 11.78, 11.98

 

CMYK 62 / 0 / 17 / 33

HEX #40AA8D

RGB 64 170 141

HSL 163.58, 0.45%, 0.46%

LAB 63.15, -37.46, 6.02

 

CMYK 62 / 0 / 0 / 33

HEX #40AAAA

RGB 64 170 170

HSL 180, 0.45%, 0.46%

LAB 63.95, -29.71, -9

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 62 / 34 / 0 / 33

HEX #4071AA

RGB 64 113 170

HSL 212.26, 0.45%, 0.46%

LAB 46.71, 1.52, -35.44

 

CMYK 62 / 50 / 0 / 33

HEX #4055AA

RGB 64 85 170

HSL 228.11, 0.45%, 0.46%

LAB 38.71, 19.27, -48.19

 

CMYK 63 / 17 / 0 / 57

HEX #295B6E

RGB 41 91 110

HSL 196.52, 0.46%, 0.3%

LAB 36.14, -10.55, -15.89

 

CMYK 62 / 17 / 0 / 45

HEX #35748C

RGB 53 116 140

HSL 196.55, 0.45%, 0.38%

LAB 45.83, -12.58, -19.17

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 55 / 15 / 0 / 25

HEX #55A1BE

RGB 85 161 190

HSL 196.57, 0.45%, 0.54%

LAB 62.62, -15.22, -22.13

 

CMYK 43 / 11 / 0 / 21

HEX #73B2C9

RGB 115 178 201

HSL 196.05, 0.44%, 0.62%

LAB 69.26, -14.18, -18.02

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 34 / 62 / 0 / 33

HEX #7140AA

RGB 113 64 170

HSL 267.74, 0.45%, 0.46%

LAB 37.99, 42.8, -49.13

 

CMYK 0 / 8 / 62 / 33

HEX #AA9C40

RGB 170 156 64

HSL 52.08, 0.45%, 0.46%

LAB 63.91, -6.33, 48.73

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 0 / 62 / 17 / 33

HEX #AA408D

RGB 170 64 141

HSL 316.42, 0.45%, 0.46%

LAB 44.43, 52.1, -21

 

CMYK 17 / 0 / 62 / 33

HEX #8DAA40

RGB 141 170 64

HSL 76.42, 0.45%, 0.46%

LAB 65.58, -25.88, 49.88

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 34 / 62 / 0 / 33

HEX #7140AA

RGB 113 64 170

HSL 267.74, 0.45%, 0.46%

LAB 37.99, 42.8, -49.13

 

CMYK 0 / 46 / 62 / 33

HEX #AA5C40

RGB 170 92 64

HSL 15.85, 0.45%, 0.46%

LAB 47.71, 29.22, 30.02

 

CMYK 29 / 0 / 62 / 33

HEX #78AA40

RGB 120 170 64

HSL 88.3, 0.45%, 0.46%

LAB 64.25, -34.13, 48.05

 

CMYK 62 / 17 / 0 / 33

HEX #408DAA

RGB 64 141 170

HSL 196.42, 0.45%, 0.46%

LAB 55.12, -14.72, -22.37

 

CMYK 15 / 62 / 0 / 33

HEX #9140AA

RGB 145 64 170

HSL 285.85, 0.45%, 0.46%

LAB 42.14, 50.55, -42.24

 

CMYK 0 / 46 / 62 / 33

HEX #AA5C40

RGB 170 92 64

HSL 15.85, 0.45%, 0.46%

LAB 47.71, 29.22, 30.02

 

CMYK 48 / 0 / 62 / 33

HEX #59AA40

RGB 89 170 64

HSL 105.85, 0.45%, 0.46%

LAB 62.71, -44.79, 45.91

 

Description

Color code: HEX #408DAA | qconv.com Color code: HEX #408DAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 141 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 141 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 17 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 17% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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