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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #408EAA it is the complementary color #BF7155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #408EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #408EAA shade: #458EA5, #56A0B8, #67B2CB, #78C4DE and #89D6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #408EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #408EAA shade: #408EAA, #2F7C97, #1E6A84, #0D5871 and #00465E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #408EAA shade: #408EAA, #4071AA, #4055AA, #4840AA and #6440AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #408EAA shade: #408EAA, #4071AA, #4055AA and #4040AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #408EAA shade matches the following richer shades: #408EAA, #2D97BD, #1AA0D0 and #07A9E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #408EAA shade: #408EAA, #538597, #667C84, #797371 and #8C6A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #408EAA shade: #40AA8C, #40AAA8, #408FAA, #4073AA and #4057AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #408EAA shade: #295C6E, #35758C, #408EAA, #55A2BE and #73B3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #408EAA shade: #408EAA, #7040AA and #AA9A40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #408EAA shade: #408EAA, #AA408F and #8FAA40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #408EAA shade: #408EAA, #7040AA, #AA5A40 and #7AAA40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #408EAA shade: #408EAA, #8F40AA, #AA5A40 and #5AAA40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

Complementary color

CMYK 0 / 41 / 55 / 25

HEX #BF7155

RGB 191 113 85

HSL 15.85, 0.45%, 0.54%

LAB 55.63, 27.99, 28.66

 

CMYK 58 / 14 / 0 / 35

HEX #458EA5

RGB 69 142 165

HSL 194.38, 0.41%, 0.46%

LAB 55.41, -15.86, -19.04

 

CMYK 53 / 13 / 0 / 28

HEX #56A0B8

RGB 86 160 184

HSL 194.69, 0.41%, 0.53%

LAB 62.15, -16.25, -19.48

 

CMYK 49 / 12 / 0 / 20

HEX #67B2CB

RGB 103 178 203

HSL 195, 0.49%, 0.6%

LAB 68.78, -16.52, -19.9

 

CMYK 46 / 12 / 0 / 13

HEX #78C4DE

RGB 120 196 222

HSL 195.29, 0.61%, 0.67%

LAB 75.29, -16.73, -20.3

 

CMYK 43 / 11 / 0 / 5

HEX #89D6F1

RGB 137 214 241

HSL 195.58, 0.79%, 0.74%

LAB 81.71, -16.89, -20.69

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 69 / 18 / 0 / 41

HEX #2F7C97

RGB 47 124 151

HSL 195.58, 0.53%, 0.39%

LAB 48.58, -14.51, -21.45

 

CMYK 77 / 20 / 0 / 48

HEX #1E6A84

RGB 30 106 132

HSL 195.29, 0.63%, 0.32%

LAB 41.61, -13.43, -20.94

 

CMYK 88 / 22 / 0 / 56

HEX #0D5871

RGB 13 88 113

HSL 195, 0.79%, 0.25%

LAB 34.51, -11.84, -20.32

 

CMYK 100 / 26 / 0 / 63

HEX #00465E

RGB 0 70 94

HSL 195.32, 1%, 0.18%

LAB 27.27, -9.57, -19.58

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 62 / 34 / 0 / 33

HEX #4071AA

RGB 64 113 170

HSL 212.26, 0.45%, 0.46%

LAB 46.71, 1.52, -35.44

 

CMYK 62 / 50 / 0 / 33

HEX #4055AA

RGB 64 85 170

HSL 228.11, 0.45%, 0.46%

LAB 38.71, 19.27, -48.19

 

CMYK 58 / 62 / 0 / 33

HEX #4840AA

RGB 72 64 170

HSL 244.53, 0.45%, 0.46%

LAB 33.87, 34.2, -55.98

 

CMYK 41 / 62 / 0 / 33

HEX #6440AA

RGB 100 64 170

HSL 260.38, 0.45%, 0.46%

LAB 36.51, 39.85, -51.57

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 62 / 34 / 0 / 33

HEX #4071AA

RGB 64 113 170

HSL 212.26, 0.45%, 0.46%

LAB 46.71, 1.52, -35.44

 

CMYK 62 / 50 / 0 / 33

HEX #4055AA

RGB 64 85 170

HSL 228.11, 0.45%, 0.46%

LAB 38.71, 19.27, -48.19

 

CMYK 62 / 62 / 0 / 33

HEX #4040AA

RGB 64 64 170

HSL 240, 0.45%, 0.46%

LAB 33.26, 32.82, -57

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 76 / 20 / 0 / 26

HEX #2D97BD

RGB 45 151 189

HSL 195.83, 0.62%, 0.46%

LAB 58.38, -16.75, -28.19

 

CMYK 88 / 23 / 0 / 18

HEX #1AA0D0

RGB 26 160 208

HSL 195.82, 0.78%, 0.46%

LAB 61.58, -16.7, -33.92

 

CMYK 97 / 26 / 0 / 11

HEX #07A9E3

RGB 7 169 227

HSL 195.82, 0.94%, 0.46%

LAB 64.94, -15.62, -39.21

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 45 / 12 / 0 / 41

HEX #538597

RGB 83 133 151

HSL 195.88, 0.29%, 0.46%

LAB 52.78, -11.81, -14.9

 

CMYK 23 / 6 / 0 / 48

HEX #667C84

RGB 102 124 132

HSL 196, 0.13%, 0.46%

LAB 50.58, -6.08, -7.01

 

CMYK 0 / 5 / 7 / 53

HEX #797371

RGB 121 115 113

HSL 15, 0.03%, 0.46%

LAB 48.91, 1.92, 1.92

 

CMYK 0 / 24 / 33 / 45

HEX #8C6A5E

RGB 140 106 94

HSL 15.65, 0.2%, 0.46%

LAB 47.87, 11.78, 11.98

 

CMYK 62 / 0 / 18 / 33

HEX #40AA8C

RGB 64 170 140

HSL 163.02, 0.45%, 0.46%

LAB 63.12, -37.7, 6.54

 

CMYK 62 / 0 / 1 / 33

HEX #40AAA8

RGB 64 170 168

HSL 178.87, 0.45%, 0.46%

LAB 63.89, -30.28, -7.97

 

CMYK 62 / 16 / 0 / 33

HEX #408FAA

RGB 64 143 170

HSL 195.28, 0.45%, 0.46%

LAB 55.72, -15.81, -21.44

 

CMYK 62 / 32 / 0 / 33

HEX #4073AA

RGB 64 115 170

HSL 211.13, 0.45%, 0.46%

LAB 47.31, 0.31, -34.51

 

CMYK 62 / 49 / 0 / 33

HEX #4057AA

RGB 64 87 170

HSL 226.98, 0.45%, 0.46%

LAB 39.26, 17.97, -47.3

 

CMYK 63 / 16 / 0 / 57

HEX #295C6E

RGB 41 92 110

HSL 195.65, 0.46%, 0.3%

LAB 36.46, -11.15, -15.39

 

CMYK 62 / 16 / 0 / 45

HEX #35758C

RGB 53 117 140

HSL 195.86, 0.45%, 0.38%

LAB 46.14, -13.15, -18.69

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 55 / 15 / 0 / 25

HEX #55A2BE

RGB 85 162 190

HSL 196, 0.45%, 0.54%

LAB 62.92, -15.76, -21.68

 

CMYK 43 / 11 / 0 / 21

HEX #73B3C9

RGB 115 179 201

HSL 195.35, 0.44%, 0.62%

LAB 69.54, -14.71, -17.59

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 34 / 62 / 0 / 33

HEX #7040AA

RGB 112 64 170

HSL 267.17, 0.45%, 0.46%

LAB 37.87, 42.57, -49.32

 

CMYK 0 / 9 / 62 / 33

HEX #AA9A40

RGB 170 154 64

HSL 50.94, 0.45%, 0.46%

LAB 63.37, -5.26, 48.13

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 0 / 62 / 16 / 33

HEX #AA408F

RGB 170 64 143

HSL 315.28, 0.45%, 0.46%

LAB 44.51, 52.4, -22.08

 

CMYK 16 / 0 / 62 / 33

HEX #8FAA40

RGB 143 170 64

HSL 75.28, 0.45%, 0.46%

LAB 65.72, -25.06, 50.07

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 34 / 62 / 0 / 33

HEX #7040AA

RGB 112 64 170

HSL 267.17, 0.45%, 0.46%

LAB 37.87, 42.57, -49.32

 

CMYK 0 / 47 / 62 / 33

HEX #AA5A40

RGB 170 90 64

HSL 14.72, 0.45%, 0.46%

LAB 47.27, 30.3, 29.48

 

CMYK 28 / 0 / 62 / 33

HEX #7AAA40

RGB 122 170 64

HSL 87.17, 0.45%, 0.46%

LAB 64.37, -33.37, 48.21

 

CMYK 62 / 16 / 0 / 33

HEX #408EAA

RGB 64 142 170

HSL 195.85, 0.45%, 0.46%

LAB 55.42, -15.27, -21.91

 

CMYK 16 / 62 / 0 / 33

HEX #8F40AA

RGB 143 64 170

HSL 284.72, 0.45%, 0.46%

LAB 41.86, 50.06, -42.7

 

CMYK 0 / 47 / 62 / 33

HEX #AA5A40

RGB 170 90 64

HSL 14.72, 0.45%, 0.46%

LAB 47.27, 30.3, 29.48

 

CMYK 47 / 0 / 62 / 33

HEX #5AAA40

RGB 90 170 64

HSL 105.28, 0.45%, 0.46%

LAB 62.75, -44.48, 45.96

 

Description

Color code: HEX #408EAA | qconv.com Color code: HEX #408EAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 142 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 142 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 16 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 16% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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