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Color name
HEX #409710

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #409710 it is the complementary color #BF68EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #409710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #409710 shade: #45970B, #56A91E, #67BB31, #78CD44 and #89DF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #409710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #409710 shade: #409710, #2F8500, #1E7300, #0D6100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #409710 shade: #40980F, #65980F, #89980F, #98810F and #985D0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #409710 shade: #40980F, #1B980F, #0F9829, #0F984D and #0F9872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #409710 shade matches the following richer shades: #40980F and #3CA502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #409710 shade: #40980F, #448A1D, #487D2B, #4C6F38 and #506146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #409710 shade: #8A980F, #66980F, #41980F, #1D980F and #0F9826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #409710 shade: #204D08, #30720C, #40980F, #50BD13 and #60E217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #409710 shade: #409710, #0F9881 and #980F78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #409710 shade: #409710, #0F4198 and #980F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #409710 shade: #409710, #0F9881, #660F98 and #980F26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #409710 shade: #409710, #0F8698, #660F98 and #98220F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

Complementary color

CMYK 20 / 56 / 0 / 6

HEX #BF68EF

RGB 191 104 239

HSL 278.67, 0.81%, 0.67%

LAB 59.17, 56.89, -54.34

 

CMYK 54 / 0 / 93 / 41

HEX #45970B

RGB 69 151 11

HSL 95.14, 0.86%, 0.32%

LAB 55.5, -46.81, 56.13

 

CMYK 49 / 0 / 82 / 34

HEX #56A91E

RGB 86 169 30

HSL 95.83, 0.7%, 0.39%

LAB 62.04, -47.87, 57.84

 

CMYK 45 / 0 / 74 / 27

HEX #67BB31

RGB 103 187 49

HSL 96.52, 0.58%, 0.46%

LAB 68.49, -48.53, 58.22

 

CMYK 41 / 0 / 67 / 20

HEX #78CD44

RGB 120 205 68

HSL 97.23, 0.58%, 0.54%

LAB 74.87, -48.92, 57.85

 

CMYK 39 / 0 / 61 / 13

HEX #89DF57

RGB 137 223 87

HSL 97.94, 0.68%, 0.61%

LAB 81.17, -49.13, 57.09

 

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

CMYK 65 / 0 / 100 / 48

HEX #2F8500

RGB 47 133 0

HSL 98.8, 1%, 0.26%

LAB 48.73, -46.5, 52.22

 

CMYK 74 / 0 / 100 / 55

HEX #1E7300

RGB 30 115 0

HSL 104.35, 1%, 0.23%

LAB 42.06, -44.05, 46.73

 

CMYK 87 / 0 / 100 / 62

HEX #0D6100

RGB 13 97 0

HSL 111.96, 1%, 0.19%

LAB 35.27, -40.92, 41.18

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 58 / 0 / 90 / 40

HEX #40980F

RGB 64 152 15

HSL 98.54, 0.82%, 0.33%

LAB 55.67, -48.49, 55.48

 

CMYK 34 / 0 / 90 / 40

HEX #65980F

RGB 101 152 15

HSL 82.34, 0.82%, 0.33%

LAB 57.33, -36.12, 57.54

 

CMYK 10 / 0 / 90 / 40

HEX #89980F

RGB 137 152 15

HSL 66.57, 0.82%, 0.33%

LAB 59.72, -21.09, 60.49

 

CMYK 0 / 15 / 90 / 40

HEX #98810F

RGB 152 129 15

HSL 49.93, 0.82%, 0.33%

LAB 54.46, -1.99, 56.84

 

CMYK 0 / 39 / 90 / 40

HEX #985D0F

RGB 152 93 15

HSL 34.16, 0.82%, 0.33%

LAB 45, 18.52, 49.36

 

CMYK 58 / 0 / 90 / 40

HEX #40980F

RGB 64 152 15

HSL 98.54, 0.82%, 0.33%

LAB 55.67, -48.49, 55.48

 

CMYK 82 / 0 / 90 / 40

HEX #1B980F

RGB 27 152 15

HSL 114.74, 0.82%, 0.33%

LAB 54.79, -55.92, 54.37

 

CMYK 90 / 0 / 73 / 40

HEX #0F9829

RGB 15 152 41

HSL 131.39, 0.82%, 0.33%

LAB 54.78, -55.48, 46.53

 

CMYK 90 / 0 / 49 / 40

HEX #0F984D

RGB 15 152 77

HSL 147.15, 0.82%, 0.33%

LAB 55.17, -50.71, 30.11

 

CMYK 90 / 0 / 25 / 40

HEX #0F9872

RGB 15 152 114

HSL 163.36, 0.82%, 0.33%

LAB 55.86, -42.81, 10.69

 

CMYK 58 / 0 / 90 / 40

HEX #40980F

RGB 64 152 15

HSL 98.54, 0.82%, 0.33%

LAB 55.67, -48.49, 55.48

 

CMYK 64 / 0 / 99 / 35

HEX #3CA502

RGB 60 165 2

HSL 98.65, 0.98%, 0.33%

LAB 59.78, -54.45, 60.84

 

CMYK 58 / 0 / 90 / 40

HEX #40980F

RGB 64 152 15

HSL 98.54, 0.82%, 0.33%

LAB 55.67, -48.49, 55.48

 

CMYK 51 / 0 / 79 / 46

HEX #448A1D

RGB 68 138 29

HSL 98.53, 0.65%, 0.33%

LAB 51.26, -41.23, 47.81

 

CMYK 42 / 0 / 66 / 51

HEX #487D2B

RGB 72 125 43

HSL 98.78, 0.49%, 0.33%

LAB 47.26, -33.21, 38.1

 

CMYK 32 / 0 / 50 / 56

HEX #4C6F38

RGB 76 111 56

HSL 98.18, 0.33%, 0.33%

LAB 43.05, -23.47, 26.59

 

CMYK 18 / 0 / 28 / 62

HEX #506146

RGB 80 97 70

HSL 97.78, 0.16%, 0.33%

LAB 39.07, -12.12, 13.32

 

CMYK 9 / 0 / 90 / 40

HEX #8A980F

RGB 138 152 15

HSL 66.13, 0.82%, 0.33%

LAB 59.79, -20.65, 60.58

 

CMYK 33 / 0 / 90 / 40

HEX #66980F

RGB 102 152 15

HSL 81.9, 0.82%, 0.33%

LAB 57.38, -35.73, 57.61

 

CMYK 57 / 0 / 90 / 40

HEX #41980F

RGB 65 152 15

HSL 98.1, 0.82%, 0.33%

LAB 55.7, -48.21, 55.52

 

CMYK 81 / 0 / 90 / 40

HEX #1D980F

RGB 29 152 15

HSL 113.87, 0.82%, 0.33%

LAB 54.82, -55.66, 54.41

 

CMYK 90 / 0 / 75 / 40

HEX #0F9826

RGB 15 152 38

HSL 130.07, 0.82%, 0.33%

LAB 54.76, -55.74, 47.65

 

CMYK 58 / 0 / 90 / 70

HEX #204D08

RGB 32 77 8

HSL 99.13, 0.81%, 0.17%

LAB 28.47, -28.65, 32.87

 

CMYK 58 / 0 / 89 / 55

HEX #30720C

RGB 48 114 12

HSL 98.82, 0.81%, 0.25%

LAB 42.29, -38.7, 44.33

 

CMYK 58 / 0 / 90 / 40

HEX #40980F

RGB 64 152 15

HSL 98.54, 0.82%, 0.33%

LAB 55.67, -48.49, 55.48

 

CMYK 58 / 0 / 90 / 26

HEX #50BD13

RGB 80 189 19

HSL 98.47, 0.82%, 0.41%

LAB 68.13, -57.39, 65.55

 

CMYK 58 / 0 / 90 / 11

HEX #60E217

RGB 96 226 23

HSL 98.42, 0.82%, 0.49%

LAB 80.15, -65.96, 75.22

 

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

CMYK 90 / 0 / 15 / 40

HEX #0F9881

RGB 15 152 129

HSL 169.93, 0.82%, 0.33%

LAB 56.23, -38.83, 2.69

 

CMYK 0 / 90 / 21 / 40

HEX #980F78

RGB 152 15 120

HSL 314.01, 0.82%, 0.33%

LAB 34.75, 60.24, -23.31

 

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

CMYK 90 / 57 / 0 / 40

HEX #0F4198

RGB 15 65 152

HSL 218.1, 0.82%, 0.33%

LAB 29.79, 19.51, -51.9

 

CMYK 0 / 90 / 57 / 40

HEX #980F41

RGB 152 15 65

HSL 338.1, 0.82%, 0.33%

LAB 32.7, 54.62, 9.2

 

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

CMYK 90 / 0 / 15 / 40

HEX #0F9881

RGB 15 152 129

HSL 169.93, 0.82%, 0.33%

LAB 56.23, -38.83, 2.69

 

CMYK 33 / 90 / 0 / 40

HEX #660F98

RGB 102 15 152

HSL 278.1, 0.82%, 0.33%

LAB 27.94, 56.61, -54.62

 

CMYK 0 / 90 / 75 / 40

HEX #980F26

RGB 152 15 38

HSL 349.93, 0.82%, 0.33%

LAB 32.16, 53.09, 26.15

 

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

CMYK 90 / 12 / 0 / 40

HEX #0F8698

RGB 15 134 152

HSL 187.88, 0.82%, 0.33%

LAB 51.17, -23.06, -18.11

 

CMYK 33 / 90 / 0 / 40

HEX #660F98

RGB 102 15 152

HSL 278.1, 0.82%, 0.33%

LAB 27.94, 56.61, -54.62

 

CMYK 0 / 78 / 90 / 40

HEX #98220F

RGB 152 34 15

HSL 8.32, 0.82%, 0.33%

LAB 33.68, 47.44, 40.52

 

Description

Color code: HEX #409710 | qconv.com Color code: HEX #409710 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 151 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 151 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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