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Color name
HEX #409ECD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #409ECD it is the complementary color #BF6132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #409ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #409ECD shade: #459EC8, #56B0DB, #67C2EE, #78D4FF and #89E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #409ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #409ECD shade: #409ECD, #2F8CBA, #1E7AA7, #0D6894 and #005681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #409ECD shade: #409ECD, #4078CD, #4052CD, #5440CD and #7A40CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #409ECD shade: #409ECD, #4078CD, #4052CD and #4040CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #409ECD shade matches the following richer shades: #409ECD, #2DA5E1 and #19ABF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #409ECD shade: #409ECD, #5398BA, #6791A7, #7A8B93 and #8E8480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #409ECD shade: #40CDB1, #40C4CD, #409ECD, #4079CD and #4053CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #409ECD shade: #267095, #2E89B6, #409ECD, #61AFD6 and #82BFDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #409ECD shade: #409ECD, #8B40CD and #CDC440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #409ECD shade: #409ECD, #CD409E and #9ECD40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #409ECD shade: #409ECD, #8B40CD, #CD6F40 and #82CD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #409ECD shade: #409ECD, #B640CD, #CD6F40 and #58CD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

Complementary color

CMYK 0 / 49 / 74 / 25

HEX #BF6132

RGB 191 97 50

HSL 20, 0.59%, 0.47%

LAB 51.67, 34.27, 42.92

 

CMYK 66 / 21 / 0 / 22

HEX #459EC8

RGB 69 158 200

HSL 199.24, 0.54%, 0.53%

LAB 61.56, -13.49, -29.41

 

CMYK 61 / 20 / 0 / 14

HEX #56B0DB

RGB 86 176 219

HSL 199.4, 0.65%, 0.6%

LAB 68.13, -14.24, -29.75

 

CMYK 57 / 18 / 0 / 7

HEX #67C2EE

RGB 103 194 238

HSL 199.56, 0.8%, 0.67%

LAB 74.6, -14.82, -30.07

 

CMYK 53 / 17 / 0 / 0

HEX #78D4FF

RGB 120 212 255

HSL 199.11, 1%, 0.74%

LAB 80.91, -15.85, -29.42

 

CMYK 46 / 10 / 0 / 0

HEX #89E6FF

RGB 137 230 255

HSL 192.71, 1%, 0.77%

LAB 86.57, -21.29, -20.73

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 75 / 25 / 0 / 27

HEX #2F8CBA

RGB 47 140 186

HSL 199.86, 0.6%, 0.46%

LAB 54.98, -11.47, -31.78

 

CMYK 82 / 27 / 0 / 35

HEX #1E7AA7

RGB 30 122 167

HSL 199.71, 0.7%, 0.39%

LAB 48.24, -9.92, -31.37

 

CMYK 91 / 30 / 0 / 42

HEX #0D6894

RGB 13 104 148

HSL 199.56, 0.84%, 0.32%

LAB 41.41, -7.85, -30.87

 

CMYK 100 / 33 / 0 / 49

HEX #005681

RGB 0 86 129

HSL 200, 1%, 0.25%

LAB 34.48, -5.14, -30.28

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 69 / 41 / 0 / 20

HEX #4078CD

RGB 64 120 205

HSL 216.17, 0.59%, 0.53%

LAB 50.61, 9.56, -49.46

 

CMYK 69 / 60 / 0 / 20

HEX #4052CD

RGB 64 82 205

HSL 232.34, 0.59%, 0.53%

LAB 40.46, 33.57, -65.82

 

CMYK 59 / 69 / 0 / 20

HEX #5440CD

RGB 84 64 205

HSL 248.51, 0.59%, 0.53%

LAB 37.77, 47.21, -70.17

 

CMYK 40 / 69 / 0 / 20

HEX #7A40CD

RGB 122 64 205

HSL 264.68, 0.59%, 0.53%

LAB 41.55, 53.62, -63.84

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 69 / 41 / 0 / 20

HEX #4078CD

RGB 64 120 205

HSL 216.17, 0.59%, 0.53%

LAB 50.61, 9.56, -49.46

 

CMYK 69 / 60 / 0 / 20

HEX #4052CD

RGB 64 82 205

HSL 232.34, 0.59%, 0.53%

LAB 40.46, 33.57, -65.82

 

CMYK 69 / 69 / 0 / 20

HEX #4040CD

RGB 64 64 205

HSL 240, 0.59%, 0.53%

LAB 36.3, 44.58, -72.64

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 80 / 27 / 0 / 12

HEX #2DA5E1

RGB 45 165 225

HSL 200, 0.75%, 0.53%

LAB 64.08, -11.99, -39.42

 

CMYK 90 / 30 / 0 / 4

HEX #19ABF4

RGB 25 171 244

HSL 200, 0.91%, 0.53%

LAB 66.42, -9.99, -46.2

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 55 / 18 / 0 / 27

HEX #5398BA

RGB 83 152 186

HSL 199.81, 0.43%, 0.53%

LAB 59.74, -11.96, -24.3

 

CMYK 38 / 13 / 0 / 35

HEX #6791A7

RGB 103 145 167

HSL 200.63, 0.27%, 0.53%

LAB 57.97, -8.63, -16.15

 

CMYK 17 / 5 / 0 / 42

HEX #7A8B93

RGB 122 139 147

HSL 199.2, 0.1%, 0.53%

LAB 56.79, -4.34, -6.33

 

CMYK 0 / 7 / 10 / 44

HEX #8E8480

RGB 142 132 128

HSL 17.14, 0.06%, 0.53%

LAB 55.9, 3.03, 3.5

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB1

RGB 64 205 177

HSL 168.09, 0.59%, 0.53%

LAB 74.78, -43.88, 3.08

 

CMYK 69 / 4 / 0 / 20

HEX #40C4CD

RGB 64 196 205

HSL 183.83, 0.59%, 0.53%

LAB 72.88, -32.12, -14.91

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 69 / 41 / 0 / 20

HEX #4079CD

RGB 64 121 205

HSL 215.74, 0.59%, 0.53%

LAB 50.89, 8.94, -49.01

 

CMYK 69 / 60 / 0 / 20

HEX #4053CD

RGB 64 83 205

HSL 231.91, 0.59%, 0.53%

LAB 40.71, 32.94, -65.42

 

CMYK 74 / 25 / 0 / 42

HEX #267095

RGB 38 112 149

HSL 200, 0.59%, 0.37%

LAB 44.48, -9.71, -26.64

 

CMYK 75 / 25 / 0 / 29

HEX #2E89B6

RGB 46 137 182

HSL 199.85, 0.6%, 0.45%

LAB 53.87, -11.3, -31.22

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 55 / 18 / 0 / 16

HEX #61AFD6

RGB 97 175 214

HSL 200, 0.59%, 0.61%

LAB 68.06, -13.07, -27.07

 

CMYK 41 / 14 / 0 / 13

HEX #82BFDE

RGB 130 191 222

HSL 200.22, 0.58%, 0.69%

LAB 74.37, -11.67, -21.66

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 32 / 69 / 0 / 20

HEX #8B40CD

RGB 139 64 205

HSL 271.91, 0.59%, 0.53%

LAB 43.6, 56.92, -60.42

 

CMYK 0 / 4 / 69 / 20

HEX #CDC440

RGB 205 196 64

HSL 56.17, 0.59%, 0.53%

LAB 77.77, -12.08, 64.14

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 0 / 69 / 23 / 20

HEX #CD409E

RGB 205 64 158

HSL 320, 0.59%, 0.53%

LAB 50.82, 64.04, -20.86

 

CMYK 23 / 0 / 69 / 20

HEX #9ECD40

RGB 158 205 64

HSL 80, 0.59%, 0.53%

LAB 76.86, -35.65, 62.11

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 32 / 69 / 0 / 20

HEX #8B40CD

RGB 139 64 205

HSL 271.91, 0.59%, 0.53%

LAB 43.6, 56.92, -60.42

 

CMYK 0 / 46 / 69 / 20

HEX #CD6F40

RGB 205 111 64

HSL 20, 0.59%, 0.53%

LAB 56.8, 33.27, 41.94

 

CMYK 37 / 0 / 69 / 20

HEX #82CD40

RGB 130 205 64

HSL 91.91, 0.59%, 0.53%

LAB 75.31, -45.89, 60.02

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 11 / 69 / 0 / 20

HEX #B640CD

RGB 182 64 205

HSL 290.21, 0.59%, 0.53%

LAB 49.52, 65.94, -50.58

 

CMYK 0 / 46 / 69 / 20

HEX #CD6F40

RGB 205 111 64

HSL 20, 0.59%, 0.53%

LAB 56.8, 33.27, 41.94

 

CMYK 57 / 0 / 69 / 20

HEX #58CD40

RGB 88 205 64

HSL 109.79, 0.59%, 0.53%

LAB 73.62, -58.48, 57.73

 

Description

Color code: HEX #409ECD | qconv.com Color code: HEX #409ECD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 158 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 158 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 23 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 23% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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