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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40A214 it is the complementary color #BF5DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40A214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40A214 shade: #45A20F, #56B422, #67C635, #78D848 and #89EA5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40A214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40A214 shade: #40A214, #2F9001, #1E7E00, #0D6C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40A214 shade: #40A314, #67A314, #8DA314, #A39214 and #A36B14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40A214 shade: #40A314, #19A314, #14A335, #14A35B and #14A382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40A214 shade matches the following richer shades: #40A314 and #3AB205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40A214 shade: #40A314, #469423, #4B8531, #517640 and #57674F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40A214 shade: #8DA314, #67A314, #41A314, #1BA314 and #14A333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40A214 shade: #23590B, #327E0F, #40A314, #4FC818 and #60E425

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40A214 shade: #40A214, #14A392 and #A3147A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40A214 shade: #40A214, #1441A3 and #A31441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40A214 shade: #40A214, #14A392, #7614A3 and #A31424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40A214 shade: #40A214, #1489A3, #7614A3 and #A32E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 88 / 36

HEX #40A214

RGB 64 162 20

HSL 101.41, 0.78%, 0.36%

LAB 58.96, -51.93, 57.28

 

Complementary color

CMYK 19 / 60 / 0 / 8

HEX #BF5DEB

RGB 191 93 235

HSL 281.41, 0.78%, 0.64%

LAB 56.98, 61.35, -55.6

 

CMYK 57 / 0 / 91 / 36

HEX #45A20F

RGB 69 162 15

HSL 97.96, 0.83%, 0.35%

LAB 59.1, -50.78, 58.47

 

CMYK 52 / 0 / 81 / 29

HEX #56B422

RGB 86 180 34

HSL 98.63, 0.68%, 0.42%

LAB 65.54, -51.88, 59.94

 

CMYK 48 / 0 / 73 / 22

HEX #67C635

RGB 103 198 53

HSL 99.31, 0.58%, 0.49%

LAB 71.91, -52.58, 60.22

 

CMYK 44 / 0 / 67 / 15

HEX #78D848

RGB 120 216 72

HSL 100, 0.65%, 0.56%

LAB 78.21, -53, 59.82

 

CMYK 41 / 0 / 61 / 8

HEX #89EA5B

RGB 137 234 91

HSL 100.7, 0.77%, 0.64%

LAB 84.44, -53.23, 59.04

 

CMYK 60 / 0 / 88 / 36

HEX #40A214

RGB 64 162 20

HSL 101.41, 0.78%, 0.36%

LAB 58.96, -51.93, 57.28

 

CMYK 67 / 0 / 99 / 44

HEX #2F9001

RGB 47 144 1

HSL 100.7, 0.99%, 0.28%

LAB 52.46, -50.3, 55

 

CMYK 76 / 0 / 100 / 51

HEX #1E7E00

RGB 30 126 0

HSL 105.71, 1%, 0.25%

LAB 45.9, -47.74, 49.8

 

CMYK 88 / 0 / 100 / 58

HEX #0D6C00

RGB 13 108 0

HSL 112.78, 1%, 0.21%

LAB 39.26, -44.46, 44.37

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 61 / 0 / 88 / 36

HEX #40A314

RGB 64 163 20

HSL 101.54, 0.78%, 0.36%

LAB 59.28, -52.28, 57.56

 

CMYK 37 / 0 / 88 / 36

HEX #67A314

RGB 103 163 20

HSL 85.17, 0.78%, 0.36%

LAB 60.89, -40.03, 59.59

 

CMYK 13 / 0 / 88 / 36

HEX #8DA314

RGB 141 163 20

HSL 69.23, 0.78%, 0.36%

LAB 63.27, -24.73, 62.53

 

CMYK 0 / 10 / 88 / 36

HEX #A39214

RGB 163 146 20

HSL 52.87, 0.78%, 0.36%

LAB 60.24, -6.12, 60.81

 

CMYK 0 / 34 / 88 / 36

HEX #A36B14

RGB 163 107 20

HSL 36.5, 0.78%, 0.36%

LAB 49.92, 15.65, 52.43

 

CMYK 61 / 0 / 88 / 36

HEX #40A314

RGB 64 163 20

HSL 101.54, 0.78%, 0.36%

LAB 59.28, -52.28, 57.56

 

CMYK 85 / 0 / 88 / 36

HEX #19A314

RGB 25 163 20

HSL 117.9, 0.78%, 0.36%

LAB 58.46, -59.29, 56.53

 

CMYK 88 / 0 / 67 / 36

HEX #14A335

RGB 20 163 53

HSL 133.85, 0.78%, 0.36%

LAB 58.6, -57.33, 45.69

 

CMYK 88 / 0 / 44 / 36

HEX #14A35B

RGB 20 163 91

HSL 149.79, 0.78%, 0.36%

LAB 59.07, -51.72, 27.71

 

CMYK 88 / 0 / 20 / 36

HEX #14A382

RGB 20 163 130

HSL 166.15, 0.78%, 0.36%

LAB 59.85, -42.94, 7.34

 

CMYK 61 / 0 / 88 / 36

HEX #40A314

RGB 64 163 20

HSL 101.54, 0.78%, 0.36%

LAB 59.28, -52.28, 57.56

 

CMYK 67 / 0 / 97 / 30

HEX #3AB205

RGB 58 178 5

HSL 101.62, 0.95%, 0.36%

LAB 63.96, -59.16, 63.78

 

CMYK 61 / 0 / 88 / 36

HEX #40A314

RGB 64 163 20

HSL 101.54, 0.78%, 0.36%

LAB 59.28, -52.28, 57.56

 

CMYK 53 / 0 / 76 / 42

HEX #469423

RGB 70 148 35

HSL 101.42, 0.62%, 0.36%

LAB 54.66, -44.22, 49.06

 

CMYK 44 / 0 / 63 / 48

HEX #4B8531

RGB 75 133 49

HSL 101.43, 0.46%, 0.36%

LAB 50.09, -35.13, 38.47

 

CMYK 31 / 0 / 46 / 54

HEX #517640

RGB 81 118 64

HSL 101.11, 0.3%, 0.36%

LAB 45.74, -23.96, 25.6

 

CMYK 16 / 0 / 23 / 60

HEX #57674F

RGB 87 103 79

HSL 100, 0.13%, 0.36%

LAB 41.68, -11.06, 11.58

 

CMYK 13 / 0 / 88 / 36

HEX #8DA314

RGB 141 163 20

HSL 69.23, 0.78%, 0.36%

LAB 63.27, -24.73, 62.53

 

CMYK 37 / 0 / 88 / 36

HEX #67A314

RGB 103 163 20

HSL 85.17, 0.78%, 0.36%

LAB 60.89, -40.03, 59.59

 

CMYK 60 / 0 / 88 / 36

HEX #41A314

RGB 65 163 20

HSL 101.12, 0.78%, 0.36%

LAB 59.31, -52.03, 57.6

 

CMYK 83 / 0 / 88 / 36

HEX #1BA314

RGB 27 163 20

HSL 117.06, 0.78%, 0.36%

LAB 58.49, -59.07, 56.56

 

CMYK 88 / 0 / 69 / 36

HEX #14A333

RGB 20 163 51

HSL 133.01, 0.78%, 0.36%

LAB 58.59, -57.54, 46.52

 

CMYK 61 / 0 / 88 / 65

HEX #23590B

RGB 35 89 11

HSL 101.54, 0.78%, 0.2%

LAB 32.98, -32.59, 36.06

 

CMYK 60 / 0 / 88 / 51

HEX #327E0F

RGB 50 126 15

HSL 101.08, 0.79%, 0.28%

LAB 46.49, -42.63, 47.32

 

CMYK 61 / 0 / 88 / 36

HEX #40A314

RGB 64 163 20

HSL 101.54, 0.78%, 0.36%

LAB 59.28, -52.28, 57.56

 

CMYK 61 / 0 / 88 / 22

HEX #4FC818

RGB 79 200 24

HSL 101.25, 0.79%, 0.44%

LAB 71.58, -61.28, 67.57

 

CMYK 58 / 0 / 84 / 11

HEX #60E425

RGB 96 228 37

HSL 101.47, 0.78%, 0.52%

LAB 80.8, -66.16, 73.1

 

CMYK 60 / 0 / 88 / 36

HEX #40A214

RGB 64 162 20

HSL 101.41, 0.78%, 0.36%

LAB 58.96, -51.93, 57.28

 

CMYK 88 / 0 / 10 / 36

HEX #14A392

RGB 20 163 146

HSL 172.87, 0.78%, 0.36%

LAB 60.26, -38.58, -1.06

 

CMYK 0 / 88 / 25 / 36

HEX #A3147A

RGB 163 20 122

HSL 317.2, 0.78%, 0.36%

LAB 37.28, 62, -20.46

 

CMYK 60 / 0 / 88 / 36

HEX #40A214

RGB 64 162 20

HSL 101.41, 0.78%, 0.36%

LAB 58.96, -51.93, 57.28

 

CMYK 88 / 60 / 0 / 36

HEX #1441A3

RGB 20 65 163

HSL 221.12, 0.78%, 0.36%

LAB 30.82, 24.31, -56.88

 

CMYK 0 / 88 / 60 / 36

HEX #A31441

RGB 163 20 65

HSL 341.12, 0.78%, 0.36%

LAB 35.34, 56.56, 13.2

 

CMYK 60 / 0 / 88 / 36

HEX #40A214

RGB 64 162 20

HSL 101.41, 0.78%, 0.36%

LAB 58.96, -51.93, 57.28

 

CMYK 88 / 0 / 10 / 36

HEX #14A392

RGB 20 163 146

HSL 172.87, 0.78%, 0.36%

LAB 60.26, -38.58, -1.06

 

CMYK 28 / 88 / 0 / 36

HEX #7614A3

RGB 118 20 163

HSL 281.12, 0.78%, 0.36%

LAB 31.8, 60.1, -54.91

 

CMYK 0 / 88 / 78 / 36

HEX #A31424

RGB 163 20 36

HSL 353.29, 0.78%, 0.36%

LAB 34.83, 55.08, 31.05

 

CMYK 60 / 0 / 88 / 36

HEX #40A214

RGB 64 162 20

HSL 101.41, 0.78%, 0.36%

LAB 58.96, -51.93, 57.28

 

CMYK 88 / 16 / 0 / 36

HEX #1489A3

RGB 20 137 163

HSL 190.91, 0.78%, 0.36%

LAB 52.6, -20.52, -22.29

 

CMYK 28 / 88 / 0 / 36

HEX #7614A3

RGB 118 20 163

HSL 281.12, 0.78%, 0.36%

LAB 31.8, 60.1, -54.91

 

CMYK 0 / 72 / 88 / 36

HEX #A32E14

RGB 163 46 20

HSL 10.91, 0.78%, 0.36%

LAB 37.46, 46.81, 42.22

 

Description

Color code: HEX #40A214 | qconv.com Color code: HEX #40A214 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 162 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 162 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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