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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40AAEC it is the complementary color #BF5513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40AAEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40AAEC shade: #45AAE7, #56BCFA, #67CEFF, #78E0FF and #89F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40AAEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40AAEC shade: #40AAEC, #2F98D9, #1E86C6, #0D74B3 and #0062A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40AAEC shade: #40AAEC, #407CEC, #404DEC, #6140EC and #8F40EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40AAEC shade: #40AAEC, #407CEC, #404DEC and #4040EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40AAEC shade matches the following richer shades: #40AAEC and #2FAEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40AAEC shade: #40AAEC, #51A6DB, #62A2CA, #739EB9 and #849AA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40AAEC shade: #40ECD2, #40D8EC, #40AAEC, #407CEC and #404FEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40AAEC shade: #1382C6, #1B99E8, #40AAEC, #66BBEF and #8BCBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40AAEC shade: #40AAEC, #A440EC and #ECE940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40AAEC shade: #40AAEC, #EC40AA and #AAEC40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40AAEC shade: #40AAEC, #A440EC, #EC8240 and #88EC40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40AAEC shade: #40AAEC, #D840EC, #EC8240 and #54EC40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

Complementary color

CMYK 0 / 55 / 90 / 25

HEX #BF5513

RGB 191 85 19

HSL 23.02, 0.82%, 0.41%

LAB 49.03, 39.41, 53.75

 

CMYK 70 / 26 / 0 / 9

HEX #45AAE7

RGB 69 170 231

HSL 202.59, 0.77%, 0.59%

LAB 66.35, -9.87, -39.13

 

CMYK 66 / 25 / 0 / 2

HEX #56BCFA

RGB 86 188 250

HSL 202.68, 0.94%, 0.66%

LAB 72.79, -10.93, -39.38

 

CMYK 60 / 19 / 0 / 0

HEX #67CEFF

RGB 103 206 255

HSL 199.34, 1%, 0.7%

LAB 78.61, -16.03, -33.01

 

CMYK 53 / 12 / 0 / 0

HEX #78E0FF

RGB 120 224 255

HSL 193.78, 1%, 0.74%

LAB 84.24, -21.94, -24.33

 

CMYK 46 / 5 / 0 / 0

HEX #89F2FF

RGB 137 242 255

HSL 186.61, 1%, 0.77%

LAB 89.88, -27.17, -15.74

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 78 / 30 / 0 / 15

HEX #2F98D9

RGB 47 152 217

HSL 202.94, 0.69%, 0.52%

LAB 59.95, -7.34, -41.46

 

CMYK 85 / 32 / 0 / 22

HEX #1E86C6

RGB 30 134 198

HSL 202.86, 0.74%, 0.45%

LAB 53.39, -5.44, -41.12

 

CMYK 93 / 35 / 0 / 30

HEX #0D74B3

RGB 13 116 179

HSL 202.77, 0.86%, 0.38%

LAB 46.75, -3.02, -40.71

 

CMYK 100 / 39 / 0 / 37

HEX #0062A0

RGB 0 98 160

HSL 203.25, 1%, 0.31%

LAB 40.04, -0.02, -40.22

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 73 / 47 / 0 / 7

HEX #407CEC

RGB 64 124 236

HSL 219.07, 0.82%, 0.59%

LAB 53.56, 18.22, -62.2

 

CMYK 73 / 67 / 0 / 7

HEX #404DEC

RGB 64 77 236

HSL 235.47, 0.82%, 0.59%

LAB 41.93, 47.25, -81.13

 

CMYK 59 / 73 / 0 / 7

HEX #6140EC

RGB 97 64 236

HSL 251.51, 0.82%, 0.59%

LAB 41.63, 58.13, -81.53

 

CMYK 39 / 73 / 0 / 7

HEX #8F40EC

RGB 143 64 236

HSL 267.56, 0.82%, 0.59%

LAB 46.4, 64.94, -73.54

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 73 / 47 / 0 / 7

HEX #407CEC

RGB 64 124 236

HSL 219.07, 0.82%, 0.59%

LAB 53.56, 18.22, -62.2

 

CMYK 73 / 67 / 0 / 7

HEX #404DEC

RGB 64 77 236

HSL 235.47, 0.82%, 0.59%

LAB 41.93, 47.25, -81.13

 

CMYK 73 / 73 / 0 / 7

HEX #4040EC

RGB 64 64 236

HSL 240, 0.82%, 0.59%

LAB 39.26, 54.6, -85.52

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 81 / 31 / 0 / 1

HEX #2FAEFD

RGB 47 174 253

HSL 203.01, 0.98%, 0.59%

LAB 68, -6.99, -48.58

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 63 / 24 / 0 / 14

HEX #51A6DB

RGB 81 166 219

HSL 203.04, 0.66%, 0.59%

LAB 65.07, -9.71, -34.49

 

CMYK 51 / 20 / 0 / 21

HEX #62A2CA

RGB 98 162 202

HSL 203.08, 0.5%, 0.59%

LAB 63.92, -9.35, -26.8

 

CMYK 38 / 15 / 0 / 27

HEX #739EB9

RGB 115 158 185

HSL 203.14, 0.33%, 0.59%

LAB 63.01, -7.66, -18.61

 

CMYK 21 / 8 / 0 / 34

HEX #849AA8

RGB 132 154 168

HSL 203.33, 0.17%, 0.59%

LAB 62.38, -4.58, -9.9

 

CMYK 73 / 0 / 11 / 7

HEX #40ECD2

RGB 64 236 210

HSL 170.93, 0.82%, 0.59%

LAB 84.86, -48.71, 0.18

 

CMYK 73 / 8 / 0 / 7

HEX #40D8EC

RGB 64 216 236

HSL 186.98, 0.82%, 0.59%

LAB 79.76, -32.5, -21.2

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 73 / 47 / 0 / 7

HEX #407CEC

RGB 64 124 236

HSL 219.07, 0.82%, 0.59%

LAB 53.56, 18.22, -62.2

 

CMYK 73 / 67 / 0 / 7

HEX #404FEC

RGB 64 79 236

HSL 234.77, 0.82%, 0.59%

LAB 42.37, 46.07, -80.41

 

CMYK 90 / 34 / 0 / 22

HEX #1382C6

RGB 19 130 198

HSL 202.79, 0.82%, 0.43%

LAB 52.04, -3.81, -43.26

 

CMYK 88 / 34 / 0 / 9

HEX #1B99E8

RGB 27 153 232

HSL 203.12, 0.82%, 0.51%

LAB 60.64, -4.09, -48.72

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 57 / 22 / 0 / 6

HEX #66BBEF

RGB 102 187 239

HSL 202.77, 0.81%, 0.67%

LAB 72.63, -11, -33.65

 

CMYK 43 / 16 / 0 / 5

HEX #8BCBF3

RGB 139 203 243

HSL 203.08, 0.81%, 0.75%

LAB 78.85, -10.17, -26.09

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 31 / 73 / 0 / 7

HEX #A440EC

RGB 164 64 236

HSL 274.88, 0.82%, 0.59%

LAB 49.03, 68.57, -69.15

 

CMYK 0 / 1 / 73 / 7

HEX #ECE940

RGB 236 233 64

HSL 58.95, 0.82%, 0.59%

LAB 90.08, -17.51, 76.91

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 0 / 73 / 28 / 7

HEX #EC40AA

RGB 236 64 170

HSL 323.02, 0.82%, 0.59%

LAB 56.49, 73.4, -18.78

 

CMYK 28 / 0 / 73 / 7

HEX #AAEC40

RGB 170 236 64

HSL 83.02, 0.82%, 0.59%

LAB 86.46, -44.85, 71.89

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 31 / 73 / 0 / 7

HEX #A440EC

RGB 164 64 236

HSL 274.88, 0.82%, 0.59%

LAB 49.03, 68.57, -69.15

 

CMYK 0 / 45 / 73 / 7

HEX #EC8240

RGB 236 130 64

HSL 23.02, 0.82%, 0.59%

LAB 65.1, 35.77, 52.21

 

CMYK 42 / 0 / 73 / 7

HEX #88EC40

RGB 136 236 64

HSL 94.88, 0.82%, 0.59%

LAB 84.79, -56.42, 69.69

 

CMYK 73 / 28 / 0 / 7

HEX #40AAEC

RGB 64 170 236

HSL 203.02, 0.82%, 0.59%

LAB 66.44, -8.86, -41.74

 

CMYK 8 / 73 / 0 / 7

HEX #D840EC

RGB 216 64 236

HSL 293.02, 0.82%, 0.59%

LAB 56.41, 78.43, -56.87

 

CMYK 0 / 45 / 73 / 7

HEX #EC8240

RGB 236 130 64

HSL 23.02, 0.82%, 0.59%

LAB 65.1, 35.77, 52.21

 

CMYK 64 / 0 / 73 / 7

HEX #54EC40

RGB 84 236 64

HSL 113.02, 0.82%, 0.59%

LAB 83.04, -69.98, 67.37

 

Description

Color code: HEX #40AAEC | qconv.com Color code: HEX #40AAEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 170 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 170 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 28 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 28% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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