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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40AE5A it is the complementary color #BF51A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40AE5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40AE5A shade: #45AE55, #56C068, #67D27B, #78E48E and #89F6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40AE5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40AE5A shade: #40AE5A, #2F9C47, #1E8A34, #0D7821 and #00660E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40AE5A shade: #40AE5A, #44AE40, #62AE40, #7FAE40 and #9DAE40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40AE5A shade: #40AE5A, #40AE78, #40AE96, #40A9AE and #408CAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40AE5A shade matches the following richer shades: #40AE5A, #2DC250, #19D546 and #06E93C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40AE5A shade: #40AE5A, #549B65, #67886F, #7A7479 and #8E6183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40AE5A shade: #61AE40, #44AE40, #40AE5A, #40AE77 and #40AE95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40AE5A shade: #2A723B, #35904B, #40AE5A, #57C170 and #75CC8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40AE5A shade: #40AE5A, #407FAE and #AE4053

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40AE5A shade: #40AE5A, #5A40AE and #AE5A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40AE5A shade: #40AE5A, #407FAE, #AE4095 and #AE7040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40AE5A shade: #40AE5A, #405EAE, #AE4095 and #AE9140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

Complementary color

CMYK 0 / 58 / 14 / 25

HEX #BF51A5

RGB 191 81 165

HSL 314.18, 0.46%, 0.53%

LAB 51.47, 54.16, -24.17

 

CMYK 60 / 0 / 51 / 32

HEX #45AE55

RGB 69 174 85

HSL 129.14, 0.43%, 0.48%

LAB 63.5, -49.15, 36.62

 

CMYK 55 / 0 / 46 / 25

HEX #56C068

RGB 86 192 104

HSL 130.19, 0.46%, 0.55%

LAB 69.95, -49.32, 35.22

 

CMYK 51 / 0 / 41 / 18

HEX #67D27B

RGB 103 210 123

HSL 131.21, 0.54%, 0.61%

LAB 76.32, -49.31, 33.88

 

CMYK 47 / 0 / 38 / 11

HEX #78E48E

RGB 120 228 142

HSL 132.22, 0.67%, 0.68%

LAB 82.61, -49.2, 32.6

 

CMYK 44 / 0 / 35 / 4

HEX #89F6A1

RGB 137 246 161

HSL 133.21, 0.86%, 0.75%

LAB 88.83, -49.02, 31.39

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 70 / 0 / 54 / 39

HEX #2F9C47

RGB 47 156 71

HSL 133.21, 0.54%, 0.4%

LAB 56.92, -48.99, 35.46

 

CMYK 78 / 0 / 62 / 46

HEX #1E8A34

RGB 30 138 52

HSL 132.22, 0.64%, 0.33%

LAB 50.34, -47.98, 36.94

 

CMYK 89 / 0 / 73 / 53

HEX #0D7821

RGB 13 120 33

HSL 131.21, 0.8%, 0.26%

LAB 43.7, -46.17, 38.19

 

CMYK 100 / 0 / 86 / 60

HEX #00660E

RGB 0 102 14

HSL 128.24, 1%, 0.2%

LAB 36.99, -43.21, 38.59

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 61 / 0 / 63 / 32

HEX #44AE40

RGB 68 174 64

HSL 117.82, 0.46%, 0.47%

LAB 63.24, -52.06, 46.29

 

CMYK 44 / 0 / 63 / 32

HEX #62AE40

RGB 98 174 64

HSL 101.45, 0.46%, 0.47%

LAB 64.35, -43.61, 47.84

 

CMYK 27 / 0 / 63 / 32

HEX #7FAE40

RGB 127 174 64

HSL 85.64, 0.46%, 0.47%

LAB 65.87, -33.32, 49.94

 

CMYK 10 / 0 / 63 / 32

HEX #9DAE40

RGB 157 174 64

HSL 69.27, 0.46%, 0.47%

LAB 67.88, -21.25, 52.71

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 63 / 0 / 31 / 32

HEX #40AE78

RGB 64 174 120

HSL 150.55, 0.46%, 0.47%

LAB 63.93, -44, 18.71

 

CMYK 63 / 0 / 14 / 32

HEX #40AE96

RGB 64 174 150

HSL 166.91, 0.46%, 0.47%

LAB 64.62, -37.01, 3.13

 

CMYK 63 / 3 / 0 / 32

HEX #40A9AE

RGB 64 169 174

HSL 182.73, 0.46%, 0.47%

LAB 63.77, -28.07, -11.5

 

CMYK 63 / 20 / 0 / 32

HEX #408CAE

RGB 64 140 174

HSL 198.55, 0.46%, 0.47%

LAB 54.97, -12.88, -24.89

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 77 / 0 / 59 / 24

HEX #2DC250

RGB 45 194 80

HSL 134.09, 0.62%, 0.47%

LAB 69.27, -61.38, 45.82

 

CMYK 88 / 0 / 67 / 16

HEX #19D546

RGB 25 213 70

HSL 134.36, 0.79%, 0.47%

LAB 74.97, -70.49, 56.46

 

CMYK 97 / 0 / 74 / 9

HEX #06E93C

RGB 6 233 60

HSL 134.27, 0.95%, 0.47%

LAB 81.09, -77.97, 66.43

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 46 / 0 / 35 / 39

HEX #549B65

RGB 84 155 101

HSL 134.37, 0.3%, 0.47%

LAB 58.29, -34.54, 21.57

 

CMYK 24 / 0 / 18 / 47

HEX #67886F

RGB 103 136 111

HSL 134.55, 0.14%, 0.47%

LAB 53.64, -17, 9.69

 

CMYK 0 / 5 / 1 / 52

HEX #7A7479

RGB 122 116 121

HSL 310, 0.03%, 0.47%

LAB 49.51, 3.29, -1.93

 

CMYK 0 / 32 / 8 / 44

HEX #8E6183

RGB 142 97 131

HSL 314.67, 0.19%, 0.47%

LAB 46.89, 23.94, -11.56

 

CMYK 44 / 0 / 63 / 32

HEX #61AE40

RGB 97 174 64

HSL 102, 0.46%, 0.47%

LAB 64.31, -43.93, 47.78

 

CMYK 61 / 0 / 63 / 32

HEX #44AE40

RGB 68 174 64

HSL 117.82, 0.46%, 0.47%

LAB 63.24, -52.06, 46.29

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 63 / 0 / 32 / 32

HEX #40AE77

RGB 64 174 119

HSL 150, 0.46%, 0.47%

LAB 63.91, -44.21, 19.23

 

CMYK 63 / 0 / 14 / 32

HEX #40AE95

RGB 64 174 149

HSL 166.36, 0.46%, 0.47%

LAB 64.59, -37.26, 3.65

 

CMYK 63 / 0 / 48 / 55

HEX #2A723B

RGB 42 114 59

HSL 134.17, 0.46%, 0.31%

LAB 42.53, -35.34, 23.93

 

CMYK 63 / 0 / 48 / 44

HEX #35904B

RGB 53 144 75

HSL 134.51, 0.46%, 0.39%

LAB 53.18, -42.49, 28.8

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 55 / 0 / 42 / 24

HEX #57C170

RGB 87 193 112

HSL 134.15, 0.46%, 0.55%

LAB 70.41, -48.2, 31.73

 

CMYK 43 / 0 / 32 / 20

HEX #75CC8A

RGB 117 204 138

HSL 134.48, 0.46%, 0.63%

LAB 75.33, -40.41, 24.91

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 63 / 27 / 0 / 32

HEX #407FAE

RGB 64 127 174

HSL 205.64, 0.46%, 0.47%

LAB 51.06, -5.47, -30.95

 

CMYK 0 / 63 / 52 / 32

HEX #AE4053

RGB 174 64 83

HSL 349.64, 0.46%, 0.47%

LAB 43.2, 46.39, 12.89

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 48 / 63 / 0 / 32

HEX #5A40AE

RGB 90 64 174

HSL 254.18, 0.46%, 0.47%

LAB 35.78, 38.89, -55.19

 

CMYK 0 / 48 / 63 / 32

HEX #AE5A40

RGB 174 90 64

HSL 14.18, 0.46%, 0.47%

LAB 47.86, 31.93, 30.33

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 63 / 27 / 0 / 32

HEX #407FAE

RGB 64 127 174

HSL 205.64, 0.46%, 0.47%

LAB 51.06, -5.47, -30.95

 

CMYK 0 / 63 / 14 / 32

HEX #AE4095

RGB 174 64 149

HSL 313.64, 0.46%, 0.47%

LAB 45.41, 54.44, -24.26

 

CMYK 0 / 36 / 63 / 32

HEX #AE7040

RGB 174 112 64

HSL 26.18, 0.46%, 0.47%

LAB 52.9, 19.8, 36.37

 

CMYK 63 / 0 / 48 / 32

HEX #40AE5A

RGB 64 174 90

HSL 134.18, 0.46%, 0.47%

LAB 63.43, -49.51, 33.96

 

CMYK 63 / 46 / 0 / 32

HEX #405EAE

RGB 64 94 174

HSL 223.64, 0.46%, 0.47%

LAB 41.46, 14.87, -46.14

 

CMYK 0 / 63 / 14 / 32

HEX #AE4095

RGB 174 64 149

HSL 313.64, 0.46%, 0.47%

LAB 45.41, 54.44, -24.26

 

CMYK 0 / 17 / 63 / 32

HEX #AE9140

RGB 174 145 64

HSL 44.18, 0.46%, 0.47%

LAB 61.32, 1.39, 45.99

 

Description

Color code: HEX #40AE5A | qconv.com Color code: HEX #40AE5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 174 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 174 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 48% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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