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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40AE83 it is the complementary color #BF517C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40AE83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40AE83 shade: #45AE7E, #56C091, #67D2A4, #78E4B7 and #89F6CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40AE83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40AE83 shade: #40AE83, #2F9C70, #1E8A5D, #0D784A and #006637

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40AE83 shade: #40AE83, #40AE66, #40AE48, #56AE40 and #74AE40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40AE83 shade: #40AE83, #40AEA1, #409EAE, #4080AE and #4063AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40AE83 shade matches the following richer shades: #40AE83, #2DC288, #19D58C and #06E990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40AE83 shade: #40AE83, #549B7F, #67887B, #7A7477 and #8E6172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40AE83 shade: #40AE48, #40AE65, #40AE82, #40AEA0 and #40A0AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40AE83 shade: #2A7256, #35906D, #40AE83, #57C197 and #75CCAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40AE83 shade: #40AE83, #4056AE and #AE5640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40AE83 shade: #40AE83, #8240AE and #AE8240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40AE83 shade: #40AE83, #4056AE, #AE406C and #AE9840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40AE83 shade: #40AE83, #4B40AE, #AE406C and #A3AE40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

Complementary color

CMYK 0 / 58 / 35 / 25

HEX #BF517C

RGB 191 81 124

HSL 336.55, 0.46%, 0.53%

LAB 50, 48.48, -2.03

 

CMYK 60 / 0 / 28 / 32

HEX #45AE7E

RGB 69 174 126

HSL 152.57, 0.43%, 0.48%

LAB 64.2, -41.7, 15.82

 

CMYK 55 / 0 / 24 / 25

HEX #56C091

RGB 86 192 145

HSL 153.4, 0.46%, 0.55%

LAB 70.68, -41.72, 14.59

 

CMYK 51 / 0 / 22 / 18

HEX #67D2A4

RGB 103 210 164

HSL 154.21, 0.54%, 0.61%

LAB 77.08, -41.64, 13.48

 

CMYK 47 / 0 / 20 / 11

HEX #78E4B7

RGB 120 228 183

HSL 155, 0.67%, 0.68%

LAB 83.39, -41.51, 12.45

 

CMYK 44 / 0 / 18 / 4

HEX #89F6CA

RGB 137 246 202

HSL 155.78, 0.86%, 0.75%

LAB 89.62, -41.33, 11.49

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 70 / 0 / 28 / 39

HEX #2F9C70

RGB 47 156 112

HSL 155.78, 0.54%, 0.4%

LAB 57.61, -41.28, 14.33

 

CMYK 78 / 0 / 33 / 46

HEX #1E8A5D

RGB 30 138 93

HSL 155, 0.64%, 0.33%

LAB 50.97, -40.65, 15.84

 

CMYK 89 / 0 / 38 / 53

HEX #0D784A

RGB 13 120 74

HSL 154.21, 0.8%, 0.26%

LAB 44.25, -39.51, 17.56

 

CMYK 100 / 0 / 46 / 60

HEX #006637

RGB 0 102 55

HSL 152.35, 1%, 0.2%

LAB 37.44, -37.65, 19.51

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 63 / 0 / 41 / 32

HEX #40AE66

RGB 64 174 102

HSL 140.73, 0.46%, 0.47%

LAB 63.61, -47.49, 27.95

 

CMYK 63 / 0 / 59 / 32

HEX #40AE48

RGB 64 174 72

HSL 124.36, 0.46%, 0.47%

LAB 63.2, -52.04, 42.56

 

CMYK 51 / 0 / 63 / 32

HEX #56AE40

RGB 86 174 64

HSL 108, 0.46%, 0.47%

LAB 63.85, -47.3, 47.15

 

CMYK 33 / 0 / 63 / 32

HEX #74AE40

RGB 116 174 64

HSL 91.64, 0.46%, 0.47%

LAB 65.24, -37.42, 49.08

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 63 / 0 / 7 / 32

HEX #40AEA1

RGB 64 174 161

HSL 172.91, 0.46%, 0.47%

LAB 64.91, -34.12, -2.56

 

CMYK 63 / 9 / 0 / 32

HEX #409EAE

RGB 64 158 174

HSL 188.73, 0.46%, 0.47%

LAB 60.43, -22.52, -16.55

 

CMYK 63 / 26 / 0 / 32

HEX #4080AE

RGB 64 128 174

HSL 205.09, 0.46%, 0.47%

LAB 51.36, -6.06, -30.48

 

CMYK 63 / 43 / 0 / 32

HEX #4063AE

RGB 64 99 174

HSL 220.91, 0.46%, 0.47%

LAB 42.87, 11.67, -43.88

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 77 / 0 / 30 / 24

HEX #2DC288

RGB 45 194 136

HSL 156.64, 0.62%, 0.47%

LAB 70.12, -51.62, 18.51

 

CMYK 88 / 0 / 34 / 16

HEX #19D58C

RGB 25 213 140

HSL 156.7, 0.79%, 0.47%

LAB 75.88, -59.69, 24.23

 

CMYK 97 / 0 / 38 / 9

HEX #06E990

RGB 6 233 144

HSL 156.48, 0.95%, 0.47%

LAB 82.02, -66.69, 30.41

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 46 / 0 / 18 / 39

HEX #549B7F

RGB 84 155 127

HSL 156.34, 0.3%, 0.47%

LAB 58.84, -29.19, 7.81

 

CMYK 24 / 0 / 10 / 47

HEX #67887B

RGB 103 136 123

HSL 156.36, 0.14%, 0.47%

LAB 53.94, -14.5, 3.19

 

CMYK 0 / 5 / 2 / 52

HEX #7A7477

RGB 122 116 119

HSL 330, 0.03%, 0.47%

LAB 49.45, 2.89, -0.83

 

CMYK 0 / 32 / 20 / 44

HEX #8E6172

RGB 142 97 114

HSL 337.33, 0.19%, 0.47%

LAB 46.33, 20.92, -2.18

 

CMYK 63 / 0 / 59 / 32

HEX #40AE48

RGB 64 174 72

HSL 124.36, 0.46%, 0.47%

LAB 63.2, -52.04, 42.56

 

CMYK 63 / 0 / 42 / 32

HEX #40AE65

RGB 64 174 101

HSL 140.18, 0.46%, 0.47%

LAB 63.59, -47.67, 28.46

 

CMYK 63 / 0 / 25 / 32

HEX #40AE82

RGB 64 174 130

HSL 156, 0.46%, 0.47%

LAB 64.14, -41.82, 13.52

 

CMYK 63 / 0 / 8 / 32

HEX #40AEA0

RGB 64 174 160

HSL 172.36, 0.46%, 0.47%

LAB 64.88, -34.39, -2.04

 

CMYK 63 / 8 / 0 / 32

HEX #40A0AE

RGB 64 160 174

HSL 187.64, 0.46%, 0.47%

LAB 61.03, -23.55, -15.63

 

CMYK 63 / 0 / 25 / 55

HEX #2A7256

RGB 42 114 86

HSL 156.67, 0.46%, 0.31%

LAB 43.06, -29.65, 8.98

 

CMYK 63 / 0 / 24 / 44

HEX #35906D

RGB 53 144 109

HSL 156.92, 0.46%, 0.39%

LAB 53.82, -35.64, 10.76

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 55 / 0 / 22 / 24

HEX #57C197

RGB 87 193 151

HSL 156.23, 0.46%, 0.55%

LAB 71.15, -40.63, 12.01

 

CMYK 43 / 0 / 17 / 20

HEX #75CCAA

RGB 117 204 170

HSL 156.55, 0.46%, 0.63%

LAB 75.99, -34.12, 8.81

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 63 / 51 / 0 / 32

HEX #4056AE

RGB 64 86 174

HSL 228, 0.46%, 0.47%

LAB 39.24, 20.04, -49.69

 

CMYK 0 / 51 / 63 / 32

HEX #AE5640

RGB 174 86 64

HSL 12, 0.46%, 0.47%

LAB 47.01, 34.05, 29.28

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 25 / 63 / 0 / 32

HEX #8240AE

RGB 130 64 174

HSL 276, 0.46%, 0.47%

LAB 40.36, 47.77, -47.57

 

CMYK 0 / 25 / 63 / 32

HEX #AE8240

RGB 174 130 64

HSL 36, 0.46%, 0.47%

LAB 57.4, 9.7, 41.58

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 63 / 51 / 0 / 32

HEX #4056AE

RGB 64 86 174

HSL 228, 0.46%, 0.47%

LAB 39.24, 20.04, -49.69

 

CMYK 0 / 63 / 38 / 32

HEX #AE406C

RGB 174 64 108

HSL 336, 0.46%, 0.47%

LAB 43.87, 48.92, -1.61

 

CMYK 0 / 13 / 63 / 32

HEX #AE9840

RGB 174 152 64

HSL 48, 0.46%, 0.47%

LAB 63.2, -2.42, 48.05

 

CMYK 63 / 0 / 25 / 32

HEX #40AE83

RGB 64 174 131

HSL 156.55, 0.46%, 0.47%

LAB 64.16, -41.6, 13

 

CMYK 57 / 63 / 0 / 32

HEX #4B40AE

RGB 75 64 174

HSL 246, 0.46%, 0.47%

LAB 34.43, 36.03, -57.44

 

CMYK 0 / 63 / 38 / 32

HEX #AE406C

RGB 174 64 108

HSL 336, 0.46%, 0.47%

LAB 43.87, 48.92, -1.61

 

CMYK 6 / 0 / 63 / 32

HEX #A3AE40

RGB 163 174 64

HSL 66, 0.46%, 0.47%

LAB 68.34, -18.73, 53.33

 

Description

Color code: HEX #40AE83 | qconv.com Color code: HEX #40AE83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 174 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 174 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 25 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 25% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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