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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40B73D it is the complementary color #BF48C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40B73D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40B73D shade: #45B738, #56C94B, #67DB5E, #78ED71 and #89FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40B73D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40B73D shade: #40B73D, #2FA52A, #1E9317, #0D8104 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40B73D shade: #40B73D, #61B73D, #82B73D, #A3B73D and #B7AA3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40B73D shade: #40B73D, #3DB75B, #3DB77C, #3DB79D and #3DB0B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40B73D shade matches the following richer shades: #40B73D, #2DCB29, #1ADF15 and #07F301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40B73D shade: #40B73D, #53A351, #658F64, #787C78 and #8B688C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40B73D shade: #82B73D, #61B73D, #41B73D, #3DB759 and #3DB77A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40B73D shade: #2A7928, #359832, #40B73D, #59C757 and #78D175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40B73D shade: #40B73D, #3DA3B7 and #B73D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40B73D shade: #40B73D, #3D41B7 and #B73D41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40B73D shade: #40B73D, #3DA3B7, #B33DB7 and #B7513D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40B73D shade: #40B73D, #3D7EB7, #B33DB7 and #B7763D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

Complementary color

CMYK 2 / 63 / 0 / 24

HEX #BF48C2

RGB 191 72 194

HSL 298.52, 0.5%, 0.52%

LAB 51.39, 62.86, -41.19

 

CMYK 62 / 0 / 69 / 28

HEX #45B738

RGB 69 183 56

HSL 113.86, 0.53%, 0.47%

LAB 66.07, -55.86, 52.74

 

CMYK 57 / 0 / 63 / 21

HEX #56C94B

RGB 86 201 75

HSL 114.76, 0.54%, 0.54%

LAB 72.4, -56.49, 51.88

 

CMYK 53 / 0 / 57 / 14

HEX #67DB5E

RGB 103 219 94

HSL 115.68, 0.63%, 0.61%

LAB 78.67, -56.82, 50.79

 

CMYK 49 / 0 / 52 / 7

HEX #78ED71

RGB 120 237 113

HSL 116.61, 0.78%, 0.69%

LAB 84.87, -56.96, 49.59

 

CMYK 46 / 0 / 48 / 0

HEX #89FF84

RGB 137 255 132

HSL 117.56, 1%, 0.76%

LAB 91.01, -56.97, 48.37

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 72 / 0 / 75 / 35

HEX #2FA52A

RGB 47 165 42

HSL 117.56, 0.59%, 0.41%

LAB 59.6, -55.39, 51.23

 

CMYK 80 / 0 / 84 / 42

HEX #1E9317

RGB 30 147 23

HSL 116.61, 0.73%, 0.33%

LAB 53.17, -53.59, 51.06

 

CMYK 90 / 0 / 97 / 49

HEX #0D8104

RGB 13 129 4

HSL 115.68, 0.94%, 0.26%

LAB 46.7, -50.81, 49.5

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 47 / 0 / 67 / 28

HEX #61B73D

RGB 97 183 61

HSL 102.3, 0.5%, 0.48%

LAB 67.09, -47.88, 52.09

 

CMYK 29 / 0 / 67 / 28

HEX #82B73D

RGB 130 183 61

HSL 86.07, 0.5%, 0.48%

LAB 68.71, -36.54, 54.31

 

CMYK 11 / 0 / 67 / 28

HEX #A3B73D

RGB 163 183 61

HSL 69.84, 0.5%, 0.48%

LAB 70.86, -23.42, 57.22

 

CMYK 0 / 7 / 67 / 28

HEX #B7AA3D

RGB 183 170 61

HSL 53.61, 0.5%, 0.48%

LAB 68.86, -8.27, 55.66

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 67 / 0 / 50 / 28

HEX #3DB75B

RGB 61 183 91

HSL 134.75, 0.5%, 0.48%

LAB 66.22, -53.37, 36.94

 

CMYK 67 / 0 / 32 / 28

HEX #3DB77C

RGB 61 183 124

HSL 150.98, 0.5%, 0.48%

LAB 66.76, -47.44, 20.4

 

CMYK 67 / 0 / 14 / 28

HEX #3DB79D

RGB 61 183 157

HSL 167.21, 0.5%, 0.48%

LAB 67.5, -39.78, 3.42

 

CMYK 67 / 4 / 0 / 28

HEX #3DB0B7

RGB 61 176 183

HSL 183.44, 0.5%, 0.48%

LAB 66.11, -29.34, -13.02

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 78 / 0 / 80 / 20

HEX #2DCB29

RGB 45 203 41

HSL 118.52, 0.66%, 0.48%

LAB 71.85, -67.8, 63.45

 

CMYK 88 / 0 / 91 / 13

HEX #1ADF15

RGB 26 223 21

HSL 118.51, 0.83%, 0.48%

LAB 77.9, -76.28, 73.11

 

CMYK 97 / 0 / 100 / 5

HEX #07F301

RGB 7 243 1

HSL 118.51, 0.99%, 0.48%

LAB 84.04, -82.86, 80.15

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 49 / 0 / 50 / 36

HEX #53A351

RGB 83 163 81

HSL 118.54, 0.34%, 0.48%

LAB 60.45, -41.61, 34.99

 

CMYK 29 / 0 / 30 / 44

HEX #658F64

RGB 101 143 100

HSL 118.6, 0.18%, 0.48%

LAB 55.41, -23.42, 18.39

 

CMYK 3 / 0 / 3 / 51

HEX #787C78

RGB 120 124 120

HSL 120, 0.02%, 0.48%

LAB 51.57, -2.3, 1.65

 

CMYK 1 / 26 / 0 / 45

HEX #8B688C

RGB 139 104 140

HSL 298.33, 0.15%, 0.48%

LAB 48.61, 20.52, -14.36

 

CMYK 29 / 0 / 67 / 28

HEX #82B73D

RGB 130 183 61

HSL 86.07, 0.5%, 0.48%

LAB 68.71, -36.54, 54.31

 

CMYK 47 / 0 / 67 / 28

HEX #61B73D

RGB 97 183 61

HSL 102.3, 0.5%, 0.48%

LAB 67.09, -47.88, 52.09

 

CMYK 64 / 0 / 67 / 28

HEX #41B73D

RGB 65 183 61

HSL 118.03, 0.5%, 0.48%

LAB 66, -56.29, 50.6

 

CMYK 67 / 0 / 51 / 28

HEX #3DB759

RGB 61 183 89

HSL 133.77, 0.5%, 0.48%

LAB 66.2, -53.67, 37.9

 

CMYK 67 / 0 / 33 / 28

HEX #3DB77A

RGB 61 183 122

HSL 150, 0.5%, 0.48%

LAB 66.72, -47.85, 21.42

 

CMYK 65 / 0 / 67 / 53

HEX #2A7928

RGB 42 121 40

HSL 118.52, 0.5%, 0.32%

LAB 44.69, -40.88, 36.31

 

CMYK 65 / 0 / 67 / 40

HEX #359832

RGB 53 152 50

HSL 118.24, 0.5%, 0.4%

LAB 55.53, -48.9, 43.8

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 55 / 0 / 56 / 22

HEX #59C757

RGB 89 199 87

HSL 118.93, 0.5%, 0.56%

LAB 72, -53.64, 46.05

 

CMYK 43 / 0 / 44 / 18

HEX #78D175

RGB 120 209 117

HSL 118.04, 0.5%, 0.64%

LAB 76.61, -45.07, 37.41

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 67 / 11 / 0 / 28

HEX #3DA3B7

RGB 61 163 183

HSL 189.84, 0.5%, 0.48%

LAB 62.17, -22.83, -18.97

 

CMYK 0 / 67 / 38 / 28

HEX #B73D72

RGB 183 61 114

HSL 333.93, 0.5%, 0.48%

LAB 45.11, 53.66, -3.31

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 67 / 64 / 0 / 28

HEX #3D41B7

RGB 61 65 183

HSL 238.03, 0.5%, 0.48%

LAB 34.38, 36.18, -62.92

 

CMYK 0 / 67 / 64 / 28

HEX #B73D41

RGB 183 61 65

HSL 358.03, 0.5%, 0.48%

LAB 43.93, 49.4, 25.18

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 67 / 11 / 0 / 28

HEX #3DA3B7

RGB 61 163 183

HSL 189.84, 0.5%, 0.48%

LAB 62.17, -22.83, -18.97

 

CMYK 2 / 67 / 0 / 28

HEX #B33DB7

RGB 179 61 183

HSL 298.03, 0.5%, 0.48%

LAB 47.42, 62.5, -41.2

 

CMYK 0 / 56 / 67 / 28

HEX #B7513D

RGB 183 81 61

HSL 9.84, 0.5%, 0.48%

LAB 47.35, 39.92, 31.75

 

CMYK 65 / 0 / 67 / 28

HEX #40B73D

RGB 64 183 61

HSL 118.52, 0.5%, 0.48%

LAB 65.98, -56.5, 50.57

 

CMYK 67 / 31 / 0 / 28

HEX #3D7EB7

RGB 61 126 183

HSL 208.03, 0.5%, 0.48%

LAB 51.07, -2.34, -36.13

 

CMYK 2 / 67 / 0 / 28

HEX #B33DB7

RGB 179 61 183

HSL 298.03, 0.5%, 0.48%

LAB 47.42, 62.5, -41.2

 

CMYK 0 / 36 / 67 / 28

HEX #B7763D

RGB 183 118 61

HSL 28.03, 0.5%, 0.48%

LAB 55.44, 20.13, 41.16

 

Description

Color code: HEX #40B73D | qconv.com Color code: HEX #40B73D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 183 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 183 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 67 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 67% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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