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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40B860 it is the complementary color #BF479F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40B860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40B860 shade: #45B85B, #56CA6E, #67DC81, #78EE94 and #89FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40B860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40B860 shade: #40B860, #2FA64D, #1E943A, #0D8227 and #007014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40B860 shade: #40B860, #41B840, #61B840, #82B840 and #A2B840

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40B860 shade: #40B860, #40B881, #40B8A1, #40AFB8 and #408FB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40B860 shade matches the following richer shades: #40B860, #2CCD57, #18E14E and #04F544

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40B860 shade: #40B860, #55A46A, #699073, #7D7C7D and #916886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40B860 shade: #60B840, #40B840, #40B860, #40B880 and #40B8A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40B860 shade: #2B7B40, #369A50, #40B860, #5DC679 and #7BD092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40B860 shade: #40B860, #4080B8 and #B84050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40B860 shade: #40B860, #6040B8 and #B86040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40B860 shade: #40B860, #4080B8, #B84098 and #B87840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40B860 shade: #40B860, #405CB8, #B84098 and #B89C40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

Complementary color

CMYK 0 / 63 / 17 / 25

HEX #BF479F

RGB 191 71 159

HSL 316, 0.48%, 0.51%

LAB 49.6, 57.66, -23.52

 

CMYK 63 / 0 / 51 / 28

HEX #45B85B

RGB 69 184 91

HSL 131.48, 0.45%, 0.5%

LAB 66.75, -52.11, 37.64

 

CMYK 57 / 0 / 46 / 21

HEX #56CA6E

RGB 86 202 110

HSL 132.41, 0.52%, 0.56%

LAB 73.12, -52.34, 36.22

 

CMYK 53 / 0 / 41 / 14

HEX #67DC81

RGB 103 220 129

HSL 133.33, 0.63%, 0.63%

LAB 79.42, -52.39, 34.87

 

CMYK 50 / 0 / 38 / 7

HEX #78EE94

RGB 120 238 148

HSL 134.24, 0.78%, 0.7%

LAB 85.65, -52.32, 33.58

 

CMYK 46 / 0 / 35 / 0

HEX #89FFA7

RGB 137 255 167

HSL 135.25, 1%, 0.77%

LAB 91.52, -51.76, 31.97

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 72 / 0 / 54 / 35

HEX #2FA64D

RGB 47 166 77

HSL 135.13, 0.56%, 0.42%

LAB 60.26, -51.78, 36.52

 

CMYK 80 / 0 / 61 / 42

HEX #1E943A

RGB 30 148 58

HSL 134.24, 0.66%, 0.35%

LAB 53.77, -50.69, 38.04

 

CMYK 90 / 0 / 70 / 49

HEX #0D8227

RGB 13 130 39

HSL 133.33, 0.82%, 0.28%

LAB 47.23, -48.83, 39.38

 

CMYK 100 / 0 / 82 / 56

HEX #007014

RGB 0 112 20

HSL 130.71, 1%, 0.22%

LAB 40.64, -45.92, 40.08

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 65 / 0 / 65 / 28

HEX #41B840

RGB 65 184 64

HSL 119.5, 0.48%, 0.49%

LAB 66.35, -56.34, 49.72

 

CMYK 47 / 0 / 65 / 28

HEX #61B840

RGB 97 184 64

HSL 103.5, 0.48%, 0.49%

LAB 67.42, -48.02, 51.2

 

CMYK 29 / 0 / 65 / 28

HEX #82B840

RGB 130 184 64

HSL 87, 0.48%, 0.49%

LAB 69.04, -36.76, 53.42

 

CMYK 12 / 0 / 65 / 28

HEX #A2B840

RGB 162 184 64

HSL 71, 0.48%, 0.49%

LAB 71.1, -24.13, 56.23

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 65 / 0 / 30 / 28

HEX #40B881

RGB 64 184 129

HSL 152.5, 0.48%, 0.49%

LAB 67.24, -46.25, 18.37

 

CMYK 65 / 0 / 13 / 28

HEX #40B8A1

RGB 64 184 161

HSL 168.5, 0.48%, 0.49%

LAB 67.98, -38.71, 1.93

 

CMYK 65 / 5 / 0 / 28

HEX #40AFB8

RGB 64 175 184

HSL 184.5, 0.48%, 0.49%

LAB 65.91, -28.1, -13.86

 

CMYK 65 / 22 / 0 / 28

HEX #408FB8

RGB 64 143 184

HSL 200.5, 0.48%, 0.49%

LAB 56.28, -11.28, -28.57

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 79 / 0 / 58 / 20

HEX #2CCD57

RGB 44 205 87

HSL 136.02, 0.65%, 0.49%

LAB 72.82, -64.23, 46.75

 

CMYK 89 / 0 / 65 / 12

HEX #18E14E

RGB 24 225 78

HSL 136.12, 0.81%, 0.49%

LAB 78.81, -73.3, 57.41

 

CMYK 98 / 0 / 72 / 4

HEX #04F544

RGB 4 245 68

HSL 135.93, 0.97%, 0.49%

LAB 84.87, -80.73, 67.54

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 48 / 0 / 35 / 36

HEX #55A46A

RGB 85 164 106

HSL 135.95, 0.32%, 0.49%

LAB 61.24, -37.42, 22.8

 

CMYK 27 / 0 / 20 / 44

HEX #699073

RGB 105 144 115

HSL 135.38, 0.16%, 0.49%

LAB 56.28, -19.72, 11.13

 

CMYK 0 / 1 / 0 / 51

HEX #7D7C7D

RGB 125 124 125

HSL 300, 0%, 0.49%

LAB 52.13, 0.58, -0.42

 

CMYK 0 / 28 / 8 / 43

HEX #916886

RGB 145 104 134

HSL 316.1, 0.16%, 0.49%

LAB 49.06, 21.51, -10.06

 

CMYK 48 / 0 / 65 / 28

HEX #60B840

RGB 96 184 64

HSL 104, 0.48%, 0.49%

LAB 67.38, -48.32, 51.14

 

CMYK 65 / 0 / 65 / 28

HEX #40B840

RGB 64 184 64

HSL 120, 0.48%, 0.49%

LAB 66.32, -56.55, 49.68

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 65 / 0 / 30 / 28

HEX #40B880

RGB 64 184 128

HSL 152, 0.48%, 0.49%

LAB 67.22, -46.47, 18.89

 

CMYK 65 / 0 / 13 / 28

HEX #40B8A0

RGB 64 184 160

HSL 168, 0.48%, 0.49%

LAB 67.95, -38.97, 2.44

 

CMYK 65 / 0 / 48 / 52

HEX #2B7B40

RGB 43 123 64

HSL 135.75, 0.48%, 0.33%

LAB 45.7, -38.02, 25.21

 

CMYK 65 / 0 / 48 / 40

HEX #369A50

RGB 54 154 80

HSL 135.6, 0.48%, 0.41%

LAB 56.56, -45.44, 30.43

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 53 / 0 / 39 / 22

HEX #5DC679

RGB 93 198 121

HSL 136, 0.48%, 0.57%

LAB 72.29, -47.25, 29.57

 

CMYK 41 / 0 / 30 / 18

HEX #7BD092

RGB 123 208 146

HSL 136.24, 0.47%, 0.65%

LAB 76.92, -39.04, 22.91

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 65 / 30 / 0 / 28

HEX #4080B8

RGB 64 128 184

HSL 208, 0.48%, 0.49%

LAB 51.82, -2.66, -35.52

 

CMYK 0 / 65 / 57 / 28

HEX #B84050

RGB 184 64 80

HSL 352, 0.48%, 0.49%

LAB 44.85, 49.5, 17.28

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 48 / 65 / 0 / 28

HEX #6040B8

RGB 96 64 184

HSL 256, 0.48%, 0.49%

LAB 37.14, 42.99, -58.88

 

CMYK 0 / 48 / 65 / 28

HEX #B86040

RGB 184 96 64

HSL 16, 0.48%, 0.49%

LAB 50.6, 32.75, 33.98

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 65 / 30 / 0 / 28

HEX #4080B8

RGB 64 128 184

HSL 208, 0.48%, 0.49%

LAB 51.82, -2.66, -35.52

 

CMYK 0 / 65 / 17 / 28

HEX #B84098

RGB 184 64 152

HSL 316, 0.48%, 0.49%

LAB 47.14, 57.63, -23.25

 

CMYK 0 / 35 / 65 / 28

HEX #B87840

RGB 184 120 64

HSL 28, 0.48%, 0.49%

LAB 56.08, 19.64, 40.38

 

CMYK 65 / 0 / 48 / 28

HEX #40B860

RGB 64 184 96

HSL 136, 0.48%, 0.49%

LAB 66.68, -52.38, 35.01

 

CMYK 65 / 50 / 0 / 28

HEX #405CB8

RGB 64 92 184

HSL 226, 0.48%, 0.49%

LAB 41.54, 19.72, -51.87

 

CMYK 0 / 65 / 17 / 28

HEX #B84098

RGB 184 64 152

HSL 316, 0.48%, 0.49%

LAB 47.14, 57.63, -23.25

 

CMYK 0 / 15 / 65 / 28

HEX #B89C40

RGB 184 156 64

HSL 46, 0.48%, 0.49%

LAB 65.23, -0.2, 50.54

 

Description

Color code: HEX #40B860 | qconv.com Color code: HEX #40B860 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 184 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 184 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 48 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 48% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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