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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40BFF1 it is the complementary color #BF400E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40BFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40BFF1 shade: #45BFEC, #56D1FF, #67E3FF, #78F5FF and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40BFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40BFF1 shade: #40BFF1, #2FADDE, #1E9BCB, #0D89B8 and #0077A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40BFF1 shade: #41BFF0, #418FF0, #4160F0, #5141F0 and #8041F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40BFF1 shade: #41BFF0, #418FF0, #4160F0 and #4141F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40BFF1 shade matches the following richer shades: #41BFF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40BFF1 shade: #41BFF0, #51B7E0, #62B0CF, #72A9BF and #83A2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40BFF1 shade: #41F0C1, #41F0F0, #41C1F0, #4193F0 and #4164F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40BFF1 shade: #0F99CF, #1AB2ED, #41BFF0, #67CCF3 and #8ED8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40BFF1 shade: #40BFF1, #9341F0 and #F0D941

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40BFF1 shade: #40BFF1, #F041C1 and #C1F041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40BFF1 shade: #40BFF1, #9341F0, #F07041 and #9EF041

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40BFF1 shade: #40BFF1, #C741F0, #F07041 and #6AF041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

Complementary color

CMYK 0 / 66 / 93 / 25

HEX #BF400E

RGB 191 64 14

HSL 16.95, 0.86%, 0.4%

LAB 45.32, 49.04, 52.66

 

CMYK 71 / 19 / 0 / 7

HEX #45BFEC

RGB 69 191 236

HSL 196.17, 0.81%, 0.6%

LAB 72.62, -19.45, -32.13

 

CMYK 66 / 18 / 0 / 0

HEX #56D1FF

RGB 86 209 255

HSL 196.33, 1%, 0.67%

LAB 78.93, -20.37, -32.56

 

CMYK 60 / 11 / 0 / 0

HEX #67E3FF

RGB 103 227 255

HSL 191.05, 1%, 0.7%

LAB 84.51, -26.61, -23.97

 

CMYK 53 / 4 / 0 / 0

HEX #78F5FF

RGB 120 245 255

HSL 184.44, 1%, 0.74%

LAB 90.1, -32.14, -15.47

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 79 / 22 / 0 / 13

HEX #2FADDE

RGB 47 173 222

HSL 196.8, 0.73%, 0.53%

LAB 66.34, -17.15, -34.24

 

CMYK 85 / 24 / 0 / 20

HEX #1E9BCB

RGB 30 155 203

HSL 196.65, 0.74%, 0.46%

LAB 59.92, -15.48, -33.71

 

CMYK 93 / 26 / 0 / 28

HEX #0D89B8

RGB 13 137 184

HSL 196.49, 0.87%, 0.39%

LAB 53.43, -13.38, -33.09

 

CMYK 100 / 28 / 0 / 35

HEX #0077A5

RGB 0 119 165

HSL 196.73, 1%, 0.32%

LAB 46.86, -10.78, -32.39

 

CMYK 73 / 20 / 0 / 6

HEX #41BFF0

RGB 65 191 240

HSL 196.8, 0.85%, 0.6%

LAB 72.68, -18.68, -34.2

 

CMYK 73 / 40 / 0 / 6

HEX #418FF0

RGB 65 143 240

HSL 213.26, 0.85%, 0.6%

LAB 59.03, 8.22, -55.66

 

CMYK 73 / 60 / 0 / 6

HEX #4160F0

RGB 65 96 240

HSL 229.37, 0.85%, 0.6%

LAB 46.69, 37.22, -75.58

 

CMYK 66 / 73 / 0 / 6

HEX #5141F0

RGB 81 65 240

HSL 245.49, 0.85%, 0.6%

LAB 40.93, 56.94, -84.99

 

CMYK 47 / 73 / 0 / 6

HEX #8041F0

RGB 128 65 240

HSL 261.6, 0.85%, 0.6%

LAB 45.17, 63.08, -77.88

 

CMYK 73 / 20 / 0 / 6

HEX #41BFF0

RGB 65 191 240

HSL 196.8, 0.85%, 0.6%

LAB 72.68, -18.68, -34.2

 

CMYK 73 / 40 / 0 / 6

HEX #418FF0

RGB 65 143 240

HSL 213.26, 0.85%, 0.6%

LAB 59.03, 8.22, -55.66

 

CMYK 73 / 60 / 0 / 6

HEX #4160F0

RGB 65 96 240

HSL 229.37, 0.85%, 0.6%

LAB 46.69, 37.22, -75.58

 

CMYK 73 / 73 / 0 / 6

HEX #4141F0

RGB 65 65 240

HSL 240, 0.85%, 0.6%

LAB 39.91, 55.41, -86.71

 

CMYK 73 / 20 / 0 / 6

HEX #41BFF0

RGB 65 191 240

HSL 196.8, 0.85%, 0.6%

LAB 72.68, -18.68, -34.2

 

CMYK 73 / 20 / 0 / 6

HEX #41BFF0

RGB 65 191 240

HSL 196.8, 0.85%, 0.6%

LAB 72.68, -18.68, -34.2

 

CMYK 64 / 18 / 0 / 12

HEX #51B7E0

RGB 81 183 224

HSL 197.2, 0.7%, 0.6%

LAB 70.17, -17.27, -29.34

 

CMYK 53 / 15 / 0 / 19

HEX #62B0CF

RGB 98 176 207

HSL 197.06, 0.53%, 0.6%

LAB 68.13, -15.44, -23.1

 

CMYK 40 / 12 / 0 / 25

HEX #72A9BF

RGB 114 169 191

HSL 197.14, 0.38%, 0.6%

LAB 66.3, -12.32, -16.97

 

CMYK 25 / 7 / 0 / 32

HEX #83A2AE

RGB 131 162 174

HSL 196.74, 0.21%, 0.6%

LAB 64.74, -7.89, -9.74

 

CMYK 73 / 0 / 20 / 6

HEX #41F0C1

RGB 65 240 193

HSL 163.89, 0.85%, 0.6%

LAB 85.65, -54.42, 10.23

 

CMYK 73 / 0 / 0 / 6

HEX #41F0F0

RGB 65 240 240

HSL 180, 0.85%, 0.6%

LAB 86.87, -42.29, -12.62

 

CMYK 73 / 20 / 0 / 6

HEX #41C1F0

RGB 65 193 240

HSL 196.11, 0.85%, 0.6%

LAB 73.26, -19.71, -33.31

 

CMYK 73 / 39 / 0 / 6

HEX #4193F0

RGB 65 147 240

HSL 211.89, 0.85%, 0.6%

LAB 60.14, 5.84, -53.88

 

CMYK 73 / 58 / 0 / 6

HEX #4164F0

RGB 65 100 240

HSL 228, 0.85%, 0.6%

LAB 47.66, 34.74, -73.99

 

CMYK 93 / 26 / 0 / 19

HEX #0F99CF

RGB 15 153 207

HSL 196.88, 0.86%, 0.44%

LAB 59.33, -13.81, -36.87

 

CMYK 89 / 25 / 0 / 7

HEX #1AB2ED

RGB 26 178 237

HSL 196.78, 0.85%, 0.52%

LAB 68.15, -16.21, -39.66

 

CMYK 73 / 20 / 0 / 6

HEX #41BFF0

RGB 65 191 240

HSL 196.8, 0.85%, 0.6%

LAB 72.68, -18.68, -34.2

 

CMYK 58 / 16 / 0 / 5

HEX #67CCF3

RGB 103 204 243

HSL 196.71, 0.85%, 0.68%

LAB 77.6, -18.54, -28.14

 

CMYK 42 / 12 / 0 / 4

HEX #8ED8F6

RGB 142 216 246

HSL 197.31, 0.85%, 0.76%

LAB 82.66, -15.4, -21.88

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 39 / 73 / 0 / 6

HEX #9341F0

RGB 147 65 240

HSL 268.11, 0.85%, 0.6%

LAB 47.33, 66.12, -74.25

 

CMYK 0 / 10 / 73 / 6

HEX #F0D941

RGB 240 217 65

HSL 52.11, 0.85%, 0.6%

LAB 86.27, -7.89, 73.09

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 0 / 73 / 20 / 6

HEX #F041C1

RGB 240 65 193

HSL 316.11, 0.85%, 0.6%

LAB 58.18, 76.89, -29.42

 

CMYK 20 / 0 / 73 / 6

HEX #C1F041

RGB 193 240 65

HSL 76.11, 0.85%, 0.6%

LAB 88.94, -37.94, 74.43

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 39 / 73 / 0 / 6

HEX #9341F0

RGB 147 65 240

HSL 268.11, 0.85%, 0.6%

LAB 47.33, 66.12, -74.25

 

CMYK 0 / 53 / 73 / 6

HEX #F07041

RGB 240 112 65

HSL 16.11, 0.85%, 0.6%

LAB 62.08, 46.34, 48.68

 

CMYK 34 / 0 / 73 / 6

HEX #9EF041

RGB 158 240 65

HSL 88.11, 0.85%, 0.6%

LAB 86.98, -50.72, 71.86

 

CMYK 73 / 21 / 0 / 5

HEX #40BFF1

RGB 64 191 241

HSL 196.95, 0.86%, 0.6%

LAB 72.7, -18.47, -34.72

 

CMYK 17 / 73 / 0 / 6

HEX #C741F0

RGB 199 65 240

HSL 285.94, 0.85%, 0.6%

LAB 54.25, 75.5, -62.71

 

CMYK 0 / 53 / 73 / 6

HEX #F07041

RGB 240 112 65

HSL 16.11, 0.85%, 0.6%

LAB 62.08, 46.34, 48.68

 

CMYK 56 / 0 / 73 / 6

HEX #6AF041

RGB 106 240 65

HSL 105.94, 0.85%, 0.6%

LAB 84.88, -66.28, 69.07

 

Description

Color code: HEX #40BFF1 | qconv.com Color code: HEX #40BFF1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 191 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 191 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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