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Color name
HEX #40CD8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40CD8C it is the complementary color #BF3273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40CD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40CD8C shade: #45CD87, #56DF9A, #67F1AD, #78FFC0 and #89FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40CD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40CD8C shade: #40CD8C, #2FBB79, #1EA966, #0D9753 and #008540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40CD8C shade: #40CD8C, #40CD66, #40CD40, #66CD40 and #8CCD40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40CD8C shade: #40CD8C, #40CDB2, #40C2CD, #409CCD and #4076CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40CD8C shade matches the following richer shades: #40CD8C, #2DE18E and #19F48F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40CD8C shade: #40CD8C, #53BA8B, #67A789, #7A9388 and #8E8086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40CD8C shade: #40CD40, #40CD66, #40CD8B, #40CDB1 and #40C4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40CD8C shade: #269562, #2EB677, #40CD8C, #61D6A0 and #82DEB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40CD8C shade: #40CD8C, #4066CD and #CD5340

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40CD8C shade: #40CD8C, #8B40CD and #CD8B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40CD8C shade: #40CD8C, #4066CD, #CD4082 and #CDA840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40CD8C shade: #40CD8C, #4540CD, #CD4082 and #C9CD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

Complementary color

CMYK 0 / 74 / 40 / 25

HEX #BF3273

RGB 191 50 115

HSL 332.34, 0.59%, 0.47%

LAB 45.07, 60.16, -3.81

 

CMYK 66 / 0 / 34 / 20

HEX #45CD87

RGB 69 205 135

HSL 149.12, 0.58%, 0.54%

LAB 73.98, -52.58, 24.4

 

CMYK 61 / 0 / 31 / 13

HEX #56DF9A

RGB 86 223 154

HSL 149.78, 0.68%, 0.61%

LAB 80.23, -52.82, 23.04

 

CMYK 57 / 0 / 28 / 5

HEX #67F1AD

RGB 103 241 173

HSL 150.43, 0.83%, 0.67%

LAB 86.41, -52.91, 21.79

 

CMYK 53 / 0 / 25 / 0

HEX #78FFC0

RGB 120 255 192

HSL 152, 1%, 0.74%

LAB 91.38, -51.24, 19.02

 

CMYK 46 / 0 / 17 / 0

HEX #89FFD3

RGB 137 255 211

HSL 157.63, 1%, 0.77%

LAB 92.37, -43.43, 10.76

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 75 / 0 / 35 / 27

HEX #2FBB79

RGB 47 187 121

HSL 151.71, 0.6%, 0.46%

LAB 67.67, -51.83, 23.19

 

CMYK 82 / 0 / 40 / 34

HEX #1EA966

RGB 30 169 102

HSL 151.08, 0.7%, 0.39%

LAB 61.32, -50.88, 24.81

 

CMYK 91 / 0 / 45 / 41

HEX #0D9753

RGB 13 151 83

HSL 150.43, 0.84%, 0.32%

LAB 54.91, -49.4, 26.59

 

CMYK 100 / 0 / 52 / 48

HEX #008540

RGB 0 133 64

HSL 148.87, 1%, 0.26%

LAB 48.44, -47.26, 28.51

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 69 / 0 / 50 / 20

HEX #40CD66

RGB 64 205 102

HSL 136.17, 0.59%, 0.53%

LAB 73.36, -59.16, 40.37

 

CMYK 69 / 0 / 69 / 20

HEX #40CD40

RGB 64 205 64

HSL 120, 0.59%, 0.53%

LAB 72.97, -63.7, 56.85

 

CMYK 50 / 0 / 69 / 20

HEX #66CD40

RGB 102 205 64

HSL 103.83, 0.59%, 0.53%

LAB 74.1, -54.73, 58.38

 

CMYK 32 / 0 / 69 / 20

HEX #8CCD40

RGB 140 205 64

HSL 87.66, 0.59%, 0.53%

LAB 75.83, -42.37, 60.72

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 69 / 0 / 13 / 20

HEX #40CDB2

RGB 64 205 178

HSL 168.51, 0.59%, 0.53%

LAB 74.8, -43.63, 2.58

 

CMYK 69 / 5 / 0 / 20

HEX #40C2CD

RGB 64 194 205

HSL 184.68, 0.59%, 0.53%

LAB 72.28, -31.16, -15.81

 

CMYK 69 / 24 / 0 / 20

HEX #409CCD

RGB 64 156 205

HSL 200.85, 0.59%, 0.53%

LAB 61.02, -11.54, -33.05

 

CMYK 69 / 42 / 0 / 20

HEX #4076CD

RGB 64 118 205

HSL 217.02, 0.59%, 0.53%

LAB 50.04, 10.79, -50.36

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 80 / 0 / 37 / 12

HEX #2DE18E

RGB 45 225 142

HSL 152.33, 0.75%, 0.53%

LAB 79.82, -61.98, 28.55

 

CMYK 90 / 0 / 41 / 4

HEX #19F48F

RGB 25 244 143

HSL 152.33, 0.91%, 0.53%

LAB 85.45, -69.88, 35.46

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 55 / 0 / 25 / 27

HEX #53BA8B

RGB 83 186 139

HSL 152.62, 0.43%, 0.53%

LAB 68.62, -41.06, 14.95

 

CMYK 38 / 0 / 18 / 35

HEX #67A789

RGB 103 167 137

HSL 151.88, 0.27%, 0.53%

LAB 63.61, -27.45, 9.11

 

CMYK 17 / 0 / 7 / 42

HEX #7A9388

RGB 122 147 136

HSL 153.6, 0.1%, 0.53%

LAB 58.77, -11.15, 2.87

 

CMYK 0 / 10 / 6 / 44

HEX #8E8086

RGB 142 128 134

HSL 334.29, 0.06%, 0.53%

LAB 54.98, 6.43, -1.31

 

CMYK 69 / 0 / 69 / 20

HEX #40CD40

RGB 64 205 64

HSL 120, 0.59%, 0.53%

LAB 72.97, -63.7, 56.85

 

CMYK 69 / 0 / 50 / 20

HEX #40CD66

RGB 64 205 102

HSL 136.17, 0.59%, 0.53%

LAB 73.36, -59.16, 40.37

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8B

RGB 64 205 139

HSL 151.91, 0.59%, 0.53%

LAB 73.94, -52.61, 22.22

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB1

RGB 64 205 177

HSL 168.09, 0.59%, 0.53%

LAB 74.78, -43.88, 3.08

 

CMYK 69 / 4 / 0 / 20

HEX #40C4CD

RGB 64 196 205

HSL 183.83, 0.59%, 0.53%

LAB 72.88, -32.12, -14.91

 

CMYK 74 / 0 / 34 / 42

HEX #269562

RGB 38 149 98

HSL 152.43, 0.59%, 0.37%

LAB 54.85, -42.92, 18.35

 

CMYK 75 / 0 / 35 / 29

HEX #2EB677

RGB 46 182 119

HSL 152.21, 0.6%, 0.45%

LAB 66.03, -50.44, 22.05

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 55 / 0 / 25 / 16

HEX #61D6A0

RGB 97 214 160

HSL 152.31, 0.59%, 0.61%

LAB 77.98, -45.6, 16.84

 

CMYK 41 / 0 / 19 / 13

HEX #82DEB4

RGB 130 222 180

HSL 152.61, 0.58%, 0.69%

LAB 81.99, -36.87, 12.1

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 69 / 50 / 0 / 20

HEX #4066CD

RGB 64 102 205

HSL 223.83, 0.59%, 0.53%

LAB 45.63, 20.85, -57.44

 

CMYK 0 / 60 / 69 / 20

HEX #CD5340

RGB 205 83 64

HSL 8.09, 0.59%, 0.53%

LAB 51.31, 47.24, 35.61

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 32 / 69 / 0 / 20

HEX #8B40CD

RGB 139 64 205

HSL 271.91, 0.59%, 0.53%

LAB 43.6, 56.92, -60.42

 

CMYK 0 / 32 / 69 / 20

HEX #CD8B40

RGB 205 139 64

HSL 31.91, 0.59%, 0.53%

LAB 63.19, 18.19, 49

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 69 / 50 / 0 / 20

HEX #4066CD

RGB 64 102 205

HSL 223.83, 0.59%, 0.53%

LAB 45.63, 20.85, -57.44

 

CMYK 0 / 69 / 37 / 20

HEX #CD4082

RGB 205 64 130

HSL 331.91, 0.59%, 0.53%

LAB 49.81, 60.67, -5.66

 

CMYK 0 / 18 / 69 / 20

HEX #CDA840

RGB 205 168 64

HSL 44.26, 0.59%, 0.53%

LAB 70.42, 2.51, 56.66

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8C

RGB 64 205 140

HSL 152.34, 0.59%, 0.53%

LAB 73.96, -52.41, 21.72

 

CMYK 66 / 69 / 0 / 20

HEX #4540CD

RGB 69 64 205

HSL 242.13, 0.59%, 0.53%

LAB 36.63, 45.18, -72.08

 

CMYK 0 / 69 / 37 / 20

HEX #CD4082

RGB 205 64 130

HSL 331.91, 0.59%, 0.53%

LAB 49.81, 60.67, -5.66

 

CMYK 2 / 0 / 69 / 20

HEX #C9CD40

RGB 201 205 64

HSL 61.7, 0.59%, 0.53%

LAB 79.87, -18.28, 66.11

 

Description

Color code: HEX #40CD8C | qconv.com Color code: HEX #40CD8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 205 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 205 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 32% 20% C M Y K

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Provide designers and agencies with accurate color values.

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