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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40D1CD it is the complementary color #BF2E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40D1CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40D1CD shade: #45D1C8, #56E3DB, #67F5EE, #78FFFF and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40D1CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40D1CD shade: #40D1CD, #2FBFBA, #1EADA7, #0D9B94 and #008981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40D1CD shade: #42D1CD, #42D1A6, #42D180, #42D159 and #51D142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40D1CD shade: #42D1CD, #42AED1, #4288D1, #4261D1 and #4242D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40D1CD shade matches the following richer shades: #42D1CD, #2FE4DF and #1CF7F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40D1CD shade: #42D1CD, #55BEBB, #68ABA9, #7B9897 and #8E8585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40D1CD shade: #42D180, #42D1A6, #42D1CC, #42AFD1 and #4289D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40D1CD shade: #259B98, #2DBCB8, #42D1CD, #63D9D6 and #84E1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40D1CD shade: #40D1CD, #5942D1 and #D19342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40D1CD shade: #40D1CD, #CC42D1 and #D1CC42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40D1CD shade: #40D1CD, #5942D1, #D14246 and #B9D142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40D1CD shade: #40D1CD, #8442D1, #D14246 and #8ED142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 2 / 18

HEX #40D1CD

RGB 64 209 205

HSL 178.34, 0.61%, 0.54%

LAB 76.74, -38.19, -9.13

 

Complementary color

CMYK 0 / 76 / 74 / 25

HEX #BF2E32

RGB 191 46 50

HSL 358.34, 0.61%, 0.46%

LAB 43.15, 56.78, 33.55

 

CMYK 67 / 0 / 4 / 18

HEX #45D1C8

RGB 69 209 200

HSL 176.14, 0.6%, 0.55%

LAB 76.7, -38.88, -6.49

 

CMYK 62 / 0 / 4 / 11

HEX #56E3DB

RGB 86 227 219

HSL 176.6, 0.72%, 0.61%

LAB 82.93, -39.36, -7.36

 

CMYK 58 / 0 / 3 / 4

HEX #67F5EE

RGB 103 245 238

HSL 177.04, 0.88%, 0.68%

LAB 89.09, -39.69, -8.16

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 69 / 0 / 2 / 18

HEX #40D1CD

RGB 64 209 205

HSL 178.34, 0.61%, 0.54%

LAB 76.74, -38.19, -9.13

 

CMYK 75 / 0 / 3 / 25

HEX #2FBFBA

RGB 47 191 186

HSL 177.92, 0.61%, 0.47%

LAB 70.46, -37.38, -8.19

 

CMYK 83 / 0 / 3 / 32

HEX #1EADA7

RGB 30 173 167

HSL 177.48, 0.7%, 0.4%

LAB 64.12, -36.27, -7.14

 

CMYK 92 / 0 / 5 / 39

HEX #0D9B94

RGB 13 155 148

HSL 177.04, 0.85%, 0.33%

LAB 57.72, -34.76, -5.96

 

CMYK 100 / 0 / 6 / 46

HEX #008981

RGB 0 137 129

HSL 176.5, 1%, 0.27%

LAB 51.24, -32.82, -4.63

 

CMYK 68 / 0 / 2 / 18

HEX #42D1CD

RGB 66 209 205

HSL 178.32, 0.61%, 0.54%

LAB 76.78, -37.93, -9.07

 

CMYK 68 / 0 / 21 / 18

HEX #42D1A6

RGB 66 209 166

HSL 161.96, 0.61%, 0.54%

LAB 75.77, -47.97, 10.41

 

CMYK 68 / 0 / 39 / 18

HEX #42D180

RGB 66 209 128

HSL 146.01, 0.61%, 0.54%

LAB 75.02, -55.96, 29.42

 

CMYK 68 / 0 / 57 / 18

HEX #42D159

RGB 66 209 89

HSL 129.65, 0.61%, 0.54%

LAB 74.5, -61.99, 47.91

 

CMYK 61 / 0 / 68 / 18

HEX #51D142

RGB 81 209 66

HSL 113.71, 0.61%, 0.54%

LAB 74.66, -61.39, 57.99

 

CMYK 68 / 0 / 2 / 18

HEX #42D1CD

RGB 66 209 205

HSL 178.32, 0.61%, 0.54%

LAB 76.78, -37.93, -9.07

 

CMYK 68 / 17 / 0 / 18

HEX #42AED1

RGB 66 174 209

HSL 194.69, 0.61%, 0.54%

LAB 66.55, -19.61, -26.73

 

CMYK 68 / 35 / 0 / 18

HEX #4288D1

RGB 66 136 209

HSL 210.63, 0.61%, 0.54%

LAB 55.45, 1.6, -44.03

 

CMYK 68 / 54 / 0 / 18

HEX #4261D1

RGB 66 97 209

HSL 226.99, 0.61%, 0.54%

LAB 44.68, 25.76, -61.28

 

CMYK 68 / 68 / 0 / 18

HEX #4242D1

RGB 66 66 209

HSL 240, 0.61%, 0.54%

LAB 37.22, 44.96, -73.43

 

CMYK 68 / 0 / 2 / 18

HEX #42D1CD

RGB 66 209 205

HSL 178.32, 0.61%, 0.54%

LAB 76.78, -37.93, -9.07

 

CMYK 79 / 0 / 2 / 11

HEX #2FE4DF

RGB 47 228 223

HSL 178.34, 0.77%, 0.54%

LAB 82.6, -43.47, -10.04

 

CMYK 89 / 0 / 2 / 3

HEX #1CF7F1

RGB 28 247 241

HSL 178.36, 0.93%, 0.54%

LAB 88.5, -47.86, -10.74

 

CMYK 68 / 0 / 2 / 18

HEX #42D1CD

RGB 66 209 205

HSL 178.32, 0.61%, 0.54%

LAB 76.78, -37.93, -9.07

 

CMYK 55 / 0 / 2 / 25

HEX #55BEBB

RGB 85 190 187

HSL 178.29, 0.45%, 0.54%

LAB 71.11, -30.82, -7.68

 

CMYK 39 / 0 / 1 / 33

HEX #68ABA9

RGB 104 171 169

HSL 178.21, 0.29%, 0.54%

LAB 65.7, -21.71, -5.69

 

CMYK 19 / 0 / 1 / 40

HEX #7B9897

RGB 123 152 151

HSL 177.93, 0.12%, 0.54%

LAB 60.69, -10.3, -2.84

 

CMYK 0 / 6 / 6 / 44

HEX #8E8585

RGB 142 133 133

HSL 0, 0.04%, 0.54%

LAB 56.31, 3.38, 1.21

 

CMYK 68 / 0 / 39 / 18

HEX #42D180

RGB 66 209 128

HSL 146.01, 0.61%, 0.54%

LAB 75.02, -55.96, 29.42

 

CMYK 68 / 0 / 21 / 18

HEX #42D1A6

RGB 66 209 166

HSL 161.96, 0.61%, 0.54%

LAB 75.77, -47.97, 10.41

 

CMYK 68 / 0 / 2 / 18

HEX #42D1CC

RGB 66 209 204

HSL 177.9, 0.61%, 0.54%

LAB 76.75, -38.2, -8.57

 

CMYK 68 / 16 / 0 / 18

HEX #42AFD1

RGB 66 175 209

HSL 194.27, 0.61%, 0.54%

LAB 66.84, -20.14, -26.28

 

CMYK 68 / 34 / 0 / 18

HEX #4289D1

RGB 66 137 209

HSL 210.21, 0.61%, 0.54%

LAB 55.74, 1, -43.58

 

CMYK 76 / 0 / 2 / 39

HEX #259B98

RGB 37 155 152

HSL 178.47, 0.61%, 0.38%

LAB 58.13, -31.61, -7.58

 

CMYK 76 / 0 / 2 / 26

HEX #2DBCB8

RGB 45 188 184

HSL 178.32, 0.61%, 0.46%

LAB 69.46, -36.79, -8.59

 

CMYK 68 / 0 / 2 / 18

HEX #42D1CD

RGB 66 209 205

HSL 178.32, 0.61%, 0.54%

LAB 76.78, -37.93, -9.07

 

CMYK 54 / 0 / 1 / 15

HEX #63D9D6

RGB 99 217 214

HSL 178.47, 0.61%, 0.62%

LAB 80.25, -33.76, -8.63

 

CMYK 41 / 0 / 1 / 12

HEX #84E1DE

RGB 132 225 222

HSL 178.06, 0.61%, 0.7%

LAB 83.98, -28.34, -7.22

 

CMYK 69 / 0 / 2 / 18

HEX #40D1CD

RGB 64 209 205

HSL 178.34, 0.61%, 0.54%

LAB 76.74, -38.19, -9.13

 

CMYK 57 / 68 / 0 / 18

HEX #5942D1

RGB 89 66 209

HSL 249.65, 0.61%, 0.54%

LAB 38.94, 48.06, -70.55

 

CMYK 0 / 30 / 68 / 18

HEX #D19342

RGB 209 147 66

HSL 33.99, 0.61%, 0.54%

LAB 65.61, 15.66, 50.81

 

CMYK 69 / 0 / 2 / 18

HEX #40D1CD

RGB 64 209 205

HSL 178.34, 0.61%, 0.54%

LAB 76.74, -38.19, -9.13

 

CMYK 2 / 68 / 0 / 18

HEX #CC42D1

RGB 204 66 209

HSL 297.9, 0.61%, 0.54%

LAB 53.32, 70.72, -46.63

 

CMYK 0 / 2 / 68 / 18

HEX #D1CC42

RGB 209 204 66

HSL 57.9, 0.61%, 0.54%

LAB 80.26, -14.33, 65.97

 

CMYK 69 / 0 / 2 / 18

HEX #40D1CD

RGB 64 209 205

HSL 178.34, 0.61%, 0.54%

LAB 76.74, -38.19, -9.13

 

CMYK 57 / 68 / 0 / 18

HEX #5942D1

RGB 89 66 209

HSL 249.65, 0.61%, 0.54%

LAB 38.94, 48.06, -70.55

 

CMYK 0 / 68 / 67 / 18

HEX #D14246

RGB 209 66 70

HSL 358.32, 0.61%, 0.54%

LAB 49.37, 56.19, 29.99

 

CMYK 11 / 0 / 68 / 18

HEX #B9D142

RGB 185 209 66

HSL 70.07, 0.61%, 0.54%

LAB 79.79, -26.71, 64.9

 

CMYK 69 / 0 / 2 / 18

HEX #40D1CD

RGB 64 209 205

HSL 178.34, 0.61%, 0.54%

LAB 76.74, -38.19, -9.13

 

CMYK 37 / 68 / 0 / 18

HEX #8442D1

RGB 132 66 209

HSL 267.69, 0.61%, 0.54%

LAB 43.37, 55.56, -63.14

 

CMYK 0 / 68 / 67 / 18

HEX #D14246

RGB 209 66 70

HSL 358.32, 0.61%, 0.54%

LAB 49.37, 56.19, 29.99

 

CMYK 32 / 0 / 68 / 18

HEX #8ED142

RGB 142 209 66

HSL 88.11, 0.61%, 0.54%

LAB 77.13, -43.24, 61.33

 

Description

Color code: HEX #40D1CD | qconv.com Color code: HEX #40D1CD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 209 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 209 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 2 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 2% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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