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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40DA15 it is the complementary color #BF25EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40DA15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40DA15 shade: #45DA10, #56EC23, #67FE36, #78FF49 and #89FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40DA15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40DA15 shade: #40DA15, #2FC802, #1EB600, #0DA400 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40DA15 shade: #40DA15, #75DA15, #AADA15, #DAD415 and #DA9F15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40DA15 shade: #40DA15, #15DA1F, #15DA54, #15DA89 and #15DABE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40DA15 shade matches the following richer shades: #40DA15 and #35ED02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40DA15 shade: #40DA15, #4BC628, #56B33C, #619F4F and #6C8C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40DA15 shade: #ACDA15, #77DA15, #43DA15, #15DA1C and #15DA50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40DA15 shade: #2A8F0E, #35B411, #40DA15, #57EA2E and #75EE54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40DA15 shade: #40DA15, #15DAD3 and #DA1592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40DA15 shade: #40DA15, #1543DA and #DA1543

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40DA15 shade: #40DA15, #15DAD3, #AC15DA and #DA151C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40DA15 shade: #40DA15, #15A5DA, #AC15DA and #DA4915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

Complementary color

CMYK 18 / 84 / 0 / 8

HEX #BF25EA

RGB 191 37 234

HSL 286.9, 0.82%, 0.53%

LAB 49.91, 81, -66.41

 

CMYK 68 / 0 / 93 / 15

HEX #45DA10

RGB 69 218 16

HSL 104.26, 0.86%, 0.46%

LAB 76.95, -69.46, 73.25

 

CMYK 64 / 0 / 85 / 7

HEX #56EC23

RGB 86 236 35

HSL 104.78, 0.84%, 0.53%

LAB 82.96, -71.15, 75.34

 

CMYK 59 / 0 / 79 / 0

HEX #67FE36

RGB 103 254 54

HSL 105.3, 0.99%, 0.6%

LAB 88.94, -72.39, 76.32

 

CMYK 53 / 0 / 71 / 0

HEX #78FF49

RGB 120 255 73

HSL 104.51, 1%, 0.64%

LAB 89.86, -67.42, 71.51

 

CMYK 46 / 0 / 64 / 0

HEX #89FF5C

RGB 137 255 92

HSL 103.44, 1%, 0.68%

LAB 90.6, -61.3, 65.42

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 77 / 0 / 99 / 22

HEX #2FC802

RGB 47 200 2

HSL 106.36, 0.98%, 0.4%

LAB 70.81, -67.96, 69.57

 

CMYK 84 / 0 / 100 / 29

HEX #1EB600

RGB 30 182 0

HSL 110.11, 1%, 0.36%

LAB 64.75, -64.9, 64.84

 

CMYK 92 / 0 / 100 / 36

HEX #0DA400

RGB 13 164 0

HSL 115.24, 1%, 0.32%

LAB 58.64, -61.21, 59.88

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 46 / 0 / 90 / 15

HEX #75DA15

RGB 117 218 21

HSL 90.76, 0.82%, 0.47%

LAB 78.45, -57.32, 74.41

 

CMYK 22 / 0 / 90 / 15

HEX #AADA15

RGB 170 218 21

HSL 74.62, 0.82%, 0.47%

LAB 81.15, -38.57, 77.73

 

CMYK 0 / 3 / 90 / 15

HEX #DAD415

RGB 218 212 21

HSL 58.17, 0.82%, 0.47%

LAB 82.94, -15.97, 80.61

 

CMYK 0 / 27 / 90 / 15

HEX #DA9F15

RGB 218 159 21

HSL 42.03, 0.82%, 0.47%

LAB 69.3, 11.51, 70.12

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 0 / 86 / 15

HEX #15DA1F

RGB 21 218 31

HSL 123.05, 0.82%, 0.47%

LAB 76.31, -74.89, 69.92

 

CMYK 90 / 0 / 61 / 15

HEX #15DA54

RGB 21 218 84

HSL 139.19, 0.82%, 0.47%

LAB 76.64, -70.72, 52.46

 

CMYK 90 / 0 / 37 / 15

HEX #15DA89

RGB 21 218 137

HSL 155.33, 0.82%, 0.47%

LAB 77.35, -62.31, 27.76

 

CMYK 90 / 0 / 13 / 15

HEX #15DABE

RGB 21 218 190

HSL 171.47, 0.82%, 0.47%

LAB 78.47, -49.94, 1.4

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 78 / 0 / 99 / 7

HEX #35ED02

RGB 53 237 2

HSL 106.98, 0.98%, 0.47%

LAB 82.56, -77.83, 79.03

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 62 / 0 / 80 / 22

HEX #4BC628

RGB 75 198 40

HSL 106.71, 0.66%, 0.47%

LAB 70.9, -60.83, 63.08

 

CMYK 52 / 0 / 66 / 30

HEX #56B33C

RGB 86 179 60

HSL 106.89, 0.5%, 0.47%

LAB 65.39, -49.65, 50.56

 

CMYK 39 / 0 / 50 / 38

HEX #619F4F

RGB 97 159 79

HSL 106.5, 0.34%, 0.47%

LAB 59.8, -35.72, 35.35

 

CMYK 23 / 0 / 29 / 45

HEX #6C8C63

RGB 108 140 99

HSL 106.83, 0.17%, 0.47%

LAB 54.91, -19.51, 18.34

 

CMYK 21 / 0 / 90 / 15

HEX #ACDA15

RGB 172 218 21

HSL 74.01, 0.82%, 0.47%

LAB 81.27, -37.78, 77.88

 

CMYK 45 / 0 / 90 / 15

HEX #77DA15

RGB 119 218 21

HSL 90.15, 0.82%, 0.47%

LAB 78.53, -56.7, 74.51

 

CMYK 69 / 0 / 90 / 15

HEX #43DA15

RGB 67 218 21

HSL 105.99, 0.82%, 0.47%

LAB 76.91, -69.71, 72.51

 

CMYK 90 / 0 / 87 / 15

HEX #15DA1C

RGB 21 218 28

HSL 122.13, 0.82%, 0.47%

LAB 76.31, -75.01, 70.52

 

CMYK 90 / 0 / 63 / 15

HEX #15DA50

RGB 21 218 80

HSL 137.97, 0.82%, 0.47%

LAB 76.61, -71.18, 54.14

 

CMYK 71 / 0 / 90 / 44

HEX #2A8F0E

RGB 42 143 14

HSL 106.98, 0.82%, 0.31%

LAB 52.03, -50.62, 52.3

 

CMYK 71 / 0 / 91 / 29

HEX #35B411

RGB 53 180 17

HSL 106.75, 0.83%, 0.39%

LAB 64.52, -60.5, 62.54

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 63 / 0 / 80 / 8

HEX #57EA2E

RGB 87 234 46

HSL 106.91, 0.82%, 0.55%

LAB 82.42, -69.81, 72.25

 

CMYK 51 / 0 / 65 / 7

HEX #75EE54

RGB 117 238 84

HSL 107.14, 0.82%, 0.63%

LAB 84.78, -61.22, 62.07

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 0 / 3 / 15

HEX #15DAD3

RGB 21 218 211

HSL 177.87, 0.82%, 0.47%

LAB 79.04, -44.14, -8.98

 

CMYK 0 / 90 / 33 / 15

HEX #DA1592

RGB 218 21 146

HSL 321.93, 0.82%, 0.47%

LAB 48.91, 76.46, -16.42

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 69 / 0 / 15

HEX #1543DA

RGB 21 67 218

HSL 225.99, 0.82%, 0.47%

LAB 36.43, 44.02, -79.98

 

CMYK 0 / 90 / 69 / 15

HEX #DA1543

RGB 218 21 67

HSL 345.99, 0.82%, 0.47%

LAB 46.77, 70.59, 28.97

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 0 / 3 / 15

HEX #15DAD3

RGB 21 218 211

HSL 177.87, 0.82%, 0.47%

LAB 79.04, -44.14, -8.98

 

CMYK 21 / 90 / 0 / 15

HEX #AC15DA

RGB 172 21 218

HSL 285.99, 0.82%, 0.47%

LAB 44.76, 78.31, -65.8

 

CMYK 0 / 90 / 87 / 15

HEX #DA151C

RGB 218 21 28

HSL 357.87, 0.82%, 0.47%

LAB 46.35, 69.38, 50.3

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 24 / 0 / 15

HEX #15A5DA

RGB 21 165 218

HSL 196.14, 0.82%, 0.47%

LAB 63.45, -16.15, -36.56

 

CMYK 21 / 90 / 0 / 15

HEX #AC15DA

RGB 172 21 218

HSL 285.99, 0.82%, 0.47%

LAB 44.76, 78.31, -65.8

 

CMYK 0 / 67 / 90 / 15

HEX #DA4915

RGB 218 73 21

HSL 15.84, 0.82%, 0.47%

LAB 51.52, 54.71, 56.97

 

Description

Color code: HEX #40DA15 | qconv.com Color code: HEX #40DA15 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 218 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 218 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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