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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40F7A7 it is the complementary color #BF0858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40F7A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40F7A7 shade: #45F7A2, #56FFB5, #67FFC8, #78FFDB and #89FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40F7A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40F7A7 shade: #40F7A7, #2FE594, #1ED381, #0DC16E and #00AF5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40F7A7 shade: #40F7A7, #40F775, #40F744, #6DF740 and #9EF740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40F7A7 shade: #40F7A7, #40F7D8, #40E4F7, #40B3F7 and #4081F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40F7A7 shade matches the following richer shades: #40F7A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40F7A7 shade: #40F7A7, #50E6A5, #60D6A3, #70C6A0 and #80B69E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40F7A7 shade: #40F743, #40F773, #40F7A4, #40F7D5 and #40E7F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40F7A7 shade: #09DB7F, #18F594, #40F7A7, #67F8B9 and #8FFACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40F7A7 shade: #40F7A7, #406DF7 and #F75B40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40F7A7 shade: #40F7A7, #A440F7 and #F7A440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40F7A7 shade: #40F7A7, #406DF7, #F74092 and #F7C940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40F7A7 shade: #40F7A7, #4940F7, #F74092 and #EDF740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

Complementary color

CMYK 0 / 96 / 54 / 25

HEX #BF0858

RGB 191 8 88

HSL 333.77, 0.92%, 0.39%

LAB 41.14, 66.77, 7.37

 

CMYK 72 / 0 / 34 / 3

HEX #45F7A2

RGB 69 247 162

HSL 151.35, 0.92%, 0.62%

LAB 87.19, -63.23, 28.34

 

CMYK 66 / 0 / 29 / 0

HEX #56FFB5

RGB 86 255 181

HSL 153.73, 1%, 0.67%

LAB 90.25, -59.95, 22.92

 

CMYK 60 / 0 / 22 / 0

HEX #67FFC8

RGB 103 255 200

HSL 158.29, 1%, 0.7%

LAB 91.04, -53.03, 14.37

 

CMYK 53 / 0 / 14 / 0

HEX #78FFDB

RGB 120 255 219

HSL 164, 1%, 0.74%

LAB 91.97, -45.48, 5.97

 

CMYK 46 / 0 / 7 / 0

HEX #89FFEE

RGB 137 255 238

HSL 171.36, 1%, 0.77%

LAB 93.02, -37.43, -2.25

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 79 / 0 / 35 / 10

HEX #2FE594

RGB 47 229 148

HSL 153.3, 0.78%, 0.54%

LAB 81.17, -62.05, 27.29

 

CMYK 86 / 0 / 39 / 17

HEX #1ED381

RGB 30 211 129

HSL 152.82, 0.75%, 0.47%

LAB 75.11, -60.84, 28.91

 

CMYK 93 / 0 / 43 / 24

HEX #0DC16E

RGB 13 193 110

HSL 152.33, 0.87%, 0.4%

LAB 69, -59.17, 30.67

 

CMYK 100 / 0 / 48 / 31

HEX #00AF5B

RGB 0 175 91

HSL 151.2, 1%, 0.34%

LAB 62.86, -56.99, 32.54

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 74 / 0 / 53 / 3

HEX #40F775

RGB 64 247 117

HSL 137.38, 0.92%, 0.61%

LAB 86.45, -71.38, 49.32

 

CMYK 74 / 0 / 72 / 3

HEX #40F744

RGB 64 247 68

HSL 121.31, 0.92%, 0.61%

LAB 86.02, -76.59, 68.88

 

CMYK 56 / 0 / 74 / 3

HEX #6DF740

RGB 109 247 64

HSL 105.25, 0.92%, 0.61%

LAB 87.07, -68.03, 71.6

 

CMYK 36 / 0 / 74 / 3

HEX #9EF740

RGB 158 247 64

HSL 89.18, 0.92%, 0.61%

LAB 89, -53.62, 74.15

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 74 / 0 / 13 / 3

HEX #40F7D8

RGB 64 247 216

HSL 169.84, 0.92%, 0.61%

LAB 88.24, -51.78, 1.96

 

CMYK 74 / 8 / 0 / 3

HEX #40E4F7

RGB 64 228 247

HSL 186.23, 0.92%, 0.61%

LAB 83.6, -34.9, -21.22

 

CMYK 74 / 28 / 0 / 3

HEX #40B3F7

RGB 64 179 247

HSL 202.3, 0.92%, 0.61%

LAB 69.5, -10.08, -42.94

 

CMYK 74 / 48 / 0 / 3

HEX #4081F7

RGB 64 129 247

HSL 218.69, 0.92%, 0.61%

LAB 55.59, 19.1, -65.04

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 65 / 0 / 28 / 10

HEX #50E6A5

RGB 80 230 165

HSL 154, 0.75%, 0.61%

LAB 82.39, -54.46, 20.27

 

CMYK 55 / 0 / 24 / 16

HEX #60D6A3

RGB 96 214 163

HSL 154.07, 0.59%, 0.61%

LAB 78.01, -45.19, 15.29

 

CMYK 43 / 0 / 19 / 22

HEX #70C6A0

RGB 112 198 160

HSL 153.49, 0.43%, 0.61%

LAB 73.79, -34.8, 11.02

 

CMYK 30 / 0 / 13 / 29

HEX #80B69E

RGB 128 182 158

HSL 153.33, 0.27%, 0.61%

LAB 69.83, -22.86, 6.57

 

CMYK 74 / 0 / 73 / 3

HEX #40F743

RGB 64 247 67

HSL 120.98, 0.92%, 0.61%

LAB 86.01, -76.66, 69.21

 

CMYK 74 / 0 / 53 / 3

HEX #40F773

RGB 64 247 115

HSL 136.72, 0.92%, 0.61%

LAB 86.43, -71.65, 50.21

 

CMYK 74 / 0 / 34 / 3

HEX #40F7A4

RGB 64 247 164

HSL 152.79, 0.92%, 0.61%

LAB 87.14, -63.5, 27.25

 

CMYK 74 / 0 / 14 / 3

HEX #40F7D5

RGB 64 247 213

HSL 168.85, 0.92%, 0.61%

LAB 88.17, -52.54, 3.42

 

CMYK 74 / 6 / 0 / 3

HEX #40E7F7

RGB 64 231 247

HSL 185.25, 0.92%, 0.61%

LAB 84.46, -36.3, -19.91

 

CMYK 96 / 0 / 42 / 14

HEX #09DB7F

RGB 9 219 127

HSL 153.71, 0.92%, 0.45%

LAB 77.43, -65.06, 32.97

 

CMYK 90 / 0 / 40 / 4

HEX #18F594

RGB 24 245 148

HSL 153.67, 0.92%, 0.53%

LAB 85.82, -69.35, 33.46

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 58 / 0 / 25 / 3

HEX #67F8B9

RGB 103 248 185

HSL 153.93, 0.91%, 0.69%

LAB 88.7, -53.33, 18.79

 

CMYK 43 / 0 / 19 / 2

HEX #8FFACB

RGB 143 250 203

HSL 153.64, 0.91%, 0.77%

LAB 91.02, -41.39, 12.98

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 74 / 56 / 0 / 3

HEX #406DF7

RGB 64 109 247

HSL 225.25, 0.92%, 0.61%

LAB 50.38, 31.51, -73.47

 

CMYK 0 / 63 / 74 / 3

HEX #F75B40

RGB 247 91 64

HSL 8.85, 0.92%, 0.61%

LAB 59.55, 58.26, 46.79

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 34 / 74 / 0 / 3

HEX #A440F7

RGB 164 64 247

HSL 272.79, 0.92%, 0.61%

LAB 49.83, 70.96, -74.02

 

CMYK 0 / 34 / 74 / 3

HEX #F7A440

RGB 247 164 64

HSL 32.79, 0.92%, 0.61%

LAB 73.99, 22.49, 61.75

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 74 / 56 / 0 / 3

HEX #406DF7

RGB 64 109 247

HSL 225.25, 0.92%, 0.61%

LAB 50.38, 31.51, -73.47

 

CMYK 0 / 74 / 41 / 3

HEX #F74092

RGB 247 64 146

HSL 333.11, 0.92%, 0.61%

LAB 57.58, 73.66, -2.89

 

CMYK 0 / 19 / 74 / 3

HEX #F7C940

RGB 247 201 64

HSL 44.92, 0.92%, 0.61%

LAB 82.87, 3.16, 70.42

 

CMYK 74 / 0 / 32 / 3

HEX #40F7A7

RGB 64 247 167

HSL 153.77, 0.92%, 0.61%

LAB 87.19, -62.91, 25.79

 

CMYK 70 / 74 / 0 / 3

HEX #4940F7

RGB 73 64 247

HSL 242.95, 0.92%, 0.61%

LAB 40.89, 58.8, -89.01

 

CMYK 0 / 74 / 41 / 3

HEX #F74092

RGB 247 64 146

HSL 333.11, 0.92%, 0.61%

LAB 57.58, 73.66, -2.89

 

CMYK 4 / 0 / 74 / 3

HEX #EDF740

RGB 237 247 64

HSL 63.28, 0.92%, 0.61%

LAB 93.84, -23.83, 80.44

 

Description

Color code: HEX #40F7A7 | qconv.com Color code: HEX #40F7A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 247 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 247 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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