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Color name
HEX #40F1A4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40F1A4 it is the complementary color #BF0E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40F1A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40F1A4 shade: #45F19F, #56FFB2, #67FFC5, #78FFD8 and #89FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40F1A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40F1A4 shade: #40F1A4, #2FDF91, #1ECD7E, #0DBB6B and #00A958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40F1A4 shade: #41F0A4, #41F075, #41F045, #6CF041 and #9BF041

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40F1A4 shade: #41F0A4, #41F0D3, #41DEF0, #41AFF0 and #417FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40F1A4 shade matches the following richer shades: #41F0A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40F1A4 shade: #41F0A4, #51E0A2, #62CFA0, #72BF9D and #83AE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40F1A4 shade: #41F044, #41F072, #41F0A1, #41F0D0 and #41E2F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40F1A4 shade: #0FCF7C, #1AED92, #41F0A4, #67F3B6 and #8EF6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40F1A4 shade: #40F1A4, #416DF0 and #F05B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40F1A4 shade: #40F1A4, #A141F0 and #F0A141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40F1A4 shade: #40F1A4, #416DF0, #F04190 and #F0C441

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40F1A4 shade: #40F1A4, #4A41F0, #F04190 and #E7F041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 32 / 5

HEX #40F1A4

RGB 64 241 164

HSL 153.9, 0.86%, 0.6%

LAB 85.34, -61.28, 24.8

 

Complementary color

CMYK 0 / 93 / 52 / 25

HEX #BF0E5B

RGB 191 14 91

HSL 333.9, 0.86%, 0.4%

LAB 41.45, 66.34, 5.89

 

CMYK 71 / 0 / 34 / 5

HEX #45F19F

RGB 69 241 159

HSL 151.4, 0.86%, 0.61%

LAB 85.34, -61.6, 27.36

 

CMYK 66 / 0 / 30 / 0

HEX #56FFB2

RGB 86 255 178

HSL 152.66, 1%, 0.67%

LAB 90.19, -60.56, 24.37

 

CMYK 60 / 0 / 23 / 0

HEX #67FFC5

RGB 103 255 197

HSL 157.11, 1%, 0.7%

LAB 90.98, -53.67, 15.83

 

CMYK 53 / 0 / 15 / 0

HEX #78FFD8

RGB 120 255 216

HSL 162.67, 1%, 0.74%

LAB 91.9, -46.15, 7.42

 

CMYK 46 / 0 / 8 / 0

HEX #89FFEB

RGB 137 255 235

HSL 169.83, 1%, 0.77%

LAB 92.94, -38.12, -0.81

 

CMYK 73 / 0 / 32 / 5

HEX #40F1A4

RGB 64 241 164

HSL 153.9, 0.86%, 0.6%

LAB 85.34, -61.28, 24.8

 

CMYK 79 / 0 / 35 / 13

HEX #2FDF91

RGB 47 223 145

HSL 153.41, 0.73%, 0.53%

LAB 79.28, -60.46, 26.29

 

CMYK 85 / 0 / 39 / 20

HEX #1ECD7E

RGB 30 205 126

HSL 152.91, 0.74%, 0.46%

LAB 73.18, -59.29, 27.91

 

CMYK 93 / 0 / 43 / 27

HEX #0DBB6B

RGB 13 187 107

HSL 152.41, 0.87%, 0.39%

LAB 67.04, -57.65, 29.66

 

CMYK 100 / 0 / 48 / 34

HEX #00A958

RGB 0 169 88

HSL 151.24, 1%, 0.33%

LAB 60.85, -55.48, 31.55

 

CMYK 73 / 0 / 32 / 6

HEX #41F0A4

RGB 65 240 164

HSL 153.94, 0.85%, 0.6%

LAB 85.06, -60.78, 24.42

 

CMYK 73 / 0 / 51 / 6

HEX #41F075

RGB 65 240 117

HSL 137.83, 0.85%, 0.6%

LAB 84.34, -68.92, 46.74

 

CMYK 73 / 0 / 71 / 6

HEX #41F045

RGB 65 240 69

HSL 121.37, 0.85%, 0.6%

LAB 83.9, -74.23, 66.38

 

CMYK 55 / 0 / 73 / 6

HEX #6CF041

RGB 108 240 65

HSL 105.26, 0.85%, 0.6%

LAB 84.94, -65.78, 69.16

 

CMYK 35 / 0 / 73 / 6

HEX #9BF041

RGB 155 240 65

HSL 89.14, 0.85%, 0.6%

LAB 86.83, -51.74, 71.67

 

CMYK 73 / 0 / 32 / 6

HEX #41F0A4

RGB 65 240 164

HSL 153.94, 0.85%, 0.6%

LAB 85.06, -60.78, 24.42

 

CMYK 73 / 0 / 12 / 6

HEX #41F0D3

RGB 65 240 211

HSL 170.06, 0.85%, 0.6%

LAB 86.08, -50.02, 1.43

 

CMYK 73 / 8 / 0 / 6

HEX #41DEF0

RGB 65 222 240

HSL 186.17, 0.85%, 0.6%

LAB 81.65, -34.04, -20.46

 

CMYK 73 / 27 / 0 / 6

HEX #41AFF0

RGB 65 175 240

HSL 202.29, 0.85%, 0.6%

LAB 68.08, -10.13, -41.36

 

CMYK 73 / 47 / 0 / 6

HEX #417FF0

RGB 65 127 240

HSL 218.74, 0.85%, 0.6%

LAB 54.65, 17.94, -62.67

 

CMYK 73 / 0 / 32 / 6

HEX #41F0A4

RGB 65 240 164

HSL 153.94, 0.85%, 0.6%

LAB 85.06, -60.78, 24.42

 

CMYK 73 / 0 / 32 / 6

HEX #41F0A4

RGB 65 240 164

HSL 153.94, 0.85%, 0.6%

LAB 85.06, -60.78, 24.42

 

CMYK 64 / 0 / 28 / 12

HEX #51E0A2

RGB 81 224 162

HSL 153.99, 0.7%, 0.6%

LAB 80.55, -52.52, 19.3

 

CMYK 53 / 0 / 23 / 19

HEX #62CFA0

RGB 98 207 160

HSL 154.13, 0.53%, 0.6%

LAB 75.92, -42.34, 13.96

 

CMYK 40 / 0 / 18 / 25

HEX #72BF9D

RGB 114 191 157

HSL 153.51, 0.38%, 0.6%

LAB 71.74, -31.61, 9.75

 

CMYK 25 / 0 / 11 / 32

HEX #83AE9B

RGB 131 174 155

HSL 153.49, 0.21%, 0.6%

LAB 67.62, -18.46, 5.07

 

CMYK 73 / 0 / 72 / 6

HEX #41F044

RGB 65 240 68

HSL 121.03, 0.85%, 0.6%

LAB 83.89, -74.31, 66.73

 

CMYK 73 / 0 / 53 / 6

HEX #41F072

RGB 65 240 114

HSL 136.8, 0.85%, 0.6%

LAB 84.31, -69.34, 48.1

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A1

RGB 65 240 161

HSL 152.91, 0.85%, 0.6%

LAB 85.01, -61.38, 25.88

 

CMYK 73 / 0 / 13 / 6

HEX #41F0D0

RGB 65 240 208

HSL 169.03, 0.85%, 0.6%

LAB 86.01, -50.78, 2.89

 

CMYK 73 / 6 / 0 / 6

HEX #41E2F0

RGB 65 226 240

HSL 184.8, 0.85%, 0.6%

LAB 82.81, -35.91, -18.71

 

CMYK 93 / 0 / 40 / 19

HEX #0FCF7C

RGB 15 207 124

HSL 154.06, 0.86%, 0.44%

LAB 73.66, -61.29, 29.56

 

CMYK 89 / 0 / 38 / 7

HEX #1AED92

RGB 26 237 146

HSL 154.12, 0.85%, 0.52%

LAB 83.37, -66.9, 31.22

 

CMYK 73 / 0 / 32 / 6

HEX #41F0A4

RGB 65 240 164

HSL 153.94, 0.85%, 0.6%

LAB 85.06, -60.78, 24.42

 

CMYK 58 / 0 / 25 / 5

HEX #67F3B6

RGB 103 243 182

HSL 153.86, 0.85%, 0.68%

LAB 87.17, -51.9, 18.21

 

CMYK 42 / 0 / 18 / 4

HEX #8EF6C9

RGB 142 246 201

HSL 154.04, 0.85%, 0.76%

LAB 89.8, -40.27, 12.29

 

CMYK 73 / 0 / 32 / 5

HEX #40F1A4

RGB 64 241 164

HSL 153.9, 0.86%, 0.6%

LAB 85.34, -61.28, 24.8

 

CMYK 73 / 55 / 0 / 6

HEX #416DF0

RGB 65 109 240

HSL 224.91, 0.85%, 0.6%

LAB 49.92, 29.13, -70.32

 

CMYK 0 / 62 / 73 / 6

HEX #F05B41

RGB 240 91 65

HSL 8.91, 0.85%, 0.6%

LAB 58.4, 55.94, 44.68

 

CMYK 73 / 0 / 32 / 5

HEX #40F1A4

RGB 64 241 164

HSL 153.9, 0.86%, 0.6%

LAB 85.34, -61.28, 24.8

 

CMYK 33 / 73 / 0 / 6

HEX #A141F0

RGB 161 65 240

HSL 272.91, 0.85%, 0.6%

LAB 49.07, 68.51, -71.35

 

CMYK 0 / 33 / 73 / 6

HEX #F0A141

RGB 240 161 65

HSL 32.91, 0.85%, 0.6%

LAB 72.49, 21.21, 59.55

 

CMYK 73 / 0 / 32 / 5

HEX #40F1A4

RGB 64 241 164

HSL 153.9, 0.86%, 0.6%

LAB 85.34, -61.28, 24.8

 

CMYK 73 / 55 / 0 / 6

HEX #416DF0

RGB 65 109 240

HSL 224.91, 0.85%, 0.6%

LAB 49.92, 29.13, -70.32

 

CMYK 0 / 73 / 40 / 6

HEX #F04190

RGB 240 65 144

HSL 332.91, 0.85%, 0.6%

LAB 56.41, 71.32, -3.58

 

CMYK 0 / 18 / 73 / 6

HEX #F0C441

RGB 240 196 65

HSL 44.91, 0.85%, 0.6%

LAB 80.95, 2.83, 67.96

 

CMYK 73 / 0 / 32 / 5

HEX #40F1A4

RGB 64 241 164

HSL 153.9, 0.86%, 0.6%

LAB 85.34, -61.28, 24.8

 

CMYK 69 / 73 / 0 / 6

HEX #4A41F0

RGB 74 65 240

HSL 243.09, 0.85%, 0.6%

LAB 40.46, 56.23, -85.79

 

CMYK 0 / 73 / 40 / 6

HEX #F04190

RGB 240 65 144

HSL 332.91, 0.85%, 0.6%

LAB 56.41, 71.32, -3.58

 

CMYK 4 / 0 / 73 / 6

HEX #E7F041

RGB 231 240 65

HSL 63.09, 0.85%, 0.6%

LAB 91.55, -22.89, 77.83

 

Description

Color code: HEX #40F1A4 | qconv.com Color code: HEX #40F1A4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 241 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 241 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 32% 5% C M Y K

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