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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41274D it is the complementary color #BED8B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41274D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41274D shade: #462748, #57395B, #684B6E, #795D81 and #8A6F94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41274D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41274D shade: #41274D, #30153A, #1F0327, #0E0014 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41274D shade: #41274E, #4C274E, #4E2745, #4E273A and #4E2730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41274D shade: #41274E, #37274E, #2C274E and #27274E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41274D shade matches the following richer shades: #41274E, #451D57, #481460, #4C0A6A and #4F0173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41274D shade: #41274E, #3E3044, #3A3A3B, #374331 and #334D28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41274D shade: #2D274E, #37274E, #41274E, #4C274E and #4E2745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41274D shade: #130B17, #2A1932, #41274E, #583569 and #704284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41274D shade: #41274D, #4E272B and #274E32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41274D shade: #41274D, #4E4127 and #274E41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41274D shade: #41274D, #4E272B, #334E27 and #274E49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41274D shade: #41274D, #4E2E27, #334E27 and #27464E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 49 / 0 / 70

HEX #41274D

RGB 65 39 77

HSL 281.05, 0.33%, 0.23%

LAB 20.48, 20.15, -18.71

 

Complementary color

CMYK 12 / 0 / 18 / 15

HEX #BED8B2

RGB 190 216 178

HSL 101.05, 0.33%, 0.77%

LAB 83.59, -15.58, 15.88

 

CMYK 3 / 46 / 0 / 72

HEX #462748

RGB 70 39 72

HSL 296.36, 0.3%, 0.22%

LAB 20.91, 20.73, -14.61

 

CMYK 4 / 37 / 0 / 64

HEX #57395B

RGB 87 57 91

HSL 292.94, 0.23%, 0.29%

LAB 28.66, 19.85, -15.04

 

CMYK 5 / 32 / 0 / 57

HEX #684B6E

RGB 104 75 110

HSL 289.71, 0.19%, 0.36%

LAB 36.18, 19.05, -15.42

 

CMYK 6 / 28 / 0 / 49

HEX #795D81

RGB 121 93 129

HSL 286.67, 0.16%, 0.44%

LAB 43.48, 18.34, -15.77

 

CMYK 7 / 25 / 0 / 42

HEX #8A6F94

RGB 138 111 148

HSL 283.78, 0.15%, 0.51%

LAB 50.58, 17.71, -16.11

 

CMYK 16 / 49 / 0 / 70

HEX #41274D

RGB 65 39 77

HSL 281.05, 0.33%, 0.23%

LAB 20.48, 20.15, -18.71

 

CMYK 17 / 64 / 0 / 77

HEX #30153A

RGB 48 21 58

HSL 283.78, 0.47%, 0.15%

LAB 12.42, 21.09, -18.41

 

CMYK 21 / 92 / 0 / 85

HEX #1F0327

RGB 31 3 39

HSL 286.67, 0.86%, 0.08%

LAB 4.54, 19.68, -17.05

 

CMYK 30 / 100 / 0 / 92

HEX #0E0014

RGB 14 0 20

HSL 282, 1%, 0.04%

LAB 1.3, 6.99, -7.39

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 3 / 50 / 0 / 69

HEX #4C274E

RGB 76 39 78

HSL 296.92, 0.33%, 0.23%

LAB 22.08, 24.22, -16.77

 

CMYK 0 / 50 / 12 / 69

HEX #4E2745

RGB 78 39 69

HSL 313.85, 0.33%, 0.23%

LAB 21.95, 23.05, -10.88

 

CMYK 0 / 50 / 26 / 69

HEX #4E273A

RGB 78 39 58

HSL 330.77, 0.33%, 0.23%

LAB 21.49, 21.02, -4.05

 

CMYK 0 / 50 / 38 / 69

HEX #4E2730

RGB 78 39 48

HSL 346.15, 0.33%, 0.23%

LAB 21.15, 19.42, 2.34

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 29 / 50 / 0 / 69

HEX #37274E

RGB 55 39 78

HSL 264.62, 0.33%, 0.23%

LAB 19.28, 17.02, -21.36

 

CMYK 44 / 50 / 0 / 69

HEX #2C274E

RGB 44 39 78

HSL 247.69, 0.33%, 0.23%

LAB 18.08, 13.51, -23.34

 

CMYK 50 / 50 / 0 / 69

HEX #27274E

RGB 39 39 78

HSL 240, 0.33%, 0.23%

LAB 17.61, 12.04, -24.12

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 21 / 67 / 0 / 66

HEX #451D57

RGB 69 29 87

HSL 281.38, 0.5%, 0.23%

LAB 19.36, 29.99, -27.18

 

CMYK 25 / 79 / 0 / 62

HEX #481460

RGB 72 20 96

HSL 281.05, 0.66%, 0.23%

LAB 18.9, 37.35, -33.89

 

CMYK 28 / 91 / 0 / 58

HEX #4C0A6A

RGB 76 10 106

HSL 281.25, 0.83%, 0.23%

LAB 19.2, 43.88, -39.95

 

CMYK 31 / 99 / 0 / 55

HEX #4F0173

RGB 79 1 115

HSL 281.05, 0.98%, 0.23%

LAB 19.73, 48.67, -44.92

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 9 / 29 / 0 / 73

HEX #3E3044

RGB 62 48 68

HSL 282, 0.17%, 0.23%

LAB 22.14, 10.76, -10.09

 

CMYK 2 / 2 / 0 / 77

HEX #3A3A3B

RGB 58 58 59

HSL 240, 0.01%, 0.23%

LAB 24.45, 0.23, -0.62

 

CMYK 18 / 0 / 27 / 74

HEX #374331

RGB 55 67 49

HSL 100, 0.16%, 0.23%

LAB 26.87, -8.91, 9.36

 

CMYK 34 / 0 / 48 / 70

HEX #334D28

RGB 51 77 40

HSL 102.16, 0.32%, 0.23%

LAB 29.82, -17.96, 18.83

 

CMYK 42 / 50 / 0 / 69

HEX #2D274E

RGB 45 39 78

HSL 249.23, 0.33%, 0.23%

LAB 18.18, 13.82, -23.17

 

CMYK 29 / 50 / 0 / 69

HEX #37274E

RGB 55 39 78

HSL 264.62, 0.33%, 0.23%

LAB 19.28, 17.02, -21.36

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 3 / 50 / 0 / 69

HEX #4C274E

RGB 76 39 78

HSL 296.92, 0.33%, 0.23%

LAB 22.08, 24.22, -16.77

 

CMYK 0 / 50 / 12 / 69

HEX #4E2745

RGB 78 39 69

HSL 313.85, 0.33%, 0.23%

LAB 21.95, 23.05, -10.88

 

CMYK 17 / 52 / 0 / 91

HEX #130B17

RGB 19 11 23

HSL 280, 0.35%, 0.07%

LAB 3.97, 5.12, -5.55

 

CMYK 16 / 50 / 0 / 80

HEX #2A1932

RGB 42 25 50

HSL 280.8, 0.33%, 0.15%

LAB 12.08, 14.16, -13.26

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 16 / 50 / 0 / 59

HEX #583569

RGB 88 53 105

HSL 280.38, 0.33%, 0.31%

LAB 28.49, 25.96, -24.34

 

CMYK 15 / 50 / 0 / 48

HEX #704284

RGB 112 66 132

HSL 281.82, 0.33%, 0.39%

LAB 36, 32.13, -29.28

 

CMYK 16 / 49 / 0 / 70

HEX #41274D

RGB 65 39 77

HSL 281.05, 0.33%, 0.23%

LAB 20.48, 20.15, -18.71

 

CMYK 0 / 50 / 45 / 69

HEX #4E272B

RGB 78 39 43

HSL 353.85, 0.33%, 0.23%

LAB 21, 18.73, 5.58

 

CMYK 50 / 0 / 36 / 69

HEX #274E32

RGB 39 78 50

HSL 136.92, 0.33%, 0.23%

LAB 29.69, -21.06, 12.41

 

CMYK 16 / 49 / 0 / 70

HEX #41274D

RGB 65 39 77

HSL 281.05, 0.33%, 0.23%

LAB 20.48, 20.15, -18.71

 

CMYK 0 / 17 / 50 / 69

HEX #4E4127

RGB 78 65 39

HSL 40, 0.33%, 0.23%

LAB 28.24, 1.51, 17.91

 

CMYK 50 / 0 / 17 / 69

HEX #274E41

RGB 39 78 65

HSL 160, 0.33%, 0.23%

LAB 30.06, -17.46, 3.43

 

CMYK 16 / 49 / 0 / 70

HEX #41274D

RGB 65 39 77

HSL 281.05, 0.33%, 0.23%

LAB 20.48, 20.15, -18.71

 

CMYK 0 / 50 / 45 / 69

HEX #4E272B

RGB 78 39 43

HSL 353.85, 0.33%, 0.23%

LAB 21, 18.73, 5.58

 

CMYK 35 / 0 / 50 / 69

HEX #334E27

RGB 51 78 39

HSL 101.54, 0.33%, 0.23%

LAB 30.15, -18.65, 19.85

 

CMYK 50 / 0 / 6 / 69

HEX #274E49

RGB 39 78 73

HSL 172.31, 0.33%, 0.23%

LAB 30.31, -15.25, -1.34

 

CMYK 16 / 49 / 0 / 70

HEX #41274D

RGB 65 39 77

HSL 281.05, 0.33%, 0.23%

LAB 20.48, 20.15, -18.71

 

CMYK 0 / 41 / 50 / 69

HEX #4E2E27

RGB 78 46 39

HSL 10.77, 0.33%, 0.23%

LAB 22.72, 13.77, 10.68

 

CMYK 35 / 0 / 50 / 69

HEX #334E27

RGB 51 78 39

HSL 101.54, 0.33%, 0.23%

LAB 30.15, -18.65, 19.85

 

CMYK 50 / 10 / 0 / 69

HEX #27464E

RGB 39 70 78

HSL 192.31, 0.33%, 0.23%

LAB 27.74, -8.98, -8.39

 

Description

Color code: HEX #41274D | qconv.com Color code: HEX #41274D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 39 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 39 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 49 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 49% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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