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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #412965 it is the complementary color #BED69A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #412965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #412965 shade: #462960, #573B73, #684D86, #795F99 and #8A71AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #412965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #412965 shade: #412965, #301752, #1F053F, #0E002C and #000019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #412965 shade: #412965, #512965, #612965, #652958 and #652948

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #412965 shade: #412965, #312965 and #292965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #412965 shade matches the following richer shades: #412965, #3F1D70, #3C127C and #3A0688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #412965 shade: #412965, #433459, #46404E, #484C42 and #4A5737

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #412965 shade: #293165, #312965, #412965, #512965 and #612965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #412965 shade: #1B112A, #2E1D48, #412965, #543582 and #67419F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #412965 shade: #412965, #652941 and #296529

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #412965 shade: #412965, #654129 and #296541

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #412965 shade: #412965, #652941, #4D6529 and #29654D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #412965 shade: #412965, #65292F, #4D6529 and #29655F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

Complementary color

CMYK 11 / 0 / 28 / 16

HEX #BED69A

RGB 190 214 154

HSL 84, 0.42%, 0.72%

LAB 82.58, -18.31, 27.05

 

CMYK 27 / 57 / 0 / 62

HEX #462960

RGB 70 41 96

HSL 271.64, 0.4%, 0.27%

LAB 22.77, 25.47, -27.7

 

CMYK 24 / 49 / 0 / 55

HEX #573B73

RGB 87 59 115

HSL 270, 0.32%, 0.34%

LAB 30.38, 24.46, -27.73

 

CMYK 22 / 43 / 0 / 47

HEX #684D86

RGB 104 77 134

HSL 268.42, 0.27%, 0.41%

LAB 37.79, 23.53, -27.75

 

CMYK 21 / 38 / 0 / 40

HEX #795F99

RGB 121 95 153

HSL 266.9, 0.23%, 0.49%

LAB 45.01, 22.7, -27.8

 

CMYK 20 / 34 / 0 / 33

HEX #8A71AC

RGB 138 113 172

HSL 265.42, 0.26%, 0.56%

LAB 52.05, 21.96, -27.87

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 41 / 72 / 0 / 68

HEX #301752

RGB 48 23 82

HSL 265.42, 0.56%, 0.21%

LAB 14.68, 26.61, -31.49

 

CMYK 51 / 92 / 0 / 75

HEX #1F053F

RGB 31 5 63

HSL 266.9, 0.85%, 0.13%

LAB 6.85, 27.37, -31.1

 

CMYK 68 / 100 / 0 / 83

HEX #0E002C

RGB 14 0 44

HSL 259.09, 1%, 0.09%

LAB 2.49, 15.33, -24.22

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 20 / 59 / 0 / 60

HEX #512965

RGB 81 41 101

HSL 280, 0.42%, 0.28%

LAB 24.56, 30.01, -28.02

 

CMYK 4 / 59 / 0 / 60

HEX #612965

RGB 97 41 101

HSL 296, 0.42%, 0.28%

LAB 26.92, 34.76, -24.13

 

CMYK 0 / 59 / 13 / 60

HEX #652958

RGB 101 41 88

HSL 313, 0.42%, 0.28%

LAB 26.9, 33.5, -15.64

 

CMYK 0 / 59 / 29 / 60

HEX #652948

RGB 101 41 72

HSL 329, 0.42%, 0.28%

LAB 26.22, 30.85, -6.07

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 51 / 59 / 0 / 60

HEX #312965

RGB 49 41 101

HSL 248, 0.42%, 0.28%

LAB 20.74, 21.27, -34.35

 

CMYK 59 / 59 / 0 / 60

HEX #292965

RGB 41 41 101

HSL 240, 0.42%, 0.28%

LAB 20.03, 19.42, -35.54

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 44 / 74 / 0 / 56

HEX #3F1D70

RGB 63 29 112

HSL 264.58, 0.59%, 0.28%

LAB 20.46, 35.22, -41.89

 

CMYK 52 / 85 / 0 / 51

HEX #3C127C

RGB 60 18 124

HSL 263.77, 0.75%, 0.28%

LAB 19.43, 43.21, -51.3

 

CMYK 57 / 96 / 0 / 47

HEX #3A0688

RGB 58 6 136

HSL 264, 0.92%, 0.28%

LAB 19.26, 49.89, -59.19

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 25 / 42 / 0 / 65

HEX #433459

RGB 67 52 89

HSL 264.32, 0.26%, 0.28%

LAB 24.86, 15.45, -19.83

 

CMYK 10 / 18 / 0 / 69

HEX #46404E

RGB 70 64 78

HSL 265.71, 0.1%, 0.28%

LAB 28.16, 5.74, -7.52

 

CMYK 5 / 0 / 13 / 70

HEX #484C42

RGB 72 76 66

HSL 84, 0.07%, 0.28%

LAB 31.67, -3.76, 5.39

 

CMYK 15 / 0 / 37 / 66

HEX #4A5737

RGB 74 87 55

HSL 84.38, 0.23%, 0.28%

LAB 35.1, -11.46, 16.97

 

CMYK 59 / 51 / 0 / 60

HEX #293165

RGB 41 49 101

HSL 232, 0.42%, 0.28%

LAB 22.33, 13.8, -31.83

 

CMYK 51 / 59 / 0 / 60

HEX #312965

RGB 49 41 101

HSL 248, 0.42%, 0.28%

LAB 20.74, 21.27, -34.35

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 20 / 59 / 0 / 60

HEX #512965

RGB 81 41 101

HSL 280, 0.42%, 0.28%

LAB 24.56, 30.01, -28.02

 

CMYK 4 / 59 / 0 / 60

HEX #612965

RGB 97 41 101

HSL 296, 0.42%, 0.28%

LAB 26.92, 34.76, -24.13

 

CMYK 36 / 60 / 0 / 84

HEX #1B112A

RGB 27 17 42

HSL 264, 0.42%, 0.12%

LAB 7.24, 11.92, -15.13

 

CMYK 36 / 60 / 0 / 72

HEX #2E1D48

RGB 46 29 72

HSL 263.72, 0.43%, 0.2%

LAB 15.1, 19.17, -23.97

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 35 / 59 / 0 / 49

HEX #543582

RGB 84 53 130

HSL 264.16, 0.42%, 0.36%

LAB 29.52, 31.34, -38.54

 

CMYK 35 / 59 / 0 / 38

HEX #67419F

RGB 103 65 159

HSL 264.26, 0.42%, 0.44%

LAB 36.3, 36.97, -45.3

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 0 / 59 / 36 / 60

HEX #652941

RGB 101 41 65

HSL 336, 0.42%, 0.28%

LAB 25.96, 29.84, -1.76

 

CMYK 59 / 0 / 59 / 60

HEX #296529

RGB 41 101 41

HSL 120, 0.42%, 0.28%

LAB 37.73, -32.87, 27.85

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 0 / 36 / 59 / 60

HEX #654129

RGB 101 65 41

HSL 24, 0.42%, 0.28%

LAB 31.13, 12.8, 20.93

 

CMYK 59 / 0 / 36 / 60

HEX #296541

RGB 41 101 65

HSL 144, 0.42%, 0.28%

LAB 38.13, -28.61, 14.69

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 0 / 59 / 36 / 60

HEX #652941

RGB 101 41 65

HSL 336, 0.42%, 0.28%

LAB 25.96, 29.84, -1.76

 

CMYK 24 / 0 / 59 / 60

HEX #4D6529

RGB 77 101 41

HSL 84, 0.42%, 0.28%

LAB 39.66, -19.74, 30.59

 

CMYK 59 / 0 / 24 / 60

HEX #29654D

RGB 41 101 77

HSL 156, 0.42%, 0.28%

LAB 38.4, -25.83, 7.82

 

CMYK 36 / 59 / 0 / 60

HEX #412965

RGB 65 41 101

HSL 264, 0.42%, 0.28%

LAB 22.48, 25.44, -31.47

 

CMYK 0 / 59 / 53 / 60

HEX #65292F

RGB 101 41 47

HSL 354, 0.42%, 0.28%

LAB 25.44, 27.66, 9.61

 

CMYK 24 / 0 / 59 / 60

HEX #4D6529

RGB 77 101 41

HSL 84, 0.42%, 0.28%

LAB 39.66, -19.74, 30.59

 

CMYK 59 / 0 / 6 / 60

HEX #29655F

RGB 41 101 95

HSL 174, 0.42%, 0.28%

LAB 38.91, -20.94, -2.46

 

Description

Color code: HEX #412965 | qconv.com Color code: HEX #412965 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 41 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 41 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 59 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 59% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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