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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #412033 it is the complementary color #BEDFCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #412033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #412033 shade: #46202E, #573241, #684454, #795667 and #8A687A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #412033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #412033 shade: #412033, #300E20, #1F000D and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #412033 shade: #401F32, #401F2A, #401F21 and #401F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #412033 shade: #401F32, #401F3B, #3D1F40, #341F40 and #2B1F40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #412033 shade matches the following richer shades: #401F32, #481834, #501035, #580836 and #600037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #412033 shade: #401F32, #392731, #312F30, #29372F and #213F2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #412033 shade: #3D1F40, #401F3B, #401F33, #401F2A and #401F21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #412033 shade: #090407, #25121D, #401F32, #5C2D48 and #783B5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #412033 shade: #412033, #40341F and #1F4040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #412033 shade: #412033, #33401F and #1F3340

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #412033 shade: #412033, #40341F, #1F402D and #1F2C40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #412033 shade: #412033, #403E1F, #1F402D and #1F2240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 22 / 75

HEX #412033

RGB 65 32 51

HSL 325.45, 0.34%, 0.19%

LAB 17.44, 18.88, -5.45

 

Complementary color

CMYK 15 / 0 / 9 / 13

HEX #BEDFCC

RGB 190 223 204

HSL 145.45, 0.34%, 0.81%

LAB 86.05, -14.49, 5.68

 

CMYK 0 / 54 / 34 / 73

HEX #46202E

RGB 70 32 46

HSL 337.89, 0.37%, 0.2%

LAB 18.06, 20.08, -0.91

 

CMYK 0 / 43 / 25 / 66

HEX #573241

RGB 87 50 65

HSL 335.68, 0.27%, 0.27%

LAB 25.83, 19.06, -2.21

 

CMYK 0 / 35 / 19 / 59

HEX #684454

RGB 104 68 84

HSL 333.33, 0.21%, 0.34%

LAB 33.39, 18.15, -3.19

 

CMYK 0 / 29 / 15 / 53

HEX #795667

RGB 121 86 103

HSL 330.86, 0.17%, 0.41%

LAB 40.73, 17.36, -4.01

 

CMYK 0 / 25 / 12 / 46

HEX #8A687A

RGB 138 104 122

HSL 328.24, 0.14%, 0.47%

LAB 47.89, 16.67, -4.73

 

CMYK 0 / 51 / 22 / 75

HEX #412033

RGB 65 32 51

HSL 325.45, 0.34%, 0.19%

LAB 17.44, 18.88, -5.45

 

CMYK 0 / 71 / 33 / 81

HEX #300E20

RGB 48 14 32

HSL 328.24, 0.55%, 0.12%

LAB 9.37, 19.74, -4.01

 

CMYK 0 / 100 / 58 / 88

HEX #1F000D

RGB 31 0 13

HSL 334.84, 1%, 0.06%

LAB 2.89, 13.65, -0.86

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 52 / 22 / 75

HEX #401F32

RGB 64 31 50

HSL 325.45, 0.35%, 0.19%

LAB 16.99, 18.92, -5.44

 

CMYK 0 / 52 / 34 / 75

HEX #401F2A

RGB 64 31 42

HSL 340, 0.35%, 0.19%

LAB 16.69, 17.52, -0.21

 

CMYK 0 / 52 / 48 / 75

HEX #401F21

RGB 64 31 33

HSL 356.36, 0.35%, 0.19%

LAB 16.4, 16.19, 5.8

 

CMYK 0 / 52 / 52 / 75

HEX #401F1F

RGB 64 31 31

HSL 0, 0.35%, 0.19%

LAB 16.35, 15.93, 7.15

 

CMYK 0 / 52 / 22 / 75

HEX #401F32

RGB 64 31 50

HSL 325.45, 0.35%, 0.19%

LAB 16.99, 18.92, -5.44

 

CMYK 0 / 52 / 8 / 75

HEX #401F3B

RGB 64 31 59

HSL 309.09, 0.35%, 0.19%

LAB 17.39, 20.71, -11.16

 

CMYK 5 / 52 / 0 / 75

HEX #3D1F40

RGB 61 31 64

HSL 294.55, 0.35%, 0.19%

LAB 17.19, 20.71, -15

 

CMYK 19 / 52 / 0 / 75

HEX #341F40

RGB 52 31 64

HSL 278.18, 0.35%, 0.19%

LAB 15.9, 17.49, -17.1

 

CMYK 33 / 52 / 0 / 75

HEX #2B1F40

RGB 43 31 64

HSL 261.82, 0.35%, 0.19%

LAB 14.76, 14.36, -18.99

 

CMYK 0 / 52 / 22 / 75

HEX #401F32

RGB 64 31 50

HSL 325.45, 0.35%, 0.19%

LAB 16.99, 18.92, -5.44

 

CMYK 0 / 67 / 28 / 72

HEX #481834

RGB 72 24 52

HSL 325, 0.5%, 0.19%

LAB 16.89, 26.45, -6.88

 

CMYK 0 / 80 / 34 / 69

HEX #501035

RGB 80 16 53

HSL 325.31, 0.67%, 0.19%

LAB 17.15, 33, -7.05

 

CMYK 0 / 91 / 39 / 65

HEX #580836

RGB 88 8 54

HSL 325.5, 0.83%, 0.19%

LAB 17.99, 38.03, -6.32

 

CMYK 0 / 100 / 43 / 62

HEX #600037

RGB 96 0 55

HSL 325.63, 1%, 0.19%

LAB 19.07, 42.4, -5.22

 

CMYK 0 / 52 / 22 / 75

HEX #401F32

RGB 64 31 50

HSL 325.45, 0.35%, 0.19%

LAB 16.99, 18.92, -5.44

 

CMYK 0 / 32 / 14 / 78

HEX #392731

RGB 57 39 49

HSL 326.67, 0.19%, 0.19%

LAB 18.11, 10.41, -3.17

 

CMYK 0 / 4 / 2 / 81

HEX #312F30

RGB 49 47 48

HSL 330, 0.02%, 0.19%

LAB 19.64, 1.12, -0.33

 

CMYK 25 / 0 / 15 / 78

HEX #29372F

RGB 41 55 47

HSL 145.71, 0.15%, 0.19%

LAB 21.61, -7.82, 3.13

 

CMYK 48 / 0 / 27 / 75

HEX #213F2E

RGB 33 63 46

HSL 146, 0.31%, 0.19%

LAB 23.92, -15.87, 6.99

 

CMYK 5 / 52 / 0 / 75

HEX #3D1F40

RGB 61 31 64

HSL 294.55, 0.35%, 0.19%

LAB 17.19, 20.71, -15

 

CMYK 0 / 52 / 8 / 75

HEX #401F3B

RGB 64 31 59

HSL 309.09, 0.35%, 0.19%

LAB 17.39, 20.71, -11.16

 

CMYK 0 / 52 / 20 / 75

HEX #401F33

RGB 64 31 51

HSL 323.64, 0.35%, 0.19%

LAB 17.03, 19.1, -6.08

 

CMYK 0 / 52 / 34 / 75

HEX #401F2A

RGB 64 31 42

HSL 340, 0.35%, 0.19%

LAB 16.69, 17.52, -0.21

 

CMYK 0 / 52 / 48 / 75

HEX #401F21

RGB 64 31 33

HSL 356.36, 0.35%, 0.19%

LAB 16.4, 16.19, 5.8

 

CMYK 0 / 56 / 22 / 96

HEX #090407

RGB 9 4 7

HSL 324, 0.38%, 0.03%

LAB 1.45, 1.73, -0.68

 

CMYK 0 / 51 / 22 / 85

HEX #25121D

RGB 37 18 29

HSL 325.26, 0.35%, 0.11%

LAB 8.26, 11.89, -3.6

 

CMYK 0 / 52 / 22 / 75

HEX #401F32

RGB 64 31 50

HSL 325.45, 0.35%, 0.19%

LAB 16.99, 18.92, -5.44

 

CMYK 0 / 51 / 22 / 64

HEX #5C2D48

RGB 92 45 72

HSL 325.53, 0.34%, 0.27%

LAB 25.62, 25.29, -7.11

 

CMYK 0 / 51 / 22 / 53

HEX #783B5E

RGB 120 59 94

HSL 325.57, 0.34%, 0.35%

LAB 33.83, 31.27, -8.68

 

CMYK 0 / 51 / 22 / 75

HEX #412033

RGB 65 32 51

HSL 325.45, 0.34%, 0.19%

LAB 17.44, 18.88, -5.45

 

CMYK 0 / 19 / 52 / 75

HEX #40341F

RGB 64 52 31

HSL 38.18, 0.35%, 0.19%

LAB 22.46, 1.97, 15.26

 

CMYK 52 / 0 / 0 / 75

HEX #1F4040

RGB 31 64 64

HSL 180, 0.35%, 0.19%

LAB 24.73, -12.04, -3.76

 

CMYK 0 / 51 / 22 / 75

HEX #412033

RGB 65 32 51

HSL 325.45, 0.34%, 0.19%

LAB 17.44, 18.88, -5.45

 

CMYK 20 / 0 / 52 / 75

HEX #33401F

RGB 51 64 31

HSL 83.64, 0.35%, 0.19%

LAB 25.17, -11.96, 18.41

 

CMYK 52 / 20 / 0 / 75

HEX #1F3340

RGB 31 51 64

HSL 203.64, 0.35%, 0.19%

LAB 20.16, -3.79, -10.65

 

CMYK 0 / 51 / 22 / 75

HEX #412033

RGB 65 32 51

HSL 325.45, 0.34%, 0.19%

LAB 17.44, 18.88, -5.45

 

CMYK 0 / 19 / 52 / 75

HEX #40341F

RGB 64 52 31

HSL 38.18, 0.35%, 0.19%

LAB 22.46, 1.97, 15.26

 

CMYK 52 / 0 / 30 / 75

HEX #1F402D

RGB 31 64 45

HSL 145.45, 0.35%, 0.19%

LAB 24.15, -17.34, 7.95

 

CMYK 52 / 31 / 0 / 75

HEX #1F2C40

RGB 31 44 64

HSL 216.36, 0.35%, 0.19%

LAB 17.75, 1.03, -14.37

 

CMYK 0 / 51 / 22 / 75

HEX #412033

RGB 65 32 51

HSL 325.45, 0.34%, 0.19%

LAB 17.44, 18.88, -5.45

 

CMYK 0 / 3 / 52 / 75

HEX #403E1F

RGB 64 62 31

HSL 56.36, 0.35%, 0.19%

LAB 25.67, -4.46, 19.28

 

CMYK 52 / 0 / 30 / 75

HEX #1F402D

RGB 31 64 45

HSL 145.45, 0.35%, 0.19%

LAB 24.15, -17.34, 7.95

 

CMYK 52 / 47 / 0 / 75

HEX #1F2240

RGB 31 34 64

HSL 234.55, 0.35%, 0.19%

LAB 14.43, 8.29, -19.58

 

Description

Color code: HEX #412033 | qconv.com Color code: HEX #412033 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 32 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 32 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 22 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 22% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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