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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #412D71 it is the complementary color #BED28E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #412D71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #412D71 shade: #462D6C, #573F7F, #685192, #7963A5 and #8A75B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #412D71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #412D71 shade: #412D71, #301B5E, #1F094B, #0E0038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #412D71 shade: #412D71, #532D71, #652D71, #712D6A and #712D57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #412D71 shade: #412D71, #2E2D71 and #2D2D71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #412D71 shade matches the following richer shades: #412D71, #3B207D, #36138A and #310697

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #412D71 shade: #412D71, #463964, #4B4657, #50534A and #56603D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #412D71 shade: #2D3E71, #2E2D71, #402D71, #522D71 and #642D71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #412D71 shade: #1F1536, #302153, #412D71, #52388E and #6344AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #412D71 shade: #412D71, #712D50 and #34712D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #412D71 shade: #412D71, #71402D and #2D7140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #412D71 shade: #412D71, #712D50, #5D712D and #2D714D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #412D71 shade: #412D71, #712D3B, #5D712D and #2D7162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

Complementary color

CMYK 10 / 0 / 32 / 18

HEX #BED28E

RGB 190 210 142

HSL 77.65, 0.43%, 0.69%

LAB 81.29, -17.98, 31.54

 

CMYK 35 / 58 / 0 / 58

HEX #462D6C

RGB 70 45 108

HSL 263.81, 0.41%, 0.3%

LAB 24.52, 26.31, -32.71

 

CMYK 31 / 50 / 0 / 50

HEX #573F7F

RGB 87 63 127

HSL 262.5, 0.34%, 0.37%

LAB 32.06, 25.18, -32.59

 

CMYK 29 / 45 / 0 / 43

HEX #685192

RGB 104 81 146

HSL 261.23, 0.29%, 0.45%

LAB 39.42, 24.18, -32.49

 

CMYK 27 / 40 / 0 / 35

HEX #7963A5

RGB 121 99 165

HSL 260, 0.27%, 0.52%

LAB 46.59, 23.3, -32.43

 

CMYK 25 / 36 / 0 / 28

HEX #8A75B8

RGB 138 117 184

HSL 258.81, 0.32%, 0.59%

LAB 53.59, 22.52, -32.42

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 49 / 71 / 0 / 63

HEX #301B5E

RGB 48 27 94

HSL 258.81, 0.55%, 0.24%

LAB 16.6, 27.87, -36.44

 

CMYK 59 / 88 / 0 / 71

HEX #1F094B

RGB 31 9 75

HSL 260, 0.79%, 0.16%

LAB 8.95, 28.94, -36.13

 

CMYK 75 / 100 / 0 / 78

HEX #0E0038

RGB 14 0 56

HSL 255, 1%, 0.11%

LAB 3.42, 21.86, -31.68

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 27 / 60 / 0 / 56

HEX #532D71

RGB 83 45 113

HSL 273.53, 0.43%, 0.31%

LAB 26.47, 31.26, -32.7

 

CMYK 11 / 60 / 0 / 56

HEX #652D71

RGB 101 45 113

HSL 289.41, 0.43%, 0.31%

LAB 28.99, 36.34, -28.53

 

CMYK 0 / 60 / 6 / 56

HEX #712D6A

RGB 113 45 106

HSL 306.18, 0.43%, 0.31%

LAB 30.47, 38.47, -21.62

 

CMYK 0 / 60 / 23 / 56

HEX #712D57

RGB 113 45 87

HSL 322.94, 0.43%, 0.31%

LAB 29.6, 35.22, -10.67

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 59 / 60 / 0 / 56

HEX #2E2D71

RGB 46 45 113

HSL 240.88, 0.43%, 0.31%

LAB 22.48, 22.06, -39.33

 

CMYK 60 / 60 / 0 / 56

HEX #2D2D71

RGB 45 45 113

HSL 240, 0.43%, 0.31%

LAB 22.4, 21.86, -39.47

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 53 / 74 / 0 / 51

HEX #3B207D

RGB 59 32 125

HSL 257.42, 0.59%, 0.31%

LAB 21.74, 36.66, -48.15

 

CMYK 61 / 86 / 0 / 46

HEX #36138A

RGB 54 19 138

HSL 257.65, 0.76%, 0.31%

LAB 20.38, 45.98, -58.6

 

CMYK 68 / 96 / 0 / 41

HEX #310697

RGB 49 6 151

HSL 257.79, 0.92%, 0.31%

LAB 20.11, 53.09, -67.14

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 30 / 43 / 0 / 61

HEX #463964

RGB 70 57 100

HSL 258.14, 0.27%, 0.31%

LAB 27.15, 16.23, -23.36

 

CMYK 14 / 20 / 0 / 66

HEX #4B4657

RGB 75 70 87

HSL 257.65, 0.11%, 0.31%

LAB 30.79, 5.99, -9.33

 

CMYK 4 / 0 / 11 / 67

HEX #50534A

RGB 80 83 74

HSL 80, 0.06%, 0.31%

LAB 34.77, -3.1, 4.86

 

CMYK 10 / 0 / 36 / 62

HEX #56603D

RGB 86 96 61

HSL 77.14, 0.22%, 0.31%

LAB 39.04, -10.5, 18.75

 

CMYK 60 / 45 / 0 / 56

HEX #2D3E71

RGB 45 62 113

HSL 225, 0.43%, 0.31%

LAB 27.28, 10.11, -31.61

 

CMYK 59 / 60 / 0 / 56

HEX #2E2D71

RGB 46 45 113

HSL 240.88, 0.43%, 0.31%

LAB 22.48, 22.06, -39.33

 

CMYK 43 / 60 / 0 / 56

HEX #402D71

RGB 64 45 113

HSL 256.76, 0.43%, 0.31%

LAB 24.19, 26.22, -36.48

 

CMYK 27 / 60 / 0 / 56

HEX #522D71

RGB 82 45 113

HSL 272.65, 0.43%, 0.31%

LAB 26.34, 30.99, -32.91

 

CMYK 12 / 60 / 0 / 56

HEX #642D71

RGB 100 45 113

HSL 288.53, 0.43%, 0.31%

LAB 28.85, 36.06, -28.78

 

CMYK 43 / 61 / 0 / 79

HEX #1F1536

RGB 31 21 54

HSL 258.18, 0.44%, 0.15%

LAB 9.75, 14.4, -19.92

 

CMYK 42 / 60 / 0 / 67

HEX #302153

RGB 48 33 83

HSL 258, 0.43%, 0.23%

LAB 17.18, 20.49, -28.13

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 42 / 61 / 0 / 44

HEX #52388E

RGB 82 56 142

HSL 258.14, 0.43%, 0.39%

LAB 30.82, 32.46, -43.9

 

CMYK 42 / 60 / 0 / 33

HEX #6344AC

RGB 99 68 172

HSL 257.88, 0.43%, 0.47%

LAB 37.42, 37.89, -51.31

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 0 / 60 / 29 / 56

HEX #712D50

RGB 113 45 80

HSL 329.12, 0.43%, 0.31%

LAB 29.33, 34.16, -6.5

 

CMYK 54 / 0 / 60 / 56

HEX #34712D

RGB 52 113 45

HSL 113.82, 0.43%, 0.31%

LAB 42.35, -34.29, 31.31

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 0 / 43 / 60 / 56

HEX #71402D

RGB 113 64 45

HSL 16.76, 0.43%, 0.31%

LAB 32.63, 19.28, 20.71

 

CMYK 60 / 0 / 43 / 56

HEX #2D7140

RGB 45 113 64

HSL 136.76, 0.43%, 0.31%

LAB 42.37, -33.26, 20.92

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 0 / 60 / 29 / 56

HEX #712D50

RGB 113 45 80

HSL 329.12, 0.43%, 0.31%

LAB 29.33, 34.16, -6.5

 

CMYK 18 / 0 / 60 / 56

HEX #5D712D

RGB 93 113 45

HSL 77.65, 0.43%, 0.31%

LAB 44.7, -18.76, 34.62

 

CMYK 60 / 0 / 32 / 56

HEX #2D714D

RGB 45 113 77

HSL 148.24, 0.43%, 0.31%

LAB 42.62, -30.6, 13.71

 

CMYK 42 / 60 / 0 / 56

HEX #412D71

RGB 65 45 113

HSL 257.65, 0.43%, 0.31%

LAB 24.3, 26.47, -36.3

 

CMYK 0 / 60 / 48 / 56

HEX #712D3B

RGB 113 45 59

HSL 347.65, 0.43%, 0.31%

LAB 28.65, 31.47, 6.39

 

CMYK 18 / 0 / 60 / 56

HEX #5D712D

RGB 93 113 45

HSL 77.65, 0.43%, 0.31%

LAB 44.7, -18.76, 34.62

 

CMYK 60 / 0 / 13 / 56

HEX #2D7162

RGB 45 113 98

HSL 166.76, 0.43%, 0.31%

LAB 43.14, -25.4, 1.92

 

Description

Color code: HEX #412D71 | qconv.com Color code: HEX #412D71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 45 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 45 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 60 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 60% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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