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Color name
HEX #4135B9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4135B9 it is the complementary color #BECA46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4135B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4135B9 shade: #4635B4, #5747C7, #6859DA, #796BED and #8A7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4135B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4135B9 shade: #4135B9, #3023A6, #1F1193, #0E0080 and #00006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4135B9 shade: #4135B9, #6535B9, #8935B9, #AC35B9 and #B935A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4135B9 shade: #4135B9 and #3535B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4135B9 shade matches the following richer shades: #4135B9, #3222CD and #220FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4135B9 shade: #4135B9, #5149A6, #615C92, #71707F and #81836C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4135B9 shade: #3571B9, #354EB9, #4035B9, #6435B9 and #8735B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4135B9 shade: #2B2379, #362C99, #4135B9, #584DCB and #766DD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4135B9 shade: #4135B9, #B93594 and #5FB935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4135B9 shade: #4135B9, #B94035 and #35B940

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4135B9 shade: #4135B9, #B93594, #AEB935 and #35B95B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4135B9 shade: #4135B9, #B9356C, #AEB935 and #35B982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

Complementary color

CMYK 6 / 0 / 65 / 21

HEX #BECA46

RGB 190 202 70

HSL 65.45, 0.55%, 0.53%

LAB 78.25, -21.03, 61.9

 

CMYK 61 / 71 / 0 / 29

HEX #4635B4

RGB 70 53 180

HSL 248.03, 0.55%, 0.46%

LAB 32.13, 43.63, -64.79

 

CMYK 56 / 64 / 0 / 22

HEX #5747C7

RGB 87 71 199

HSL 247.5, 0.53%, 0.53%

LAB 39, 41.83, -64.67

 

CMYK 52 / 59 / 0 / 15

HEX #6859DA

RGB 104 89 218

HSL 246.98, 0.64%, 0.6%

LAB 45.84, 40.15, -64.42

 

CMYK 49 / 55 / 0 / 7

HEX #796BED

RGB 121 107 237

HSL 246.46, 0.78%, 0.67%

LAB 52.61, 38.63, -64.12

 

CMYK 46 / 51 / 0 / 0

HEX #8A7DFF

RGB 138 125 255

HSL 246, 1%, 0.75%

LAB 59.24, 36.99, -63.36

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 71 / 79 / 0 / 35

HEX #3023A6

RGB 48 35 166

HSL 245.95, 0.65%, 0.39%

LAB 25.51, 46.42, -67.36

 

CMYK 79 / 88 / 0 / 42

HEX #1F1193

RGB 31 17 147

HSL 246.46, 0.79%, 0.32%

LAB 19.22, 47.63, -66.2

 

CMYK 89 / 100 / 0 / 50

HEX #0E0080

RGB 14 0 128

HSL 246.56, 1%, 0.25%

LAB 13.54, 47.69, -63.74

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 45 / 71 / 0 / 27

HEX #6535B9

RGB 101 53 185

HSL 261.82, 0.55%, 0.47%

LAB 35.63, 50.03, -61.91

 

CMYK 26 / 71 / 0 / 27

HEX #8935B9

RGB 137 53 185

HSL 278.18, 0.55%, 0.47%

LAB 40.19, 56.89, -54.29

 

CMYK 7 / 71 / 0 / 27

HEX #AC35B9

RGB 172 53 185

HSL 294.09, 0.55%, 0.47%

LAB 45.39, 64.26, -45.67

 

CMYK 0 / 71 / 12 / 27

HEX #B935A3

RGB 185 53 163

HSL 310, 0.55%, 0.47%

LAB 46.32, 63.65, -31.07

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 71 / 71 / 0 / 27

HEX #3535B9

RGB 53 53 185

HSL 240, 0.55%, 0.47%

LAB 31.36, 43.15, -69.07

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 76 / 83 / 0 / 20

HEX #3222CD

RGB 50 34 205

HSL 245.61, 0.72%, 0.47%

LAB 29.99, 58.79, -83.1

 

CMYK 85 / 93 / 0 / 12

HEX #220FE0

RGB 34 15 224

HSL 245.45, 0.87%, 0.47%

LAB 29.57, 69.41, -94.81

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 51 / 56 / 0 / 35

HEX #5149A6

RGB 81 73 166

HSL 245.16, 0.39%, 0.47%

LAB 36.49, 29.07, -49.31

 

CMYK 34 / 37 / 0 / 43

HEX #615C92

RGB 97 92 146

HSL 245.56, 0.23%, 0.47%

LAB 41.64, 15.25, -29.04

 

CMYK 11 / 12 / 0 / 50

HEX #71707F

RGB 113 112 127

HSL 244, 0.06%, 0.47%

LAB 47.79, 3.59, -8.12

 

CMYK 2 / 0 / 18 / 49

HEX #81836C

RGB 129 131 108

HSL 65.22, 0.1%, 0.47%

LAB 54.01, -4.98, 12.21

 

CMYK 71 / 39 / 0 / 27

HEX #3571B9

RGB 53 113 185

HSL 212.73, 0.55%, 0.47%

LAB 47.07, 4.99, -43.64

 

CMYK 71 / 58 / 0 / 27

HEX #354EB9

RGB 53 78 185

HSL 228.64, 0.55%, 0.47%

LAB 37.31, 27.48, -59.33

 

CMYK 65 / 71 / 0 / 27

HEX #4035B9

RGB 64 53 185

HSL 245, 0.55%, 0.47%

LAB 32.12, 44.42, -67.79

 

CMYK 46 / 71 / 0 / 27

HEX #6435B9

RGB 100 53 185

HSL 261.36, 0.55%, 0.47%

LAB 35.51, 49.86, -62.1

 

CMYK 27 / 71 / 0 / 27

HEX #8735B9

RGB 135 53 185

HSL 277.27, 0.55%, 0.47%

LAB 39.92, 56.49, -54.75

 

CMYK 64 / 71 / 0 / 53

HEX #2B2379

RGB 43 35 121

HSL 245.58, 0.55%, 0.31%

LAB 20.42, 30.95, -47.81

 

CMYK 65 / 71 / 0 / 40

HEX #362C99

RGB 54 44 153

HSL 245.5, 0.55%, 0.39%

LAB 26.41, 37.89, -57.96

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 57 / 62 / 0 / 20

HEX #584DCB

RGB 88 77 203

HSL 245.24, 0.55%, 0.55%

LAB 40.73, 39.71, -64.17

 

CMYK 44 / 49 / 0 / 17

HEX #766DD4

RGB 118 109 212

HSL 245.24, 0.54%, 0.63%

LAB 51.32, 29.45, -52.13

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 0 / 71 / 20 / 27

HEX #B93594

RGB 185 53 148

HSL 316.82, 0.55%, 0.47%

LAB 45.63, 61.5, -23.16

 

CMYK 49 / 0 / 71 / 27

HEX #5FB935

RGB 95 185 53

HSL 100.91, 0.55%, 0.47%

LAB 67.57, -49.94, 55.73

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 0 / 65 / 71 / 27

HEX #B94035

RGB 185 64 53

HSL 5, 0.55%, 0.47%

LAB 44.57, 48.14, 33.14

 

CMYK 71 / 0 / 65 / 27

HEX #35B940

RGB 53 185 64

HSL 125, 0.55%, 0.47%

LAB 66.39, -59, 49.68

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 0 / 71 / 20 / 27

HEX #B93594

RGB 185 53 148

HSL 316.82, 0.55%, 0.47%

LAB 45.63, 61.5, -23.16

 

CMYK 6 / 0 / 71 / 27

HEX #AEB935

RGB 174 185 53

HSL 65, 0.55%, 0.47%

LAB 72.2, -20.26, 61.88

 

CMYK 71 / 0 / 51 / 27

HEX #35B95B

RGB 53 185 91

HSL 137.27, 0.55%, 0.47%

LAB 66.68, -55.53, 37.46

 

CMYK 65 / 71 / 0 / 27

HEX #4135B9

RGB 65 53 185

HSL 245.45, 0.55%, 0.47%

LAB 32.2, 44.54, -67.66

 

CMYK 0 / 71 / 42 / 27

HEX #B9356C

RGB 185 53 108

HSL 335, 0.55%, 0.47%

LAB 44.15, 56.7, -0.98

 

CMYK 6 / 0 / 71 / 27

HEX #AEB935

RGB 174 185 53

HSL 65, 0.55%, 0.47%

LAB 72.2, -20.26, 61.88

 

CMYK 71 / 0 / 30 / 27

HEX #35B982

RGB 53 185 130

HSL 155, 0.55%, 0.47%

LAB 67.33, -48.28, 17.91

 

Description

Color code: HEX #4135B9 | qconv.com Color code: HEX #4135B9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 53 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 53 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 71 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 71% 0% 27% C M Y K

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Provide designers and agencies with accurate color values.

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