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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #413799 it is the complementary color #BEC866. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #413799. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #413799 shade: #463794, #5749A7, #685BBA, #796DCD and #8A7FE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #413799. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #413799 shade: #413799, #302586, #1F1373, #0E0160 and #00004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #413799 shade: #413799, #5B3799, #763799, #903799 and #993787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #413799 shade: #413799 and #373799

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #413799 shade matches the following richer shades: #413799, #3326AA, #2615BB and #1904CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #413799 shade: #413799, #4E4888, #5C5977, #696A66 and #777B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #413799 shade: #376199, #374799, #413799, #5B3799 and #753799

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #413799 shade: #27215D, #342C7B, #413799, #4E42B8 and #685EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #413799 shade: #413799, #99377C and #549937

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #413799 shade: #413799, #994137 and #379941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #413799 shade: #413799, #99377C, #8F9937 and #379954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #413799 shade: #413799, #99375E, #8F9937 and #379972

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

Complementary color

CMYK 5 / 0 / 49 / 22

HEX #BEC866

RGB 190 200 102

HSL 66.12, 0.47%, 0.59%

LAB 78, -17.55, 47.43

 

CMYK 53 / 63 / 0 / 42

HEX #463794

RGB 70 55 148

HSL 249.68, 0.46%, 0.4%

LAB 29.84, 32.28, -49.23

 

CMYK 48 / 56 / 0 / 35

HEX #5749A7

RGB 87 73 167

HSL 248.94, 0.39%, 0.47%

LAB 37.08, 30.71, -48.93

 

CMYK 44 / 51 / 0 / 27

HEX #685BBA

RGB 104 91 186

HSL 248.21, 0.41%, 0.54%

LAB 44.19, 29.34, -48.63

 

CMYK 41 / 47 / 0 / 20

HEX #796DCD

RGB 121 109 205

HSL 247.5, 0.49%, 0.62%

LAB 51.16, 28.16, -48.37

 

CMYK 38 / 43 / 0 / 12

HEX #8A7FE0

RGB 138 127 224

HSL 246.8, 0.61%, 0.69%

LAB 58, 27.13, -48.15

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 64 / 72 / 0 / 47

HEX #302586

RGB 48 37 134

HSL 246.8, 0.57%, 0.34%

LAB 22.56, 34.9, -52.52

 

CMYK 73 / 83 / 0 / 55

HEX #1F1373

RGB 31 19 115

HSL 247.5, 0.72%, 0.26%

LAB 15.46, 36.74, -52.17

 

CMYK 85 / 99 / 0 / 62

HEX #0E0160

RGB 14 1 96

HSL 248.21, 0.98%, 0.19%

LAB 8.65, 38.44, -51.01

 

CMYK 100 / 100 / 0 / 70

HEX #00004D

RGB 0 0 77

HSL 240, 1%, 0.15%

LAB 4.84, 30.95, -44.39

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 41 / 64 / 0 / 40

HEX #5B3799

RGB 91 55 153

HSL 262.04, 0.47%, 0.41%

LAB 32.38, 38.25, -48.06

 

CMYK 23 / 64 / 0 / 40

HEX #763799

RGB 118 55 153

HSL 278.57, 0.47%, 0.41%

LAB 35.76, 44.6, -42.45

 

CMYK 6 / 64 / 0 / 40

HEX #903799

RGB 144 55 153

HSL 294.49, 0.47%, 0.41%

LAB 39.52, 51.09, -36.24

 

CMYK 0 / 64 / 12 / 40

HEX #993787

RGB 153 55 135

HSL 311.02, 0.47%, 0.41%

LAB 40, 50.32, -24.42

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 64 / 64 / 0 / 40

HEX #373799

RGB 55 55 153

HSL 240, 0.47%, 0.41%

LAB 29.02, 31.22, -53.68

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 70 / 78 / 0 / 33

HEX #3326AA

RGB 51 38 170

HSL 245.91, 0.63%, 0.41%

LAB 26.71, 46.41, -67.79

 

CMYK 80 / 89 / 0 / 27

HEX #2615BB

RGB 38 21 187

HSL 246.14, 0.8%, 0.41%

LAB 25.37, 58.01, -80.21

 

CMYK 88 / 98 / 0 / 20

HEX #1904CC

RGB 25 4 204

HSL 246.3, 0.96%, 0.41%

LAB 25.72, 66.33, -89.65

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 43 / 47 / 0 / 47

HEX #4E4888

RGB 78 72 136

HSL 245.63, 0.31%, 0.41%

LAB 34.05, 19.55, -35.06

 

CMYK 23 / 25 / 0 / 53

HEX #5C5977

RGB 92 89 119

HSL 246, 0.14%, 0.41%

LAB 39.16, 8.22, -16.53

 

CMYK 1 / 0 / 4 / 58

HEX #696A66

RGB 105 106 102

HSL 75, 0.02%, 0.41%

LAB 44.62, -1.2, 2.1

 

CMYK 3 / 0 / 30 / 52

HEX #777B56

RGB 119 123 86

HSL 66.49, 0.18%, 0.41%

LAB 50.4, -8.04, 19.78

 

CMYK 64 / 37 / 0 / 40

HEX #376199

RGB 55 97 153

HSL 214.29, 0.47%, 0.41%

LAB 40.67, 3.73, -34.95

 

CMYK 64 / 54 / 0 / 40

HEX #374799

RGB 55 71 153

HSL 230.2, 0.47%, 0.41%

LAB 33.18, 20.72, -46.93

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 41 / 64 / 0 / 40

HEX #5B3799

RGB 91 55 153

HSL 262.04, 0.47%, 0.41%

LAB 32.38, 38.25, -48.06

 

CMYK 24 / 64 / 0 / 40

HEX #753799

RGB 117 55 153

HSL 277.96, 0.47%, 0.41%

LAB 35.62, 44.35, -42.67

 

CMYK 58 / 65 / 0 / 64

HEX #27215D

RGB 39 33 93

HSL 246, 0.48%, 0.25%

LAB 17.03, 21.65, -35.12

 

CMYK 58 / 64 / 0 / 52

HEX #342C7B

RGB 52 44 123

HSL 246.08, 0.47%, 0.33%

LAB 23.54, 27.44, -43.96

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 58 / 64 / 0 / 28

HEX #4E42B8

RGB 78 66 184

HSL 246.1, 0.47%, 0.49%

LAB 35.94, 38.55, -60.91

 

CMYK 47 / 52 / 0 / 23

HEX #685EC5

RGB 104 94 197

HSL 245.83, 0.47%, 0.57%

LAB 45.61, 30.8, -52.75

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 0 / 64 / 19 / 40

HEX #99377C

RGB 153 55 124

HSL 317.76, 0.47%, 0.41%

LAB 39.51, 48.6, -18.41

 

CMYK 45 / 0 / 64 / 40

HEX #549937

RGB 84 153 55

HSL 102.24, 0.47%, 0.41%

LAB 57.02, -40.19, 43.55

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 0 / 58 / 64 / 40

HEX #994137

RGB 153 65 55

HSL 6.12, 0.47%, 0.41%

LAB 39.29, 36.12, 24.3

 

CMYK 64 / 0 / 58 / 40

HEX #379941

RGB 55 153 65

HSL 126.12, 0.47%, 0.41%

LAB 56.06, -47.06, 37.47

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 0 / 64 / 19 / 40

HEX #99377C

RGB 153 55 124

HSL 317.76, 0.47%, 0.41%

LAB 39.51, 48.6, -18.41

 

CMYK 7 / 0 / 64 / 40

HEX #8F9937

RGB 143 153 55

HSL 66.12, 0.47%, 0.41%

LAB 60.69, -17.15, 48.6

 

CMYK 64 / 0 / 45 / 40

HEX #379954

RGB 55 153 84

HSL 137.76, 0.47%, 0.41%

LAB 56.32, -44.16, 28.02

 

CMYK 58 / 64 / 0 / 40

HEX #413799

RGB 65 55 153

HSL 246.12, 0.47%, 0.41%

LAB 29.8, 32.94, -52.37

 

CMYK 0 / 64 / 39 / 40

HEX #99375E

RGB 153 55 94

HSL 336.12, 0.47%, 0.41%

LAB 38.4, 44.58, -1.32

 

CMYK 7 / 0 / 64 / 40

HEX #8F9937

RGB 143 153 55

HSL 66.12, 0.47%, 0.41%

LAB 60.69, -17.15, 48.6

 

CMYK 64 / 0 / 25 / 40

HEX #379972

RGB 55 153 114

HSL 156.12, 0.47%, 0.41%

LAB 56.89, -38.08, 12.24

 

Description

Color code: HEX #413799 | qconv.com Color code: HEX #413799 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 55 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 55 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 64 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 64% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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