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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #413E5F it is the complementary color #BEC1A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #413E5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #413E5F shade: #463E5A, #57506D, #686280, #797493 and #8A86A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #413E5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #413E5F shade: #413E5F, #302C4C, #1F1A39, #0E0826 and #000013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #413E5F shade: #413E5F, #4A3E5F, #533E5F, #5C3E5F and #5F3E5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #413E5F shade: #413E5F and #3E3E5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #413E5F shade matches the following richer shades: #413E5F, #36316C, #2C2479, #221886 and #170B92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #413E5F shade: #413E5F, #4B4B52, #565846, #606439 and #6B712C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #413E5F shade: #3E4D5F, #3E445F, #413E5F, #4A3E5F and #523E5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #413E5F shade: #1F1D2D, #302E46, #413E5F, #524E78 and #635F91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #413E5F shade: #413E5F, #5F3E56 and #485F3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #413E5F shade: #413E5F, #5F413E and #3E5F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #413E5F shade: #413E5F, #5F3E56, #5C5F3E and #3E5F47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #413E5F shade: #413E5F, #5F3E4C, #5C5F3E and #3E5F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

Complementary color

CMYK 2 / 0 / 17 / 24

HEX #BEC1A0

RGB 190 193 160

HSL 65.45, 0.21%, 0.69%

LAB 77.06, -6.7, 16.3

 

CMYK 22 / 31 / 0 / 65

HEX #463E5A

RGB 70 62 90

HSL 257.14, 0.18%, 0.3%

LAB 28.08, 10.14, -15.46

 

CMYK 20 / 27 / 0 / 57

HEX #57506D

RGB 87 80 109

HSL 254.48, 0.15%, 0.37%

LAB 35.73, 9.56, -15.64

 

CMYK 19 / 23 / 0 / 50

HEX #686280

RGB 104 98 128

HSL 252, 0.13%, 0.44%

LAB 43.12, 9.07, -15.86

 

CMYK 18 / 21 / 0 / 42

HEX #797493

RGB 121 116 147

HSL 249.68, 0.13%, 0.52%

LAB 50.29, 8.64, -16.11

 

CMYK 17 / 19 / 0 / 35

HEX #8A86A6

RGB 138 134 166

HSL 247.5, 0.15%, 0.59%

LAB 57.28, 8.27, -16.39

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 37 / 42 / 0 / 70

HEX #302C4C

RGB 48 44 76

HSL 247.5, 0.27%, 0.24%

LAB 19.85, 10.61, -19.17

 

CMYK 46 / 54 / 0 / 78

HEX #1F1A39

RGB 31 26 57

HSL 249.68, 0.37%, 0.16%

LAB 11.45, 11.73, -19.37

 

CMYK 63 / 79 / 0 / 85

HEX #0E0826

RGB 14 8 38

HSL 252, 0.65%, 0.09%

LAB 3.68, 9.46, -17.77

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 22 / 35 / 0 / 63

HEX #4A3E5F

RGB 74 62 95

HSL 261.82, 0.21%, 0.31%

LAB 28.71, 12.91, -17.67

 

CMYK 13 / 35 / 0 / 63

HEX #533E5F

RGB 83 62 95

HSL 278.18, 0.21%, 0.31%

LAB 29.69, 16.13, -16.09

 

CMYK 3 / 35 / 0 / 63

HEX #5C3E5F

RGB 92 62 95

HSL 294.55, 0.21%, 0.31%

LAB 30.75, 19.43, -14.36

 

CMYK 0 / 35 / 5 / 63

HEX #5F3E5A

RGB 95 62 90

HSL 309.09, 0.21%, 0.31%

LAB 30.92, 19.49, -10.86

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 35 / 35 / 0 / 63

HEX #3E3E5F

RGB 62 62 95

HSL 240, 0.21%, 0.31%

LAB 27.56, 8.8, -19.55

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 50 / 55 / 0 / 58

HEX #36316C

RGB 54 49 108

HSL 245.08, 0.38%, 0.31%

LAB 23.88, 19.44, -33.82

 

CMYK 64 / 70 / 0 / 53

HEX #2C2479

RGB 44 36 121

HSL 245.65, 0.54%, 0.31%

LAB 20.74, 30.47, -47.29

 

CMYK 75 / 82 / 0 / 47

HEX #221886

RGB 34 24 134

HSL 245.45, 0.7%, 0.31%

LAB 18.86, 40.62, -58.66

 

CMYK 84 / 92 / 0 / 43

HEX #170B92

RGB 23 11 146

HSL 245.33, 0.86%, 0.31%

LAB 17.9, 49.13, -67.78

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 9 / 9 / 0 / 68

HEX #4B4B52

RGB 75 75 82

HSL 240, 0.04%, 0.31%

LAB 32.12, 1.59, -4.14

 

CMYK 2 / 0 / 20 / 65

HEX #565846

RGB 86 88 70

HSL 66.67, 0.11%, 0.31%

LAB 36.74, -4.34, 10.19

 

CMYK 4 / 0 / 43 / 61

HEX #606439

RGB 96 100 57

HSL 65.58, 0.27%, 0.31%

LAB 41.05, -8.93, 23.84

 

CMYK 5 / 0 / 61 / 56

HEX #6B712C

RGB 107 113 44

HSL 65.22, 0.44%, 0.31%

LAB 45.8, -12.61, 36.65

 

CMYK 35 / 19 / 0 / 63

HEX #3E4D5F

RGB 62 77 95

HSL 212.73, 0.21%, 0.31%

LAB 32.16, -1, -12.46

 

CMYK 35 / 28 / 0 / 63

HEX #3E445F

RGB 62 68 95

HSL 229.09, 0.21%, 0.31%

LAB 29.37, 4.82, -16.74

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 22 / 35 / 0 / 63

HEX #4A3E5F

RGB 74 62 95

HSL 261.82, 0.21%, 0.31%

LAB 28.71, 12.91, -17.67

 

CMYK 14 / 35 / 0 / 63

HEX #523E5F

RGB 82 62 95

HSL 276.36, 0.21%, 0.31%

LAB 29.58, 15.77, -16.27

 

CMYK 31 / 36 / 0 / 82

HEX #1F1D2D

RGB 31 29 45

HSL 247.5, 0.22%, 0.15%

LAB 11.69, 5.47, -10.35

 

CMYK 31 / 34 / 0 / 73

HEX #302E46

RGB 48 46 70

HSL 245, 0.21%, 0.23%

LAB 20.14, 7.35, -14.65

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 32 / 35 / 0 / 53

HEX #524E78

RGB 82 78 120

HSL 245.71, 0.21%, 0.39%

LAB 35.2, 12.12, -23.34

 

CMYK 32 / 34 / 0 / 43

HEX #635F91

RGB 99 95 145

HSL 244.8, 0.21%, 0.47%

LAB 42.58, 13.72, -26.96

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 0 / 35 / 9 / 63

HEX #5F3E56

RGB 95 62 86

HSL 316.36, 0.21%, 0.31%

LAB 30.76, 18.68, -8.52

 

CMYK 24 / 0 / 35 / 63

HEX #485F3E

RGB 72 95 62

HSL 101.82, 0.21%, 0.31%

LAB 37.68, -15.65, 16.16

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 0 / 32 / 35 / 63

HEX #5F413E

RGB 95 65 62

HSL 5.45, 0.21%, 0.31%

LAB 30.79, 12.59, 7.05

 

CMYK 35 / 0 / 32 / 63

HEX #3E5F41

RGB 62 95 65

HSL 125.45, 0.21%, 0.31%

LAB 37.1, -18.95, 13.46

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 0 / 35 / 9 / 63

HEX #5F3E56

RGB 95 62 86

HSL 316.36, 0.21%, 0.31%

LAB 30.76, 18.68, -8.52

 

CMYK 3 / 0 / 35 / 63

HEX #5C5F3E

RGB 92 95 62

HSL 65.45, 0.21%, 0.31%

LAB 39.25, -7.14, 18.53

 

CMYK 35 / 0 / 25 / 63

HEX #3E5F47

RGB 62 95 71

HSL 136.36, 0.21%, 0.31%

LAB 37.23, -17.73, 9.99

 

CMYK 32 / 35 / 0 / 63

HEX #413E5F

RGB 65 62 95

HSL 245.45, 0.21%, 0.31%

LAB 27.83, 9.8, -19.11

 

CMYK 0 / 35 / 20 / 63

HEX #5F3E4C

RGB 95 62 76

HSL 334.55, 0.21%, 0.31%

LAB 30.4, 16.78, -2.58

 

CMYK 3 / 0 / 35 / 63

HEX #5C5F3E

RGB 92 95 62

HSL 65.45, 0.21%, 0.31%

LAB 39.25, -7.14, 18.53

 

CMYK 35 / 0 / 15 / 63

HEX #3E5F51

RGB 62 95 81

HSL 154.55, 0.21%, 0.31%

LAB 37.49, -15.47, 4.21

 

Description

Color code: HEX #413E5F | qconv.com Color code: HEX #413E5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 62 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 62 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 35 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 35% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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