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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41455C it is the complementary color #BEBAA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41455C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41455C shade: #464557, #57576A, #68697D, #797B90 and #8A8DA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41455C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41455C shade: #41455C, #303349, #1F2136, #0E0F23 and #000010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41455C shade: #41455C, #44415C, #4C415C, #53415C and #5A415C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41455C shade: #41455C and #41415C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41455C shade matches the following richer shades: #41455C, #343C69, #283376, #1B2A82 and #0E218F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41455C shade: #41455C, #4E4E4F, #5B5742, #676036 and #746929

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41455C shade: #41535C, #414C5C, #41455C, #44415C and #4B415C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41455C shade: #1F212C, #303344, #41455C, #525774 and #63698C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41455C shade: #41455C, #5C415B and #505C41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41455C shade: #41455C, #5C4145 and #455C41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41455C shade: #41455C, #5C415B, #5C5841 and #415C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41455C shade: #41455C, #5C4153, #5C5841 and #415C4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

Complementary color

CMYK 0 / 2 / 14 / 25

HEX #BEBAA3

RGB 190 186 163

HSL 51.11, 0.17%, 0.69%

LAB 75.27, -2.54, 12.17

 

CMYK 20 / 21 / 0 / 66

HEX #464557

RGB 70 69 87

HSL 243.33, 0.12%, 0.31%

LAB 30.03, 4.75, -10.54

 

CMYK 18 / 18 / 0 / 58

HEX #57576A

RGB 87 87 106

HSL 240, 0.1%, 0.38%

LAB 37.63, 4.4, -10.87

 

CMYK 17 / 16 / 0 / 51

HEX #68697D

RGB 104 105 125

HSL 237.14, 0.09%, 0.45%

LAB 44.98, 4.09, -11.23

 

CMYK 16 / 15 / 0 / 44

HEX #797B90

RGB 121 123 144

HSL 234.78, 0.09%, 0.52%

LAB 52.11, 3.82, -11.6

 

CMYK 15 / 13 / 0 / 36

HEX #8A8DA3

RGB 138 141 163

HSL 232.8, 0.12%, 0.59%

LAB 59.06, 3.57, -11.98

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 34 / 30 / 0 / 71

HEX #303349

RGB 48 51 73

HSL 232.8, 0.21%, 0.24%

LAB 21.86, 4.8, -14.01

 

CMYK 43 / 39 / 0 / 79

HEX #1F2136

RGB 31 33 54

HSL 234.78, 0.27%, 0.17%

LAB 13.5, 5.48, -13.99

 

CMYK 60 / 57 / 0 / 86

HEX #0E0F23

RGB 14 15 35

HSL 237.14, 0.43%, 0.1%

LAB 5.03, 5.18, -13.37

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 26 / 29 / 0 / 64

HEX #44415C

RGB 68 65 92

HSL 246.67, 0.17%, 0.31%

LAB 28.86, 7.99, -15.57

 

CMYK 17 / 29 / 0 / 64

HEX #4C415C

RGB 76 65 92

HSL 264.44, 0.17%, 0.31%

LAB 29.64, 10.88, -14.3

 

CMYK 10 / 29 / 0 / 64

HEX #53415C

RGB 83 65 92

HSL 280, 0.17%, 0.31%

LAB 30.38, 13.48, -13.09

 

CMYK 2 / 29 / 0 / 64

HEX #5A415C

RGB 90 65 92

HSL 295.56, 0.17%, 0.31%

LAB 31.18, 16.12, -11.81

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 29 / 29 / 0 / 64

HEX #41415C

RGB 65 65 92

HSL 240, 0.17%, 0.31%

LAB 28.58, 6.94, -16.01

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 50 / 43 / 0 / 59

HEX #343C69

RGB 52 60 105

HSL 230.94, 0.34%, 0.31%

LAB 26.68, 10.37, -27.43

 

CMYK 66 / 57 / 0 / 54

HEX #283376

RGB 40 51 118

HSL 231.54, 0.49%, 0.31%

LAB 24.09, 18.58, -39.95

 

CMYK 79 / 68 / 0 / 49

HEX #1B2A82

RGB 27 42 130

HSL 231.26, 0.66%, 0.31%

LAB 21.95, 27.57, -51.07

 

CMYK 90 / 77 / 0 / 44

HEX #0E218F

RGB 14 33 143

HSL 231.16, 0.82%, 0.31%

LAB 20.69, 37.37, -61.29

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 1 / 1 / 0 / 69

HEX #4E4E4F

RGB 78 78 79

HSL 240, 0.01%, 0.31%

LAB 33.21, 0.22, -0.59

 

CMYK 0 / 4 / 27 / 64

HEX #5B5742

RGB 91 87 66

HSL 50.4, 0.16%, 0.31%

LAB 36.81, -2.23, 12.82

 

CMYK 0 / 7 / 48 / 60

HEX #676036

RGB 103 96 54

HSL 51.43, 0.31%, 0.31%

LAB 40.44, -3.79, 24.92

 

CMYK 0 / 9 / 65 / 55

HEX #746929

RGB 116 105 41

HSL 51.2, 0.48%, 0.31%

LAB 44.2, -4.17, 36.6

 

CMYK 29 / 10 / 0 / 64

HEX #41535C

RGB 65 83 92

HSL 200, 0.17%, 0.31%

LAB 34.16, -4.58, -7.53

 

CMYK 29 / 17 / 0 / 64

HEX #414C5C

RGB 65 76 92

HSL 215.56, 0.17%, 0.31%

LAB 31.96, -0.2, -10.85

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 26 / 29 / 0 / 64

HEX #44415C

RGB 68 65 92

HSL 246.67, 0.17%, 0.31%

LAB 28.86, 7.99, -15.57

 

CMYK 18 / 29 / 0 / 64

HEX #4B415C

RGB 75 65 92

HSL 262.22, 0.17%, 0.31%

LAB 29.54, 10.51, -14.46

 

CMYK 30 / 25 / 0 / 83

HEX #1F212C

RGB 31 33 44

HSL 230.77, 0.17%, 0.15%

LAB 12.99, 2.21, -7.62

 

CMYK 29 / 25 / 0 / 73

HEX #303344

RGB 48 51 68

HSL 231, 0.17%, 0.23%

LAB 21.63, 3.3, -11

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 29 / 25 / 0 / 55

HEX #525774

RGB 82 87 116

HSL 231.18, 0.17%, 0.39%

LAB 37.61, 5.28, -17.13

 

CMYK 29 / 25 / 0 / 45

HEX #63698C

RGB 99 105 140

HSL 231.22, 0.17%, 0.47%

LAB 45.15, 6.21, -19.99

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 0 / 29 / 1 / 64

HEX #5C415B

RGB 92 65 91

HSL 302.22, 0.17%, 0.31%

LAB 31.37, 16.67, -10.85

 

CMYK 13 / 0 / 29 / 64

HEX #505C41

RGB 80 92 65

HSL 86.67, 0.17%, 0.31%

LAB 37.37, -10.12, 14.04

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 0 / 29 / 25 / 64

HEX #5C4145

RGB 92 65 69

HSL 351.11, 0.17%, 0.31%

LAB 30.61, 12.4, 2.22

 

CMYK 25 / 0 / 29 / 64

HEX #455C41

RGB 69 92 65

HSL 111.11, 0.17%, 0.31%

LAB 36.56, -14.63, 12.79

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 0 / 29 / 1 / 64

HEX #5C415B

RGB 92 65 91

HSL 302.22, 0.17%, 0.31%

LAB 31.37, 16.67, -10.85

 

CMYK 0 / 4 / 29 / 64

HEX #5C5841

RGB 92 88 65

HSL 51.11, 0.17%, 0.31%

LAB 37.18, -2.54, 13.95

 

CMYK 29 / 0 / 28 / 64

HEX #415C42

RGB 65 92 66

HSL 122.22, 0.17%, 0.31%

LAB 36.31, -16, 11.8

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 0 / 29 / 10 / 64

HEX #5C4153

RGB 92 65 83

HSL 320, 0.17%, 0.31%

LAB 31.07, 15.01, -6.16

 

CMYK 0 / 4 / 29 / 64

HEX #5C5841

RGB 92 88 65

HSL 51.11, 0.17%, 0.31%

LAB 37.18, -2.54, 13.95

 

CMYK 29 / 0 / 18 / 64

HEX #415C4B

RGB 65 92 75

HSL 142.22, 0.17%, 0.31%

LAB 36.53, -14.11, 6.57

 

Description

Color code: HEX #41455C | qconv.com Color code: HEX #41455C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 69 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 69 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 25 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 25% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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