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Color name
HEX #414950

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #414950 it is the complementary color #BEB6AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #414950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #414950 shade: #46494B, #575B5E, #686D71, #797F84 and #8A9197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #414950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #414950 shade: #414950, #30373D, #1F252A, #0E1317 and #000104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #414950 shade: #40474E, #40444E, #40404E, #44404E and #48404E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #414950 shade: #40474E, #40444E and #40404E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #414950 shade matches the following richer shades: #40474E, #34485A, #294965, #1D4A71 and #124A7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #414950 shade: #40474E, #4B4742, #574637, #62452B and #6E4420

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #414950 shade: #404E4D, #404B4E, #40474E, #40444E and #40404E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #414950 shade: #1B1E21, #2D3337, #40474E, #525C65 and #65717B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #414950 shade: #414950, #49404E and #4D4E40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #414950 shade: #414950, #4E4047 and #474E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #414950 shade: #414950, #49404E, #4E4640 and #454E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #414950 shade: #414950, #4E404E, #4E4640 and #404E40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 9 / 0 / 69

HEX #414950

RGB 65 73 80

HSL 208, 0.1%, 0.28%

LAB 30.56, -1.5, -5.27

 

Complementary color

CMYK 0 / 4 / 8 / 25

HEX #BEB6AF

RGB 190 182 175

HSL 28, 0.1%, 0.72%

LAB 74.51, 1.59, 4.56

 

CMYK 7 / 3 / 0 / 71

HEX #46494B

RGB 70 73 75

HSL 204, 0.03%, 0.28%

LAB 30.82, -0.77, -1.62

 

CMYK 7 / 3 / 0 / 63

HEX #575B5E

RGB 87 91 94

HSL 205.71, 0.04%, 0.35%

LAB 38.4, -0.91, -2.27

 

CMYK 8 / 4 / 0 / 56

HEX #686D71

RGB 104 109 113

HSL 206.67, 0.04%, 0.43%

LAB 45.73, -1.04, -2.89

 

CMYK 8 / 4 / 0 / 48

HEX #797F84

RGB 121 127 132

HSL 207.27, 0.04%, 0.5%

LAB 52.85, -1.17, -3.48

 

CMYK 9 / 4 / 0 / 41

HEX #8A9197

RGB 138 145 151

HSL 207.69, 0.06%, 0.57%

LAB 59.79, -1.3, -4.05

 

CMYK 19 / 9 / 0 / 69

HEX #414950

RGB 65 73 80

HSL 208, 0.1%, 0.28%

LAB 30.56, -1.5, -5.27

 

CMYK 21 / 10 / 0 / 76

HEX #30373D

RGB 48 55 61

HSL 207.69, 0.12%, 0.21%

LAB 22.65, -1.39, -4.74

 

CMYK 26 / 12 / 0 / 84

HEX #1F252A

RGB 31 37 42

HSL 207.27, 0.15%, 0.14%

LAB 14.3, -1.27, -4.21

 

CMYK 39 / 17 / 0 / 91

HEX #0E1317

RGB 14 19 23

HSL 206.67, 0.24%, 0.07%

LAB 5.61, -0.88, -3.21

 

CMYK 100 / 75 / 0 / 98

HEX #000104

RGB 0 1 4

HSL 225, 1%, 0.01%

LAB 0.28, 0.16, -1.23

 

CMYK 18 / 9 / 0 / 69

HEX #40474E

RGB 64 71 78

HSL 210, 0.1%, 0.28%

LAB 29.78, -1.12, -5.16

 

CMYK 18 / 13 / 0 / 69

HEX #40444E

RGB 64 68 78

HSL 222.86, 0.1%, 0.28%

LAB 28.84, 0.8, -6.57

 

CMYK 18 / 18 / 0 / 69

HEX #40404E

RGB 64 64 78

HSL 240, 0.1%, 0.28%

LAB 27.59, 3.4, -8.44

 

CMYK 13 / 18 / 0 / 69

HEX #44404E

RGB 68 64 78

HSL 257.14, 0.1%, 0.28%

LAB 27.97, 4.95, -7.83

 

CMYK 8 / 18 / 0 / 69

HEX #48404E

RGB 72 64 78

HSL 274.29, 0.1%, 0.28%

LAB 28.37, 6.53, -7.2

 

CMYK 18 / 9 / 0 / 69

HEX #40474E

RGB 64 71 78

HSL 210, 0.1%, 0.28%

LAB 29.78, -1.12, -5.16

 

CMYK 18 / 13 / 0 / 69

HEX #40444E

RGB 64 68 78

HSL 222.86, 0.1%, 0.28%

LAB 28.84, 0.8, -6.57

 

CMYK 18 / 18 / 0 / 69

HEX #40404E

RGB 64 64 78

HSL 240, 0.1%, 0.28%

LAB 27.59, 3.4, -8.44

 

CMYK 18 / 9 / 0 / 69

HEX #40474E

RGB 64 71 78

HSL 210, 0.1%, 0.28%

LAB 29.78, -1.12, -5.16

 

CMYK 42 / 20 / 0 / 65

HEX #34485A

RGB 52 72 90

HSL 208.42, 0.27%, 0.28%

LAB 29.67, -2.54, -13.14

 

CMYK 59 / 28 / 0 / 60

HEX #294965

RGB 41 73 101

HSL 208, 0.42%, 0.28%

LAB 29.85, -2.55, -19.94

 

CMYK 74 / 35 / 0 / 56

HEX #1D4A71

RGB 29 74 113

HSL 207.86, 0.59%, 0.28%

LAB 30.28, -1.11, -26.91

 

CMYK 85 / 40 / 0 / 51

HEX #124A7C

RGB 18 74 124

HSL 208.3, 0.75%, 0.28%

LAB 30.6, 1.89, -33.32

 

CMYK 18 / 9 / 0 / 69

HEX #40474E

RGB 64 71 78

HSL 210, 0.1%, 0.28%

LAB 29.78, -1.12, -5.16

 

CMYK 0 / 5 / 12 / 71

HEX #4B4742

RGB 75 71 66

HSL 33.33, 0.06%, 0.28%

LAB 30.39, 0.65, 3.6

 

CMYK 0 / 20 / 37 / 66

HEX #574637

RGB 87 70 55

HSL 28.13, 0.23%, 0.28%

LAB 31.07, 4.77, 11.78

 

CMYK 0 / 30 / 56 / 62

HEX #62452B

RGB 98 69 43

HSL 28.36, 0.39%, 0.28%

LAB 31.87, 9.09, 20.55

 

CMYK 0 / 38 / 71 / 57

HEX #6E4420

RGB 110 68 32

HSL 27.69, 0.55%, 0.28%

LAB 33.04, 14.48, 28.76

 

CMYK 18 / 0 / 1 / 69

HEX #404E4D

RGB 64 78 77

HSL 175.71, 0.1%, 0.28%

LAB 31.98, -5.75, -1.26

 

CMYK 18 / 4 / 0 / 69

HEX #404B4E

RGB 64 75 78

HSL 192.86, 0.1%, 0.28%

LAB 31.05, -3.65, -3.27

 

CMYK 18 / 9 / 0 / 69

HEX #40474E

RGB 64 71 78

HSL 210, 0.1%, 0.28%

LAB 29.78, -1.12, -5.16

 

CMYK 18 / 13 / 0 / 69

HEX #40444E

RGB 64 68 78

HSL 222.86, 0.1%, 0.28%

LAB 28.84, 0.8, -6.57

 

CMYK 18 / 18 / 0 / 69

HEX #40404E

RGB 64 64 78

HSL 240, 0.1%, 0.28%

LAB 27.59, 3.4, -8.44

 

CMYK 18 / 9 / 0 / 87

HEX #1B1E21

RGB 27 30 33

HSL 210, 0.1%, 0.12%

LAB 11.07, -0.57, -2.53

 

CMYK 18 / 7 / 0 / 78

HEX #2D3337

RGB 45 51 55

HSL 204, 0.1%, 0.2%

LAB 20.83, -1.53, -3.4

 

CMYK 18 / 9 / 0 / 69

HEX #40474E

RGB 64 71 78

HSL 210, 0.1%, 0.28%

LAB 29.78, -1.12, -5.16

 

CMYK 19 / 9 / 0 / 60

HEX #525C65

RGB 82 92 101

HSL 208.42, 0.1%, 0.36%

LAB 38.53, -1.74, -6.47

 

CMYK 18 / 8 / 0 / 52

HEX #65717B

RGB 101 113 123

HSL 207.27, 0.1%, 0.44%

LAB 46.98, -2.2, -7.05

 

CMYK 19 / 9 / 0 / 69

HEX #414950

RGB 65 73 80

HSL 208, 0.1%, 0.28%

LAB 30.56, -1.5, -5.27

 

CMYK 6 / 18 / 0 / 69

HEX #49404E

RGB 73 64 78

HSL 278.57, 0.1%, 0.28%

LAB 28.47, 6.93, -7.03

 

CMYK 1 / 0 / 18 / 69

HEX #4D4E40

RGB 77 78 64

HSL 64.29, 0.1%, 0.28%

LAB 32.69, -3.23, 8.17

 

CMYK 19 / 9 / 0 / 69

HEX #414950

RGB 65 73 80

HSL 208, 0.1%, 0.28%

LAB 30.56, -1.5, -5.27

 

CMYK 0 / 18 / 9 / 69

HEX #4E4047

RGB 78 64 71

HSL 330, 0.1%, 0.28%

LAB 28.75, 7.43, -1.99

 

CMYK 9 / 0 / 18 / 69

HEX #474E40

RGB 71 78 64

HSL 90, 0.1%, 0.28%

LAB 32.17, -5.81, 7.35

 

CMYK 19 / 9 / 0 / 69

HEX #414950

RGB 65 73 80

HSL 208, 0.1%, 0.28%

LAB 30.56, -1.5, -5.27

 

CMYK 6 / 18 / 0 / 69

HEX #49404E

RGB 73 64 78

HSL 278.57, 0.1%, 0.28%

LAB 28.47, 6.93, -7.03

 

CMYK 0 / 10 / 18 / 69

HEX #4E4640

RGB 78 70 64

HSL 25.71, 0.1%, 0.28%

LAB 30.33, 2.2, 4.84

 

CMYK 12 / 0 / 18 / 69

HEX #454E40

RGB 69 78 64

HSL 98.57, 0.1%, 0.28%

LAB 32, -6.66, 7.09

 

CMYK 19 / 9 / 0 / 69

HEX #414950

RGB 65 73 80

HSL 208, 0.1%, 0.28%

LAB 30.56, -1.5, -5.27

 

CMYK 0 / 18 / 0 / 69

HEX #4E404E

RGB 78 64 78

HSL 300, 0.1%, 0.28%

LAB 29, 8.94, -6.19

 

CMYK 0 / 10 / 18 / 69

HEX #4E4640

RGB 78 70 64

HSL 25.71, 0.1%, 0.28%

LAB 30.33, 2.2, 4.84

 

CMYK 18 / 0 / 18 / 69

HEX #404E40

RGB 64 78 64

HSL 120, 0.1%, 0.28%

LAB 31.6, -8.72, 6.47

 

Description

Color code: HEX #414950 | qconv.com Color code: HEX #414950 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 73 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 73 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 9 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 9% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - xcuze.me
Link: http://xcuze.me

43% - Сайт гильдий "И...
Link: http://giuna.net76.net

82% - MS v hokeji 2012 Fin...
Link: http://www.hokej2012.cz

91% - Program zápasů MS v ...
Link: http://www.hokej2012.cz

79% - FL Studio 11
Link: http://www.image-line.com

27% - Universitat de Valèn...
Link: http://www.uv.es

38% - 写真素材・ロイヤリティフリーストックフォ...
Link: http://pixta.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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