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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #414B85 it is the complementary color #BEB47A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #414B85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #414B85 shade: #464B80, #575D93, #686FA6, #7981B9 and #8A93CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #414B85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #414B85 shade: #414B85, #303972, #1F275F, #0E154C and #000339

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #414B85 shade: #414B85, #494185, #5C4185, #6E4185 and #804185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #414B85 shade: #414B85 and #414185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #414B85 shade matches the following richer shades: #414B85, #314095, #2134A5, #1129B5 and #011EC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #414B85 shade: #414B85, #515675, #616265, #716D54 and #827944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #414B85 shade: #416F85, #415D85, #414B85, #494185 and #5B4185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #414B85 shade: #262C4D, #343B69, #414B85, #4F5BA0 and #6571B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #414B85 shade: #414B85, #854181 and #668541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #414B85 shade: #414B85, #85414B and #4B8541

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #414B85 shade: #414B85, #854181, #857B41 and #418545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #414B85 shade: #414B85, #85416D, #857B41 and #418559

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

Complementary color

CMYK 0 / 5 / 36 / 25

HEX #BEB47A

RGB 190 180 122

HSL 51.18, 0.34%, 0.61%

LAB 72.89, -5.14, 30.9

 

CMYK 45 / 41 / 0 / 50

HEX #464B80

RGB 70 75 128

HSL 234.83, 0.29%, 0.39%

LAB 33.76, 12.9, -30.63

 

CMYK 41 / 37 / 0 / 42

HEX #575D93

RGB 87 93 147

HSL 234, 0.26%, 0.46%

LAB 41.15, 11.99, -30.46

 

CMYK 37 / 33 / 0 / 35

HEX #686FA6

RGB 104 111 166

HSL 233.23, 0.26%, 0.53%

LAB 48.34, 11.26, -30.38

 

CMYK 35 / 30 / 0 / 27

HEX #7981B9

RGB 121 129 185

HSL 232.5, 0.31%, 0.6%

LAB 55.35, 10.64, -30.36

 

CMYK 32 / 28 / 0 / 20

HEX #8A93CC

RGB 138 147 204

HSL 231.82, 0.39%, 0.67%

LAB 62.19, 10.12, -30.38

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 58 / 50 / 0 / 55

HEX #303972

RGB 48 57 114

HSL 231.82, 0.41%, 0.32%

LAB 26.07, 14.61, -34.18

 

CMYK 67 / 59 / 0 / 63

HEX #1F275F

RGB 31 39 95

HSL 232.5, 0.51%, 0.25%

LAB 18.23, 16.51, -34.55

 

CMYK 82 / 72 / 0 / 70

HEX #0E154C

RGB 14 21 76

HSL 233.23, 0.69%, 0.18%

LAB 10.19, 19.22, -34.83

 

CMYK 100 / 95 / 0 / 78

HEX #000339

RGB 0 3 57

HSL 236.84, 1%, 0.11%

LAB 3.26, 17.55, -32.73

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 45 / 51 / 0 / 48

HEX #494185

RGB 73 65 133

HSL 247.06, 0.34%, 0.39%

LAB 31.56, 21.82, -37.21

 

CMYK 31 / 51 / 0 / 48

HEX #5C4185

RGB 92 65 133

HSL 263.82, 0.34%, 0.39%

LAB 33.46, 27.03, -34.07

 

CMYK 17 / 51 / 0 / 48

HEX #6E4185

RGB 110 65 133

HSL 279.71, 0.34%, 0.39%

LAB 35.57, 32.33, -30.58

 

CMYK 4 / 51 / 0 / 48

HEX #804185

RGB 128 65 133

HSL 295.59, 0.34%, 0.39%

LAB 37.96, 37.79, -26.67

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 51 / 51 / 0 / 48

HEX #414185

RGB 65 65 133

HSL 240, 0.34%, 0.39%

LAB 30.87, 19.82, -38.34

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 67 / 57 / 0 / 42

HEX #314095

RGB 49 64 149

HSL 231, 0.51%, 0.39%

LAB 30.62, 22.88, -48.66

 

CMYK 80 / 68 / 0 / 35

HEX #2134A5

RGB 33 52 165

HSL 231.36, 0.67%, 0.39%

LAB 28.1, 34.77, -62.51

 

CMYK 91 / 77 / 0 / 29

HEX #1129B5

RGB 17 41 181

HSL 231.22, 0.83%, 0.39%

LAB 26.85, 46.23, -74.2

 

CMYK 99 / 85 / 0 / 23

HEX #011EC5

RGB 1 30 197

HSL 231.12, 0.99%, 0.39%

LAB 26.64, 56.54, -84.04

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 31 / 26 / 0 / 54

HEX #515675

RGB 81 86 117

HSL 231.67, 0.18%, 0.39%

LAB 37.28, 5.86, -18.26

 

CMYK 4 / 3 / 0 / 60

HEX #616265

RGB 97 98 101

HSL 225, 0.02%, 0.39%

LAB 41.56, 0.25, -1.84

 

CMYK 0 / 4 / 26 / 56

HEX #716D54

RGB 113 109 84

HSL 51.72, 0.15%, 0.39%

LAB 45.75, -2.89, 14.56

 

CMYK 0 / 7 / 48 / 49

HEX #827944

RGB 130 121 68

HSL 51.29, 0.31%, 0.39%

LAB 50.5, -4.43, 30.18

 

CMYK 51 / 17 / 0 / 48

HEX #416F85

RGB 65 111 133

HSL 199.41, 0.34%, 0.39%

LAB 44.5, -9.26, -16.99

 

CMYK 51 / 30 / 0 / 48

HEX #415D85

RGB 65 93 133

HSL 215.29, 0.34%, 0.39%

LAB 38.98, 1.62, -25.52

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 45 / 51 / 0 / 48

HEX #494185

RGB 73 65 133

HSL 247.06, 0.34%, 0.39%

LAB 31.56, 21.82, -37.21

 

CMYK 32 / 51 / 0 / 48

HEX #5B4185

RGB 91 65 133

HSL 262.94, 0.34%, 0.39%

LAB 33.35, 26.74, -34.25

 

CMYK 51 / 43 / 0 / 70

HEX #262C4D

RGB 38 44 77

HSL 230.77, 0.34%, 0.23%

LAB 19.01, 7.8, -21.22

 

CMYK 50 / 44 / 0 / 59

HEX #343B69

RGB 52 59 105

HSL 232.08, 0.34%, 0.31%

LAB 26.38, 11.06, -27.9

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 51 / 43 / 0 / 37

HEX #4F5BA0

RGB 79 91 160

HSL 231.11, 0.34%, 0.47%

LAB 40.71, 15.22, -38.99

 

CMYK 44 / 37 / 0 / 30

HEX #6571B3

RGB 101 113 179

HSL 230.77, 0.34%, 0.55%

LAB 49.29, 13.01, -36.48

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 0 / 51 / 3 / 48

HEX #854181

RGB 133 65 129

HSL 303.53, 0.34%, 0.39%

LAB 38.47, 38.55, -23.36

 

CMYK 23 / 0 / 51 / 48

HEX #668541

RGB 102 133 65

HSL 87.35, 0.34%, 0.39%

LAB 51.82, -23.19, 32.89

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 0 / 51 / 44 / 48

HEX #85414B

RGB 133 65 75

HSL 351.18, 0.34%, 0.39%

LAB 36.51, 30.18, 7.57

 

CMYK 44 / 0 / 51 / 48

HEX #4B8541

RGB 75 133 65

HSL 111.18, 0.34%, 0.39%

LAB 50.28, -33.17, 30.66

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 0 / 51 / 3 / 48

HEX #854181

RGB 133 65 129

HSL 303.53, 0.34%, 0.39%

LAB 38.47, 38.55, -23.36

 

CMYK 0 / 8 / 51 / 48

HEX #857B41

RGB 133 123 65

HSL 51.18, 0.34%, 0.39%

LAB 51.31, -4.53, 32.85

 

CMYK 51 / 0 / 48 / 48

HEX #418545

RGB 65 133 69

HSL 123.53, 0.34%, 0.39%

LAB 49.89, -35.71, 27.95

 

CMYK 51 / 44 / 0 / 48

HEX #414B85

RGB 65 75 133

HSL 231.18, 0.34%, 0.39%

LAB 33.67, 13.22, -33.88

 

CMYK 0 / 51 / 18 / 48

HEX #85416D

RGB 133 65 109

HSL 321.18, 0.34%, 0.39%

LAB 37.61, 35, -12.26

 

CMYK 0 / 8 / 51 / 48

HEX #857B41

RGB 133 123 65

HSL 51.18, 0.34%, 0.39%

LAB 51.31, -4.53, 32.85

 

CMYK 51 / 0 / 33 / 48

HEX #418559

RGB 65 133 89

HSL 141.18, 0.34%, 0.39%

LAB 50.24, -32.13, 17.28

 

Description

Color code: HEX #414B85 | qconv.com Color code: HEX #414B85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 75 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 75 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 44 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 44% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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