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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41507B it is the complementary color #BEAF84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41507B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41507B shade: #465076, #576289, #68749C, #7986AF and #8A98C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41507B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41507B shade: #41507B, #303E68, #1F2C55, #0E1A42 and #00082F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41507B shade: #41507B, #41417B, #51417B, #61417B and #71417B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41507B shade: #41507B and #41417B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41507B shade matches the following richer shades: #41507B, #31488A, #22419A, #133AA9 and #0432B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41507B shade: #41507B, #50576C, #5F5E5D, #6E664D and #7E6D3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41507B shade: #416F7B, #41607B, #41507B, #41417B and #50417B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41507B shade: #242D45, #323E60, #41507B, #4F6196 and #6275AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41507B shade: #41507B, #77417B and #687B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41507B shade: #41507B, #7B4150 and #507B41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41507B shade: #41507B, #77417B, #7B6B41 and #457B41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41507B shade: #41507B, #7B416D, #7B6B41 and #417B4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

Complementary color

CMYK 0 / 8 / 31 / 25

HEX #BEAF84

RGB 190 175 132

HSL 44.48, 0.31%, 0.63%

LAB 71.74, -1.23, 24.04

 

CMYK 41 / 32 / 0 / 54

HEX #465076

RGB 70 80 118

HSL 227.5, 0.26%, 0.37%

LAB 34.7, 6.51, -22.95

 

CMYK 36 / 28 / 0 / 46

HEX #576289

RGB 87 98 137

HSL 226.8, 0.22%, 0.44%

LAB 42.1, 5.93, -22.97

 

CMYK 33 / 26 / 0 / 39

HEX #68749C

RGB 104 116 156

HSL 226.15, 0.21%, 0.51%

LAB 49.29, 5.45, -23.04

 

CMYK 31 / 23 / 0 / 31

HEX #7986AF

RGB 121 134 175

HSL 225.56, 0.25%, 0.58%

LAB 56.3, 5.05, -23.16

 

CMYK 29 / 22 / 0 / 24

HEX #8A98C2

RGB 138 152 194

HSL 225, 0.31%, 0.65%

LAB 63.14, 4.7, -23.32

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 54 / 40 / 0 / 59

HEX #303E68

RGB 48 62 104

HSL 225, 0.37%, 0.3%

LAB 26.94, 7.6, -26.4

 

CMYK 64 / 48 / 0 / 67

HEX #1F2C55

RGB 31 44 85

HSL 225.56, 0.47%, 0.23%

LAB 19.01, 8.95, -26.64

 

CMYK 79 / 61 / 0 / 74

HEX #0E1A42

RGB 14 26 66

HSL 226.15, 0.65%, 0.16%

LAB 10.74, 11.08, -26.96

 

CMYK 100 / 83 / 0 / 82

HEX #00082F

RGB 0 8 47

HSL 229.79, 1%, 0.09%

LAB 3.42, 9.82, -25.06

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 47 / 47 / 0 / 52

HEX #41417B

RGB 65 65 123

HSL 240, 0.31%, 0.37%

LAB 30.24, 16.52, -33.12

 

CMYK 34 / 47 / 0 / 52

HEX #51417B

RGB 81 65 123

HSL 256.55, 0.31%, 0.37%

LAB 31.72, 21.03, -30.69

 

CMYK 21 / 47 / 0 / 52

HEX #61417B

RGB 97 65 123

HSL 273.1, 0.31%, 0.37%

LAB 33.46, 25.92, -27.82

 

CMYK 8 / 47 / 0 / 52

HEX #71417B

RGB 113 65 123

HSL 289.66, 0.31%, 0.37%

LAB 35.44, 31, -24.57

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 47 / 47 / 0 / 52

HEX #41417B

RGB 65 65 123

HSL 240, 0.31%, 0.37%

LAB 30.24, 16.52, -33.12

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 64 / 48 / 0 / 46

HEX #31488A

RGB 49 72 138

HSL 224.49, 0.48%, 0.37%

LAB 32.08, 13.42, -39.55

 

CMYK 78 / 58 / 0 / 40

HEX #22419A

RGB 34 65 154

HSL 224.5, 0.64%, 0.37%

LAB 30.53, 22, -51.88

 

CMYK 89 / 66 / 0 / 34

HEX #133AA9

RGB 19 58 169

HSL 224.4, 0.8%, 0.37%

LAB 29.49, 31.36, -62.67

 

CMYK 98 / 73 / 0 / 28

HEX #0432B8

RGB 4 50 184

HSL 224.67, 0.96%, 0.37%

LAB 28.82, 41.61, -72.73

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 26 / 19 / 0 / 58

HEX #50576C

RGB 80 87 108

HSL 225, 0.15%, 0.37%

LAB 37.12, 2.44, -12.94

 

CMYK 0 / 1 / 2 / 63

HEX #5F5E5D

RGB 95 94 93

HSL 30, 0.01%, 0.37%

LAB 39.96, 0.19, 0.71

 

CMYK 0 / 7 / 30 / 57

HEX #6E664D

RGB 110 102 77

HSL 45.45, 0.18%, 0.37%

LAB 43.29, -1.15, 15.3

 

CMYK 0 / 13 / 51 / 51

HEX #7E6D3E

RGB 126 109 62

HSL 44.06, 0.34%, 0.37%

LAB 46.61, 0, 28.57

 

CMYK 47 / 10 / 0 / 52

HEX #416F7B

RGB 65 111 123

HSL 192.41, 0.31%, 0.37%

LAB 44.12, -12.28, -11.57

 

CMYK 47 / 22 / 0 / 52

HEX #41607B

RGB 65 96 123

HSL 207.93, 0.31%, 0.37%

LAB 39.44, -3.43, -18.7

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 47 / 47 / 0 / 52

HEX #41417B

RGB 65 65 123

HSL 240, 0.31%, 0.37%

LAB 30.24, 16.52, -33.12

 

CMYK 35 / 47 / 0 / 52

HEX #50417B

RGB 80 65 123

HSL 255.52, 0.31%, 0.37%

LAB 31.62, 20.73, -30.85

 

CMYK 48 / 35 / 0 / 73

HEX #242D45

RGB 36 45 69

HSL 223.64, 0.31%, 0.21%

LAB 18.72, 3.66, -16.26

 

CMYK 48 / 35 / 0 / 62

HEX #323E60

RGB 50 62 96

HSL 224.35, 0.32%, 0.29%

LAB 26.64, 5.39, -21.71

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 47 / 35 / 0 / 41

HEX #4F6196

RGB 79 97 150

HSL 224.79, 0.31%, 0.45%

LAB 41.87, 8.22, -31.18

 

CMYK 43 / 32 / 0 / 33

HEX #6275AC

RGB 98 117 172

HSL 224.59, 0.31%, 0.53%

LAB 49.86, 7.7, -31.54

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 3 / 47 / 0 / 52

HEX #77417B

RGB 119 65 123

HSL 295.86, 0.31%, 0.37%

LAB 36.24, 32.93, -23.27

 

CMYK 15 / 0 / 47 / 52

HEX #687B41

RGB 104 123 65

HSL 79.66, 0.31%, 0.37%

LAB 48.87, -17.17, 29.31

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 0 / 47 / 35 / 52

HEX #7B4150

RGB 123 65 80

HSL 344.48, 0.31%, 0.37%

LAB 35.14, 26.9, 2.25

 

CMYK 35 / 0 / 47 / 52

HEX #507B41

RGB 80 123 65

HSL 104.48, 0.31%, 0.37%

LAB 47.3, -26.68, 27.02

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 3 / 47 / 0 / 52

HEX #77417B

RGB 119 65 123

HSL 295.86, 0.31%, 0.37%

LAB 36.24, 32.93, -23.27

 

CMYK 0 / 13 / 47 / 52

HEX #7B6B41

RGB 123 107 65

HSL 43.45, 0.31%, 0.37%

LAB 45.78, 0.13, 25.8

 

CMYK 44 / 0 / 47 / 52

HEX #457B41

RGB 69 123 65

HSL 115.86, 0.31%, 0.37%

LAB 46.73, -30.53, 26.17

 

CMYK 47 / 35 / 0 / 52

HEX #41507B

RGB 65 80 123

HSL 224.48, 0.31%, 0.37%

LAB 34.58, 6.65, -26.26

 

CMYK 0 / 47 / 11 / 52

HEX #7B416D

RGB 123 65 109

HSL 314.48, 0.31%, 0.37%

LAB 36.17, 31.55, -14.59

 

CMYK 0 / 13 / 47 / 52

HEX #7B6B41

RGB 123 107 65

HSL 43.45, 0.31%, 0.37%

LAB 45.78, 0.13, 25.8

 

CMYK 47 / 0 / 37 / 52

HEX #417B4E

RGB 65 123 78

HSL 133.45, 0.31%, 0.37%

LAB 46.76, -29.57, 18.88

 

Description

Color code: HEX #41507B | qconv.com Color code: HEX #41507B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 80 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 80 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 35 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 35% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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