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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4165B9 it is the complementary color #BE9A46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4165B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4165B9 shade: #4665B4, #5777C7, #6889DA, #799BED and #8AADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4165B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4165B9 shade: #4165B9, #3053A6, #1F4193, #0E2F80 and #001D6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4165B9 shade: #4064B8, #4044B8, #5D40B8, #7E40B8 and #9E40B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4165B9 shade: #4064B8, #4044B8 and #4040B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4165B9 shade matches the following richer shades: #4064B8, #2C5CCD, #1854E1 and #044CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4165B9 shade: #4064B8, #556DA4, #697590, #7D7D7C and #918568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4165B9 shade: #40A4B8, #4084B8, #4064B8, #4044B8 and #5C40B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4165B9 shade: #2B437B, #36549A, #4064B8, #5D7CC6 and #7B95D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4165B9 shade: #4165B9, #AC40B8 and #94B840

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4165B9 shade: #4165B9, #B84064 and #64B840

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4165B9 shade: #4165B9, #AC40B8, #B89440 and #4CB840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4165B9 shade: #4165B9, #B840A0, #B89440 and #40B858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 45 / 0 / 27

HEX #4165B9

RGB 65 101 185

HSL 222, 0.48%, 0.49%

LAB 44.14, 14.49, -48.28

 

Complementary color

CMYK 0 / 19 / 63 / 25

HEX #BE9A46

RGB 190 154 70

HSL 42, 0.48%, 0.51%

LAB 65.36, 3.89, 48.07

 

CMYK 61 / 44 / 0 / 29

HEX #4665B4

RGB 70 101 180

HSL 223.09, 0.44%, 0.49%

LAB 44.1, 13.65, -45.42

 

CMYK 56 / 40 / 0 / 22

HEX #5777C7

RGB 87 119 199

HSL 222.86, 0.5%, 0.56%

LAB 51.09, 12.32, -45.21

 

CMYK 52 / 37 / 0 / 15

HEX #6889DA

RGB 104 137 218

HSL 222.63, 0.61%, 0.63%

LAB 57.94, 11.23, -45.04

 

CMYK 49 / 35 / 0 / 7

HEX #799BED

RGB 121 155 237

HSL 222.41, 0.76%, 0.7%

LAB 64.66, 10.34, -44.92

 

CMYK 46 / 32 / 0 / 0

HEX #8AADFF

RGB 138 173 255

HSL 222.05, 1%, 0.77%

LAB 71.22, 9.29, -44.36

 

CMYK 65 / 45 / 0 / 27

HEX #4165B9

RGB 65 101 185

HSL 222, 0.48%, 0.49%

LAB 44.14, 14.49, -48.28

 

CMYK 71 / 50 / 0 / 35

HEX #3053A6

RGB 48 83 166

HSL 222.2, 0.55%, 0.42%

LAB 37.06, 16.41, -48.51

 

CMYK 79 / 56 / 0 / 42

HEX #1F4193

RGB 31 65 147

HSL 222.41, 0.65%, 0.35%

LAB 29.86, 18.89, -48.7

 

CMYK 89 / 63 / 0 / 50

HEX #0E2F80

RGB 14 47 128

HSL 222.63, 0.8%, 0.28%

LAB 22.6, 22.13, -48.75

 

CMYK 100 / 73 / 0 / 57

HEX #001D6D

RGB 0 29 109

HSL 224.04, 1%, 0.21%

LAB 15.4, 26.11, -48.43

 

CMYK 65 / 46 / 0 / 28

HEX #4064B8

RGB 64 100 184

HSL 222, 0.48%, 0.49%

LAB 43.75, 14.59, -48.33

 

CMYK 65 / 63 / 0 / 28

HEX #4044B8

RGB 64 68 184

HSL 238, 0.48%, 0.49%

LAB 35.37, 35.08, -61.88

 

CMYK 49 / 65 / 0 / 28

HEX #5D40B8

RGB 93 64 184

HSL 254.5, 0.48%, 0.49%

LAB 36.85, 42.42, -59.37

 

CMYK 32 / 65 / 0 / 28

HEX #7E40B8

RGB 126 64 184

HSL 271, 0.48%, 0.49%

LAB 40.51, 49.22, -53.25

 

CMYK 14 / 65 / 0 / 28

HEX #9E40B8

RGB 158 64 184

HSL 287, 0.48%, 0.49%

LAB 44.8, 56.53, -46.15

 

CMYK 65 / 46 / 0 / 28

HEX #4064B8

RGB 64 100 184

HSL 222, 0.48%, 0.49%

LAB 43.75, 14.59, -48.33

 

CMYK 65 / 63 / 0 / 28

HEX #4044B8

RGB 64 68 184

HSL 238, 0.48%, 0.49%

LAB 35.37, 35.08, -61.88

 

CMYK 65 / 65 / 0 / 28

HEX #4040B8

RGB 64 64 184

HSL 240, 0.48%, 0.49%

LAB 34.43, 37.56, -63.41

 

CMYK 65 / 46 / 0 / 28

HEX #4064B8

RGB 64 100 184

HSL 222, 0.48%, 0.49%

LAB 43.75, 14.59, -48.33

 

CMYK 79 / 55 / 0 / 20

HEX #2C5CCD

RGB 44 92 205

HSL 222.11, 0.65%, 0.49%

LAB 42.15, 24.77, -63.12

 

CMYK 89 / 63 / 0 / 12

HEX #1854E1

RGB 24 84 225

HSL 222.09, 0.81%, 0.49%

LAB 41.17, 36.05, -76.19

 

CMYK 98 / 69 / 0 / 4

HEX #044CF5

RGB 4 76 245

HSL 222.07, 0.97%, 0.49%

LAB 40.88, 47.79, -87.99

 

CMYK 65 / 46 / 0 / 28

HEX #4064B8

RGB 64 100 184

HSL 222, 0.48%, 0.49%

LAB 43.75, 14.59, -48.33

 

CMYK 48 / 34 / 0 / 36

HEX #556DA4

RGB 85 109 164

HSL 221.77, 0.32%, 0.49%

LAB 46.38, 6.73, -32.38

 

CMYK 27 / 19 / 0 / 44

HEX #697590

RGB 105 117 144

HSL 221.54, 0.16%, 0.49%

LAB 49.18, 1.99, -16.16

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 0 / 8 / 28 / 43

HEX #918568

RGB 145 133 104

HSL 42.44, 0.16%, 0.49%

LAB 55.88, -0.24, 17.3

 

CMYK 65 / 11 / 0 / 28

HEX #40A4B8

RGB 64 164 184

HSL 190, 0.48%, 0.49%

LAB 62.59, -22.55, -18.88

 

CMYK 65 / 28 / 0 / 28

HEX #4084B8

RGB 64 132 184

HSL 206, 0.48%, 0.49%

LAB 53.01, -5, -33.67

 

CMYK 65 / 46 / 0 / 28

HEX #4064B8

RGB 64 100 184

HSL 222, 0.48%, 0.49%

LAB 43.75, 14.59, -48.33

 

CMYK 65 / 63 / 0 / 28

HEX #4044B8

RGB 64 68 184

HSL 238, 0.48%, 0.49%

LAB 35.37, 35.08, -61.88

 

CMYK 50 / 65 / 0 / 28

HEX #5C40B8

RGB 92 64 184

HSL 254, 0.48%, 0.49%

LAB 36.75, 42.23, -59.53

 

CMYK 65 / 46 / 0 / 52

HEX #2B437B

RGB 43 67 123

HSL 222, 0.48%, 0.33%

LAB 29.31, 10, -34.7

 

CMYK 65 / 45 / 0 / 40

HEX #36549A

RGB 54 84 154

HSL 222, 0.48%, 0.41%

LAB 36.85, 12.29, -41.63

 

CMYK 65 / 46 / 0 / 28

HEX #4064B8

RGB 64 100 184

HSL 222, 0.48%, 0.49%

LAB 43.75, 14.59, -48.33

 

CMYK 53 / 37 / 0 / 22

HEX #5D7CC6

RGB 93 124 198

HSL 222.29, 0.48%, 0.57%

LAB 52.75, 10.26, -41.98

 

CMYK 41 / 28 / 0 / 18

HEX #7B95D0

RGB 123 149 208

HSL 221.65, 0.47%, 0.65%

LAB 61.88, 5.89, -33.19

 

CMYK 65 / 45 / 0 / 27

HEX #4165B9

RGB 65 101 185

HSL 222, 0.48%, 0.49%

LAB 44.14, 14.49, -48.28

 

CMYK 7 / 65 / 0 / 28

HEX #AC40B8

RGB 172 64 184

HSL 294, 0.48%, 0.49%

LAB 46.84, 59.83, -42.77

 

CMYK 20 / 0 / 65 / 28

HEX #94B840

RGB 148 184 64

HSL 78, 0.48%, 0.49%

LAB 70.14, -29.8, 54.92

 

CMYK 65 / 45 / 0 / 27

HEX #4165B9

RGB 65 101 185

HSL 222, 0.48%, 0.49%

LAB 44.14, 14.49, -48.28

 

CMYK 0 / 65 / 46 / 28

HEX #B84064

RGB 184 64 100

HSL 342, 0.48%, 0.49%

LAB 45.33, 51.25, 5.64

 

CMYK 46 / 0 / 65 / 28

HEX #64B840

RGB 100 184 64

HSL 102, 0.48%, 0.49%

LAB 67.55, -47.09, 51.37

 

CMYK 65 / 45 / 0 / 27

HEX #4165B9

RGB 65 101 185

HSL 222, 0.48%, 0.49%

LAB 44.14, 14.49, -48.28

 

CMYK 7 / 65 / 0 / 28

HEX #AC40B8

RGB 172 64 184

HSL 294, 0.48%, 0.49%

LAB 46.84, 59.83, -42.77

 

CMYK 0 / 20 / 65 / 28

HEX #B89440

RGB 184 148 64

HSL 42, 0.48%, 0.49%

LAB 63.13, 4.15, 48.26

 

CMYK 59 / 0 / 65 / 28

HEX #4CB840

RGB 76 184 64

HSL 114, 0.48%, 0.49%

LAB 66.66, -53.81, 50.15

 

CMYK 65 / 45 / 0 / 27

HEX #4165B9

RGB 65 101 185

HSL 222, 0.48%, 0.49%

LAB 44.14, 14.49, -48.28

 

CMYK 0 / 65 / 13 / 28

HEX #B840A0

RGB 184 64 160

HSL 312, 0.48%, 0.49%

LAB 47.49, 58.82, -27.47

 

CMYK 0 / 20 / 65 / 28

HEX #B89440

RGB 184 148 64

HSL 42, 0.48%, 0.49%

LAB 63.13, 4.15, 48.26

 

CMYK 65 / 0 / 52 / 28

HEX #40B858

RGB 64 184 88

HSL 132, 0.48%, 0.49%

LAB 66.58, -53.59, 38.88

 

Description

Color code: HEX #4165B9 | qconv.com Color code: HEX #4165B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 101 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 101 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 45 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 45% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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