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Color name
HEX #4167C3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4167C3 it is the complementary color #BE983C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4167C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4167C3 shade: #4667BE, #5779D1, #688BE4, #799DF7 and #8AAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4167C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4167C3 shade: #4167C3, #3055B0, #1F439D, #0E318A and #001F77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4167C3 shade: #4167C3, #4144C3, #6141C3, #8441C3 and #A741C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4167C3 shade: #4167C3, #4144C3 and #4141C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4167C3 shade matches the following richer shades: #4167C3, #2C5ED7 and #1856EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4167C3 shade: #4167C3, #556FAE, #69779A, #7D8086 and #918872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4167C3 shade: #41ADC3, #418AC3, #4168C3, #4145C3 and #5F41C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4167C3 shade: #2A4586, #3455A6, #4167C3, #6080CC and #7F99D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4167C3 shade: #4167C3, #B641C3 and #9CC341

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4167C3 shade: #4167C3, #C34168 and #68C341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4167C3 shade: #4167C3, #B641C3, #C39C41 and #4EC341

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4167C3 shade: #4167C3, #C341A9, #C39C41 and #41C35B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

Complementary color

CMYK 0 / 20 / 68 / 25

HEX #BE983C

RGB 190 152 60

HSL 42.46, 0.52%, 0.49%

LAB 64.75, 4.36, 52

 

CMYK 63 / 46 / 0 / 25

HEX #4667BE

RGB 70 103 190

HSL 223.5, 0.48%, 0.51%

LAB 45.25, 15.88, -49.39

 

CMYK 58 / 42 / 0 / 18

HEX #5779D1

RGB 87 121 209

HSL 223.28, 0.57%, 0.58%

LAB 52.18, 14.4, -49.16

 

CMYK 54 / 39 / 0 / 11

HEX #688BE4

RGB 104 139 228

HSL 223.06, 0.7%, 0.65%

LAB 58.98, 13.19, -48.97

 

CMYK 51 / 36 / 0 / 3

HEX #799DF7

RGB 121 157 247

HSL 222.86, 0.89%, 0.72%

LAB 65.67, 12.18, -48.82

 

CMYK 46 / 31 / 0 / 0

HEX #8AAFFF

RGB 138 175 255

HSL 221.03, 1%, 0.77%

LAB 71.75, 8.16, -43.54

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 73 / 52 / 0 / 31

HEX #3055B0

RGB 48 85 176

HSL 222.66, 0.57%, 0.44%

LAB 38.31, 18.86, -52.43

 

CMYK 80 / 57 / 0 / 38

HEX #1F439D

RGB 31 67 157

HSL 222.86, 0.67%, 0.37%

LAB 31.21, 21.49, -52.6

 

CMYK 90 / 64 / 0 / 46

HEX #0E318A

RGB 14 49 138

HSL 223.06, 0.82%, 0.3%

LAB 24.08, 24.84, -52.59

 

CMYK 100 / 74 / 0 / 53

HEX #001F77

RGB 0 31 119

HSL 224.37, 1%, 0.23%

LAB 17.05, 28.83, -52.17

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 67 / 65 / 0 / 24

HEX #4144C3

RGB 65 68 195

HSL 238.62, 0.52%, 0.51%

LAB 36.36, 38.97, -66.71

 

CMYK 50 / 67 / 0 / 24

HEX #6141C3

RGB 97 65 195

HSL 254.77, 0.52%, 0.51%

LAB 38.31, 45.79, -63.42

 

CMYK 32 / 67 / 0 / 24

HEX #8441C3

RGB 132 65 195

HSL 270.92, 0.52%, 0.51%

LAB 42.19, 52.66, -56.94

 

CMYK 14 / 67 / 0 / 24

HEX #A741C3

RGB 167 65 195

HSL 287.08, 0.52%, 0.51%

LAB 46.89, 60.33, -49.14

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 67 / 65 / 0 / 24

HEX #4144C3

RGB 65 68 195

HSL 238.62, 0.52%, 0.51%

LAB 36.36, 38.97, -66.71

 

CMYK 67 / 67 / 0 / 24

HEX #4141C3

RGB 65 65 195

HSL 240, 0.52%, 0.51%

LAB 35.68, 40.79, -67.82

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 80 / 56 / 0 / 16

HEX #2C5ED7

RGB 44 94 215

HSL 222.46, 0.68%, 0.51%

LAB 43.43, 27.24, -66.77

 

CMYK 90 / 63 / 0 / 8

HEX #1856EB

RGB 24 86 235

HSL 222.37, 0.84%, 0.51%

LAB 42.53, 38.51, -79.62

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 51 / 36 / 0 / 32

HEX #556FAE

RGB 85 111 174

HSL 222.47, 0.35%, 0.51%

LAB 47.44, 8.66, -36.56

 

CMYK 32 / 23 / 0 / 40

HEX #69779A

RGB 105 119 154

HSL 222.86, 0.2%, 0.51%

LAB 50.13, 3.43, -20.57

 

CMYK 7 / 4 / 0 / 47

HEX #7D8086

RGB 125 128 134

HSL 220, 0.04%, 0.51%

LAB 53.51, 0.13, -3.64

 

CMYK 0 / 6 / 21 / 43

HEX #918872

RGB 145 136 114

HSL 42.58, 0.12%, 0.51%

LAB 56.92, -0.42, 13.04

 

CMYK 67 / 11 / 0 / 24

HEX #41ADC3

RGB 65 173 195

HSL 190.15, 0.52%, 0.51%

LAB 65.71, -23.62, -20.27

 

CMYK 67 / 29 / 0 / 24

HEX #418AC3

RGB 65 138 195

HSL 206.31, 0.52%, 0.51%

LAB 55.32, -4.57, -36.32

 

CMYK 67 / 47 / 0 / 24

HEX #4168C3

RGB 65 104 195

HSL 222, 0.52%, 0.51%

LAB 45.59, 16.15, -51.76

 

CMYK 67 / 65 / 0 / 24

HEX #4145C3

RGB 65 69 195

HSL 238.15, 0.52%, 0.51%

LAB 36.59, 38.35, -66.33

 

CMYK 51 / 67 / 0 / 24

HEX #5F41C3

RGB 95 65 195

HSL 253.85, 0.52%, 0.51%

LAB 38.12, 45.44, -63.75

 

CMYK 69 / 49 / 0 / 47

HEX #2A4586

RGB 42 69 134

HSL 222.39, 0.52%, 0.35%

LAB 30.57, 12.64, -39.53

 

CMYK 69 / 49 / 0 / 35

HEX #3455A6

RGB 52 85 166

HSL 222.63, 0.52%, 0.43%

LAB 37.81, 15.71, -47.29

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 53 / 37 / 0 / 20

HEX #6080CC

RGB 96 128 204

HSL 222.22, 0.51%, 0.59%

LAB 54.33, 10.42, -42.89

 

CMYK 41 / 29 / 0 / 16

HEX #7F99D6

RGB 127 153 214

HSL 222.07, 0.51%, 0.67%

LAB 63.47, 6.32, -34.05

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 7 / 67 / 0 / 24

HEX #B641C3

RGB 182 65 195

HSL 294, 0.52%, 0.51%

LAB 49.09, 63.74, -45.5

 

CMYK 20 / 0 / 67 / 24

HEX #9CC341

RGB 156 195 65

HSL 78, 0.52%, 0.51%

LAB 73.86, -31.75, 58.58

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 0 / 67 / 47 / 24

HEX #C34168

RGB 195 65 104

HSL 342, 0.52%, 0.51%

LAB 47.47, 54.67, 6.51

 

CMYK 47 / 0 / 67 / 24

HEX #68C341

RGB 104 195 65

HSL 102, 0.52%, 0.51%

LAB 71.11, -50.18, 54.85

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 7 / 67 / 0 / 24

HEX #B641C3

RGB 182 65 195

HSL 294, 0.52%, 0.51%

LAB 49.09, 63.74, -45.5

 

CMYK 0 / 20 / 67 / 24

HEX #C39C41

RGB 195 156 65

HSL 42, 0.52%, 0.51%

LAB 66.34, 4.67, 51.6

 

CMYK 60 / 0 / 67 / 24

HEX #4EC341

RGB 78 195 65

HSL 114, 0.52%, 0.51%

LAB 70.2, -57.23, 53.6

 

CMYK 67 / 47 / 0 / 24

HEX #4167C3

RGB 65 103 195

HSL 222.46, 0.52%, 0.51%

LAB 45.31, 16.78, -52.2

 

CMYK 0 / 67 / 13 / 24

HEX #C341A9

RGB 195 65 169

HSL 312, 0.52%, 0.51%

LAB 49.79, 62.63, -29.07

 

CMYK 0 / 20 / 67 / 24

HEX #C39C41

RGB 195 156 65

HSL 42, 0.52%, 0.51%

LAB 66.34, 4.67, 51.6

 

CMYK 67 / 0 / 53 / 24

HEX #41C35B

RGB 65 195 91

HSL 132, 0.52%, 0.51%

LAB 70.11, -56.98, 41.73

 

Description

Color code: HEX #4167C3 | qconv.com Color code: HEX #4167C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 103 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 103 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 47 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 47% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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