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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416018 it is the complementary color #BE9FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416018 shade: #466013, #577226, #688439, #79964C and #8AA85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416018 shade: #416018, #304E05, #1F3C00, #0E2A00 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416018 shade: #426118, #566118, #615918, #614618 and #613218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416018 shade: #426118, #2E6118, #1A6118, #18612A and #18613D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416018 shade matches the following richer shades: #426118, #436B0E and #457504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416018 shade: #426118, #405822, #3F4E2C, #3E4436 and #3C3A40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416018 shade: #615918, #566118, #436118, #2F6118 and #1C6118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416018 shade: #151F07, #2B4010, #426118, #588220 and #6FA328

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416018 shade: #416018, #186145 and #611860

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416018 shade: #416018, #184361 and #611843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416018 shade: #416018, #186145, #371861 and #611834

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416018 shade: #416018, #18615B, #371861 and #61181E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 75 / 62

HEX #416018

RGB 65 96 24

HSL 85.83, 0.6%, 0.24%

LAB 37.03, -23.83, 35.64

 

Complementary color

CMYK 18 / 31 / 0 / 9

HEX #BE9FE7

RGB 190 159 231

HSL 265.83, 0.6%, 0.76%

LAB 70.53, 25.34, -32.08

 

CMYK 27 / 0 / 80 / 62

HEX #466013

RGB 70 96 19

HSL 80.26, 0.67%, 0.23%

LAB 37.33, -22.02, 38.04

 

CMYK 24 / 0 / 67 / 55

HEX #577226

RGB 87 114 38

HSL 81.32, 0.5%, 0.3%

LAB 44.52, -22.5, 37.68

 

CMYK 21 / 0 / 57 / 48

HEX #688439

RGB 104 132 57

HSL 82.4, 0.4%, 0.37%

LAB 51.54, -22.75, 36.69

 

CMYK 19 / 0 / 49 / 41

HEX #79964C

RGB 121 150 76

HSL 83.51, 0.33%, 0.44%

LAB 58.41, -22.88, 35.51

 

CMYK 18 / 0 / 43 / 34

HEX #8AA85F

RGB 138 168 95

HSL 84.66, 0.3%, 0.52%

LAB 65.15, -22.93, 34.29

 

CMYK 32 / 0 / 75 / 62

HEX #416018

RGB 65 96 24

HSL 85.83, 0.6%, 0.24%

LAB 37.03, -23.83, 35.64

 

CMYK 38 / 0 / 94 / 69

HEX #304E05

RGB 48 78 5

HSL 84.66, 0.88%, 0.16%

LAB 29.63, -23.2, 35.32

 

CMYK 48 / 0 / 100 / 76

HEX #1F3C00

RGB 31 60 0

HSL 89, 1%, 0.12%

LAB 22.03, -21.83, 29.9

 

CMYK 67 / 0 / 100 / 84

HEX #0E2A00

RGB 14 42 0

HSL 100, 1%, 0.08%

LAB 14.11, -19.9, 20.26

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 32 / 0 / 75 / 62

HEX #426118

RGB 66 97 24

HSL 85.48, 0.6%, 0.24%

LAB 37.43, -23.91, 36.06

 

CMYK 11 / 0 / 75 / 62

HEX #566118

RGB 86 97 24

HSL 69.04, 0.6%, 0.24%

LAB 38.89, -14.96, 38

 

CMYK 0 / 8 / 75 / 62

HEX #615918

RGB 97 89 24

HSL 53.42, 0.6%, 0.24%

LAB 37.39, -5.09, 36.85

 

CMYK 0 / 28 / 75 / 62

HEX #614618

RGB 97 70 24

HSL 37.81, 0.6%, 0.24%

LAB 31.78, 6.44, 31.16

 

CMYK 0 / 48 / 75 / 62

HEX #613218

RGB 97 50 24

HSL 21.37, 0.6%, 0.24%

LAB 26.41, 18.83, 25.41

 

CMYK 32 / 0 / 75 / 62

HEX #426118

RGB 66 97 24

HSL 85.48, 0.6%, 0.24%

LAB 37.43, -23.91, 36.06

 

CMYK 53 / 0 / 75 / 62

HEX #2E6118

RGB 46 97 24

HSL 101.92, 0.6%, 0.24%

LAB 36.36, -31.52, 34.62

 

CMYK 73 / 0 / 75 / 62

HEX #1A6118

RGB 26 97 24

HSL 118.36, 0.6%, 0.24%

LAB 35.66, -37.04, 33.69

 

CMYK 75 / 0 / 57 / 62

HEX #18612A

RGB 24 97 42

HSL 134.79, 0.6%, 0.24%

LAB 35.81, -35.12, 24.88

 

CMYK 75 / 0 / 37 / 62

HEX #18613D

RGB 24 97 61

HSL 150.41, 0.6%, 0.24%

LAB 36.14, -31.42, 14.31

 

CMYK 32 / 0 / 75 / 62

HEX #426118

RGB 66 97 24

HSL 85.48, 0.6%, 0.24%

LAB 37.43, -23.91, 36.06

 

CMYK 37 / 0 / 87 / 58

HEX #436B0E

RGB 67 107 14

HSL 85.81, 0.77%, 0.24%

LAB 40.8, -28.93, 42.82

 

CMYK 41 / 0 / 97 / 54

HEX #457504

RGB 69 117 4

HSL 85.49, 0.93%, 0.24%

LAB 44.23, -33.09, 48.15

 

CMYK 32 / 0 / 75 / 62

HEX #426118

RGB 66 97 24

HSL 85.48, 0.6%, 0.24%

LAB 37.43, -23.91, 36.06

 

CMYK 27 / 0 / 61 / 65

HEX #405822

RGB 64 88 34

HSL 86.67, 0.44%, 0.24%

LAB 34.37, -19.2, 27.93

 

CMYK 19 / 0 / 44 / 69

HEX #3F4E2C

RGB 63 78 44

HSL 86.47, 0.28%, 0.24%

LAB 31.08, -12.79, 18.21

 

CMYK 9 / 0 / 21 / 73

HEX #3E4436

RGB 62 68 54

HSL 85.71, 0.11%, 0.24%

LAB 27.91, -5.5, 7.66

 

CMYK 6 / 9 / 0 / 75

HEX #3C3A40

RGB 60 58 64

HSL 260, 0.05%, 0.24%

LAB 24.82, 2.25, -3.4

 

CMYK 0 / 8 / 75 / 62

HEX #615918

RGB 97 89 24

HSL 53.42, 0.6%, 0.24%

LAB 37.39, -5.09, 36.85

 

CMYK 11 / 0 / 75 / 62

HEX #566118

RGB 86 97 24

HSL 69.04, 0.6%, 0.24%

LAB 38.89, -14.96, 38

 

CMYK 31 / 0 / 75 / 62

HEX #436118

RGB 67 97 24

HSL 84.66, 0.6%, 0.24%

LAB 37.5, -23.49, 36.15

 

CMYK 52 / 0 / 75 / 62

HEX #2F6118

RGB 47 97 24

HSL 101.1, 0.6%, 0.24%

LAB 36.4, -31.18, 34.68

 

CMYK 71 / 0 / 75 / 62

HEX #1C6118

RGB 28 97 24

HSL 116.71, 0.6%, 0.24%

LAB 35.72, -36.6, 33.76

 

CMYK 32 / 0 / 77 / 88

HEX #151F07

RGB 21 31 7

HSL 85, 0.63%, 0.07%

LAB 10.22, -9.74, 12.19

 

CMYK 33 / 0 / 75 / 75

HEX #2B4010

RGB 43 64 16

HSL 86.25, 0.6%, 0.16%

LAB 24.38, -17.39, 25.73

 

CMYK 32 / 0 / 75 / 62

HEX #426118

RGB 66 97 24

HSL 85.48, 0.6%, 0.24%

LAB 37.43, -23.91, 36.06

 

CMYK 32 / 0 / 75 / 49

HEX #588220

RGB 88 130 32

HSL 85.71, 0.6%, 0.32%

LAB 49.67, -30.38, 45.53

 

CMYK 32 / 0 / 75 / 36

HEX #6FA328

RGB 111 163 40

HSL 85.37, 0.61%, 0.4%

LAB 61.42, -36.13, 54.56

 

CMYK 32 / 0 / 75 / 62

HEX #416018

RGB 65 96 24

HSL 85.83, 0.6%, 0.24%

LAB 37.03, -23.83, 35.64

 

CMYK 75 / 0 / 29 / 62

HEX #186145

RGB 24 97 69

HSL 156.99, 0.6%, 0.24%

LAB 36.32, -29.5, 9.7

 

CMYK 0 / 75 / 1 / 62

HEX #611860

RGB 97 24 96

HSL 300.82, 0.6%, 0.24%

LAB 23.8, 41.64, -25.8

 

CMYK 32 / 0 / 75 / 62

HEX #416018

RGB 65 96 24

HSL 85.83, 0.6%, 0.24%

LAB 37.03, -23.83, 35.64

 

CMYK 75 / 31 / 0 / 62

HEX #184361

RGB 24 67 97

HSL 204.66, 0.6%, 0.24%

LAB 26.94, -3.64, -21.99

 

CMYK 0 / 75 / 31 / 62

HEX #611843

RGB 97 24 67

HSL 324.66, 0.6%, 0.24%

LAB 22.3, 36.93, -8.67

 

CMYK 32 / 0 / 75 / 62

HEX #416018

RGB 65 96 24

HSL 85.83, 0.6%, 0.24%

LAB 37.03, -23.83, 35.64

 

CMYK 75 / 0 / 29 / 62

HEX #186145

RGB 24 97 69

HSL 156.99, 0.6%, 0.24%

LAB 36.32, -29.5, 9.7

 

CMYK 43 / 75 / 0 / 62

HEX #371861

RGB 55 24 97

HSL 265.48, 0.6%, 0.24%

LAB 17.12, 32, -37.55

 

CMYK 0 / 75 / 46 / 62

HEX #611834

RGB 97 24 52

HSL 336.99, 0.6%, 0.24%

LAB 21.74, 35.05, 0.85

 

CMYK 32 / 0 / 75 / 62

HEX #416018

RGB 65 96 24

HSL 85.83, 0.6%, 0.24%

LAB 37.03, -23.83, 35.64

 

CMYK 75 / 0 / 6 / 62

HEX #18615B

RGB 24 97 91

HSL 175.07, 0.6%, 0.24%

LAB 36.93, -23.25, -2.97

 

CMYK 43 / 75 / 0 / 62

HEX #371861

RGB 55 24 97

HSL 265.48, 0.6%, 0.24%

LAB 17.12, 32, -37.55

 

CMYK 0 / 75 / 69 / 62

HEX #61181E

RGB 97 24 30

HSL 355.07, 0.6%, 0.24%

LAB 21.16, 33.1, 15.36

 

Description

Color code: HEX #416018 | qconv.com Color code: HEX #416018 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 96 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 96 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 75 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 75% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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