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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416152 it is the complementary color #BE9EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416152 shade: #46614D, #577360, #688573, #799786 and #8AA999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416152 shade: #416152, #304F3F, #1F3D2C, #0E2B19 and #001906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416152 shade: #416152, #416149, #416141, #4A6141 and #536141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416152 shade: #416152, #41615B, #415F61, #415661 and #414E61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416152 shade matches the following richer shades: #416152, #346F53, #267C54, #198955 and #0C9655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416152 shade: #416152, #4E5451, #5B4750, #683A50 and #762D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416152 shade: #416141, #416149, #416152, #41615A and #416061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416152 shade: #203028, #30493D, #416152, #517A67 and #62937C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416152 shade: #416152, #414A61 and #614541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416152 shade: #416152, #524161 and #615241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416152 shade: #416152, #414A61, #614151 and #615841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416152 shade: #416152, #414161, #614151 and #616141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

Complementary color

CMYK 0 / 17 / 9 / 25

HEX #BE9EAD

RGB 190 158 173

HSL 331.88, 0.2%, 0.68%

LAB 68.33, 14.33, -3.35

 

CMYK 28 / 0 / 21 / 62

HEX #46614D

RGB 70 97 77

HSL 135.56, 0.16%, 0.33%

LAB 38.53, -14.64, 8.21

 

CMYK 24 / 0 / 17 / 55

HEX #577360

RGB 87 115 96

HSL 139.29, 0.14%, 0.4%

LAB 45.81, -14.41, 7.23

 

CMYK 22 / 0 / 14 / 48

HEX #688573

RGB 104 133 115

HSL 142.76, 0.12%, 0.46%

LAB 52.9, -14.22, 6.33

 

CMYK 20 / 0 / 11 / 41

HEX #799786

RGB 121 151 134

HSL 146, 0.13%, 0.53%

LAB 59.82, -14.07, 5.51

 

CMYK 18 / 0 / 9 / 34

HEX #8AA999

RGB 138 169 153

HSL 149.03, 0.15%, 0.6%

LAB 66.58, -13.94, 4.73

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 39 / 0 / 20 / 69

HEX #304F3F

RGB 48 79 63

HSL 149.03, 0.24%, 0.25%

LAB 30.83, -15.61, 5.86

 

CMYK 49 / 0 / 28 / 76

HEX #1F3D2C

RGB 31 61 44

HSL 146, 0.33%, 0.18%

LAB 23.04, -15.91, 7.05

 

CMYK 67 / 0 / 42 / 83

HEX #0E2B19

RGB 14 43 25

HSL 142.76, 0.51%, 0.11%

LAB 14.91, -16.13, 8.53

 

CMYK 100 / 0 / 76 / 90

HEX #001906

RGB 0 25 6

HSL 134.4, 1%, 0.05%

LAB 6.4, -12, 6.9

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 33 / 0 / 25 / 62

HEX #416149

RGB 65 97 73

HSL 135, 0.2%, 0.32%

LAB 38.12, -17.32, 10.03

 

CMYK 33 / 0 / 33 / 62

HEX #416141

RGB 65 97 65

HSL 120, 0.2%, 0.32%

LAB 37.94, -18.92, 14.63

 

CMYK 24 / 0 / 33 / 62

HEX #4A6141

RGB 74 97 65

HSL 103.13, 0.2%, 0.32%

LAB 38.53, -15.43, 15.52

 

CMYK 14 / 0 / 33 / 62

HEX #536141

RGB 83 97 65

HSL 86.25, 0.2%, 0.32%

LAB 39.19, -11.73, 16.53

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 33 / 0 / 6 / 62

HEX #41615B

RGB 65 97 91

HSL 168.75, 0.2%, 0.32%

LAB 38.6, -13.14, -0.32

 

CMYK 33 / 2 / 0 / 62

HEX #415F61

RGB 65 95 97

HSL 183.75, 0.2%, 0.32%

LAB 38.15, -10.42, -4.69

 

CMYK 33 / 11 / 0 / 62

HEX #415661

RGB 65 86 97

HSL 200.63, 0.2%, 0.32%

LAB 35.29, -5.04, -8.97

 

CMYK 33 / 20 / 0 / 62

HEX #414E61

RGB 65 78 97

HSL 215.63, 0.2%, 0.32%

LAB 32.78, -0.05, -12.77

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 53 / 0 / 25 / 56

HEX #346F53

RGB 52 111 83

HSL 151.53, 0.36%, 0.32%

LAB 42.34, -26.47, 9.81

 

CMYK 69 / 0 / 32 / 51

HEX #267C54

RGB 38 124 84

HSL 152.09, 0.53%, 0.32%

LAB 46.27, -35.49, 14.59

 

CMYK 82 / 0 / 38 / 46

HEX #198955

RGB 25 137 85

HSL 152.14, 0.69%, 0.32%

LAB 50.4, -42.64, 19.57

 

CMYK 92 / 0 / 43 / 41

HEX #0C9655

RGB 12 150 85

HSL 151.74, 0.85%, 0.32%

LAB 54.6, -48.72, 25.11

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 7 / 0 / 4 / 67

HEX #4E5451

RGB 78 84 81

HSL 150, 0.04%, 0.32%

LAB 35.11, -3.05, 0.92

 

CMYK 0 / 22 / 12 / 64

HEX #5B4750

RGB 91 71 80

HSL 333, 0.12%, 0.32%

LAB 32.5, 10.2, -2.11

 

CMYK 0 / 44 / 23 / 59

HEX #683A50

RGB 104 58 80

HSL 331.3, 0.28%, 0.32%

LAB 30.76, 23.54, -4.52

 

CMYK 0 / 62 / 33 / 54

HEX #762D4F

RGB 118 45 79

HSL 332.05, 0.45%, 0.32%

LAB 30.14, 35.75, -4.54

 

CMYK 33 / 0 / 33 / 62

HEX #416141

RGB 65 97 65

HSL 120, 0.2%, 0.32%

LAB 37.94, -18.92, 14.63

 

CMYK 33 / 0 / 25 / 62

HEX #416149

RGB 65 97 73

HSL 135, 0.2%, 0.32%

LAB 38.12, -17.32, 10.03

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 33 / 0 / 7 / 62

HEX #41615A

RGB 65 97 90

HSL 166.88, 0.2%, 0.32%

LAB 38.57, -13.39, 0.25

 

CMYK 33 / 1 / 0 / 62

HEX #416061

RGB 65 96 97

HSL 181.88, 0.2%, 0.32%

LAB 38.47, -11, -4.21

 

CMYK 33 / 0 / 17 / 81

HEX #203028

RGB 32 48 40

HSL 150, 0.2%, 0.16%

LAB 18.25, -8.78, 3

 

CMYK 34 / 0 / 16 / 71

HEX #30493D

RGB 48 73 61

HSL 151.2, 0.21%, 0.24%

LAB 28.72, -12.64, 4.14

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 34 / 0 / 16 / 52

HEX #517A67

RGB 81 122 103

HSL 152.2, 0.2%, 0.4%

LAB 47.81, -18.76, 5.88

 

CMYK 33 / 0 / 16 / 42

HEX #62937C

RGB 98 147 124

HSL 151.84, 0.2%, 0.48%

LAB 57, -21.73, 6.97

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 33 / 24 / 0 / 62

HEX #414A61

RGB 65 74 97

HSL 223.13, 0.2%, 0.32%

LAB 31.54, 2.51, -14.66

 

CMYK 0 / 29 / 33 / 62

HEX #614541

RGB 97 69 65

HSL 7.5, 0.2%, 0.32%

LAB 32.21, 11.42, 7.17

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 15 / 33 / 0 / 62

HEX #524161

RGB 82 65 97

HSL 271.88, 0.2%, 0.32%

LAB 30.49, 14.33, -16.14

 

CMYK 0 / 15 / 33 / 62

HEX #615241

RGB 97 82 65

HSL 31.88, 0.2%, 0.32%

LAB 35.9, 3.34, 12.29

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 33 / 24 / 0 / 62

HEX #414A61

RGB 65 74 97

HSL 223.13, 0.2%, 0.32%

LAB 31.54, 2.51, -14.66

 

CMYK 0 / 33 / 16 / 62

HEX #614151

RGB 97 65 81

HSL 330, 0.2%, 0.32%

LAB 31.62, 16.64, -3.99

 

CMYK 0 / 9 / 33 / 62

HEX #615841

RGB 97 88 65

HSL 43.13, 0.2%, 0.32%

LAB 37.67, -0.31, 14.69

 

CMYK 33 / 0 / 15 / 62

HEX #416152

RGB 65 97 82

HSL 151.88, 0.2%, 0.32%

LAB 38.34, -15.33, 4.85

 

CMYK 33 / 33 / 0 / 62

HEX #414161

RGB 65 65 97

HSL 240, 0.2%, 0.32%

LAB 28.82, 8.39, -18.87

 

CMYK 0 / 33 / 16 / 62

HEX #614151

RGB 97 65 81

HSL 330, 0.2%, 0.32%

LAB 31.62, 16.64, -3.99

 

CMYK 0 / 0 / 33 / 62

HEX #616141

RGB 97 97 65

HSL 60, 0.2%, 0.32%

LAB 40.37, -5.67, 18.3

 

Description

Color code: HEX #416152 | qconv.com Color code: HEX #416152 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 97 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 97 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 15 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 15% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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