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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416337 it is the complementary color #BE9CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416337 shade: #466332, #577545, #688758, #79996B and #8AAB7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416337 shade: #416337, #305124, #1F3F11, #0E2D00 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416337 shade: #406236, #4C6236, #586236, #626136 and #625536

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416337 shade: #406236, #366238, #366244, #366250 and #36625C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416337 shade matches the following richer shades: #406236, #396F29, #327B1D, #2C8711 and #259404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416337 shade: #406236, #475642, #4D494F, #543D5B and #5B3167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416337 shade: #586236, #4C6236, #406236, #366237 and #366243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416337 shade: #1D2D19, #2F4827, #406236, #517D44 and #639753

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416337 shade: #416337, #366261 and #623652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416337 shade: #416337, #364062 and #623640

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416337 shade: #416337, #366261, #583662 and #623637

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416337 shade: #416337, #365662, #583662 and #624236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 44 / 61

HEX #416337

RGB 65 99 55

HSL 106.36, 0.29%, 0.3%

LAB 38.42, -21.71, 21.16

 

Complementary color

CMYK 5 / 22 / 0 / 22

HEX #BE9CC8

RGB 190 156 200

HSL 286.36, 0.29%, 0.7%

LAB 68.67, 20.49, -17.85

 

CMYK 29 / 0 / 49 / 61

HEX #466332

RGB 70 99 50

HSL 95.51, 0.33%, 0.29%

LAB 38.65, -20.49, 24.38

 

CMYK 26 / 0 / 41 / 54

HEX #577545

RGB 87 117 69

HSL 97.5, 0.26%, 0.36%

LAB 45.88, -20.38, 23.06

 

CMYK 23 / 0 / 35 / 47

HEX #688758

RGB 104 135 88

HSL 99.57, 0.21%, 0.44%

LAB 52.92, -20.23, 21.81

 

CMYK 21 / 0 / 30 / 40

HEX #79996B

RGB 121 153 107

HSL 101.74, 0.18%, 0.51%

LAB 59.81, -20.08, 20.65

 

CMYK 19 / 0 / 26 / 33

HEX #8AAB7E

RGB 138 171 126

HSL 104, 0.21%, 0.58%

LAB 66.55, -19.94, 19.57

 

CMYK 34 / 0 / 44 / 61

HEX #416337

RGB 65 99 55

HSL 106.36, 0.29%, 0.3%

LAB 38.42, -21.71, 21.16

 

CMYK 41 / 0 / 56 / 68

HEX #305124

RGB 48 81 36

HSL 104, 0.38%, 0.23%

LAB 30.97, -21.87, 22.56

 

CMYK 51 / 0 / 73 / 75

HEX #1F3F11

RGB 31 63 17

HSL 101.74, 0.58%, 0.16%

LAB 23.29, -21.79, 23.84

 

CMYK 69 / 0 / 100 / 82

HEX #0E2D00

RGB 14 45 0

HSL 101.33, 1%, 0.09%

LAB 15.33, -21.28, 21.84

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 35 / 0 / 45 / 62

HEX #406236

RGB 64 98 54

HSL 106.36, 0.29%, 0.3%

LAB 38.01, -21.74, 21.2

 

CMYK 22 / 0 / 45 / 62

HEX #4C6236

RGB 76 98 54

HSL 90, 0.29%, 0.3%

LAB 38.79, -16.92, 22.37

 

CMYK 10 / 0 / 45 / 62

HEX #586236

RGB 88 98 54

HSL 73.64, 0.29%, 0.3%

LAB 39.71, -11.74, 23.72

 

CMYK 0 / 1 / 45 / 62

HEX #626136

RGB 98 97 54

HSL 58.64, 0.29%, 0.3%

LAB 40.27, -6.66, 24.6

 

CMYK 0 / 13 / 45 / 62

HEX #625536

RGB 98 85 54

HSL 42.27, 0.29%, 0.3%

LAB 36.67, 0.47, 20.03

 

CMYK 35 / 0 / 45 / 62

HEX #406236

RGB 64 98 54

HSL 106.36, 0.29%, 0.3%

LAB 38.01, -21.74, 21.2

 

CMYK 45 / 0 / 43 / 62

HEX #366238

RGB 54 98 56

HSL 122.73, 0.29%, 0.3%

LAB 37.49, -25.02, 19.26

 

CMYK 45 / 0 / 31 / 62

HEX #366244

RGB 54 98 68

HSL 139.09, 0.29%, 0.3%

LAB 37.73, -22.68, 12.43

 

CMYK 45 / 0 / 18 / 62

HEX #366250

RGB 54 98 80

HSL 155.45, 0.29%, 0.3%

LAB 38.02, -19.95, 5.53

 

CMYK 45 / 0 / 6 / 62

HEX #36625C

RGB 54 98 92

HSL 171.82, 0.29%, 0.3%

LAB 38.36, -16.85, -1.35

 

CMYK 35 / 0 / 45 / 62

HEX #406236

RGB 64 98 54

HSL 106.36, 0.29%, 0.3%

LAB 38.01, -21.74, 21.2

 

CMYK 49 / 0 / 63 / 56

HEX #396F29

RGB 57 111 41

HSL 106.29, 0.46%, 0.3%

LAB 41.84, -32.3, 32.8

 

CMYK 59 / 0 / 76 / 52

HEX #327B1D

RGB 50 123 29

HSL 106.6, 0.62%, 0.3%

LAB 45.54, -40.62, 41.97

 

CMYK 67 / 0 / 87 / 47

HEX #2C8711

RGB 44 135 17

HSL 106.27, 0.78%, 0.3%

LAB 49.38, -47.32, 49.32

 

CMYK 75 / 0 / 97 / 42

HEX #259404

RGB 37 148 4

HSL 106.25, 0.95%, 0.3%

LAB 53.58, -53.52, 55.3

 

CMYK 35 / 0 / 45 / 62

HEX #406236

RGB 64 98 54

HSL 106.36, 0.29%, 0.3%

LAB 38.01, -21.74, 21.2

 

CMYK 17 / 0 / 23 / 66

HEX #475642

RGB 71 86 66

HSL 105, 0.13%, 0.3%

LAB 34.78, -10.2, 9.75

 

CMYK 3 / 8 / 0 / 69

HEX #4D494F

RGB 77 73 79

HSL 280, 0.04%, 0.3%

LAB 31.6, 2.97, -2.98

 

CMYK 8 / 33 / 0 / 64

HEX #543D5B

RGB 84 61 91

HSL 286, 0.2%, 0.3%

LAB 29.36, 16.19, -14.01

 

CMYK 12 / 52 / 0 / 60

HEX #5B3167

RGB 91 49 103

HSL 286.67, 0.36%, 0.3%

LAB 27.85, 28.86, -24.03

 

CMYK 10 / 0 / 45 / 62

HEX #586236

RGB 88 98 54

HSL 73.64, 0.29%, 0.3%

LAB 39.71, -11.74, 23.72

 

CMYK 22 / 0 / 45 / 62

HEX #4C6236

RGB 76 98 54

HSL 90, 0.29%, 0.3%

LAB 38.79, -16.92, 22.37

 

CMYK 35 / 0 / 45 / 62

HEX #406236

RGB 64 98 54

HSL 106.36, 0.29%, 0.3%

LAB 38.01, -21.74, 21.2

 

CMYK 45 / 0 / 44 / 62

HEX #366237

RGB 54 98 55

HSL 121.36, 0.29%, 0.3%

LAB 37.47, -25.2, 19.83

 

CMYK 45 / 0 / 32 / 62

HEX #366243

RGB 54 98 67

HSL 137.73, 0.29%, 0.3%

LAB 37.71, -22.9, 13.01

 

CMYK 36 / 0 / 44 / 82

HEX #1D2D19

RGB 29 45 25

HSL 108, 0.29%, 0.14%

LAB 16.54, -11.59, 10.87

 

CMYK 35 / 0 / 46 / 72

HEX #2F4827

RGB 47 72 39

HSL 105.45, 0.3%, 0.22%

LAB 27.81, -17.02, 16.81

 

CMYK 35 / 0 / 45 / 62

HEX #406236

RGB 64 98 54

HSL 106.36, 0.29%, 0.3%

LAB 38.01, -21.74, 21.2

 

CMYK 35 / 0 / 46 / 51

HEX #517D44

RGB 81 125 68

HSL 106.32, 0.3%, 0.38%

LAB 48.05, -26.86, 26.32

 

CMYK 34 / 0 / 45 / 41

HEX #639753

RGB 99 151 83

HSL 105.88, 0.29%, 0.46%

LAB 57.47, -30.77, 30.39

 

CMYK 34 / 0 / 44 / 61

HEX #416337

RGB 65 99 55

HSL 106.36, 0.29%, 0.3%

LAB 38.42, -21.71, 21.16

 

CMYK 45 / 0 / 1 / 62

HEX #366261

RGB 54 98 97

HSL 178.64, 0.29%, 0.3%

LAB 38.52, -15.46, -4.2

 

CMYK 0 / 45 / 16 / 62

HEX #623652

RGB 98 54 82

HSL 321.82, 0.29%, 0.3%

LAB 29.02, 23.98, -8.51

 

CMYK 34 / 0 / 44 / 61

HEX #416337

RGB 65 99 55

HSL 106.36, 0.29%, 0.3%

LAB 38.42, -21.71, 21.16

 

CMYK 45 / 35 / 0 / 62

HEX #364062

RGB 54 64 98

HSL 226.36, 0.29%, 0.3%

LAB 27.66, 5.89, -21.38

 

CMYK 0 / 45 / 35 / 62

HEX #623640

RGB 98 54 64

HSL 346.36, 0.29%, 0.3%

LAB 28.39, 21, 2.39

 

CMYK 34 / 0 / 44 / 61

HEX #416337

RGB 65 99 55

HSL 106.36, 0.29%, 0.3%

LAB 38.42, -21.71, 21.16

 

CMYK 45 / 0 / 1 / 62

HEX #366261

RGB 54 98 97

HSL 178.64, 0.29%, 0.3%

LAB 38.52, -15.46, -4.2

 

CMYK 10 / 45 / 0 / 62

HEX #583662

RGB 88 54 98

HSL 286.36, 0.29%, 0.3%

LAB 28.37, 23.68, -20.02

 

CMYK 0 / 45 / 44 / 62

HEX #623637

RGB 98 54 55

HSL 358.64, 0.29%, 0.3%

LAB 28.14, 19.77, 7.97

 

CMYK 34 / 0 / 44 / 61

HEX #416337

RGB 65 99 55

HSL 106.36, 0.29%, 0.3%

LAB 38.42, -21.71, 21.16

 

CMYK 45 / 12 / 0 / 62

HEX #365662

RGB 54 86 98

HSL 196.36, 0.29%, 0.3%

LAB 34.64, -8.18, -10.63

 

CMYK 10 / 45 / 0 / 62

HEX #583662

RGB 88 54 98

HSL 286.36, 0.29%, 0.3%

LAB 28.37, 23.68, -20.02

 

CMYK 0 / 33 / 45 / 62

HEX #624236

RGB 98 66 54

HSL 16.36, 0.29%, 0.3%

LAB 31.25, 12.21, 12.88

 

Description

Color code: HEX #416337 | qconv.com Color code: HEX #416337 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 99 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 99 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 44 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 44% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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