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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416C09 it is the complementary color #BE93F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416C09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416C09 shade: #466C04, #577E17, #68902A, #79A23D and #8AB450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416C09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416C09 shade: #416C09, #305A00, #1F4800, #0E3600 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416C09 shade: #416C08, #5C6C08, #6C6208, #6C4708 and #6C2C08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416C09 shade: #416C08, #266C08, #0B6C08, #086C21 and #086C3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416C09 shade matches the following richer shades: #416C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416C09 shade: #416C08, #3F6312, #3E591B, #3D5025 and #3C462E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416C09 shade: #6C6208, #5B6C08, #416C08, #266C08 and #0C6C08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416C09 shade: #132002, #2A4605, #416C08, #58920B and #6FB80E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416C09 shade: #416C09, #086C47 and #6C0869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416C09 shade: #416C09, #08416C and #6C0841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416C09 shade: #416C09, #086C47, #34086C and #6C082D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416C09 shade: #416C09, #086C65, #34086C and #6C080F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 92 / 58

HEX #416C09

RGB 65 108 9

HSL 86.06, 0.85%, 0.23%

LAB 41.01, -30.39, 44.24

 

Complementary color

CMYK 23 / 40 / 0 / 4

HEX #BE93F6

RGB 190 147 246

HSL 266.06, 0.85%, 0.77%

LAB 68.36, 35.37, -43.67

 

CMYK 35 / 0 / 96 / 58

HEX #466C04

RGB 70 108 4

HSL 81.92, 0.93%, 0.22%

LAB 41.27, -28.57, 45.79

 

CMYK 31 / 0 / 82 / 51

HEX #577E17

RGB 87 126 23

HSL 82.72, 0.69%, 0.29%

LAB 48.27, -29.41, 47.31

 

CMYK 28 / 0 / 71 / 44

HEX #68902A

RGB 104 144 42

HSL 83.53, 0.55%, 0.36%

LAB 55.13, -29.95, 47.42

 

CMYK 25 / 0 / 62 / 36

HEX #79A23D

RGB 121 162 61

HSL 84.36, 0.45%, 0.44%

LAB 61.86, -30.27, 46.77

 

CMYK 23 / 0 / 56 / 29

HEX #8AB450

RGB 138 180 80

HSL 85.2, 0.4%, 0.51%

LAB 68.48, -30.45, 45.79

 

CMYK 40 / 0 / 92 / 58

HEX #416C09

RGB 65 108 9

HSL 86.06, 0.85%, 0.23%

LAB 41.01, -30.39, 44.24

 

CMYK 47 / 0 / 100 / 65

HEX #305A00

RGB 48 90 0

HSL 88, 1%, 0.18%

LAB 33.86, -29.14, 40.54

 

CMYK 57 / 0 / 100 / 72

HEX #1F4800

RGB 31 72 0

HSL 94.17, 1%, 0.14%

LAB 26.52, -27.37, 34.3

 

CMYK 74 / 0 / 100 / 79

HEX #0E3600

RGB 14 54 0

HSL 104.44, 1%, 0.11%

LAB 18.94, -25.16, 26.24

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 40 / 0 / 93 / 58

HEX #416C08

RGB 65 108 8

HSL 85.8, 0.86%, 0.23%

LAB 41, -30.42, 44.47

 

CMYK 15 / 0 / 93 / 58

HEX #5C6C08

RGB 92 108 8

HSL 69.6, 0.86%, 0.23%

LAB 42.79, -18.79, 46.68

 

CMYK 0 / 9 / 93 / 58

HEX #6C6208

RGB 108 98 8

HSL 54, 0.86%, 0.23%

LAB 41.12, -5.58, 45.93

 

CMYK 0 / 34 / 93 / 58

HEX #6C4708

RGB 108 71 8

HSL 37.8, 0.86%, 0.23%

LAB 33.38, 10.6, 39.76

 

CMYK 0 / 59 / 93 / 58

HEX #6C2C08

RGB 108 44 8

HSL 21.6, 0.86%, 0.23%

LAB 26.75, 26.57, 34.39

 

CMYK 40 / 0 / 93 / 58

HEX #416C08

RGB 65 108 8

HSL 85.8, 0.86%, 0.23%

LAB 41, -30.42, 44.47

 

CMYK 65 / 0 / 93 / 58

HEX #266C08

RGB 38 108 8

HSL 102, 0.86%, 0.23%

LAB 39.84, -39.35, 43.02

 

CMYK 90 / 0 / 93 / 58

HEX #0B6C08

RGB 11 108 8

HSL 118.2, 0.86%, 0.23%

LAB 39.27, -44.3, 42.3

 

CMYK 93 / 0 / 69 / 58

HEX #086C21

RGB 8 108 33

HSL 135, 0.86%, 0.23%

LAB 39.39, -42.61, 33.54

 

CMYK 93 / 0 / 45 / 58

HEX #086C3B

RGB 8 108 59

HSL 150.6, 0.86%, 0.23%

LAB 39.74, -38.4, 20.2

 

CMYK 40 / 0 / 93 / 58

HEX #416C08

RGB 65 108 8

HSL 85.8, 0.86%, 0.23%

LAB 41, -30.42, 44.47

 

CMYK 40 / 0 / 93 / 58

HEX #416C08

RGB 65 108 8

HSL 85.8, 0.86%, 0.23%

LAB 41, -30.42, 44.47

 

CMYK 36 / 0 / 82 / 61

HEX #3F6312

RGB 63 99 18

HSL 86.67, 0.69%, 0.23%

LAB 37.89, -26.54, 38.78

 

CMYK 30 / 0 / 70 / 65

HEX #3E591B

RGB 62 89 27

HSL 86.13, 0.53%, 0.23%

LAB 34.49, -21.29, 31.57

 

CMYK 24 / 0 / 54 / 69

HEX #3D5025

RGB 61 80 37

HSL 86.51, 0.37%, 0.23%

LAB 31.49, -15.79, 22.82

 

CMYK 14 / 0 / 34 / 73

HEX #3C462E

RGB 60 70 46

HSL 85, 0.21%, 0.23%

LAB 28.22, -9.08, 13.17

 

CMYK 0 / 9 / 93 / 58

HEX #6C6208

RGB 108 98 8

HSL 54, 0.86%, 0.23%

LAB 41.12, -5.58, 45.93

 

CMYK 16 / 0 / 93 / 58

HEX #5B6C08

RGB 91 108 8

HSL 70.2, 0.86%, 0.23%

LAB 42.71, -19.25, 46.59

 

CMYK 40 / 0 / 93 / 58

HEX #416C08

RGB 65 108 8

HSL 85.8, 0.86%, 0.23%

LAB 41, -30.42, 44.47

 

CMYK 65 / 0 / 93 / 58

HEX #266C08

RGB 38 108 8

HSL 102, 0.86%, 0.23%

LAB 39.84, -39.35, 43.02

 

CMYK 89 / 0 / 93 / 58

HEX #0C6C08

RGB 12 108 8

HSL 117.6, 0.86%, 0.23%

LAB 39.28, -44.19, 42.31

 

CMYK 41 / 0 / 94 / 87

HEX #132002

RGB 19 32 2

HSL 86, 0.88%, 0.07%

LAB 10.38, -12.12, 14.43

 

CMYK 40 / 0 / 93 / 73

HEX #2A4605

RGB 42 70 5

HSL 85.85, 0.87%, 0.15%

LAB 26.4, -21.77, 32.37

 

CMYK 40 / 0 / 93 / 58

HEX #416C08

RGB 65 108 8

HSL 85.8, 0.86%, 0.23%

LAB 41, -30.42, 44.47

 

CMYK 40 / 0 / 92 / 43

HEX #58920B

RGB 88 146 11

HSL 85.78, 0.86%, 0.31%

LAB 54.72, -38.49, 55.81

 

CMYK 40 / 0 / 92 / 28

HEX #6FB80E

RGB 111 184 14

HSL 85.76, 0.86%, 0.39%

LAB 67.79, -46.14, 66.56

 

CMYK 40 / 0 / 92 / 58

HEX #416C09

RGB 65 108 9

HSL 86.06, 0.85%, 0.23%

LAB 41.01, -30.39, 44.24

 

CMYK 93 / 0 / 34 / 58

HEX #086C47

RGB 8 108 71

HSL 157.8, 0.86%, 0.23%

LAB 39.97, -35.73, 13.5

 

CMYK 0 / 93 / 3 / 58

HEX #6C0869

RGB 108 8 105

HSL 301.8, 0.86%, 0.23%

LAB 24.9, 50.1, -29.82

 

CMYK 40 / 0 / 92 / 58

HEX #416C09

RGB 65 108 9

HSL 86.06, 0.85%, 0.23%

LAB 41.01, -30.39, 44.24

 

CMYK 93 / 40 / 0 / 58

HEX #08416C

RGB 8 65 108

HSL 205.8, 0.86%, 0.23%

LAB 26.49, 0.34, -29.78

 

CMYK 0 / 93 / 40 / 58

HEX #6C0841

RGB 108 8 65

HSL 325.8, 0.86%, 0.23%

LAB 22.8, 44.55, -6.32

 

CMYK 40 / 0 / 92 / 58

HEX #416C09

RGB 65 108 9

HSL 86.06, 0.85%, 0.23%

LAB 41.01, -30.39, 44.24

 

CMYK 93 / 0 / 34 / 58

HEX #086C47

RGB 8 108 71

HSL 157.8, 0.86%, 0.23%

LAB 39.97, -35.73, 13.5

 

CMYK 52 / 93 / 0 / 58

HEX #34086C

RGB 52 8 108

HSL 266.4, 0.86%, 0.23%

LAB 15.42, 41.49, -47.61

 

CMYK 0 / 93 / 58 / 58

HEX #6C082D

RGB 108 8 45

HSL 337.8, 0.86%, 0.23%

LAB 22.13, 42.66, 6.62

 

CMYK 40 / 0 / 92 / 58

HEX #416C09

RGB 65 108 9

HSL 86.06, 0.85%, 0.23%

LAB 41.01, -30.39, 44.24

 

CMYK 93 / 0 / 6 / 58

HEX #086C65

RGB 8 108 101

HSL 175.8, 0.86%, 0.23%

LAB 40.76, -27.27, -3.47

 

CMYK 52 / 93 / 0 / 58

HEX #34086C

RGB 52 8 108

HSL 266.4, 0.86%, 0.23%

LAB 15.42, 41.49, -47.61

 

CMYK 0 / 93 / 86 / 58

HEX #6C080F

RGB 108 8 15

HSL 355.8, 0.86%, 0.23%

LAB 21.57, 41.04, 26.13

 

Description

Color code: HEX #416C09 | qconv.com Color code: HEX #416C09 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 108 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 108 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 92 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 92% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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