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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #417615 it is the complementary color #BE89EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #417615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #417615 shade: #467610, #578823, #689A36, #79AC49 and #8ABE5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #417615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #417615 shade: #417615, #306402, #1F5200, #0E4000 and #002E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #417615 shade: #407514, #5A7514, #747514, #755B14 and #754114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #417615 shade: #407514, #267514, #14751C, #147536 and #147550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #417615 shade matches the following richer shades: #407514 and #3F8009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #417615 shade: #407514, #41691F, #425E2A, #435336 and #444841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #417615 shade: #757514, #5B7514, #417514, #277514 and #14751B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #417615 shade: #192E08, #2D510E, #407514, #53981A and #66BB21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #417615 shade: #417615, #14755B and #751468

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #417615 shade: #417615, #144175 and #751441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #417615 shade: #417615, #14755B, #481475 and #75142E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #417615 shade: #417615, #147175, #481475 and #751714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 82 / 54

HEX #417615

RGB 65 118 21

HSL 92.78, 0.7%, 0.27%

LAB 44.43, -34.31, 43.95

 

Complementary color

CMYK 19 / 41 / 0 / 8

HEX #BE89EA

RGB 190 137 234

HSL 272.78, 0.7%, 0.73%

LAB 65.58, 38.17, -41.45

 

CMYK 41 / 0 / 86 / 54

HEX #467610

RGB 70 118 16

HSL 88.24, 0.76%, 0.26%

LAB 44.65, -32.73, 45.75

 

CMYK 36 / 0 / 74 / 47

HEX #578823

RGB 87 136 35

HSL 89.11, 0.59%, 0.34%

LAB 51.56, -33.34, 46.24

 

CMYK 32 / 0 / 65 / 40

HEX #689A36

RGB 104 154 54

HSL 90, 0.48%, 0.41%

LAB 58.34, -33.67, 45.73

 

CMYK 30 / 0 / 58 / 33

HEX #79AC49

RGB 121 172 73

HSL 90.91, 0.4%, 0.48%

LAB 65, -33.82, 44.8

 

CMYK 27 / 0 / 52 / 25

HEX #8ABE5C

RGB 138 190 92

HSL 91.84, 0.43%, 0.55%

LAB 71.56, -33.87, 43.69

 

CMYK 45 / 0 / 82 / 54

HEX #417615

RGB 65 118 21

HSL 92.78, 0.7%, 0.27%

LAB 44.43, -34.31, 43.95

 

CMYK 52 / 0 / 98 / 61

HEX #306402

RGB 48 100 2

HSL 91.84, 0.96%, 0.2%

LAB 37.38, -33.4, 42.71

 

CMYK 62 / 0 / 100 / 68

HEX #1F5200

RGB 31 82 0

HSL 97.32, 1%, 0.16%

LAB 30.22, -31.58, 37.36

 

CMYK 78 / 0 / 100 / 75

HEX #0E4000

RGB 14 64 0

HSL 106.88, 1%, 0.13%

LAB 22.86, -29.14, 30.55

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 45 / 0 / 83 / 54

HEX #407514

RGB 64 117 20

HSL 92.78, 0.71%, 0.27%

LAB 44.04, -34.29, 43.89

 

CMYK 23 / 0 / 83 / 54

HEX #5A7514

RGB 90 117 20

HSL 76.7, 0.71%, 0.27%

LAB 45.56, -23.89, 45.85

 

CMYK 1 / 0 / 83 / 54

HEX #747514

RGB 116 117 20

HSL 60.62, 0.71%, 0.27%

LAB 47.61, -12.07, 48.45

 

CMYK 0 / 22 / 83 / 54

HEX #755B14

RGB 117 91 20

HSL 43.92, 0.71%, 0.27%

LAB 40.11, 3.32, 41.81

 

CMYK 0 / 44 / 83 / 54

HEX #754114

RGB 117 65 20

HSL 27.84, 0.71%, 0.27%

LAB 33.16, 18.92, 35.39

 

CMYK 45 / 0 / 83 / 54

HEX #407514

RGB 64 117 20

HSL 92.78, 0.71%, 0.27%

LAB 44.04, -34.29, 43.89

 

CMYK 68 / 0 / 83 / 54

HEX #267514

RGB 38 117 20

HSL 108.87, 0.71%, 0.27%

LAB 43.04, -42.08, 42.6

 

CMYK 83 / 0 / 76 / 54

HEX #14751C

RGB 20 117 28

HSL 124.95, 0.71%, 0.27%

LAB 42.7, -44.83, 39.24

 

CMYK 83 / 0 / 54 / 54

HEX #147536

RGB 20 117 54

HSL 141.03, 0.71%, 0.27%

LAB 42.97, -41.49, 27.12

 

CMYK 83 / 0 / 32 / 54

HEX #147550

RGB 20 117 80

HSL 157.11, 0.71%, 0.27%

LAB 43.43, -36.17, 12.97

 

CMYK 45 / 0 / 83 / 54

HEX #407514

RGB 64 117 20

HSL 92.78, 0.71%, 0.27%

LAB 44.04, -34.29, 43.89

 

CMYK 51 / 0 / 93 / 50

HEX #3F8009

RGB 63 128 9

HSL 92.77, 0.87%, 0.27%

LAB 47.64, -39.72, 49.81

 

CMYK 45 / 0 / 83 / 54

HEX #407514

RGB 64 117 20

HSL 92.78, 0.71%, 0.27%

LAB 44.04, -34.29, 43.89

 

CMYK 38 / 0 / 70 / 59

HEX #41691F

RGB 65 105 31

HSL 92.43, 0.54%, 0.27%

LAB 40.12, -27.66, 35.77

 

CMYK 30 / 0 / 55 / 63

HEX #425E2A

RGB 66 94 42

HSL 92.31, 0.38%, 0.27%

LAB 36.61, -20.57, 26.28

 

CMYK 19 / 0 / 35 / 67

HEX #435336

RGB 67 83 54

HSL 93.1, 0.21%, 0.27%

LAB 33.23, -12.32, 15

 

CMYK 6 / 0 / 10 / 72

HEX #444841

RGB 68 72 65

HSL 94.29, 0.05%, 0.27%

LAB 30.02, -3.18, 3.63

 

CMYK 0 / 0 / 83 / 54

HEX #757514

RGB 117 117 20

HSL 60, 0.71%, 0.27%

LAB 47.69, -11.6, 48.56

 

CMYK 22 / 0 / 83 / 54

HEX #5B7514

RGB 91 117 20

HSL 76.08, 0.71%, 0.27%

LAB 45.63, -23.46, 45.94

 

CMYK 44 / 0 / 83 / 54

HEX #417514

RGB 65 117 20

HSL 92.16, 0.71%, 0.27%

LAB 44.08, -33.93, 43.95

 

CMYK 67 / 0 / 83 / 54

HEX #277514

RGB 39 117 20

HSL 108.25, 0.71%, 0.27%

LAB 43.07, -41.84, 42.64

 

CMYK 83 / 0 / 77 / 54

HEX #14751B

RGB 20 117 27

HSL 124.33, 0.71%, 0.27%

LAB 42.69, -44.92, 39.62

 

CMYK 46 / 0 / 83 / 82

HEX #192E08

RGB 25 46 8

HSL 93.16, 0.7%, 0.11%

LAB 16.4, -16.44, 20.04

 

CMYK 44 / 0 / 83 / 68

HEX #2D510E

RGB 45 81 14

HSL 92.24, 0.71%, 0.19%

LAB 30.58, -25.36, 32.92

 

CMYK 45 / 0 / 83 / 54

HEX #407514

RGB 64 117 20

HSL 92.78, 0.71%, 0.27%

LAB 44.04, -34.29, 43.89

 

CMYK 45 / 0 / 83 / 40

HEX #53981A

RGB 83 152 26

HSL 92.86, 0.71%, 0.35%

LAB 56.46, -42.22, 53.83

 

CMYK 45 / 0 / 82 / 27

HEX #66BB21

RGB 102 187 33

HSL 93.12, 0.7%, 0.43%

LAB 68.37, -49.73, 63.03

 

CMYK 45 / 0 / 82 / 54

HEX #417615

RGB 65 118 21

HSL 92.78, 0.7%, 0.27%

LAB 44.43, -34.31, 43.95

 

CMYK 83 / 0 / 22 / 54

HEX #14755B

RGB 20 117 91

HSL 163.92, 0.71%, 0.27%

LAB 43.69, -33.37, 6.82

 

CMYK 0 / 83 / 11 / 54

HEX #751468

RGB 117 20 104

HSL 308.04, 0.71%, 0.27%

LAB 27.52, 49.11, -24.9

 

CMYK 45 / 0 / 82 / 54

HEX #417615

RGB 65 118 21

HSL 92.78, 0.7%, 0.27%

LAB 44.43, -34.31, 43.95

 

CMYK 83 / 44 / 0 / 54

HEX #144175

RGB 20 65 117

HSL 212.16, 0.71%, 0.27%

LAB 27.34, 5.3, -34.13

 

CMYK 0 / 83 / 44 / 54

HEX #751441

RGB 117 20 65

HSL 332.16, 0.71%, 0.27%

LAB 25.75, 43.97, -1.72

 

CMYK 45 / 0 / 82 / 54

HEX #417615

RGB 65 118 21

HSL 92.78, 0.7%, 0.27%

LAB 44.43, -34.31, 43.95

 

CMYK 83 / 0 / 22 / 54

HEX #14755B

RGB 20 117 91

HSL 163.92, 0.71%, 0.27%

LAB 43.69, -33.37, 6.82

 

CMYK 38 / 83 / 0 / 54

HEX #481475

RGB 72 20 117

HSL 272.16, 0.71%, 0.27%

LAB 20.68, 42.44, -44.69

 

CMYK 0 / 83 / 61 / 54

HEX #75142E

RGB 117 20 46

HSL 343.92, 0.71%, 0.27%

LAB 25.2, 42.27, 10.47

 

CMYK 45 / 0 / 82 / 54

HEX #417615

RGB 65 118 21

HSL 92.78, 0.7%, 0.27%

LAB 44.43, -34.31, 43.95

 

CMYK 83 / 3 / 0 / 54

HEX #147175

RGB 20 113 117

HSL 182.47, 0.71%, 0.27%

LAB 43.13, -23.6, -9.6

 

CMYK 38 / 83 / 0 / 54

HEX #481475

RGB 72 20 117

HSL 272.16, 0.71%, 0.27%

LAB 20.68, 42.44, -44.69

 

CMYK 0 / 80 / 83 / 54

HEX #751714

RGB 117 23 20

HSL 1.86, 0.71%, 0.27%

LAB 25.09, 39.87, 27.48

 

Description

Color code: HEX #417615 | qconv.com Color code: HEX #417615 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 118 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 118 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 82 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 82% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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