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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #417DA3 it is the complementary color #BE825C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #417DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #417DA3 shade: #467D9E, #578FB1, #68A1C4, #79B3D7 and #8AC5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #417DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #417DA3 shade: #417DA3, #306B90, #1F597D, #0E476A and #003557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #417DA3 shade: #417DA4, #4163A4, #4148A4, #5441A4 and #6F41A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #417DA3 shade: #417DA4, #4163A4, #4148A4 and #4141A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #417DA3 shade matches the following richer shades: #417DA4, #2E81B6, #1C86C9 and #098ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #417DA3 shade: #417DA4, #537991, #66757E, #79716C and #8B6D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #417DA3 shade: #41A495, #4198A4, #417EA4, #4163A4 and #4149A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #417DA3 shade: #295069, #356786, #417DA4, #5392BA and #71A5C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #417DA3 shade: #417DA3, #7A41A4 and #A4A241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #417DA3 shade: #417DA3, #A4417E and #7EA441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #417DA3 shade: #417DA3, #7A41A4, #A46741 and #6AA441

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #417DA3 shade: #417DA3, #9841A4, #A46741 and #4CA441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 23 / 0 / 36

HEX #417DA3

RGB 65 125 163

HSL 203.27, 0.43%, 0.45%

LAB 50.02, -7.78, -26.19

 

Complementary color

CMYK 0 / 32 / 52 / 25

HEX #BE825C

RGB 190 130 92

HSL 23.27, 0.43%, 0.55%

LAB 59.6, 18.85, 29.82

 

CMYK 56 / 21 / 0 / 38

HEX #467D9E

RGB 70 125 158

HSL 202.5, 0.39%, 0.45%

LAB 50.02, -8.33, -23.25

 

CMYK 51 / 19 / 0 / 31

HEX #578FB1

RGB 87 143 177

HSL 202.67, 0.37%, 0.52%

LAB 56.92, -8.79, -23.52

 

CMYK 47 / 18 / 0 / 23

HEX #68A1C4

RGB 104 161 196

HSL 202.83, 0.44%, 0.59%

LAB 63.69, -9.14, -23.78

 

CMYK 44 / 17 / 0 / 16

HEX #79B3D7

RGB 121 179 215

HSL 202.98, 0.54%, 0.66%

LAB 70.32, -9.42, -24.05

 

CMYK 41 / 16 / 0 / 8

HEX #8AC5EA

RGB 138 197 234

HSL 203.13, 0.7%, 0.73%

LAB 76.85, -9.64, -24.33

 

CMYK 60 / 23 / 0 / 36

HEX #417DA3

RGB 65 125 163

HSL 203.27, 0.43%, 0.45%

LAB 50.02, -7.78, -26.19

 

CMYK 67 / 26 / 0 / 44

HEX #306B90

RGB 48 107 144

HSL 203.13, 0.5%, 0.38%

LAB 43, -6.93, -25.94

 

CMYK 75 / 29 / 0 / 51

HEX #1F597D

RGB 31 89 125

HSL 202.98, 0.6%, 0.31%

LAB 35.82, -5.73, -25.67

 

CMYK 87 / 33 / 0 / 58

HEX #0E476A

RGB 14 71 106

HSL 202.83, 0.77%, 0.24%

LAB 28.49, -3.96, -25.34

 

CMYK 100 / 39 / 0 / 66

HEX #003557

RGB 0 53 87

HSL 203.45, 1%, 0.17%

LAB 20.96, -1.41, -24.93

HEX #003557

CMYK 60 / 24 / 0 / 36

HEX #417DA4

RGB 65 125 164

HSL 203.64, 0.43%, 0.45%

LAB 50.06, -7.45, -26.7

 

CMYK 60 / 40 / 0 / 36

HEX #4163A4

RGB 65 99 164

HSL 219.39, 0.43%, 0.45%

LAB 42.35, 8.35, -38.8

 

CMYK 60 / 56 / 0 / 36

HEX #4148A4

RGB 65 72 164

HSL 235.76, 0.43%, 0.45%

LAB 34.88, 25.8, -50.78

 

CMYK 49 / 60 / 0 / 36

HEX #5441A4

RGB 84 65 164

HSL 251.52, 0.43%, 0.45%

LAB 34.69, 34.04, -51.01

 

CMYK 32 / 60 / 0 / 36

HEX #6F41A4

RGB 111 65 164

HSL 267.88, 0.43%, 0.45%

LAB 37.55, 40.24, -46.25

 

CMYK 60 / 24 / 0 / 36

HEX #417DA4

RGB 65 125 164

HSL 203.64, 0.43%, 0.45%

LAB 50.06, -7.45, -26.7

 

CMYK 60 / 40 / 0 / 36

HEX #4163A4

RGB 65 99 164

HSL 219.39, 0.43%, 0.45%

LAB 42.35, 8.35, -38.8

 

CMYK 60 / 56 / 0 / 36

HEX #4148A4

RGB 65 72 164

HSL 235.76, 0.43%, 0.45%

LAB 34.88, 25.8, -50.78

 

CMYK 60 / 60 / 0 / 36

HEX #4141A4

RGB 65 65 164

HSL 240, 0.43%, 0.45%

LAB 33.1, 30.31, -53.66

 

CMYK 60 / 24 / 0 / 36

HEX #417DA4

RGB 65 125 164

HSL 203.64, 0.43%, 0.45%

LAB 50.06, -7.45, -26.7

 

CMYK 75 / 29 / 0 / 29

HEX #2E81B6

RGB 46 129 182

HSL 203.38, 0.6%, 0.45%

LAB 51.45, -6.71, -35

 

CMYK 86 / 33 / 0 / 21

HEX #1C86C9

RGB 28 134 201

HSL 203.24, 0.76%, 0.45%

LAB 53.51, -4.47, -42.64

 

CMYK 96 / 37 / 0 / 14

HEX #098ADB

RGB 9 138 219

HSL 203.14, 0.92%, 0.45%

LAB 55.43, -0.95, -49.76

 

CMYK 60 / 24 / 0 / 36

HEX #417DA4

RGB 65 125 164

HSL 203.64, 0.43%, 0.45%

LAB 50.06, -7.45, -26.7

 

CMYK 43 / 17 / 0 / 43

HEX #537991

RGB 83 121 145

HSL 203.23, 0.27%, 0.45%

LAB 48.96, -6.72, -17.22

 

CMYK 19 / 7 / 0 / 51

HEX #66757E

RGB 102 117 126

HSL 202.5, 0.11%, 0.45%

LAB 48.33, -3.48, -6.82

 

CMYK 0 / 7 / 11 / 53

HEX #79716C

RGB 121 113 108

HSL 23.08, 0.06%, 0.45%

LAB 48.21, 2.15, 3.88

 

CMYK 0 / 22 / 36 / 45

HEX #8B6D59

RGB 139 109 89

HSL 24, 0.22%, 0.45%

LAB 48.45, 8.92, 15.71

 

CMYK 60 / 0 / 9 / 36

HEX #41A495

RGB 65 164 149

HSL 170.91, 0.43%, 0.45%

LAB 61.52, -32.44, -0.82

 

CMYK 60 / 7 / 0 / 36

HEX #4198A4

RGB 65 152 164

HSL 187.27, 0.43%, 0.45%

LAB 58.28, -22.25, -14.12

 

CMYK 60 / 23 / 0 / 36

HEX #417EA4

RGB 65 126 164

HSL 203.03, 0.43%, 0.45%

LAB 50.36, -8.03, -26.23

 

CMYK 60 / 40 / 0 / 36

HEX #4163A4

RGB 65 99 164

HSL 219.39, 0.43%, 0.45%

LAB 42.35, 8.35, -38.8

 

CMYK 60 / 55 / 0 / 36

HEX #4149A4

RGB 65 73 164

HSL 235.15, 0.43%, 0.45%

LAB 35.14, 25.15, -50.35

 

CMYK 61 / 24 / 0 / 59

HEX #295069

RGB 41 80 105

HSL 203.44, 0.44%, 0.29%

LAB 32.32, -5.58, -18.65

 

CMYK 60 / 23 / 0 / 47

HEX #356786

RGB 53 103 134

HSL 202.96, 0.43%, 0.37%

LAB 41.5, -7, -22.25

 

CMYK 60 / 24 / 0 / 36

HEX #417DA4

RGB 65 125 164

HSL 203.64, 0.43%, 0.45%

LAB 50.06, -7.45, -26.7

 

CMYK 55 / 22 / 0 / 27

HEX #5392BA

RGB 83 146 186

HSL 203.3, 0.43%, 0.53%

LAB 57.98, -8.63, -27.02

 

CMYK 43 / 17 / 0 / 22

HEX #71A5C6

RGB 113 165 198

HSL 203.29, 0.43%, 0.61%

LAB 65.36, -8.52, -22.3

 

CMYK 60 / 23 / 0 / 36

HEX #417DA3

RGB 65 125 163

HSL 203.27, 0.43%, 0.45%

LAB 50.02, -7.78, -26.19

 

CMYK 26 / 60 / 0 / 36

HEX #7A41A4

RGB 122 65 164

HSL 274.55, 0.43%, 0.45%

LAB 38.9, 42.96, -44.02

 

CMYK 0 / 1 / 60 / 36

HEX #A4A241

RGB 164 162 65

HSL 58.79, 0.43%, 0.45%

LAB 65.05, -12.05, 49.37

 

CMYK 60 / 23 / 0 / 36

HEX #417DA3

RGB 65 125 163

HSL 203.27, 0.43%, 0.45%

LAB 50.02, -7.78, -26.19

 

CMYK 0 / 60 / 23 / 36

HEX #A4417E

RGB 164 65 126

HSL 323.03, 0.43%, 0.45%

LAB 43.03, 47.66, -14.1

 

CMYK 23 / 0 / 60 / 36

HEX #7EA441

RGB 126 164 65

HSL 83.03, 0.43%, 0.45%

LAB 62.82, -28.9, 46.1

 

CMYK 60 / 23 / 0 / 36

HEX #417DA3

RGB 65 125 163

HSL 203.27, 0.43%, 0.45%

LAB 50.02, -7.78, -26.19

 

CMYK 26 / 60 / 0 / 36

HEX #7A41A4

RGB 122 65 164

HSL 274.55, 0.43%, 0.45%

LAB 38.9, 42.96, -44.02

 

CMYK 0 / 37 / 60 / 36

HEX #A46741

RGB 164 103 65

HSL 23.03, 0.43%, 0.45%

LAB 49.47, 20.64, 31.41

 

CMYK 35 / 0 / 60 / 36

HEX #6AA441

RGB 106 164 65

HSL 95.15, 0.43%, 0.45%

LAB 61.65, -36.45, 44.47

 

CMYK 60 / 23 / 0 / 36

HEX #417DA3

RGB 65 125 163

HSL 203.27, 0.43%, 0.45%

LAB 50.02, -7.78, -26.19

 

CMYK 7 / 60 / 0 / 36

HEX #9841A4

RGB 152 65 164

HSL 292.73, 0.43%, 0.45%

LAB 42.97, 50.67, -37.29

 

CMYK 0 / 37 / 60 / 36

HEX #A46741

RGB 164 103 65

HSL 23.03, 0.43%, 0.45%

LAB 49.47, 20.64, 31.41

 

CMYK 54 / 0 / 60 / 36

HEX #4CA441

RGB 76 164 65

HSL 113.33, 0.43%, 0.45%

LAB 60.31, -46.05, 42.59

 

Description

Color code: HEX #417DA3 | qconv.com Color code: HEX #417DA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 125 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 125 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 23 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 23% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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