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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4184DC it is the complementary color #BE7B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4184DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4184DC shade: #4684D7, #5796EA, #68A8FD, #79BAFF and #8ACCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4184DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4184DC shade: #4184DC, #3072C9, #1F60B6, #0E4EA3 and #003C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4184DC shade: #4184DC, #415ADC, #5141DC, #7B41DC and #A541DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4184DC shade: #4184DC, #415ADC and #4141DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4184DC shade matches the following richer shades: #4184DC and #2F81EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4184DC shade: #4184DC, #5386CA, #6589B7, #778BA5 and #898E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4184DC shade: #41D7DC, #41ADDC, #4184DC, #415BDC and #5041DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4184DC shade: #1F5CAB, #256ECE, #4184DC, #649AE2 and #87B1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4184DC shade: #4184DC, #B841DC and #C2DC41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4184DC shade: #4184DC, #DC4184 and #84DC41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4184DC shade: #4184DC, #B841DC, #DC9941 and #65DC41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4184DC shade: #4184DC, #DC41D1, #DC9941 and #41DC4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

Complementary color

CMYK 0 / 35 / 82 / 25

HEX #BE7B23

RGB 190 123 35

HSL 34.06, 0.69%, 0.44%

LAB 57.3, 19.17, 54.99

 

CMYK 67 / 39 / 0 / 16

HEX #4684D7

RGB 70 132 215

HSL 214.34, 0.64%, 0.56%

LAB 54.77, 6.71, -48.48

 

CMYK 63 / 36 / 0 / 8

HEX #5796EA

RGB 87 150 234

HSL 214.29, 0.78%, 0.63%

LAB 61.46, 5.35, -48.42

 

CMYK 59 / 34 / 0 / 1

HEX #68A8FD

RGB 104 168 253

HSL 214.23, 0.97%, 0.7%

LAB 68.05, 4.24, -48.38

 

CMYK 53 / 27 / 0 / 0

HEX #79BAFF

RGB 121 186 255

HSL 210.9, 1%, 0.74%

LAB 73.81, -1.79, -40.39

 

CMYK 46 / 20 / 0 / 0

HEX #8ACCFF

RGB 138 204 255

HSL 206.15, 1%, 0.77%

LAB 79.5, -7.7, -31.5

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 76 / 43 / 0 / 21

HEX #3072C9

RGB 48 114 201

HSL 214.12, 0.61%, 0.49%

LAB 48.11, 9.62, -51.2

 

CMYK 83 / 47 / 0 / 29

HEX #1F60B6

RGB 31 96 182

HSL 214.17, 0.71%, 0.42%

LAB 41.27, 12.02, -51.2

 

CMYK 91 / 52 / 0 / 36

HEX #0E4EA3

RGB 14 78 163

HSL 214.23, 0.84%, 0.35%

LAB 34.37, 15.07, -51.11

 

CMYK 100 / 58 / 0 / 44

HEX #003C90

RGB 0 60 144

HSL 215, 1%, 0.28%

LAB 27.42, 18.86, -50.86

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 70 / 59 / 0 / 14

HEX #415ADC

RGB 65 90 220

HSL 230.32, 0.69%, 0.56%

LAB 43.66, 33.94, -69.22

 

CMYK 63 / 70 / 0 / 14

HEX #5141DC

RGB 81 65 220

HSL 246.19, 0.69%, 0.56%

LAB 39.07, 50.85, -76.69

 

CMYK 44 / 70 / 0 / 14

HEX #7B41DC

RGB 123 65 220

HSL 262.45, 0.69%, 0.56%

LAB 43, 57.16, -70.09

 

CMYK 25 / 70 / 0 / 14

HEX #A541DC

RGB 165 65 220

HSL 278.71, 0.69%, 0.56%

LAB 48.19, 64.96, -61.43

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 70 / 59 / 0 / 14

HEX #415ADC

RGB 65 90 220

HSL 230.32, 0.69%, 0.56%

LAB 43.66, 33.94, -69.22

 

CMYK 70 / 70 / 0 / 14

HEX #4141DC

RGB 65 65 220

HSL 240, 0.69%, 0.56%

LAB 37.97, 49.02, -78.53

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 80 / 46 / 0 / 7

HEX #2F81EE

RGB 47 129 238

HSL 214.24, 0.85%, 0.56%

LAB 54.53, 14, -61.78

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 59 / 34 / 0 / 21

HEX #5386CA

RGB 83 134 202

HSL 214.29, 0.53%, 0.56%

LAB 55.23, 3.43, -40.38

 

CMYK 45 / 25 / 0 / 28

HEX #6589B7

RGB 101 137 183

HSL 213.66, 0.36%, 0.56%

LAB 56.16, -0.11, -28.05

 

CMYK 28 / 16 / 0 / 35

HEX #778BA5

RGB 119 139 165

HSL 213.91, 0.2%, 0.56%

LAB 57.18, -1.01, -16.11

 

CMYK 7 / 3 / 0 / 42

HEX #898E93

RGB 137 142 147

HSL 210, 0.04%, 0.56%

LAB 58.76, -0.8, -3.29

 

CMYK 70 / 2 / 0 / 14

HEX #41D7DC

RGB 65 215 220

HSL 181.94, 0.69%, 0.56%

LAB 78.98, -36.59, -13.83

 

CMYK 70 / 21 / 0 / 14

HEX #41ADDC

RGB 65 173 220

HSL 198.19, 0.69%, 0.56%

LAB 66.66, -15.68, -32.62

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 70 / 59 / 0 / 14

HEX #415BDC

RGB 65 91 220

HSL 229.94, 0.69%, 0.56%

LAB 43.91, 33.31, -68.81

 

CMYK 64 / 70 / 0 / 14

HEX #5041DC

RGB 80 65 220

HSL 245.81, 0.69%, 0.56%

LAB 38.99, 50.72, -76.82

 

CMYK 82 / 46 / 0 / 33

HEX #1F5CAB

RGB 31 92 171

HSL 213.86, 0.69%, 0.4%

LAB 39.39, 10.29, -47.76

 

CMYK 82 / 47 / 0 / 19

HEX #256ECE

RGB 37 110 206

HSL 214.08, 0.7%, 0.48%

LAB 46.98, 12.89, -55.9

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 56 / 32 / 0 / 11

HEX #649AE2

RGB 100 154 226

HSL 214.29, 0.68%, 0.64%

LAB 62.77, 2.93, -41.9

 

CMYK 42 / 24 / 0 / 9

HEX #87B1E9

RGB 135 177 233

HSL 214.29, 0.69%, 0.72%

LAB 71.2, 0.15, -32.47

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 16 / 70 / 0 / 14

HEX #B841DC

RGB 184 65 220

HSL 286.06, 0.69%, 0.56%

LAB 50.85, 68.79, -57.01

 

CMYK 12 / 0 / 70 / 14

HEX #C2DC41

RGB 194 220 65

HSL 70.06, 0.69%, 0.56%

LAB 83.46, -28.36, 69.13

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 0 / 70 / 40 / 14

HEX #DC4184

RGB 220 65 132

HSL 334.06, 0.69%, 0.56%

LAB 52.58, 64.72, -2.48

 

CMYK 40 / 0 / 70 / 14

HEX #84DC41

RGB 132 220 65

HSL 94.06, 0.69%, 0.56%

LAB 79.88, -51.31, 64.37

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 16 / 70 / 0 / 14

HEX #B841DC

RGB 184 65 220

HSL 286.06, 0.69%, 0.56%

LAB 50.85, 68.79, -57.01

 

CMYK 0 / 30 / 70 / 14

HEX #DC9941

RGB 220 153 65

HSL 34.06, 0.69%, 0.56%

LAB 68.3, 17.06, 54.5

 

CMYK 54 / 0 / 70 / 14

HEX #65DC41

RGB 101 220 65

HSL 106.06, 0.69%, 0.56%

LAB 78.66, -60.48, 62.72

 

CMYK 70 / 40 / 0 / 14

HEX #4184DC

RGB 65 132 220

HSL 214.06, 0.69%, 0.56%

LAB 54.86, 7.72, -51.16

 

CMYK 0 / 70 / 5 / 14

HEX #DC41D1

RGB 220 65 209

HSL 304.26, 0.69%, 0.56%

LAB 55.68, 74.6, -42.72

 

CMYK 0 / 30 / 70 / 14

HEX #DC9941

RGB 220 153 65

HSL 34.06, 0.69%, 0.56%

LAB 68.3, 17.06, 54.5

 

CMYK 70 / 0 / 66 / 14

HEX #41DC4B

RGB 65 220 75

HSL 123.87, 0.69%, 0.56%

LAB 77.77, -67.4, 57.64

 

Description

Color code: HEX #4184DC | qconv.com Color code: HEX #4184DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 132 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 132 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 40 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 40% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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