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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4189BD it is the complementary color #BE7642. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4189BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4189BD shade: #4689B8, #579BCB, #68ADDE, #79BFF1 and #8AD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4189BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4189BD shade: #4189BD, #3077AA, #1F6597, #0E5384 and #004171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4189BD shade: #4189BD, #4167BD, #4146BD, #5D41BD and #7F41BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4189BD shade: #4189BD, #4167BD, #4146BD and #4141BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4189BD shade matches the following richer shades: #4189BD, #2C8CD2, #1790E7 and #0393FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4189BD shade: #4189BD, #5586A9, #6A8294, #7E7F80 and #937C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4189BD shade: #41BDAF, #41ABBD, #4189BD, #4168BD and #4147BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4189BD shade: #2B5D80, #36739F, #4189BD, #5F9CC8 and #7EAFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4189BD shade: #4189BD, #8E41BD and #BBBD41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4189BD shade: #4189BD, #BD4189 and #89BD41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4189BD shade: #4189BD, #8E41BD, #BD7541 and #70BD41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4189BD shade: #4189BD, #B341BD, #BD7541 and #4BBD41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

Complementary color

CMYK 0 / 38 / 65 / 25

HEX #BE7642

RGB 190 118 66

HSL 25.16, 0.49%, 0.5%

LAB 56.38, 23.43, 39.89

 

CMYK 62 / 26 / 0 / 28

HEX #4689B8

RGB 70 137 184

HSL 204.74, 0.45%, 0.5%

LAB 54.71, -6.8, -30.99

 

CMYK 57 / 24 / 0 / 20

HEX #579BCB

RGB 87 155 203

HSL 204.83, 0.53%, 0.57%

LAB 61.46, -7.54, -31.18

 

CMYK 53 / 22 / 0 / 13

HEX #68ADDE

RGB 104 173 222

HSL 204.92, 0.64%, 0.64%

LAB 68.1, -8.12, -31.38

 

CMYK 50 / 21 / 0 / 5

HEX #79BFF1

RGB 121 191 241

HSL 205, 0.81%, 0.71%

LAB 74.62, -8.59, -31.58

 

CMYK 46 / 18 / 0 / 0

HEX #8AD1FF

RGB 138 209 255

HSL 203.59, 1%, 0.77%

LAB 80.86, -10.33, -29.41

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 72 / 30 / 0 / 33

HEX #3077AA

RGB 48 119 170

HSL 205.08, 0.56%, 0.43%

LAB 47.91, -4.85, -33.6

 

CMYK 79 / 33 / 0 / 41

HEX #1F6597

RGB 31 101 151

HSL 205, 0.66%, 0.36%

LAB 40.95, -3.26, -33.37

 

CMYK 89 / 37 / 0 / 48

HEX #0E5384

RGB 14 83 132

HSL 204.92, 0.81%, 0.29%

LAB 33.87, -1.08, -33.08

 

CMYK 100 / 42 / 0 / 56

HEX #004171

RGB 0 65 113

HSL 205.49, 1%, 0.22%

LAB 26.66, 1.85, -32.7

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 66 / 46 / 0 / 26

HEX #4167BD

RGB 65 103 189

HSL 221.61, 0.49%, 0.5%

LAB 44.94, 14.64, -49.32

 

CMYK 66 / 63 / 0 / 26

HEX #4146BD

RGB 65 70 189

HSL 237.58, 0.49%, 0.5%

LAB 36.33, 35.69, -63.26

 

CMYK 51 / 66 / 0 / 26

HEX #5D41BD

RGB 93 65 189

HSL 253.55, 0.49%, 0.5%

LAB 37.45, 43.32, -61.33

 

CMYK 33 / 66 / 0 / 26

HEX #7F41BD

RGB 127 65 189

HSL 270, 0.49%, 0.5%

LAB 41.16, 50.15, -55.13

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 66 / 46 / 0 / 26

HEX #4167BD

RGB 65 103 189

HSL 221.61, 0.49%, 0.5%

LAB 44.94, 14.64, -49.32

 

CMYK 66 / 63 / 0 / 26

HEX #4146BD

RGB 65 70 189

HSL 237.58, 0.49%, 0.5%

LAB 36.33, 35.69, -63.26

 

CMYK 66 / 66 / 0 / 26

HEX #4141BD

RGB 65 65 189

HSL 240, 0.49%, 0.5%

LAB 35.16, 38.78, -65.16

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 79 / 33 / 0 / 18

HEX #2C8CD2

RGB 44 140 210

HSL 205.3, 0.65%, 0.5%

LAB 56.03, -3.26, -43.72

 

CMYK 90 / 38 / 0 / 9

HEX #1790E7

RGB 23 144 231

HSL 205.1, 0.82%, 0.5%

LAB 57.94, 0.58, -52.46

 

CMYK 99 / 41 / 0 / 2

HEX #0393FB

RGB 3 147 251

HSL 205.16, 0.98%, 0.5%

LAB 59.75, 5.7, -60.62

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 50 / 21 / 0 / 34

HEX #5586A9

RGB 85 134 169

HSL 205, 0.33%, 0.5%

LAB 53.86, -6.58, -23.65

 

CMYK 28 / 12 / 0 / 42

HEX #6A8294

RGB 106 130 148

HSL 205.71, 0.17%, 0.5%

LAB 53.13, -4.24, -12.5

 

CMYK 2 / 1 / 0 / 50

HEX #7E7F80

RGB 126 127 128

HSL 210, 0.01%, 0.5%

LAB 53.14, -0.17, -0.68

 

CMYK 0 / 16 / 27 / 42

HEX #937C6B

RGB 147 124 107

HSL 25.5, 0.16%, 0.5%

LAB 53.69, 6.13, 12.58

 

CMYK 66 / 0 / 7 / 26

HEX #41BDAF

RGB 65 189 175

HSL 173.23, 0.49%, 0.5%

LAB 69.9, -37.13, -2.95

 

CMYK 66 / 10 / 0 / 26

HEX #41ABBD

RGB 65 171 189

HSL 188.71, 0.49%, 0.5%

LAB 64.9, -24.44, -18.16

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 66 / 45 / 0 / 26

HEX #4168BD

RGB 65 104 189

HSL 221.13, 0.49%, 0.5%

LAB 45.22, 14.01, -48.88

 

CMYK 66 / 62 / 0 / 26

HEX #4147BD

RGB 65 71 189

HSL 237.1, 0.49%, 0.5%

LAB 36.56, 35.07, -62.87

 

CMYK 66 / 27 / 0 / 50

HEX #2B5D80

RGB 43 93 128

HSL 204.71, 0.5%, 0.34%

LAB 37.66, -5.05, -24.6

 

CMYK 66 / 28 / 0 / 38

HEX #36739F

RGB 54 115 159

HSL 205.14, 0.49%, 0.42%

LAB 46.38, -5.37, -29.55

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 53 / 22 / 0 / 22

HEX #5F9CC8

RGB 95 156 200

HSL 205.14, 0.49%, 0.58%

LAB 61.98, -7.31, -28.68

 

CMYK 40 / 17 / 0 / 17

HEX #7EAFD3

RGB 126 175 211

HSL 205.41, 0.49%, 0.66%

LAB 69.33, -7.06, -23.36

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 25 / 66 / 0 / 26

HEX #8E41BD

RGB 142 65 189

HSL 277.26, 0.49%, 0.5%

LAB 43.07, 53.45, -51.96

 

CMYK 1 / 0 / 66 / 26

HEX #BBBD41

RGB 187 189 65

HSL 60.97, 0.49%, 0.5%

LAB 74.41, -16.11, 59.85

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 0 / 66 / 28 / 26

HEX #BD4189

RGB 189 65 137

HSL 325.16, 0.49%, 0.5%

LAB 47.5, 56.55, -13.61

 

CMYK 28 / 0 / 66 / 26

HEX #89BD41

RGB 137 189 65

HSL 85.16, 0.49%, 0.5%

LAB 70.94, -36.32, 55.15

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 25 / 66 / 0 / 26

HEX #8E41BD

RGB 142 65 189

HSL 277.26, 0.49%, 0.5%

LAB 43.07, 53.45, -51.96

 

CMYK 0 / 38 / 66 / 26

HEX #BD7541

RGB 189 117 65

HSL 25.16, 0.49%, 0.5%

LAB 56.01, 23.49, 39.95

 

CMYK 41 / 0 / 66 / 26

HEX #70BD41

RGB 112 189 65

HSL 97.26, 0.49%, 0.5%

LAB 69.63, -45.2, 53.36

 

CMYK 66 / 28 / 0 / 26

HEX #4189BD

RGB 65 137 189

HSL 205.16, 0.49%, 0.5%

LAB 54.75, -6.03, -33.8

 

CMYK 5 / 66 / 0 / 26

HEX #B341BD

RGB 179 65 189

HSL 295.16, 0.49%, 0.5%

LAB 48.31, 61.97, -43.29

 

CMYK 0 / 38 / 66 / 26

HEX #BD7541

RGB 189 117 65

HSL 25.16, 0.49%, 0.5%

LAB 56.01, 23.49, 39.95

 

CMYK 60 / 0 / 66 / 26

HEX #4BBD41

RGB 75 189 65

HSL 115.16, 0.49%, 0.5%

LAB 68.22, -55.78, 51.43

 

Description

Color code: HEX #4189BD | qconv.com Color code: HEX #4189BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 137 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 137 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 28 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 28% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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