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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418FB0 it is the complementary color #BE704F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #418FB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418FB0 shade: #468FAB, #57A1BE, #68B3D1, #79C5E4 and #8AD7F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #418FB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418FB0 shade: #418FB0, #307D9D, #1F6B8A, #0E5977 and #004764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418FB0 shade: #408EAE, #4070AE, #4052AE, #4C40AE and #6A40AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418FB0 shade: #408EAE, #4070AE, #4052AE and #4040AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418FB0 shade matches the following richer shades: #408EAE, #2D96C2, #199DD5 and #06A5E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418FB0 shade: #408EAE, #54869B, #677E88, #7A7674 and #8E6E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418FB0 shade: #40AE93, #40ADAE, #408FAE, #4072AE and #4054AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418FB0 shade: #2A5D72, #357590, #408EAE, #57A1C1 and #75B2CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418FB0 shade: #418FB0, #7640AE and #AEA240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418FB0 shade: #418FB0, #AE408F and #8FAE40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418FB0 shade: #418FB0, #7640AE, #AE5F40 and #79AE40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418FB0 shade: #418FB0, #9740AE, #AE5F40 and #58AE40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 19 / 0 / 31

HEX #418FB0

RGB 65 143 176

HSL 197.84, 0.46%, 0.47%

LAB 55.99, -13.71, -24.46

 

Complementary color

CMYK 0 / 41 / 58 / 25

HEX #BE704F

RGB 190 112 79

HSL 17.84, 0.46%, 0.53%

LAB 55.18, 27.64, 31.42

 

CMYK 59 / 16 / 0 / 33

HEX #468FAB

RGB 70 143 171

HSL 196.63, 0.42%, 0.47%

LAB 55.97, -14.34, -21.61

 

CMYK 54 / 15 / 0 / 25

HEX #57A1BE

RGB 87 161 190

HSL 196.89, 0.44%, 0.54%

LAB 62.7, -14.79, -22

 

CMYK 50 / 14 / 0 / 18

HEX #68B3D1

RGB 104 179 209

HSL 197.14, 0.53%, 0.61%

LAB 69.32, -15.13, -22.37

 

CMYK 47 / 14 / 0 / 11

HEX #79C5E4

RGB 121 197 228

HSL 197.38, 0.66%, 0.68%

LAB 75.82, -15.39, -22.73

 

CMYK 44 / 13 / 0 / 3

HEX #8AD7F7

RGB 138 215 247

HSL 197.61, 0.87%, 0.75%

LAB 82.23, -15.59, -23.08

 

CMYK 63 / 19 / 0 / 31

HEX #418FB0

RGB 65 143 176

HSL 197.84, 0.46%, 0.47%

LAB 55.99, -13.71, -24.46

 

CMYK 69 / 20 / 0 / 38

HEX #307D9D

RGB 48 125 157

HSL 197.61, 0.53%, 0.4%

LAB 49.17, -12.88, -24.06

 

CMYK 78 / 22 / 0 / 46

HEX #1F6B8A

RGB 31 107 138

HSL 197.38, 0.63%, 0.33%

LAB 42.22, -11.71, -23.6

 

CMYK 88 / 25 / 0 / 53

HEX #0E5977

RGB 14 89 119

HSL 197.14, 0.79%, 0.26%

LAB 35.14, -10.03, -23.06

 

CMYK 100 / 29 / 0 / 61

HEX #004764

RGB 0 71 100

HSL 197.4, 1%, 0.2%

LAB 27.92, -7.7, -22.42

 

CMYK 63 / 18 / 0 / 32

HEX #408EAE

RGB 64 142 174

HSL 197.45, 0.46%, 0.47%

LAB 55.58, -13.99, -23.96

 

CMYK 63 / 36 / 0 / 32

HEX #4070AE

RGB 64 112 174

HSL 213.82, 0.46%, 0.47%

LAB 46.62, 3.52, -37.92

 

CMYK 63 / 53 / 0 / 32

HEX #4052AE

RGB 64 82 174

HSL 230.18, 0.46%, 0.47%

LAB 38.16, 22.63, -51.43

 

CMYK 56 / 63 / 0 / 32

HEX #4C40AE

RGB 76 64 174

HSL 246.55, 0.46%, 0.47%

LAB 34.52, 36.21, -57.3

 

CMYK 39 / 63 / 0 / 32

HEX #6A40AE

RGB 106 64 174

HSL 262.91, 0.46%, 0.47%

LAB 37.46, 42.26, -52.4

 

CMYK 63 / 18 / 0 / 32

HEX #408EAE

RGB 64 142 174

HSL 197.45, 0.46%, 0.47%

LAB 55.58, -13.99, -23.96

 

CMYK 63 / 36 / 0 / 32

HEX #4070AE

RGB 64 112 174

HSL 213.82, 0.46%, 0.47%

LAB 46.62, 3.52, -37.92

 

CMYK 63 / 53 / 0 / 32

HEX #4052AE

RGB 64 82 174

HSL 230.18, 0.46%, 0.47%

LAB 38.16, 22.63, -51.43

 

CMYK 63 / 63 / 0 / 32

HEX #4040AE

RGB 64 64 174

HSL 240, 0.46%, 0.47%

LAB 33.59, 34.18, -58.86

 

CMYK 63 / 18 / 0 / 32

HEX #408EAE

RGB 64 142 174

HSL 197.45, 0.46%, 0.47%

LAB 55.58, -13.99, -23.96

 

CMYK 77 / 23 / 0 / 24

HEX #2D96C2

RGB 45 150 194

HSL 197.72, 0.62%, 0.47%

LAB 58.29, -14.49, -31.16

 

CMYK 88 / 26 / 0 / 16

HEX #199DD5

RGB 25 157 213

HSL 197.87, 0.79%, 0.47%

LAB 60.89, -13.36, -37.78

 

CMYK 97 / 29 / 0 / 9

HEX #06A5E9

RGB 6 165 233

HSL 197.97, 0.95%, 0.47%

LAB 64.02, -11.3, -43.94

 

CMYK 63 / 18 / 0 / 32

HEX #408EAE

RGB 64 142 174

HSL 197.45, 0.46%, 0.47%

LAB 55.58, -13.99, -23.96

 

CMYK 46 / 14 / 0 / 39

HEX #54869B

RGB 84 134 155

HSL 197.75, 0.3%, 0.47%

LAB 53.28, -10.96, -16.46

 

CMYK 24 / 7 / 0 / 47

HEX #677E88

RGB 103 126 136

HSL 198.18, 0.14%, 0.47%

LAB 51.36, -5.92, -8.18

 

CMYK 0 / 3 / 5 / 52

HEX #7A7674

RGB 122 118 116

HSL 20, 0.03%, 0.47%

LAB 49.92, 1.14, 1.64

 

CMYK 0 / 23 / 32 / 44

HEX #8E6E61

RGB 142 110 97

HSL 17.33, 0.19%, 0.47%

LAB 49.21, 10.7, 12.11

 

CMYK 63 / 0 / 16 / 32

HEX #40AE93

RGB 64 174 147

HSL 165.27, 0.46%, 0.47%

LAB 64.54, -37.77, 4.68

 

CMYK 63 / 1 / 0 / 32

HEX #40ADAE

RGB 64 173 174

HSL 180.55, 0.46%, 0.47%

LAB 64.99, -30.03, -9.68

 

CMYK 63 / 18 / 0 / 32

HEX #408FAE

RGB 64 143 174

HSL 196.91, 0.46%, 0.47%

LAB 55.88, -14.54, -23.49

 

CMYK 63 / 34 / 0 / 32

HEX #4072AE

RGB 64 114 174

HSL 212.73, 0.46%, 0.47%

LAB 47.21, 2.3, -36.99

 

CMYK 63 / 52 / 0 / 32

HEX #4054AE

RGB 64 84 174

HSL 229.09, 0.46%, 0.47%

LAB 38.7, 21.33, -50.56

 

CMYK 63 / 18 / 0 / 55

HEX #2A5D72

RGB 42 93 114

HSL 197.5, 0.46%, 0.31%

LAB 37, -10.17, -17.04

 

CMYK 63 / 19 / 0 / 44

HEX #357590

RGB 53 117 144

HSL 197.8, 0.46%, 0.39%

LAB 46.3, -11.83, -20.81

 

CMYK 63 / 18 / 0 / 32

HEX #408EAE

RGB 64 142 174

HSL 197.45, 0.46%, 0.47%

LAB 55.58, -13.99, -23.96

 

CMYK 55 / 17 / 0 / 24

HEX #57A1C1

RGB 87 161 193

HSL 198.11, 0.46%, 0.55%

LAB 62.82, -13.9, -23.51

 

CMYK 43 / 13 / 0 / 20

HEX #75B2CC

RGB 117 178 204

HSL 197.93, 0.46%, 0.63%

LAB 69.46, -12.87, -19.36

 

CMYK 63 / 19 / 0 / 31

HEX #418FB0

RGB 65 143 176

HSL 197.84, 0.46%, 0.47%

LAB 55.99, -13.71, -24.46

 

CMYK 32 / 63 / 0 / 32

HEX #7640AE

RGB 118 64 174

HSL 269.45, 0.46%, 0.47%

LAB 38.85, 44.97, -50.07

 

CMYK 0 / 7 / 63 / 32

HEX #AEA240

RGB 174 162 64

HSL 53.45, 0.46%, 0.47%

LAB 65.91, -7.78, 51

 

CMYK 63 / 19 / 0 / 31

HEX #418FB0

RGB 65 143 176

HSL 197.84, 0.46%, 0.47%

LAB 55.99, -13.71, -24.46

 

CMYK 0 / 63 / 18 / 32

HEX #AE408F

RGB 174 64 143

HSL 316.91, 0.46%, 0.47%

LAB 45.15, 53.54, -21.05

 

CMYK 18 / 0 / 63 / 32

HEX #8FAE40

RGB 143 174 64

HSL 76.91, 0.46%, 0.47%

LAB 66.89, -27.01, 51.34

 

CMYK 63 / 19 / 0 / 31

HEX #418FB0

RGB 65 143 176

HSL 197.84, 0.46%, 0.47%

LAB 55.99, -13.71, -24.46

 

CMYK 32 / 63 / 0 / 32

HEX #7640AE

RGB 118 64 174

HSL 269.45, 0.46%, 0.47%

LAB 38.85, 44.97, -50.07

 

CMYK 0 / 45 / 63 / 32

HEX #AE5F40

RGB 174 95 64

HSL 16.91, 0.46%, 0.47%

LAB 48.95, 29.22, 31.66

 

CMYK 30 / 0 / 63 / 32

HEX #79AE40

RGB 121 174 64

HSL 88.91, 0.46%, 0.47%

LAB 65.52, -35.58, 49.46

 

CMYK 63 / 19 / 0 / 31

HEX #418FB0

RGB 65 143 176

HSL 197.84, 0.46%, 0.47%

LAB 55.99, -13.71, -24.46

 

CMYK 13 / 63 / 0 / 32

HEX #9740AE

RGB 151 64 174

HSL 287.45, 0.46%, 0.47%

LAB 43.21, 52.85, -42.84

 

CMYK 0 / 45 / 63 / 32

HEX #AE5F40

RGB 174 95 64

HSL 16.91, 0.46%, 0.47%

LAB 48.95, 29.22, 31.66

 

CMYK 49 / 0 / 63 / 32

HEX #58AE40

RGB 88 174 64

HSL 106.91, 0.46%, 0.47%

LAB 63.93, -46.71, 47.26

 

Description

Color code: HEX #418FB0 | qconv.com Color code: HEX #418FB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 143 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 143 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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