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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419961 it is the complementary color #BE669E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419961. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419961 shade: #46995C, #57AB6F, #68BD82, #79CF95 and #8AE1A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419961. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419961 shade: #419961, #30874E, #1F753B, #0E6328 and #005115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419961 shade: #419961, #41994A, #519941, #689941 and #809941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419961 shade: #419961, #419979, #419991, #418A99 and #417299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419961 shade matches the following richer shades: #419961, #30AB5C, #1EBC58 and #0CCE53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419961 shade: #419961, #538766, #65766B, #776470 and #885275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419961 shade: #519941, #419949, #419960, #419977 and #41998F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419961 shade: #295F3C, #357C4F, #419961, #50B474 and #6DC08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419961 shade: #419961, #416999 and #994146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419961 shade: #419961, #604199 and #996041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419961 shade: #419961, #416999, #99417A and #997241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419961 shade: #419961, #414E99, #99417A and #998C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

Complementary color

CMYK 0 / 46 / 17 / 25

HEX #BE669E

RGB 190 102 158

HSL 321.82, 0.4%, 0.57%

LAB 54.99, 42.42, -14.71

 

CMYK 54 / 0 / 40 / 40

HEX #46995C

RGB 70 153 92

HSL 135.9, 0.37%, 0.44%

LAB 56.94, -39.17, 24.6

 

CMYK 49 / 0 / 35 / 33

HEX #57AB6F

RGB 87 171 111

HSL 137.14, 0.33%, 0.51%

LAB 63.59, -39.06, 23.26

 

CMYK 45 / 0 / 31 / 26

HEX #68BD82

RGB 104 189 130

HSL 138.35, 0.39%, 0.57%

LAB 70.14, -38.86, 22.02

 

CMYK 42 / 0 / 28 / 19

HEX #79CF95

RGB 121 207 149

HSL 139.53, 0.47%, 0.64%

LAB 76.59, -38.62, 20.87

 

CMYK 39 / 0 / 25 / 12

HEX #8AE1A8

RGB 138 225 168

HSL 140.69, 0.59%, 0.71%

LAB 82.96, -38.36, 19.8

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 64 / 0 / 42 / 47

HEX #30874E

RGB 48 135 78

HSL 140.69, 0.48%, 0.36%

LAB 50.1, -39.38, 23.18

 

CMYK 74 / 0 / 50 / 54

HEX #1F753B

RGB 31 117 59

HSL 139.53, 0.58%, 0.29%

LAB 43.26, -38.92, 24.79

 

CMYK 86 / 0 / 60 / 61

HEX #0E6328

RGB 14 99 40

HSL 138.35, 0.75%, 0.22%

LAB 36.31, -37.8, 26.52

 

CMYK 100 / 0 / 74 / 68

HEX #005115

RGB 0 81 21

HSL 135.56, 1%, 0.16%

LAB 29.26, -35.71, 28.11

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 58 / 0 / 52 / 40

HEX #41994A

RGB 65 153 74

HSL 126.14, 0.4%, 0.43%

LAB 56.49, -43.4, 33.53

 

CMYK 47 / 0 / 58 / 40

HEX #519941

RGB 81 153 65

HSL 109.09, 0.4%, 0.43%

LAB 56.99, -40.05, 38.79

 

CMYK 32 / 0 / 58 / 40

HEX #689941

RGB 104 153 65

HSL 93.41, 0.4%, 0.43%

LAB 58.14, -32.14, 40.42

 

CMYK 16 / 0 / 58 / 40

HEX #809941

RGB 128 153 65

HSL 77.05, 0.4%, 0.43%

LAB 59.67, -22.69, 42.57

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 58 / 0 / 21 / 40

HEX #419979

RGB 65 153 121

HSL 158.18, 0.4%, 0.43%

LAB 57.35, -34.34, 8.98

 

CMYK 58 / 0 / 5 / 40

HEX #419991

RGB 65 153 145

HSL 174.55, 0.4%, 0.43%

LAB 57.99, -28.21, -3.74

 

CMYK 58 / 10 / 0 / 40

HEX #418A99

RGB 65 138 153

HSL 190.23, 0.4%, 0.43%

LAB 53.6, -18.19, -14.89

 

CMYK 58 / 25 / 0 / 40

HEX #417299

RGB 65 114 153

HSL 206.59, 0.4%, 0.43%

LAB 46.26, -4.62, -26.17

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 72 / 0 / 46 / 33

HEX #30AB5C

RGB 48 171 92

HSL 141.46, 0.56%, 0.43%

LAB 62.11, -51.06, 31.18

 

CMYK 84 / 0 / 53 / 26

HEX #1EBC58

RGB 30 188 88

HSL 142.03, 0.72%, 0.43%

LAB 67.24, -60, 39.55

 

CMYK 94 / 0 / 60 / 19

HEX #0CCE53

RGB 12 206 83

HSL 141.96, 0.89%, 0.43%

LAB 72.79, -67.64, 48.46

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 39 / 0 / 24 / 47

HEX #538766

RGB 83 135 102

HSL 141.92, 0.24%, 0.43%

LAB 51.98, -25.06, 12.37

 

CMYK 14 / 0 / 9 / 54

HEX #65766B

RGB 101 118 107

HSL 141.18, 0.08%, 0.43%

LAB 47.99, -8.65, 3.94

 

CMYK 0 / 16 / 6 / 53

HEX #776470

RGB 119 100 112

HSL 322.11, 0.09%, 0.43%

LAB 44.53, 9.85, -3.92

 

CMYK 0 / 40 / 14 / 47

HEX #885275

RGB 136 82 117

HSL 321.11, 0.25%, 0.43%

LAB 42.08, 27.9, -10.41

 

CMYK 47 / 0 / 58 / 40

HEX #519941

RGB 81 153 65

HSL 109.09, 0.4%, 0.43%

LAB 56.99, -40.05, 38.79

 

CMYK 58 / 0 / 52 / 40

HEX #419949

RGB 65 153 73

HSL 125.45, 0.4%, 0.43%

LAB 56.47, -43.55, 34.03

 

CMYK 58 / 0 / 37 / 40

HEX #419960

RGB 65 153 96

HSL 141.14, 0.4%, 0.43%

LAB 56.83, -39.69, 22.24

 

CMYK 58 / 0 / 22 / 40

HEX #419977

RGB 65 153 119

HSL 156.82, 0.4%, 0.43%

LAB 57.31, -34.81, 10.05

 

CMYK 58 / 0 / 7 / 40

HEX #41998F

RGB 65 153 143

HSL 173.18, 0.4%, 0.43%

LAB 57.93, -28.75, -2.68

 

CMYK 57 / 0 / 37 / 63

HEX #295F3C

RGB 41 95 60

HSL 141.11, 0.4%, 0.27%

LAB 35.95, -26.82, 14.74

 

CMYK 57 / 0 / 36 / 51

HEX #357C4F

RGB 53 124 79

HSL 141.97, 0.4%, 0.35%

LAB 46.63, -33.22, 18.04

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 56 / 0 / 36 / 29

HEX #50B474

RGB 80 180 116

HSL 141.6, 0.4%, 0.51%

LAB 66.22, -43.81, 24.05

 

CMYK 43 / 0 / 28 / 25

HEX #6DC08B

RGB 109 192 139

HSL 141.69, 0.4%, 0.59%

LAB 71.43, -37.11, 19

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 58 / 31 / 0 / 40

HEX #416999

RGB 65 105 153

HSL 212.73, 0.4%, 0.43%

LAB 43.55, 0.83, -30.39

 

CMYK 0 / 58 / 54 / 40

HEX #994146

RGB 153 65 70

HSL 356.59, 0.4%, 0.43%

LAB 39.57, 37.3, 15.44

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 37 / 58 / 0 / 40

HEX #604199

RGB 96 65 153

HSL 261.14, 0.4%, 0.43%

LAB 35.14, 33.6, -43.59

 

CMYK 0 / 37 / 58 / 40

HEX #996041

RGB 153 96 65

HSL 21.14, 0.4%, 0.43%

LAB 46.34, 19.88, 27.23

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 58 / 31 / 0 / 40

HEX #416999

RGB 65 105 153

HSL 212.73, 0.4%, 0.43%

LAB 43.55, 0.83, -30.39

 

CMYK 0 / 58 / 20 / 40

HEX #99417A

RGB 153 65 122

HSL 321.14, 0.4%, 0.43%

LAB 41.15, 43.64, -14.67

 

CMYK 0 / 25 / 58 / 40

HEX #997241

RGB 153 114 65

HSL 33.41, 0.4%, 0.43%

LAB 50.91, 9.54, 32.85

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 58 / 49 / 0 / 40

HEX #414E99

RGB 65 78 153

HSL 231.14, 0.4%, 0.43%

LAB 35.74, 18.07, -42.78

 

CMYK 0 / 58 / 20 / 40

HEX #99417A

RGB 153 65 122

HSL 321.14, 0.4%, 0.43%

LAB 41.15, 43.64, -14.67

 

CMYK 0 / 8 / 58 / 40

HEX #998C41

RGB 153 140 65

HSL 51.14, 0.4%, 0.43%

LAB 57.95, -5.08, 41.15

 

Description

Color code: HEX #419961 | qconv.com Color code: HEX #419961 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 153 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 153 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 37 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 37% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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