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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4192C1 it is the complementary color #BE6D3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4192C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4192C1 shade: #4692BC, #57A4CF, #68B6E2, #79C8F5 and #8ADAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4192C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4192C1 shade: #4192C1, #3080AE, #1F6E9B, #0E5C88 and #004A75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4192C1 shade: #4292C1, #4270C1, #424EC1, #5842C1 and #7B42C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4192C1 shade: #4292C1, #4270C1, #424EC1 and #4242C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4192C1 shade matches the following richer shades: #4292C1, #2E98D5, #199DEA and #05A3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4192C1 shade: #4292C1, #568DAD, #6A8899, #7E8285 and #937D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4192C1 shade: #42C1AC, #42B5C1, #4293C1, #4271C1 and #424FC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4192C1 shade: #2B6486, #357CA5, #4292C1, #61A4CB and #80B6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4192C1 shade: #4192C1, #8A42C1 and #C1BD42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4192C1 shade: #4192C1, #C14293 and #93C142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4192C1 shade: #4192C1, #8A42C1, #C17142 and #79C142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4192C1 shade: #4192C1, #B042C1, #C17142 and #53C142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 24 / 0 / 24

HEX #4192C1

RGB 65 146 193

HSL 202.03, 0.51%, 0.51%

LAB 57.59, -9.81, -31.64

 

Complementary color

CMYK 0 / 43 / 67 / 25

HEX #BE6D3E

RGB 190 109 62

HSL 22.03, 0.51%, 0.49%

LAB 54.27, 28.1, 39.56

 

CMYK 63 / 22 / 0 / 26

HEX #4692BC

RGB 70 146 188

HSL 201.36, 0.47%, 0.51%

LAB 57.55, -10.58, -28.86

 

CMYK 58 / 21 / 0 / 19

HEX #57A4CF

RGB 87 164 207

HSL 201.5, 0.56%, 0.58%

LAB 64.23, -11.27, -29.14

 

CMYK 54 / 19 / 0 / 11

HEX #68B6E2

RGB 104 182 226

HSL 201.64, 0.68%, 0.65%

LAB 70.79, -11.8, -29.41

 

CMYK 51 / 18 / 0 / 4

HEX #79C8F5

RGB 121 200 245

HSL 201.77, 0.86%, 0.72%

LAB 77.26, -12.23, -29.67

 

CMYK 46 / 15 / 0 / 0

HEX #8ADAFF

RGB 138 218 255

HSL 198.97, 1%, 0.77%

LAB 83.32, -15, -25.66

 

CMYK 66 / 24 / 0 / 24

HEX #4192C1

RGB 65 146 193

HSL 202.03, 0.51%, 0.51%

LAB 57.59, -9.81, -31.64

 

CMYK 72 / 26 / 0 / 32

HEX #3080AE

RGB 48 128 174

HSL 201.9, 0.57%, 0.44%

LAB 50.83, -8.7, -31.35

 

CMYK 80 / 29 / 0 / 39

HEX #1F6E9B

RGB 31 110 155

HSL 201.77, 0.67%, 0.36%

LAB 43.96, -7.21, -31.02

 

CMYK 90 / 32 / 0 / 47

HEX #0E5C88

RGB 14 92 136

HSL 201.64, 0.81%, 0.29%

LAB 36.98, -5.17, -30.61

 

CMYK 100 / 37 / 0 / 54

HEX #004A75

RGB 0 74 117

HSL 202.05, 1%, 0.23%

LAB 29.87, -2.45, -30.12

 

CMYK 66 / 24 / 0 / 24

HEX #4292C1

RGB 66 146 193

HSL 202.2, 0.51%, 0.51%

LAB 57.62, -9.64, -31.59

 

CMYK 66 / 42 / 0 / 24

HEX #4270C1

RGB 66 112 193

HSL 218.27, 0.51%, 0.51%

LAB 47.75, 10.57, -47.14

 

CMYK 66 / 60 / 0 / 24

HEX #424EC1

RGB 66 78 193

HSL 234.33, 0.51%, 0.51%

LAB 38.65, 32.19, -61.8

 

CMYK 54 / 66 / 0 / 24

HEX #5842C1

RGB 88 66 193

HSL 250.39, 0.51%, 0.51%

LAB 37.52, 43.06, -63.58

 

CMYK 36 / 66 / 0 / 24

HEX #7B42C1

RGB 123 66 193

HSL 266.93, 0.51%, 0.51%

LAB 41.15, 49.78, -57.52

 

CMYK 66 / 24 / 0 / 24

HEX #4292C1

RGB 66 146 193

HSL 202.2, 0.51%, 0.51%

LAB 57.62, -9.64, -31.59

 

CMYK 66 / 42 / 0 / 24

HEX #4270C1

RGB 66 112 193

HSL 218.27, 0.51%, 0.51%

LAB 47.75, 10.57, -47.14

 

CMYK 66 / 60 / 0 / 24

HEX #424EC1

RGB 66 78 193

HSL 234.33, 0.51%, 0.51%

LAB 38.65, 32.19, -61.8

 

CMYK 66 / 66 / 0 / 24

HEX #4242C1

RGB 66 66 193

HSL 240, 0.51%, 0.51%

LAB 35.8, 39.65, -66.46

 

CMYK 66 / 24 / 0 / 24

HEX #4292C1

RGB 66 146 193

HSL 202.2, 0.51%, 0.51%

LAB 57.62, -9.64, -31.59

 

CMYK 78 / 29 / 0 / 16

HEX #2E98D5

RGB 46 152 213

HSL 201.92, 0.67%, 0.51%

LAB 59.75, -8.86, -39.55

 

CMYK 89 / 33 / 0 / 8

HEX #199DEA

RGB 25 157 234

HSL 202.11, 0.83%, 0.51%

LAB 61.88, -5.75, -47.87

 

CMYK 98 / 36 / 0 / 0

HEX #05A3FE

RGB 5 163 254

HSL 201.93, 0.99%, 0.51%

LAB 64.47, -2.5, -54.74

 

CMYK 66 / 24 / 0 / 24

HEX #4292C1

RGB 66 146 193

HSL 202.2, 0.51%, 0.51%

LAB 57.62, -9.64, -31.59

 

CMYK 50 / 18 / 0 / 32

HEX #568DAD

RGB 86 141 173

HSL 202.07, 0.35%, 0.51%

LAB 56.13, -9.1, -22.45

 

CMYK 31 / 11 / 0 / 40

HEX #6A8899

RGB 106 136 153

HSL 201.7, 0.19%, 0.51%

LAB 55.04, -6.38, -12.52

 

CMYK 5 / 2 / 0 / 48

HEX #7E8285

RGB 126 130 133

HSL 205.71, 0.03%, 0.51%

LAB 54.13, -0.86, -2.14

 

CMYK 0 / 15 / 24 / 42

HEX #937D70

RGB 147 125 112

HSL 22.29, 0.14%, 0.51%

LAB 54.07, 6.32, 10.22

 

CMYK 66 / 0 / 11 / 24

HEX #42C1AC

RGB 66 193 172

HSL 170.08, 0.51%, 0.51%

LAB 71.06, -39.58, 0.39

 

CMYK 66 / 6 / 0 / 24

HEX #42B5C1

RGB 66 181 193

HSL 185.67, 0.51%, 0.51%

LAB 68.06, -28.08, -15.59

 

CMYK 66 / 24 / 0 / 24

HEX #4293C1

RGB 66 147 193

HSL 201.73, 0.51%, 0.51%

LAB 57.92, -10.2, -31.13

 

CMYK 66 / 41 / 0 / 24

HEX #4271C1

RGB 66 113 193

HSL 217.8, 0.51%, 0.51%

LAB 48.03, 9.95, -46.69

 

CMYK 66 / 59 / 0 / 24

HEX #424FC1

RGB 66 79 193

HSL 233.86, 0.51%, 0.51%

LAB 38.9, 31.56, -61.4

 

CMYK 68 / 25 / 0 / 47

HEX #2B6486

RGB 43 100 134

HSL 202.42, 0.51%, 0.35%

LAB 40.16, -7.17, -24.36

 

CMYK 68 / 25 / 0 / 35

HEX #357CA5

RGB 53 124 165

HSL 201.96, 0.51%, 0.43%

LAB 49.36, -8.75, -28.41

 

CMYK 66 / 24 / 0 / 24

HEX #4292C1

RGB 66 146 193

HSL 202.2, 0.51%, 0.51%

LAB 57.62, -9.64, -31.59

 

CMYK 52 / 19 / 0 / 20

HEX #61A4CB

RGB 97 164 203

HSL 202.08, 0.5%, 0.59%

LAB 64.49, -10.38, -26.48

 

CMYK 40 / 15 / 0 / 16

HEX #80B6D5

RGB 128 182 213

HSL 201.88, 0.5%, 0.67%

LAB 71.45, -9.77, -21.2

 

CMYK 66 / 24 / 0 / 24

HEX #4192C1

RGB 65 146 193

HSL 202.03, 0.51%, 0.51%

LAB 57.59, -9.81, -31.64

 

CMYK 28 / 66 / 0 / 24

HEX #8A42C1

RGB 138 66 193

HSL 274.02, 0.51%, 0.51%

LAB 42.99, 52.99, -54.45

 

CMYK 0 / 2 / 66 / 24

HEX #C1BD42

RGB 193 189 66

HSL 58.11, 0.51%, 0.51%

LAB 74.9, -13.51, 60.12

 

CMYK 66 / 24 / 0 / 24

HEX #4192C1

RGB 65 146 193

HSL 202.03, 0.51%, 0.51%

LAB 57.59, -9.81, -31.64

 

CMYK 0 / 66 / 24 / 24

HEX #C14293

RGB 193 66 147

HSL 321.73, 0.51%, 0.51%

LAB 48.69, 58.59, -17.76

 

CMYK 24 / 0 / 66 / 24

HEX #93C142

RGB 147 193 66

HSL 81.73, 0.51%, 0.51%

LAB 72.72, -34.26, 56.81

 

CMYK 66 / 24 / 0 / 24

HEX #4192C1

RGB 65 146 193

HSL 202.03, 0.51%, 0.51%

LAB 57.59, -9.81, -31.64

 

CMYK 28 / 66 / 0 / 24

HEX #8A42C1

RGB 138 66 193

HSL 274.02, 0.51%, 0.51%

LAB 42.99, 52.99, -54.45

 

CMYK 0 / 41 / 66 / 24

HEX #C17142

RGB 193 113 66

HSL 22.2, 0.51%, 0.51%

LAB 55.63, 27.42, 39.12

 

CMYK 37 / 0 / 66 / 24

HEX #79C142

RGB 121 193 66

HSL 94.02, 0.51%, 0.51%

LAB 71.28, -43.76, 54.85

 

CMYK 66 / 24 / 0 / 24

HEX #4192C1

RGB 65 146 193

HSL 202.03, 0.51%, 0.51%

LAB 57.59, -9.81, -31.64

 

CMYK 9 / 66 / 0 / 24

HEX #B042C1

RGB 176 66 193

HSL 291.97, 0.51%, 0.51%

LAB 48.23, 61.59, -45.76

 

CMYK 0 / 41 / 66 / 24

HEX #C17142

RGB 193 113 66

HSL 22.2, 0.51%, 0.51%

LAB 55.63, 27.42, 39.12

 

CMYK 57 / 0 / 66 / 24

HEX #53C142

RGB 83 193 66

HSL 111.97, 0.51%, 0.51%

LAB 69.73, -55.19, 52.73

 

Description

Color code: HEX #4192C1 | qconv.com Color code: HEX #4192C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 146 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 146 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 24 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 24% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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