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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41A155 it is the complementary color #BE5EAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41A155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41A155 shade: #46A150, #57B363, #68C576, #79D789 and #8AE99C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41A155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41A155 shade: #41A155, #308F42, #1F7D2F, #0E6B1C and #005909

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41A155 shade: #419F54, #469F41, #609F41, #799F41 and #939F41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41A155 shade: #419F54, #419F6E, #419F87, #419D9F and #41849F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41A155 shade matches the following richer shades: #419F54, #2EB14A, #1CC33F and #0AD534

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41A155 shade: #419F54, #538D5F, #657B69, #776874 and #89567F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41A155 shade: #609F41, #479F41, #419F53, #419F6D and #419F86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41A155 shade: #296435, #358245, #419F54, #51B866 and #6EC480

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41A155 shade: #41A155, #41799F and #9F4153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41A155 shade: #41A155, #53419F and #9F5341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41A155 shade: #41A155, #41799F, #9F418C and #9F6641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41A155 shade: #41A155, #415D9F, #9F418C and #9F8341

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 47 / 37

HEX #41A155

RGB 65 161 85

HSL 132.5, 0.42%, 0.44%

LAB 59.22, -44.95, 31.25

 

Complementary color

CMYK 0 / 51 / 11 / 25

HEX #BE5EAA

RGB 190 94 170

HSL 312.5, 0.42%, 0.56%

LAB 53.87, 48.44, -23.41

 

CMYK 57 / 0 / 50 / 37

HEX #46A150

RGB 70 161 80

HSL 126.59, 0.39%, 0.45%

LAB 59.32, -44.49, 33.99

 

CMYK 51 / 0 / 45 / 30

HEX #57B363

RGB 87 179 99

HSL 127.83, 0.38%, 0.52%

LAB 65.88, -44.53, 32.6

 

CMYK 47 / 0 / 40 / 23

HEX #68C576

RGB 104 197 118

HSL 129.03, 0.44%, 0.59%

LAB 72.35, -44.43, 31.28

 

CMYK 44 / 0 / 36 / 16

HEX #79D789

RGB 121 215 137

HSL 130.21, 0.54%, 0.66%

LAB 78.74, -44.25, 30.03

 

CMYK 41 / 0 / 33 / 9

HEX #8AE99C

RGB 138 233 156

HSL 131.37, 0.68%, 0.73%

LAB 85.04, -44.03, 28.84

 

CMYK 60 / 0 / 47 / 37

HEX #41A155

RGB 65 161 85

HSL 132.5, 0.42%, 0.44%

LAB 59.22, -44.95, 31.25

 

CMYK 66 / 0 / 54 / 44

HEX #308F42

RGB 48 143 66

HSL 131.37, 0.5%, 0.37%

LAB 52.58, -44.61, 32.74

 

CMYK 75 / 0 / 62 / 51

HEX #1F7D2F

RGB 31 125 47

HSL 130.21, 0.6%, 0.31%

LAB 45.86, -43.81, 34.22

 

CMYK 87 / 0 / 74 / 58

HEX #0E6B1C

RGB 14 107 28

HSL 129.03, 0.77%, 0.24%

LAB 39.06, -42.2, 35.44

 

CMYK 100 / 0 / 90 / 65

HEX #005909

RGB 0 89 9

HSL 126.07, 1%, 0.17%

LAB 32.18, -39.41, 35.66

 

CMYK 59 / 0 / 47 / 38

HEX #419F54

RGB 65 159 84

HSL 132.13, 0.42%, 0.44%

LAB 58.56, -44.3, 30.94

 

CMYK 56 / 0 / 59 / 38

HEX #469F41

RGB 70 159 65

HSL 116.81, 0.42%, 0.44%

LAB 58.49, -45.7, 40.43

 

CMYK 40 / 0 / 59 / 38

HEX #609F41

RGB 96 159 65

HSL 100.21, 0.42%, 0.44%

LAB 59.58, -37.73, 41.98

 

CMYK 24 / 0 / 59 / 38

HEX #799F41

RGB 121 159 65

HSL 84.26, 0.42%, 0.44%

LAB 61, -28.47, 43.96

 

CMYK 8 / 0 / 59 / 38

HEX #939F41

RGB 147 159 65

HSL 67.66, 0.42%, 0.44%

LAB 62.83, -17.78, 46.52

 

CMYK 59 / 0 / 47 / 38

HEX #419F54

RGB 65 159 84

HSL 132.13, 0.42%, 0.44%

LAB 58.56, -44.3, 30.94

 

CMYK 59 / 0 / 31 / 38

HEX #419F6E

RGB 65 159 110

HSL 148.72, 0.42%, 0.44%

LAB 59.02, -39.48, 17.47

 

CMYK 59 / 0 / 15 / 38

HEX #419F87

RGB 65 159 135

HSL 164.68, 0.42%, 0.44%

LAB 59.59, -33.71, 4.27

 

CMYK 59 / 1 / 0 / 38

HEX #419D9F

RGB 65 157 159

HSL 181.28, 0.42%, 0.44%

LAB 59.65, -26.27, -9.22

 

CMYK 59 / 17 / 0 / 38

HEX #41849F

RGB 65 132 159

HSL 197.23, 0.42%, 0.44%

LAB 51.98, -13.05, -20.84

 

CMYK 59 / 0 / 47 / 38

HEX #419F54

RGB 65 159 84

HSL 132.13, 0.42%, 0.44%

LAB 58.56, -44.3, 30.94

 

CMYK 74 / 0 / 58 / 31

HEX #2EB14A

RGB 46 177 74

HSL 132.82, 0.59%, 0.44%

LAB 63.77, -56.25, 42.17

 

CMYK 86 / 0 / 68 / 24

HEX #1CC33F

RGB 28 195 63

HSL 132.57, 0.75%, 0.44%

LAB 69.21, -65.53, 53.06

 

CMYK 95 / 0 / 76 / 16

HEX #0AD534

RGB 10 213 52

HSL 132.41, 0.91%, 0.44%

LAB 74.76, -72.84, 62.77

 

CMYK 59 / 0 / 47 / 38

HEX #419F54

RGB 65 159 84

HSL 132.13, 0.42%, 0.44%

LAB 58.56, -44.3, 30.94

 

CMYK 41 / 0 / 33 / 45

HEX #538D5F

RGB 83 141 95

HSL 132.41, 0.26%, 0.44%

LAB 53.72, -29.39, 18.74

 

CMYK 18 / 0 / 15 / 52

HEX #657B69

RGB 101 123 105

HSL 130.91, 0.1%, 0.44%

LAB 49.44, -11.86, 7.2

 

CMYK 0 / 13 / 3 / 53

HEX #776874

RGB 119 104 116

HSL 312, 0.07%, 0.44%

LAB 45.75, 8.24, -4.52

 

CMYK 0 / 37 / 7 / 46

HEX #89567F

RGB 137 86 127

HSL 311.76, 0.23%, 0.44%

LAB 43.52, 27.78, -14.32

 

CMYK 40 / 0 / 59 / 38

HEX #609F41

RGB 96 159 65

HSL 100.21, 0.42%, 0.44%

LAB 59.58, -37.73, 41.98

 

CMYK 55 / 0 / 59 / 38

HEX #479F41

RGB 71 159 65

HSL 116.17, 0.42%, 0.44%

LAB 58.53, -45.43, 40.48

 

CMYK 59 / 0 / 48 / 38

HEX #419F53

RGB 65 159 83

HSL 131.49, 0.42%, 0.44%

LAB 58.55, -44.46, 31.44

 

CMYK 59 / 0 / 31 / 38

HEX #419F6D

RGB 65 159 109

HSL 148.09, 0.42%, 0.44%

LAB 59, -39.69, 17.99

 

CMYK 59 / 0 / 16 / 38

HEX #419F86

RGB 65 159 134

HSL 164.04, 0.42%, 0.44%

LAB 59.56, -33.96, 4.79

 

CMYK 59 / 0 / 47 / 61

HEX #296435

RGB 41 100 53

HSL 132.2, 0.42%, 0.28%

LAB 37.56, -30.52, 20.98

 

CMYK 59 / 0 / 47 / 49

HEX #358245

RGB 53 130 69

HSL 132.47, 0.42%, 0.36%

LAB 48.45, -37.7, 26.03

 

CMYK 59 / 0 / 47 / 38

HEX #419F54

RGB 65 159 84

HSL 132.13, 0.42%, 0.44%

LAB 58.56, -44.3, 30.94

 

CMYK 56 / 0 / 45 / 28

HEX #51B866

RGB 81 184 102

HSL 132.23, 0.42%, 0.52%

LAB 67.27, -47.65, 32.79

 

CMYK 44 / 0 / 35 / 23

HEX #6EC480

RGB 110 196 128

HSL 132.56, 0.42%, 0.6%

LAB 72.46, -40.63, 26.26

 

CMYK 60 / 0 / 47 / 37

HEX #41A155

RGB 65 161 85

HSL 132.5, 0.42%, 0.44%

LAB 59.22, -44.95, 31.25

 

CMYK 59 / 24 / 0 / 38

HEX #41799F

RGB 65 121 159

HSL 204.26, 0.42%, 0.44%

LAB 48.64, -6.77, -26

 

CMYK 0 / 59 / 48 / 38

HEX #9F4153

RGB 159 65 83

HSL 348.51, 0.42%, 0.44%

LAB 40.86, 40.72, 9.26

 

CMYK 60 / 0 / 47 / 37

HEX #41A155

RGB 65 161 85

HSL 132.5, 0.42%, 0.44%

LAB 59.22, -44.95, 31.25

 

CMYK 48 / 59 / 0 / 38

HEX #53419F

RGB 83 65 159

HSL 251.49, 0.42%, 0.44%

LAB 34.24, 32.3, -48.74

 

CMYK 0 / 48 / 59 / 38

HEX #9F5341

RGB 159 83 65

HSL 11.49, 0.42%, 0.44%

LAB 44.15, 29.71, 24.64

 

CMYK 60 / 0 / 47 / 37

HEX #41A155

RGB 65 161 85

HSL 132.5, 0.42%, 0.44%

LAB 59.22, -44.95, 31.25

 

CMYK 59 / 24 / 0 / 38

HEX #41799F

RGB 65 121 159

HSL 204.26, 0.42%, 0.44%

LAB 48.64, -6.77, -26

 

CMYK 0 / 59 / 12 / 38

HEX #9F418C

RGB 159 65 140

HSL 312.13, 0.42%, 0.44%

LAB 42.83, 48.32, -23.01

 

CMYK 0 / 36 / 59 / 38

HEX #9F6641

RGB 159 102 65

HSL 23.62, 0.42%, 0.44%

LAB 48.58, 19.05, 30.18

 

CMYK 60 / 0 / 47 / 37

HEX #41A155

RGB 65 161 85

HSL 132.5, 0.42%, 0.44%

LAB 59.22, -44.95, 31.25

 

CMYK 59 / 42 / 0 / 38

HEX #415D9F

RGB 65 93 159

HSL 222.13, 0.42%, 0.44%

LAB 40.34, 10.43, -39.03

 

CMYK 0 / 59 / 12 / 38

HEX #9F418C

RGB 159 65 140

HSL 312.13, 0.42%, 0.44%

LAB 42.83, 48.32, -23.01

 

CMYK 0 / 18 / 59 / 38

HEX #9F8341

RGB 159 131 65

HSL 42.13, 0.42%, 0.44%

LAB 56.07, 2.57, 39.13

 

Description

Color code: HEX #41A155 | qconv.com Color code: HEX #41A155 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 161 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 161 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 47 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 47% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - 推创 | 发现那些奔跑在创业路上的新产品...
Link: http://chuang.tuicool.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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