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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41AE8F it is the complementary color #BE5170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41AE8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41AE8F shade: #46AE8A, #57C09D, #68D2B0, #79E4C3 and #8AF6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41AE8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41AE8F shade: #41AE8F, #309C7C, #1F8A69, #0E7856 and #006643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41AE8F shade: #40AE8F, #40AE71, #40AE54, #4BAE40 and #68AE40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41AE8F shade: #40AE8F, #40AEAD, #4092AE, #4075AE and #4057AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41AE8F shade matches the following richer shades: #40AE8F, #2DC297, #19D5A0 and #06E9A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41AE8F shade: #40AE8F, #549B87, #67887E, #7A7476 and #8E616E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41AE8F shade: #40AE53, #40AE70, #40AE8D, #40AEAB and #4095AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41AE8F shade: #2A725E, #359076, #40AE8F, #57C1A3 and #75CCB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41AE8F shade: #41AE8F, #404BAE and #AE6140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41AE8F shade: #41AE8F, #8D40AE and #AE8D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41AE8F shade: #41AE8F, #404BAE, #AE4061 and #AEA340

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41AE8F shade: #41AE8F, #5640AE, #AE4061 and #98AE40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 18 / 32

HEX #41AE8F

RGB 65 174 143

HSL 162.94, 0.46%, 0.47%

LAB 64.47, -38.58, 6.8

 

Complementary color

CMYK 0 / 57 / 41 / 25

HEX #BE5170

RGB 190 81 112

HSL 342.94, 0.46%, 0.53%

LAB 49.5, 46.78, 4.45

 

CMYK 60 / 0 / 21 / 32

HEX #46AE8A

RGB 70 174 138

HSL 159.23, 0.43%, 0.48%

LAB 64.49, -38.79, 9.63

 

CMYK 55 / 0 / 18 / 25

HEX #57C09D

RGB 87 192 157

HSL 160, 0.45%, 0.55%

LAB 70.98, -38.83, 8.52

 

CMYK 50 / 0 / 16 / 18

HEX #68D2B0

RGB 104 210 176

HSL 160.75, 0.54%, 0.62%

LAB 77.38, -38.78, 7.52

 

CMYK 47 / 0 / 14 / 11

HEX #79E4C3

RGB 121 228 195

HSL 161.5, 0.66%, 0.68%

LAB 83.7, -38.67, 6.58

 

CMYK 44 / 0 / 13 / 4

HEX #8AF6D6

RGB 138 246 214

HSL 162.22, 0.86%, 0.75%

LAB 89.94, -38.53, 5.72

 

CMYK 63 / 0 / 18 / 32

HEX #41AE8F

RGB 65 174 143

HSL 162.94, 0.46%, 0.47%

LAB 64.47, -38.58, 6.8

 

CMYK 69 / 0 / 21 / 39

HEX #309C7C

RGB 48 156 124

HSL 162.22, 0.53%, 0.4%

LAB 57.9, -38.25, 8

 

CMYK 78 / 0 / 24 / 46

HEX #1F8A69

RGB 31 138 105

HSL 161.5, 0.63%, 0.33%

LAB 51.25, -37.64, 9.36

 

CMYK 88 / 0 / 28 / 53

HEX #0E7856

RGB 14 120 86

HSL 160.75, 0.79%, 0.26%

LAB 44.52, -36.57, 10.93

 

CMYK 100 / 0 / 34 / 60

HEX #006643

RGB 0 102 67

HSL 159.41, 1%, 0.2%

LAB 37.68, -34.92, 12.74

 

CMYK 63 / 0 / 18 / 32

HEX #40AE8F

RGB 64 174 143

HSL 163.09, 0.46%, 0.47%

LAB 64.44, -38.76, 6.76

 

CMYK 63 / 0 / 35 / 32

HEX #40AE71

RGB 64 174 113

HSL 146.73, 0.46%, 0.47%

LAB 63.8, -45.42, 22.32

 

CMYK 63 / 0 / 52 / 32

HEX #40AE54

RGB 64 174 84

HSL 130.91, 0.46%, 0.47%

LAB 63.34, -50.42, 36.9

 

CMYK 57 / 0 / 63 / 32

HEX #4BAE40

RGB 75 174 64

HSL 114, 0.46%, 0.47%

LAB 63.46, -50.32, 46.6

 

CMYK 40 / 0 / 63 / 32

HEX #68AE40

RGB 104 174 64

HSL 98.18, 0.46%, 0.47%

LAB 64.63, -41.63, 48.23

 

CMYK 63 / 0 / 18 / 32

HEX #40AE8F

RGB 64 174 143

HSL 163.09, 0.46%, 0.47%

LAB 64.44, -38.76, 6.76

 

CMYK 63 / 0 / 1 / 32

HEX #40AEAD

RGB 64 174 173

HSL 179.45, 0.46%, 0.47%

LAB 65.26, -30.8, -8.72

 

CMYK 63 / 16 / 0 / 32

HEX #4092AE

RGB 64 146 174

HSL 195.27, 0.46%, 0.47%

LAB 56.79, -16.17, -22.1

 

CMYK 63 / 33 / 0 / 32

HEX #4075AE

RGB 64 117 174

HSL 211.09, 0.46%, 0.47%

LAB 48.09, 0.47, -35.6

 

CMYK 63 / 50 / 0 / 32

HEX #4057AE

RGB 64 87 174

HSL 227.45, 0.46%, 0.47%

LAB 39.52, 19.39, -49.25

 

CMYK 63 / 0 / 18 / 32

HEX #40AE8F

RGB 64 174 143

HSL 163.09, 0.46%, 0.47%

LAB 64.44, -38.76, 6.76

 

CMYK 77 / 0 / 22 / 24

HEX #2DC297

RGB 45 194 151

HSL 162.68, 0.62%, 0.47%

LAB 70.44, -48.17, 10.87

 

CMYK 88 / 0 / 25 / 16

HEX #19D5A0

RGB 25 213 160

HSL 163.09, 0.79%, 0.47%

LAB 76.27, -55.27, 14.24

 

CMYK 97 / 0 / 28 / 9

HEX #06E9A8

RGB 6 233 168

HSL 162.82, 0.95%, 0.47%

LAB 82.46, -61.67, 18.67

 

CMYK 63 / 0 / 18 / 32

HEX #40AE8F

RGB 64 174 143

HSL 163.09, 0.46%, 0.47%

LAB 64.44, -38.76, 6.76

 

CMYK 46 / 0 / 13 / 39

HEX #549B87

RGB 84 155 135

HSL 163.1, 0.3%, 0.47%

LAB 59.05, -27.32, 3.57

 

CMYK 24 / 0 / 7 / 47

HEX #67887E

RGB 103 136 126

HSL 161.82, 0.14%, 0.47%

LAB 54.03, -13.83, 1.57

 

CMYK 0 / 5 / 3 / 52

HEX #7A7476

RGB 122 116 118

HSL 340, 0.03%, 0.47%

LAB 49.42, 2.69, -0.28

 

CMYK 0 / 32 / 23 / 44

HEX #8E616E

RGB 142 97 110

HSL 342.67, 0.19%, 0.47%

LAB 46.21, 20.27, 0.06

 

CMYK 63 / 0 / 52 / 32

HEX #40AE53

RGB 64 174 83

HSL 130.36, 0.46%, 0.47%

LAB 63.33, -50.56, 37.38

 

CMYK 63 / 0 / 36 / 32

HEX #40AE70

RGB 64 174 112

HSL 146.18, 0.46%, 0.47%

LAB 63.78, -45.62, 22.84

 

CMYK 63 / 0 / 19 / 32

HEX #40AE8D

RGB 64 174 141

HSL 162, 0.46%, 0.47%

LAB 64.39, -39.25, 7.8

 

CMYK 63 / 0 / 2 / 32

HEX #40AEAB

RGB 64 174 171

HSL 178.36, 0.46%, 0.47%

LAB 65.2, -31.36, -7.69

 

CMYK 63 / 14 / 0 / 32

HEX #4095AE

RGB 64 149 174

HSL 193.64, 0.46%, 0.47%

LAB 57.69, -17.79, -20.71

 

CMYK 63 / 0 / 18 / 55

HEX #2A725E

RGB 42 114 94

HSL 163.33, 0.46%, 0.31%

LAB 43.26, -27.61, 4.49

 

CMYK 63 / 0 / 18 / 44

HEX #359076

RGB 53 144 118

HSL 162.86, 0.46%, 0.39%

LAB 54.04, -33.43, 5.92

 

CMYK 63 / 0 / 18 / 32

HEX #40AE8F

RGB 64 174 143

HSL 163.09, 0.46%, 0.47%

LAB 64.44, -38.76, 6.76

 

CMYK 55 / 0 / 16 / 24

HEX #57C1A3

RGB 87 193 163

HSL 163.02, 0.46%, 0.55%

LAB 71.43, -37.88, 5.9

 

CMYK 43 / 0 / 12 / 20

HEX #75CCB3

RGB 117 204 179

HSL 162.76, 0.46%, 0.63%

LAB 76.21, -32.14, 4.28

 

CMYK 63 / 0 / 18 / 32

HEX #41AE8F

RGB 65 174 143

HSL 162.94, 0.46%, 0.47%

LAB 64.47, -38.58, 6.8

 

CMYK 63 / 57 / 0 / 32

HEX #404BAE

RGB 64 75 174

HSL 234, 0.46%, 0.47%

LAB 36.33, 27.16, -54.41

 

CMYK 0 / 44 / 63 / 32

HEX #AE6140

RGB 174 97 64

HSL 18, 0.46%, 0.47%

LAB 49.4, 28.13, 32.2

 

CMYK 63 / 0 / 18 / 32

HEX #41AE8F

RGB 65 174 143

HSL 162.94, 0.46%, 0.47%

LAB 64.47, -38.58, 6.8

 

CMYK 19 / 63 / 0 / 32

HEX #8D40AE

RGB 141 64 174

HSL 282, 0.46%, 0.47%

LAB 41.82, 50.41, -45.15

 

CMYK 0 / 19 / 63 / 32

HEX #AE8D40

RGB 174 141 64

HSL 42, 0.46%, 0.47%

LAB 60.27, 3.59, 44.81

 

CMYK 63 / 0 / 18 / 32

HEX #41AE8F

RGB 65 174 143

HSL 162.94, 0.46%, 0.47%

LAB 64.47, -38.58, 6.8

 

CMYK 63 / 57 / 0 / 32

HEX #404BAE

RGB 64 75 174

HSL 234, 0.46%, 0.47%

LAB 36.33, 27.16, -54.41

 

CMYK 0 / 63 / 44 / 32

HEX #AE4061

RGB 174 64 97

HSL 342, 0.46%, 0.47%

LAB 43.55, 47.72, 4.72

 

CMYK 0 / 6 / 63 / 32

HEX #AEA340

RGB 174 163 64

HSL 54, 0.46%, 0.47%

LAB 66.18, -8.31, 51.3

 

CMYK 63 / 0 / 18 / 32

HEX #41AE8F

RGB 65 174 143

HSL 162.94, 0.46%, 0.47%

LAB 64.47, -38.58, 6.8

 

CMYK 51 / 63 / 0 / 32

HEX #5640AE

RGB 86 64 174

HSL 252, 0.46%, 0.47%

LAB 35.4, 38.09, -55.82

 

CMYK 0 / 63 / 44 / 32

HEX #AE4061

RGB 174 64 97

HSL 342, 0.46%, 0.47%

LAB 43.55, 47.72, 4.72

 

CMYK 13 / 0 / 63 / 32

HEX #98AE40

RGB 152 174 64

HSL 72, 0.46%, 0.47%

LAB 67.51, -23.33, 52.2

 

Description

Color code: HEX #41AE8F | qconv.com Color code: HEX #41AE8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 174 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 174 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 18 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 18% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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