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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C6EC it is the complementary color #BE3913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C6EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C6EC shade: #46C6E7, #57D8FA, #68EAFF, #79FCFF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C6EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C6EC shade: #41C6EC, #30B4D9, #1FA2C6, #0E90B3 and #007EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C6EC shade: #40C6EC, #4097EC, #4069EC, #4640EC and #7440EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C6EC shade: #40C6EC, #4097EC, #4069EC and #4040EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C6EC shade matches the following richer shades: #40C6EC and #2FCFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C6EC shade: #40C6EC, #51BCDB, #62B3CA, #73A9B9 and #84A0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C6EC shade: #40ECB5, #40ECE3, #40C7EC, #4099EC and #406BEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C6EC shade: #139EC6, #1BBAE8, #40C6EC, #66D1EF and #8BDCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C6EC shade: #41C6EC, #8840EC and #ECCC40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C6EC shade: #41C6EC, #EC40C7 and #C7EC40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C6EC shade: #41C6EC, #8840EC, #EC6540 and #A4EC40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C6EC shade: #41C6EC, #BB40EC, #EC6540 and #71EC40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 16 / 0 / 7

HEX #41C6EC

RGB 65 198 236

HSL 193.33, 0.82%, 0.59%

LAB 74.55, -23.54, -29.15

 

Complementary color

CMYK 0 / 70 / 90 / 25

HEX #BE3913

RGB 190 57 19

HSL 13.33, 0.82%, 0.41%

LAB 44.12, 51.61, 50.01

 

CMYK 70 / 14 / 0 / 9

HEX #46C6E7

RGB 70 198 231

HSL 192.3, 0.77%, 0.59%

LAB 74.48, -24.46, -26.55

 

CMYK 65 / 14 / 0 / 2

HEX #57D8FA

RGB 87 216 250

HSL 192.52, 0.94%, 0.66%

LAB 80.76, -25.25, -27.08

 

CMYK 59 / 8 / 0 / 0

HEX #68EAFF

RGB 104 234 255

HSL 188.34, 1%, 0.7%

LAB 86.51, -29.83, -20.93

 

CMYK 53 / 1 / 0 / 0

HEX #79FCFF

RGB 121 252 255

HSL 181.34, 1%, 0.74%

LAB 92.09, -35.22, -12.49

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 72 / 16 / 0 / 7

HEX #41C6EC

RGB 65 198 236

HSL 193.33, 0.82%, 0.59%

LAB 74.55, -23.54, -29.15

 

CMYK 78 / 17 / 0 / 15

HEX #30B4D9

RGB 48 180 217

HSL 193.14, 0.69%, 0.52%

LAB 68.23, -22.37, -28.58

 

CMYK 84 / 18 / 0 / 22

HEX #1FA2C6

RGB 31 162 198

HSL 192.93, 0.73%, 0.45%

LAB 61.83, -20.88, -27.94

 

CMYK 92 / 20 / 0 / 30

HEX #0E90B3

RGB 14 144 179

HSL 192.73, 0.85%, 0.38%

LAB 55.37, -18.98, -27.21

 

CMYK 100 / 21 / 0 / 37

HEX #007EA0

RGB 0 126 160

HSL 192.75, 1%, 0.31%

LAB 48.83, -16.62, -26.39

 

CMYK 73 / 16 / 0 / 7

HEX #40C6EC

RGB 64 198 236

HSL 193.26, 0.82%, 0.59%

LAB 74.53, -23.66, -29.19

 

CMYK 73 / 36 / 0 / 7

HEX #4097EC

RGB 64 151 236

HSL 209.65, 0.82%, 0.59%

LAB 61.03, 1.95, -50.27

 

CMYK 73 / 56 / 0 / 7

HEX #4069EC

RGB 64 105 236

HSL 225.7, 0.82%, 0.59%

LAB 48.57, 30.08, -70.27

 

CMYK 70 / 73 / 0 / 7

HEX #4640EC

RGB 70 64 236

HSL 242.09, 0.82%, 0.59%

LAB 39.62, 55.14, -84.91

 

CMYK 51 / 73 / 0 / 7

HEX #7440EC

RGB 116 64 236

HSL 258.14, 0.82%, 0.59%

LAB 43.41, 60.71, -78.54

 

CMYK 73 / 16 / 0 / 7

HEX #40C6EC

RGB 64 198 236

HSL 193.26, 0.82%, 0.59%

LAB 74.53, -23.66, -29.19

 

CMYK 73 / 36 / 0 / 7

HEX #4097EC

RGB 64 151 236

HSL 209.65, 0.82%, 0.59%

LAB 61.03, 1.95, -50.27

 

CMYK 73 / 56 / 0 / 7

HEX #4069EC

RGB 64 105 236

HSL 225.7, 0.82%, 0.59%

LAB 48.57, 30.08, -70.27

 

CMYK 73 / 73 / 0 / 7

HEX #4040EC

RGB 64 64 236

HSL 240, 0.82%, 0.59%

LAB 39.26, 54.6, -85.52

 

CMYK 73 / 16 / 0 / 7

HEX #40C6EC

RGB 64 198 236

HSL 193.26, 0.82%, 0.59%

LAB 74.53, -23.66, -29.19

 

CMYK 81 / 18 / 0 / 1

HEX #2FCFFD

RGB 47 207 253

HSL 193.4, 0.98%, 0.59%

LAB 77.47, -24.45, -33.8

 

CMYK 73 / 16 / 0 / 7

HEX #40C6EC

RGB 64 198 236

HSL 193.26, 0.82%, 0.59%

LAB 74.53, -23.66, -29.19

 

CMYK 63 / 14 / 0 / 14

HEX #51BCDB

RGB 81 188 219

HSL 193.48, 0.66%, 0.59%

LAB 71.44, -21.39, -24.67

 

CMYK 51 / 11 / 0 / 21

HEX #62B3CA

RGB 98 179 202

HSL 193.27, 0.5%, 0.59%

LAB 68.82, -18.45, -19.3

 

CMYK 38 / 9 / 0 / 27

HEX #73A9B9

RGB 115 169 185

HSL 193.71, 0.33%, 0.59%

LAB 66.15, -13.62, -13.85

 

CMYK 21 / 5 / 0 / 34

HEX #84A0A8

RGB 132 160 168

HSL 193.33, 0.17%, 0.59%

LAB 64.06, -7.88, -7.39

 

CMYK 73 / 0 / 23 / 7

HEX #40ECB5

RGB 64 236 181

HSL 160.81, 0.82%, 0.59%

LAB 84.18, -55.73, 14.4

 

CMYK 73 / 0 / 4 / 7

HEX #40ECE3

RGB 64 236 227

HSL 176.86, 0.82%, 0.59%

LAB 85.32, -44.21, -8.1

 

CMYK 73 / 16 / 0 / 7

HEX #40C7EC

RGB 64 199 236

HSL 192.91, 0.82%, 0.59%

LAB 74.82, -24.17, -28.74

 

CMYK 73 / 35 / 0 / 7

HEX #4099EC

RGB 64 153 236

HSL 208.95, 0.82%, 0.59%

LAB 61.59, 0.78, -49.38

 

CMYK 73 / 55 / 0 / 7

HEX #406BEC

RGB 64 107 236

HSL 225, 0.82%, 0.59%

LAB 49.08, 28.83, -69.44

 

CMYK 90 / 20 / 0 / 22

HEX #139EC6

RGB 19 158 198

HSL 193.41, 0.82%, 0.43%

LAB 60.49, -19.53, -30.03

 

CMYK 88 / 20 / 0 / 9

HEX #1BBAE8

RGB 27 186 232

HSL 193.46, 0.82%, 0.51%

LAB 70.3, -22.07, -33.59

 

CMYK 73 / 16 / 0 / 7

HEX #40C6EC

RGB 64 198 236

HSL 193.26, 0.82%, 0.59%

LAB 74.53, -23.66, -29.19

 

CMYK 57 / 13 / 0 / 6

HEX #66D1EF

RGB 102 209 239

HSL 193.14, 0.81%, 0.67%

LAB 78.84, -22.43, -24.1

 

CMYK 43 / 9 / 0 / 5

HEX #8BDCF3

RGB 139 220 243

HSL 193.27, 0.81%, 0.75%

LAB 83.52, -18.93, -19

 

CMYK 72 / 16 / 0 / 7

HEX #41C6EC

RGB 65 198 236

HSL 193.33, 0.82%, 0.59%

LAB 74.55, -23.54, -29.15

 

CMYK 42 / 73 / 0 / 7

HEX #8840EC

RGB 136 64 236

HSL 265.12, 0.82%, 0.59%

LAB 45.58, 63.79, -74.92

 

CMYK 0 / 14 / 73 / 7

HEX #ECCC40

RGB 236 204 64

HSL 48.84, 0.82%, 0.59%

LAB 82.59, -3.03, 69.78

 

CMYK 72 / 16 / 0 / 7

HEX #41C6EC

RGB 65 198 236

HSL 193.33, 0.82%, 0.59%

LAB 74.55, -23.54, -29.15

 

CMYK 0 / 73 / 16 / 7

HEX #EC40C7

RGB 236 64 199

HSL 312.91, 0.82%, 0.59%

LAB 57.68, 77.07, -33.7

 

CMYK 16 / 0 / 73 / 7

HEX #C7EC40

RGB 199 236 64

HSL 72.91, 0.82%, 0.59%

LAB 88.21, -33.86, 74.19

 

CMYK 72 / 16 / 0 / 7

HEX #41C6EC

RGB 65 198 236

HSL 193.33, 0.82%, 0.59%

LAB 74.55, -23.54, -29.15

 

CMYK 42 / 73 / 0 / 7

HEX #8840EC

RGB 136 64 236

HSL 265.12, 0.82%, 0.59%

LAB 45.58, 63.79, -74.92

 

CMYK 0 / 57 / 73 / 7

HEX #EC6540

RGB 236 101 64

HSL 12.91, 0.82%, 0.59%

LAB 59.44, 50.04, 46.16

 

CMYK 31 / 0 / 73 / 7

HEX #A4EC40

RGB 164 236 64

HSL 85.12, 0.82%, 0.59%

LAB 86.13, -47.01, 71.47

 

CMYK 72 / 16 / 0 / 7

HEX #41C6EC

RGB 65 198 236

HSL 193.33, 0.82%, 0.59%

LAB 74.55, -23.54, -29.15

 

CMYK 21 / 73 / 0 / 7

HEX #BB40EC

RGB 187 64 236

HSL 282.91, 0.82%, 0.59%

LAB 52.16, 72.82, -63.92

 

CMYK 0 / 57 / 73 / 7

HEX #EC6540

RGB 236 101 64

HSL 12.91, 0.82%, 0.59%

LAB 59.44, 50.04, 46.16

 

CMYK 52 / 0 / 73 / 7

HEX #71EC40

RGB 113 236 64

HSL 102.91, 0.82%, 0.59%

LAB 83.9, -63.13, 68.51

 

Description

Color code: HEX #41C6EC | qconv.com Color code: HEX #41C6EC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 198 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 198 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 16 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 16% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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